Knowledge (XXG)

Alexander Nevsky (Prokofiev)

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now, after the 'Charge of the Crusaders', an added section depicting the commencement of fighting between the Livonian knights and the Russian defenders, with some additional Latin text ("Vincant arma crucifera! Hostis pereat!") 'The Battle on the Ice' now concludes with a quiet and poignant instrumental repeat of the "In our native Rus'" theme from "Arise, Russian People!". In 'The Field of the Dead', the first stanza, which is instrumental in the film score, now has an added vocal part ("I shall go over the white field") for the soloist. 'Alexander's Entry into Pskov' gains a new passage ("Rejoice, sing, mother Rus'!") depicting the people's celebration, with glockenspiel, xylophone, and harp accompaniment. Two more repetitions of "In our native Rus'" are added to 'Alexander's Entry into Pskov', one combined with the end of 'The Skomorokhi', and one following it, leading to the final stanza based on 'Song about Alexander Nevsky'.
1827:«После того, как фильм появился на экране, у меня возникло желание использовать музыку для симфонического произведения с хором. Это была нелегкая работа, и для того, чтобы сделать из этой музыки кантату, мне пришлось затратить гораздо более трудов, чем при первоначальном сочинении ее для фильма. Прежде всего требовалось подвести под нее чисто музыкальные основания, построить согласно музыкальной формы, развить ее чисто симфонически, затем все наново переоркестровать, ибо оркестровка симфоническая совсем другого порядка, чем оркестровка для фильма. Несмотря на мое старание подходить к музыке во время этой второй моей работы с чисто симфонической точки зрения, в ней остался известный элемент живописности, идущий от фильма и Эйзенштейна.» 4531: 1819:
arranged in accord with the logic of musical form, with purely symphonic development, and then completely reorchestrated—since scoring for orchestra is of an entirely different than scoring for a film. Despite my effort this second time around to approach the music from an exclusively symphonic perspective, the pictorial element from Eisenstein's film obviously remained. (22 March 1942)
2400:... In 1986, realizing that the Cantata contained virtually all the musical ideas of the film, I considered the possibility of overcoming the limitations of the original soundtrack by finding a way to perform this most monumental of all film scores with a full symphony orchestra and chorus accompanying the film in the concert hall. Crucial to the approach was that in the Cantata we had 4543: 4570: 2332:. Dr. Kerr believes Prokofiev may have felt a temptation to put the words of his rival into the mouths of the one-dimensional Teutonic villains of Eisenstein's film. This explanation has been accepted by the BBC: "Even their words are gibberish, with Prokofiev rather mischievously creating them by chopping up Latin texts from Stravinsky’s 2263: 22: 2211:), Prokofiev's initial intention was to use genuine 13th century church music; however, the examples he found in the Moscow Conservatoire sounded so cold, dull and alien to the 20th century ear that he abandoned the idea and instead composed an original theme "better suited to our modern conception" to evoke the brutality of the 2225: 2282: 1857:
Numbers broken into two cues by dialogue, such as 'Song about Alexander Nevsky' and 'The Field of the Dead', have their respective parts joined together. 'Rus' under the Mongol Yoke' now concludes with a repeat of the opening passage, possibly taken from 'Alexander Nevsky's Camp', giving the movement
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At the time the Brohn version was written, Prokofiev's original manuscripts of the film score were unavailable for study. Brohn transcribed the score, using the orchestration of the cantata as a model. Music not present in the cantata was transcribed by ear from the film. With special attention paid
1864:'The Ice Breaks', which depicts the crusaders perishing, consisting in the film score of percussive sound effects, is now replaced by a substantial section of new music (the Brohn version of the film score uses this and the new introduction to "Arise, Russian People!" as an opening credits prelude). 1004:
stating the location of the action, or, in the case of the 'Battle on the Ice', the date—'5 April 1242'. The table below shows the scenes and cues with the musical numbers (or accompanying action) they contain. The numbers were not named by Prokofiev (except those used in the cantata), but are
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Despite these many modifications, the order of events and music changes hardly at all, and the best music is not only preserved, but improved by larger instrumental forces, richer orchestration, added choral accompaniments, greater dynamic contrasts, and, obviously, greater continuity. Furthermore,
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The 'Song about Alexander Nevsky' gains a new third stanza ("Where the axe was swung, there was a street"). "Arise, Russian People!" gains a new introduction consisting of loud woodwind and brass chords, clanging bells, xylophone glissandi, and plucked strings. In 'The Battle on the Ice', there is
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bell tolling from the Novgorod and Pskov scenes. The 'Horn Call of the Crusaders' is no longer played as a free standing brass number, but is now combined with other themes as part of the orchestral texture. 'The Crusaders' Camp', being a repeat of the "Peregrinus expectavi" theme, is omitted. Two
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A motive for this nonsensical parody may be found in the lifelong rivalry between the two Russian composers, specifically in the younger man (Prokofiev's) dismissal of Stravinsky's idiom as backward-looking "pseudo-Bachism", and his disdain for Stravinsky's choice to remain in western Europe, in
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About half the choral repetitions of stanzas of "Arise, Russian People!" are cut, as are all of the instrumental versions. The 'Charge of the Crusaders' is condensed, losing about half its length. The 'Duel' is greatly shortened (only the first 12 measures are preserved), and moved to an earlier
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significant numbers featuring themes not presented elsewhere, 'Spears and Arrows' and all iterations of 'The Prisoners', are not included. Iterations of 'The Fallen' are omitted, perhaps because they are a restatement of the theme "I shall go over the white field" from 'The Field of the Dead'.
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Once the film made it to the screen I had the desire to rework the music for symphonic orchestra and chorus. To create a cantata out of the music wasn't easy; I ended up expending much more labor on it than the original film. I first needed to provide it with an exclusively musical foundation,
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Although the Brohn version is not technically the film score as composed by Prokofiev, it is a brilliantly successful substitute for the original soundtrack for live performances by a full symphony orchestra accompanying showings of the film. There is little in the arrangement that is not by
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is a disaster. Ironically, the best film score ever written is probably the worst soundtrack ever recorded. The intonation of the instruments and of the chorus is sad, and the frequency range is limited to 5,000 Herz (as opposed to an industry standard of 20,000 Hz). This in the period when
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had orchestrated his score for a small recording studio orchestra, intending to achieve orchestral balances through miking techniques... However, partly because of Prokofiev's intent to experiment with the new soundstage recording techniques, the soundtrack for
1870:
The 'Finale' of the film score, rather perfunctorily performed by a modest studio orchestra without chorus, is, in the cantata, enlarged and transformed into a massive and glittering 'Final Chorus' with prominent brass and percussion section accompaniment.
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The great popularity of Eisenstein's film, which was released on 1 December 1938, may have prompted Prokofiev to create a concert version of the music in the winter of 1938–39. He condensed the 27 film score cues into a seven-movement cantata for
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Prokofiev employed different sections of the orchestra, as well as different compositional styles, to evoke the necessary imagery. For instance, the Teutonic Knights (seen as the adversary) are represented by heavy brass instruments, playing
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in 'The Crusaders in Pskov', 'The Battle on the Ice', and 'Alexander's Entry into Pskov', Prokofiev indulges in more frequent juxtaposition and overlap of themes, resulting in greater rhythmic complexity and some jarring dissonances.
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Prokofiev. However, it is more accurate to say that this arrangement is a "hybrid" of the film score and the cantata, allowing the audience the opportunity to enjoy the film score cues using the expanded sound values of the cantata.
2404:. If we could work out the technical issues, we could achieve a completely authentic re-creation of the film score which would allow audiences to hear what Prokofiev heard when he saw the magnificent images created by Eisenstein. 1928:
The world premiere of the cantata took place on 17 May 1939. Sergei Prokofiev conducted the Moscow Philharmonic Orchestra and Chorus in the Great Hall of the Moscow Conservatory, with soloist Varvara Gagarina (mezzo-soprano).
2414:, we can witness the extraordinary visual imagination of Prokofiev captured in a soundtrack recording of what is probably the greatest film score ever written, in the authentic and unmistakable musical hand of its author." 2374:
that could replace the widely derided original soundtrack in showings of the film accompanied by a live symphony orchestra. Producer John Goberman provides the following details concerning the genesis of the Brohn version:
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contains 27 cues. The original working titles of the cues in Prokofiev's manuscripts are listed in the table below. The list appears to be incomplete, and the titles themselves are not particularly descriptive.
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I engaged the brilliant orchestrator (and my good friend) Bill Brohn to use the cantata to re-create the film score, both of us committed to the authenticity of the project from the beginning.
3311: 4163: 2123: 2245:": The fifth (and longest) movement is arguably the climax of the cantata. It represents the final clash between Nevsky's forces and the Teutonic Knights on the frozen surface of 4497: 1814:
There are many changes in the cantata. Prokofiev remarked to sound engineer Boris Volskiy: "Sometimes it is easier to write a whole new piece than solder one together."
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The concert premiere of the complete original film score, as reconstructed by Frank Strobel, took place on 16 October 2003, accompanied by a showing of the film at the
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is another) of film music that has found a permanent place in the standard repertoire, and has also remained one of the most renowned cantatas of the 20th century.
2279:"Alexander's Entry into Pskov": The seventh and final movement (B-flat) echoes the second movement in parts, and recalls Alexander's triumphant return to Pskov. 211: 2121: 3696: 4610: 3859: 3714: 3249: 3520: 471:
The table can be sorted by clicking on the buttons in the title bar. The default sequence can be restored by refreshing the browser (press F5).
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According to Prokofiev, "the Teutonic knights sing Catholic psalms as they march into battle." In 1994, Dr. Morag G. Kerr, a soprano with the
4605: 3420: 446:(e.g., bells), or strings of these, forming continuous stretches of music with little or no intervening dialogue. The finished soundtrack of 3118: 4615: 468:, the publisher of the restored original film score. This order of the cues does not appear to represent the sequence used in the film. 2249:
in 1242. The quietly ominous beginning (representing dawn on the day of battle) is contrasted by the jarring middle section, which is
4265: 4260: 956:) refers to two passages, one in 'The Battle on the Ice', cue 16, and one in the final scene in Pskov, cue 26, that depict a group of 1833:
Although some 15 minutes of music from the film score are omitted, the cuts mainly consist of repetitions, fragments and soundscape.
162:(1936). Prokofiev was heavily involved not just with the composition, but with the recording as well. He experimented with different 4270: 4170: 4013: 4008: 3647: 3516: 3407: 3335: 2260:
of a girl seeking her lost lover, as well as kissing the eyelids of all the dead. The vocal solo is performed by a mezzo-soprano.
4235: 4230: 3989: 3984: 3972: 3967: 3962: 3951: 466: 4356: 4245: 4240: 4138: 2624: 238: 158: 4434: 4351: 4340: 4329: 4324: 4319: 4314: 4309: 4304: 4299: 3689: 385: 4131: 152: 121: 4191: 4124: 4023: 3824: 2583: 2083: 953: 389: 179: 130: 4560: 2344:, but is possibly a pun on the first letters of Stravinsky's surname in Latin characters (Prokofiev enjoyed such games). 2285: 2266: 2228: 2186: 2151: 85:, and his subsequent victory over the crusaders in 1242. The majority of the score's song texts were written by the poet 4417: 4028: 3845: 3166: 2929: 2717: 2336:
and then randomly stringing them together". In the 'Battle on the Ice', the Latin phrase Prokofiev concocted ends with
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to tempos, a 1993 recording of this version was matched to a new edition of the film, which was released in 1995.
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The Latin text devised by Prokofiev for the Livonian knights appears at first sight to be random and meaningless:
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The fourth and fifth columns give the German titles and their sequence as provided by Musikverlage Hans Sikorski
187: 4255: 4250: 4057: 3771: 3005: 2440: 3642:, compiled by S. Shlifstein, translated by Rose Prokofieva. Honolulu: University Press of the Pacific, 2000, 3378: 3511:, compiled by S. Shlifstein, translated by Rose Prokofieva (Honolulu: University Press of the Pacific, 2000, 4099: 4051: 3785: 3757: 3743: 2839: 2748: 2712: 61: 4595: 4574: 4425: 3852: 3817: 2878: 2873: 2687: 2575: 2079: 1952: 1937: 1197: 381: 4476: 4409: 4184: 3831: 3778: 3215: 2807: 2485: 1997: 969: 949: 286: 248:
The Russian premiere of the restored film score took place on 27 November 2004 at the Bolshoi Theatre.
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The first recording of the film score reconstructed from the original manuscripts was made in 2003 by
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The table above (under "Film score") shows the cues and numbers omitted from the cantata. There is no
4381: 3559: 2783: 2393: 1956: 4375: 4220: 3199: 2979: 2367: 2315: 1005:
merely descriptive tags used here to help identify musical themes that repeat in two or more cues.
973: 3424: 4486: 4481: 4471: 4177: 4085: 3194: 2775: 2328: 2288: 2269: 2231: 2189: 2177: 2154: 1182: 234: 86: 3671:, the journal of the Sergei Prokofiev Foundation, on the radio version of the Nevsky soundtrack. 3161: 4466: 4388: 3736: 3729: 3643: 3543: 3512: 3403: 3343: 3284: 3095: 3065: 2834: 2628: 2242: 1933: 1307: 1089: 1055: 242: 70: 56: 25: 4461: 4071: 3705: 3306: 3267:
RCA Victor, also available on VHS and Laserdisc versions of the film released the same year
3057: 2974: 2957: 2901: 2802: 2212: 2165: 2145:. It is meant to evoke an image of destruction, as brought to Rus' by the invading Mongols. 175: 167: 82: 78: 52: 39: 2318:, was the first to notice that the words are indeed from the Psalms, specifically from the 3665: 3280: 3244: 2985: 2924: 2847: 2815: 2505: 2323: 2222:) represents a call to arms for the people of Russia. It is composed with folk overtones. 2017: 739: 314: 302: 227: 194:-like instruments such as woodwind and strings, often playing quasi-folksong style music. 190:
notes in a martial style. The sympathetic Russian forces are represented predominantly by
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Eisenstein, Prokofiev, and Lugovskoy later collaborated again on another historical epic,
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and choral groups were recorded in different studios and the separate pieces were later
4508: 4503: 4491: 4456: 3838: 3803: 3617: 3275: 3112: 3029: 2949: 2753: 2682: 2660: 1948: 1255: 439: 310: 66: 1681:, chorus and orchestra lasting approximately 40 minutes. It is structured as follows: 4584: 3289: 3228: 2695: 2620: 2608: 2587: 2513: 2501: 2208: 2138: 2087: 2025: 2013: 1941: 1932:
The first American performance took place on 7 March 1943 in an NBC Radio broadcast.
427: 397: 348: 322: 306: 203: 108: 170:, for instance, were played close enough to the microphones to produce a crackling, 3764: 3137: 3040: 2739: 2591: 2551: 2493: 2219: 2169: 2095: 2005: 1896: 977: 684: 294: 210:
with the cooperation of the Glinka State Central Museum of Musical Culture and the
2907: 2522: 2472: 2246: 2034: 1984: 1919:, cantata for mezzo-soprano, mixed chorus, and orchestra, Op. 78, Muzgiz, Moscow 1001: 985: 680: 332: 273: 93: 3082: 2567: 2547: 2071: 2059: 443: 377: 365: 191: 171: 166:
distances in order to achieve the desired sound. Horns meant to represent the
163: 65:. The subject of the film is the 13th century incursion of the knights of the 48: 4198: 2595: 2555: 2250: 2128:
Video of a performance of "Song About Alexander Nevsky", second movement of
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in 1240. Alexander received the name 'Nevsky' ("of the Neva") in tribute.
2530: 2509: 2497: 2042: 2021: 2009: 1208: 965: 344: 318: 298: 4542: 2256:"The Field of the Dead": Composed in C minor, the sixth movement is the 458:
correspond. The original Russian titles are provided by Kevin Bartig in
214:(RGALI). The score is published by Musikverlage Hans Sikorski, Hamburg. 2543: 2526: 2481: 2319: 2200: 2142: 2055: 2038: 1993: 361: 336: 282: 97: 2571: 2559: 2460: 2257: 2173: 2132:
cantata. Performers: St Matthew's Concert Choir. length: 2 min 54 sec
2091: 2075: 2067: 1972: 961: 401: 373: 340: 261: 462:, where they are not numbered, but are grouped by thematic content. 3674: 21: 3810: 2579: 2468: 2464: 2204: 2118: 2001: 1980: 1976: 1109: 981: 593: 418: 269: 265: 112: 74: 20: 2604: 2563: 2534: 2489: 2348:
contrast to Prokofiev's own return to Stalinist Russia in 1935.
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The American concert premiere took place on 23 March 1945, when
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The first column represents the cue numbers to which the titles
414: 405: 352: 290: 3678: 1910:"It Happened on the Neva River" ('Song about Alexander Nevsky') 1011:: A gray background indicates numbers omitted in the cantata. 442:, background music, music fragments (e.g., fanfares), musical 2172:) represents Prince Alexander Yaroslavich's victory over the 4164:
Cantata for the 20th Anniversary of the October Revolution
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Part 1 (1944) and Part 2 (1946, Eisenstein's last film).
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Composing for the Red Screen: Prokofiev and Soviet Film
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The score of Alexander Nevsky is published by Schirmer,
2410:... So here, more than 50 years after the conception of 1641:"To the living fighter esteem and honor": 7, 10, 15, 19 2431:
The Brohn version premiered on 3 November 1987 at the
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The performance duration is approximately 55 minutes.
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The score was Prokofiev's third for a film, following
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position, alternating briefly with 'The Skomorokhi'.
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Three Pieces & Six Pieces & Ten Pieces from
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Sergei Prokofiev, "Can There Be an End to Melody?",
3421:"About the piece: Cantata, Alexander Nevsky, Op. 78" 3062:
Danish National Radio Symphony Orchestra and Chorus
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Lina and Serge: The Love and Wars of Lina Prokofiev
4449: 4368: 4292: 4285: 4208: 4148: 4109: 4044: 4001: 3944: 3937: 3869: 3795: 3721: 2887:His Master's Voice ASD 2800, Angel Records S-36843 1683: 1013: 3507:magazine (1939), translation in Sergei Prokofiev, 2141:Yoke": The opening movement begins slowly, and in 1907:"Answer, Bright Falcons" ('The Field of the Dead') 3460: 3458: 3448: 3446: 3444: 3442: 3254:Chorus of the Saint Petersburg Teleradio Company, 2447:, with soloist Christine Cairns (mezzo-soprano). 2357:Film score reconstruction by William Brohn (1987) 1656:"I shall go over the white field": 20, 21, 22, 24 960:. The group appears to be composed of players of 4515:Shostakovich v. Twentieth Century-Fox Film Corp. 1647:"The enemy shall not occupy Rus'": 7, 10, 15, 19 1616:The following themes occur in two or more cues. 3613:. Notes to RCA Red Seal CD 09026-61926-2, 1995 2309:"Peregrinus expectavi, pedes meos in cymbalis" 3690: 3633:The People's Artist: Prokofiev's Soviet Years 1623:"It happened on the Neva River": 2, 3, 22, 27 241:and the Ernst Senff Chor, with mezzo-soprano 8: 3541:Morag G. Kerr, "Prokofiev and His Cymbals", 3655:, Hamburg: Musikverlage Hans Sikorski, 2015 3379:"Warhol, Prokofiev, Eisenstein y la música" 1632:'Horn Call of the Crusaders': 6, 14, 16, 19 1629:'He Who Died a Noble Death for Rus'': 6, 20 212:Russian State Archive of Literature and Art 4289: 3941: 3697: 3683: 3675: 473: 4052:Sinfonietta in A major (orig. & rev.) 3635:. New York: Oxford University Press, 2009 3606:, New York: Oxford University Press, 2013 2665:Russian State Radio Orchestra and Chorus 1644:"In our native Rus'": 7, 8, 9, 10, 22, 25 3499: 3497: 3491:Prokofiev: Werkverzeichnis (2015: p. 29) 3464:Prokofiev: Werkverzeichnis (2015: p. 30) 3452:Prokofiev: Werkverzeichnis (2015: p. 28) 3261:Yevgeniya Gorokhovskaya (mezzo-soprano) 2633: 2218:"Arise, Russian People": This movement ( 1955:and the Westminster Choir, with soloist 1940:and the Westminster Choir, with soloist 4565: 3562:by Daniel Jaffe, 29 July 2006, page 17] 3369: 3250:Saint Petersburg Philharmonic Orchestra 1000:The film is divided into 9 'scenes' by 426:: 2 horns, tierhorn, 2 trumpets, tenor 4024:Symphony-Concerto for Cello in E minor 3640:Autobiography, Articles, Reminiscences 3509:Autobiography, Articles, Reminiscences 3258:Saint Petersburg Chorus Capella "LIK" 2941:Mobile Fidelity Sound Lab UDSACD 4009 2954:London Symphony Orchestra and Chorus 2668:Lyudmila Legostayeva (mezzo-soprano) 1635:"Peregrinus expectavi": 6, 11, 14, 16 226:premiered on 23 November 1938 at the 7: 3377:González Cueto, Irene (2016-05-23). 2966:Deutsche Grammophon 0289-447-4192-6 206:reconstructed the original score of 4320:No. 5 in C major (orig. & rev.) 3256:Chamber Chorus of Saint Petersburg, 1318:Awaiting the Enemy at Raven's Rock 1173:He Who Died a Noble Death for Rus' 1133:He Who Died a Noble Death for Rus' 96:the music of the film score as the 16:1938 film score by Sergei Prokofiev 2723:Ana Maria Iriarte (mezzo-soprano) 14: 4261:Sonata for Two Violins in C major 3653:Sergei Prokofiev: Werkverzeichnis 3532:Morrison (2009: pp. 228–229, 448) 3336:Rundfunk-Sinfonieorchester Berlin 3119:Orchestre symphonique de Montréal 3015:Christine Cairns (mezzo-soprano) 2935:Claudine Carlson (mezzo-soprano) 1891:1939, 'Three songs from the film 119:. It is one of the few examples ( 4611:Films scored by Sergei Prokofiev 4568: 4541: 4530: 4529: 4014:Violin Concerto No. 2 in G minor 4009:Violin Concerto No. 1 in D major 3319:Irina Gelakhova (mezzo-soprano) 3312:Russian State Symphony Orchestra 3148:Mariana Paunova (mezzo-soprano) 517:"It happened on the Neva River" 111:but not in fact in that range), 3129:Decca London Records 430 506-2 2625:Berlin Radio Symphony Orchestra 1638:"Arise, Russian people!": 7, 10 239:Berlin Radio Symphony Orchestra 73:, their capture of the city of 3175:Janice Taylor (mezzo-soprano) 514:«А, и было дело на Неве-реке» 1: 3104:Teldec Classics 9031-73284-2 2762:RCA Victor Red Seal LSC-2395 2704:Columbia Masterworks ML 4247 2402:Prokofiev's own orchestration 1805:Alexander's Entry into Pskov 1792:Contralto soloist, orchestra 1626:'The Crusaders': 5, 6, 14, 16 1285:(Rus' under the Mongol Yoke) 4606:Cantatas by Sergei Prokofiev 4029:Cello Concertino in G minor 3860:The Tale of the Stone Flower 3167:Milwaukee Symphony Orchestra 2930:St. Louis Symphony Orchestra 2824:Columbia Masterworks MS 6306 2718:Vienna State Opera Orchestra 2463: I & II, 2284: 2265: 2227: 2185: 2150: 1975: I & II, 1725:Song about Alexander Nevsky 1722:Песня об Александре Невском 1599:Song about Alexander Nevsky 1530:Song about Alexander Nevsky 1506:Song about Alexander Nevsky 1070:Song about Alexander Nevsky 721:The Horns before the Square 460:Composing for the Red Screen 438:Film score cues are musical 264: I & II, 4396:Tales of an Old Grandmother 3221:Orchestre national de Lille 3088:Gewandhausorchester Leipzig 3035:Scottish National Orchestra 1899:, Moscow; the numbers were: 1709:Rus' under the Mongol Yoke 1370:Horn Call of the Crusaders 1326:Horn Call of the Crusaders 1165:Horn Call of the Crusaders 1141:Horn Call of the Crusaders 845:"Respond, bright falcons!" 812:Das Horn in der Verfolgung 569:«Вставайте, люди русские!» 4632: 4616:Arrangements of film music 4404:The Love for Three Oranges 4271:Sonata for Solo Cello in C 3751:The Love for Three Oranges 3560:BBC Prom concert programme 3011:Los Angeles Master Chorale 2780:Prague Philharmonic Choir 2745:Chicago Symphony Orchestra 2445:Los Angeles Master Chorale 2385:Hollywood was turning out 1802:Въезд Александра во Псков 1706:Русь под игом монгольским 1471: 1349:The Russian Counterattack 1305: 1220: 1032:It was the 13th century... 992:or skomorokh instruments. 842:«Отзовитеся, ясны соколы» 202:In 2003, German conductor 77:, the summoning of Prince 69:into the territory of the 4524: 4216:Overture on Hebrew Themes 4019:Cello Concerto in E minor 3712: 3423:. LA Phil. Archived from 3143:Dallas Symphony Orchestra 3123:Jard van Nes (contralto) 2870:London Symphony Orchestra 2433:Dorothy Chandler Pavilion 1754:Вставайте, люди русские! 1476: 1453: 1423: 1356: 1312: 1268:("Peregrinus expectavi") 1253: 1246:"Arise, Russian People!" 1206: 1129: 1107: 1069: 1053: 809:The Horns in the Pursuit 572:"Аrise, Russian People!" 43: 4435:Fantasia on Scheherazade 3772:Betrothal in a Monastery 3571:Morrison (2009: pg. 229) 3006:Los Angeles Philharmonic 2856:Мелодия MEL CD 10 01831 2441:Los Angeles Philharmonic 2340:, which is not found in 1667:, cantata, Op. 78 (1939) 1650:'Cavalry Attack': 15, 19 1334:Charge of the Crusaders 1198:"Arise, Russian People!" 724:Das Horn vor dem Karree 237:. Strobel conducted the 4402:March and Scherzo from 4256:Cello Sonata in C major 4251:Flute Sonata in D major 3786:The Story of a Real Man 3580:Prokofiev (2000, p. 61) 2916:RCA Red Seal ARL1-1151 2898:Philadelphia Orchestra, 2840:USSR Symphony Orchestra 2352:Versions by other hands 2289:download the audio file 2270:download the audio file 2232:download the audio file 2190:download the audio file 2155:download the audio file 1904:"Arise, Russian People" 1757:Arise, Russian People! 1741:The Crusaders in Pskov 1659:'The Prisoners': 22, 23 1378:"Peregrinus expectavi" 1283:Alexander Nevsky's Camp 1157:The Crusaders in Pskov 1149:"Peregrinus expectavi" 1122:The Crusaders in Pskov 1090:Lord Novgorod the Great 501:Das zerstörte Russland 4266:Sonata for Solo Violin 3352:Capriccio SACD 71 014 3298:Philips 289 473 600-2 2688:Philadelphia Orchestra 2416: 2366:In 1987, orchestrator 2207:": For this movement ( 2133: 1953:Philadelphia Orchestra 1938:NBC Symphony Orchestra 1831: 1789:The Field of the Dead 1738:Крестоносцы во Пскове 1454:The Field of the Dead 1440:Percussion, orchestra 1414:Duel between Alexander 1100:The Bells of Novgorod 29: 4477:Mstislav Rostropovich 4185:Seven, They Are Seven 4171:Flourish, Mighty Land 3626:Three Oranges Journal 3589:Goberman, John (1995) 3473:Kravetz (2010: p. 10) 3385:(in European Spanish) 3316:Stanislavskiy Chorus 3216:Jean-Claude Casadesus 2808:New York Philharmonic 2674:Westminster WN 18144 2377: 2370:created a version of 2243:The Battle on the Ice 2127: 1816: 1620:'Ravaged Rus'': 1, 12 1569:"In Our Native Rus'" 1429:The Crusaders Routed 1416:and the Grand Master 806:Рога в преследовании 24: 4236:String Quartet No. 2 4231:String Quartet No. 1 3715:List of compositions 3482:Kravetz (2010: p. 6) 3225:Latvian State Choir 2643:Orchestra and choir 1653:'Skomorokhi': 16, 26 761:Das Horn geht unter 28:as Aleksander Nevsky 4246:Violin Sonata No. 2 4241:Violin Sonata No. 1 4139:The Queen of Spades 3638:Prokofiev, Sergei. 2980:Cleveland Orchestra 2826:CBS Classics 61769 2794:Turnabout TV 34269 2792:Supraphon SUA 10429 2427:Performance history 2362:Composition history 2316:BBC Symphony Chorus 1924:Performance history 1886:Publication history 1672:Composition history 1514:In Our Native Rus' 1482:The Bells of Pskov 1457:Soloist, orchestra 1266:The Crusaders' Camp 1221:In Our Native Rus' 1023:Numbers and themes 903:Pskow (Das vierte) 886:Pskow (Das dritte) 795:Nach dem Zweikampf 558:Pskow (Das zweite) 218:Performance history 198:Publication history 159:The Queen of Spades 146:Composition history 141:, film score (1938) 92:In 1939, Prokofiev 4487:Prokofiev (crater) 4482:Nikolai Myaskovsky 4472:Sviatoslav Richter 4410:Three Pieces from 4376:Toccata in D minor 4221:Quintet in G minor 4178:On Guard for Peace 4086:Peter and the Wolf 3877:No. 1 in D major ( 3283:and Chorus of the 3195:orchestre de Paris 3074:Chandos CHAN 9001 3049:Chandos CHAN 8584 2994:Decca – 410 164-1 2812:Westminster Choir 2776:Czech Philharmonic 2759:Cantata (English) 2701:Cantata (English) 2692:Westminster Choir 2388:Gone with the Wind 2342:Symphony of Psalms 2334:Symphony of Psalms 2329:Symphony of Psalms 2178:Battle of the Neva 2168:": This movement ( 2134: 1808:Chorus, orchestra 1776:Chorus, orchestra 1773:Battle on the Ice 1760:Chorus, orchestra 1744:Chorus, orchestra 1728:Chorus, orchestra 1572:Chorus, orchestra 1386:Spears and Arrows 1381:Chorus, orchestra 1337:Chorus, orchestra 1271:Chorus, orchestra 1249:Chorus, orchestra 1202:Chorus, orchestra 1152:Chorus, orchestra 1083:Chorus, orchestra 1073:Chorus, orchestra 541:Pskow (Das erste) 235:Konzerthaus Berlin 87:Vladimir Lugovskoy 81:to the defense of 30: 4591:1938 compositions 4556: 4555: 4467:George Balanchine 4445: 4444: 4389:Visions fugitives 4360: 4192:Songs of Our Days 4125:Ivan the Terrible 4040: 4039: 4032: 3993: 3631:Morrison, Simon. 3620:Ivan the Terrible 3544:The Musical Times 3356: 3355: 3344:Marina Domashenko 3340:Ernst Senff Chor 3285:Mariinsky Theatre 3096:Carolyn Watkinson 3066:Lyudmila Shemchuk 2835:Yevgeny Svetlanov 2731:Vanguard VRS-451 2729:Fontana BIG.331-L 2629:Capriccio Records 2293: 2274: 2236: 2194: 2159: 2125: 1944:(mezzo-soprano). 1934:Leopold Stokowski 1893:Alexander Nevsky' 1812: 1811: 1606: 1605: 1479:Entry into Pskov 1056:Lake Pleshcheyevo 946: 945: 866:Entry into Pskov 666:Russische Hörner 243:Marina Domashenko 131:Ivan the Terrible 71:Novgorod Republic 57:Sergei Eisenstein 44:Александр Невский 26:Nikolay Cherkasov 4623: 4601:Alexander Nevsky 4573: 4572: 4571: 4564: 4545: 4533: 4532: 4462:Sergei Diaghilev 4450:Related articles 4420:Romeo and Juliet 4418:Ten Pieces from 4358: 4352:No. 9 in C major 4346: 4345: 4335: 4334: 4325:No. 6 in A major 4315:No. 4 in C minor 4310:No. 3 in A minor 4305:No. 2 in D minor 4300:No. 1 in F minor 4290: 4276: 4275: 4157:Alexander Nevsky 4118:Alexander Nevsky 4072:Russian Overture 4045:Orchestral works 4030: 3991: 3985:No. 5 in G major 3978: 3977: 3968:No. 3 in C major 3963:No. 2 in G minor 3957: 3956: 3942: 3928: 3927: 3917: 3916: 3906: 3905: 3896:No. 4 in C major 3891:No. 3 in C minor 3886:No. 2 in D minor 3846:Romeo and Juliet 3706:Sergei Prokofiev 3699: 3692: 3685: 3676: 3616:Kravetz, Nelly. 3611:Alexander Nevsky 3609:Goberman, John. 3590: 3587: 3581: 3578: 3572: 3569: 3563: 3557: 3551: 3539: 3533: 3530: 3524: 3501: 3492: 3489: 3483: 3480: 3474: 3471: 3465: 3462: 3453: 3450: 3437: 3436: 3434: 3432: 3427:on June 16, 2012 3416: 3410: 3400: 3394: 3393: 3391: 3390: 3383:Cultural Resuena 3374: 3346:(mezzo-soprano) 3307:Dmitry Yablonsky 3292:(mezzo-soprano) 3202:(mezzo-soprano) 3200:Marjana Lipovšek 3098:(mezzo-soprano) 3068:(mezzo-soprano) 3058:Dmitri Kitayenko 3043:(mezzo-soprano) 3021:Telarc CD-80143 2988:(mezzo-soprano) 2975:Riccardo Chailly 2960:(mezzo-soprano) 2958:Elena Obraztsova 2910:(mezzo-soprano) 2904:of Philadelphia 2902:Mendelssohn Club 2850:(mezzo-soprano) 2803:Thomas Schippers 2786:(mezzo-soprano) 2756:(mezzo-soprano) 2698:(mezzo-soprano) 2634: 2627:and released on 2435:in Los Angeles. 2412:Alexander Nevsky 2382:Alexander Nevsky 2372:Alexander Nevsky 2322:texts chosen by 2213:Teutonic Knights 2166:Alexander Nevsky 2137:"Rus' under the 2130:Alexander Nevsky 2126: 1917:Alexander Nevsky 1823:Russian original 1770:Ледовое побоище 1684: 1665:Alexander Nevsky 1612:Repeating themes 1450:Bright Falcons!" 1193:Russian People!" 1014: 948:Note: "Sopeli" ( 869:Einzug in Pskov 758:The Horn Sounds 718:Рога перед каре 495:Разоренная Русь 474: 448:Alexander Nevsky 315:tenor saxophones 224:Alexander Nevsky 208:Alexander Nevsky 168:Teutonic Knights 139:Alexander Nevsky 101:Alexander Nevsky 79:Alexander Nevsky 62:Alexander Nevsky 53:Sergei Prokofiev 45: 34:Alexander Nevsky 4631: 4630: 4626: 4625: 4624: 4622: 4621: 4620: 4581: 4580: 4579: 4575:Classical music 4569: 4567: 4559: 4557: 4552: 4520: 4441: 4364: 4343: 4342: 4332: 4331: 4281: 4273: 4272: 4204: 4144: 4132:Lieutenant Kijé 4105: 4093:Pushkin Waltzes 4036: 3997: 3975: 3974: 3954: 3953: 3933: 3925: 3924: 3914: 3913: 3903: 3902: 3865: 3791: 3758:The Fiery Angel 3717: 3708: 3703: 3662: 3602:Bartig, Kevin. 3594: 3593: 3588: 3584: 3579: 3575: 3570: 3566: 3558: 3554: 3550:(1994), 608–609 3540: 3536: 3531: 3527: 3502: 3495: 3490: 3486: 3481: 3477: 3472: 3468: 3463: 3456: 3451: 3440: 3430: 3428: 3419:Herbert Glass. 3418: 3417: 3413: 3401: 3397: 3388: 3386: 3376: 3375: 3371: 3361: 3339: 3315: 3281:Kirov Orchestra 3257: 3255: 3253: 3245:Yuri Temirkanov 3224: 3091: 3009: 2986:Irina Arkhipova 2925:Leonard Slatkin 2899: 2895:Eugene Ormandy 2848:Larisa Avdeyeva 2843: 2825: 2816:Lili Chookasian 2811: 2793: 2779: 2730: 2691: 2623:conducting the 2617: 2582:, steel plate, 2506:tenor saxophone 2451:Instrumentation 2359: 2354: 2324:Igor Stravinsky 2302: 2295: 2294: 2292: 2280: 2276: 2275: 2273: 2261: 2238: 2237: 2235: 2223: 2196: 2195: 2193: 2181: 2161: 2160: 2158: 2146: 2119: 2117: 2018:tenor saxophone 1965: 1963:Instrumentation 1957:Rosalind Nadell 1926: 1888: 1830: 1829: 1824: 1799: 1783: 1767: 1751: 1735: 1719: 1703: 1674: 1669: 1596: 1594: 1584:The Skomorokhi 1581: 1579: 1566: 1553: 1540: 1478: 1474: 1464: 1451: 1449: 1447: 1437:The Ice Breaks 1425: 1415: 1411: 1409: 1396: 1362:The Skomorokhi 1358: 1346: 1344: 1314: 1310: 1295: 1284: 1280: 1278: 1267: 1263: 1258: 1243: 1241: 1231: 1218: 1216: 1211: 1194: 1192: 1190: 1185: 1119: 1117: 1112: 1097: 1092: 1080: 1067: 1066:the Neva River" 1065: 1064:"It happened on 1063: 1058: 1043:Rus' under the 1040: 1038: 1033: 998: 933: 863:Въезд во Псков 855: 850: 838: 792:After the Duel 789:После поединка 704:Cavalry Attack 582: 577: 527: 522: 510: 436: 311:alto saxophones 303:E-flat clarinet 254: 252:Instrumentation 228:Bolshoi Theatre 220: 200: 153:Lieutenant Kijé 148: 143: 122:Lieutenant Kijé 107:(often sung by 17: 12: 11: 5: 4629: 4627: 4619: 4618: 4613: 4608: 4603: 4598: 4593: 4583: 4582: 4578: 4577: 4554: 4553: 4551: 4550: 4538: 4525: 4522: 4521: 4519: 4518: 4511: 4509:Oleg Prokofiev 4506: 4504:Mira Mendelson 4501: 4494: 4492:Lina Prokofiev 4489: 4484: 4479: 4474: 4469: 4464: 4459: 4457:Ballets Russes 4453: 4451: 4447: 4446: 4443: 4442: 4440: 4439: 4431: 4423: 4415: 4407: 4399: 4392: 4385: 4378: 4372: 4370: 4366: 4365: 4363: 4362: 4354: 4349: 4338: 4327: 4322: 4317: 4312: 4307: 4302: 4296: 4294: 4287: 4283: 4282: 4280: 4279: 4268: 4263: 4258: 4253: 4248: 4243: 4238: 4233: 4228: 4226:Divertissement 4223: 4218: 4212: 4210: 4206: 4205: 4203: 4202: 4195: 4188: 4181: 4174: 4167: 4160: 4152: 4150: 4146: 4145: 4143: 4142: 4135: 4128: 4121: 4113: 4111: 4107: 4106: 4104: 4103: 4096: 4089: 4082: 4075: 4068: 4065:Symphonic Song 4061: 4054: 4048: 4046: 4042: 4041: 4038: 4037: 4035: 4034: 4026: 4021: 4016: 4011: 4005: 4003: 3999: 3998: 3996: 3995: 3987: 3982: 3970: 3965: 3960: 3948: 3946: 3939: 3935: 3934: 3932: 3931: 3920: 3909: 3898: 3893: 3888: 3883: 3873: 3871: 3867: 3866: 3864: 3863: 3856: 3849: 3842: 3839:On the Dnieper 3835: 3828: 3825:Le pas d'acier 3821: 3814: 3807: 3799: 3797: 3793: 3792: 3790: 3789: 3782: 3775: 3768: 3761: 3754: 3747: 3740: 3733: 3725: 3723: 3719: 3718: 3713: 3710: 3709: 3704: 3702: 3701: 3694: 3687: 3679: 3673: 3672: 3661: 3660:External links 3658: 3657: 3656: 3650: 3636: 3629: 3628:, no. 19, 2010 3614: 3607: 3592: 3591: 3582: 3573: 3564: 3552: 3534: 3525: 3493: 3484: 3475: 3466: 3454: 3438: 3411: 3395: 3368: 3367: 3360: 3357: 3354: 3353: 3350: 3347: 3341: 3333: 3332:Frank Strobel 3330: 3326: 3325: 3323: 3320: 3317: 3309: 3304: 3300: 3299: 3296: 3293: 3287: 3278: 3276:Valery Gergiev 3273: 3269: 3268: 3265: 3262: 3259: 3247: 3242: 3238: 3237: 3235: 3232: 3226: 3218: 3213: 3209: 3208: 3206: 3203: 3197: 3191: 3189:Semyon Bychkov 3186: 3182: 3181: 3179: 3176: 3173: 3164: 3159: 3155: 3154: 3152: 3149: 3146: 3140: 3135: 3131: 3130: 3127: 3124: 3121: 3115: 3113:Charles Dutoit 3110: 3106: 3105: 3102: 3099: 3093: 3092:Latvija Choir 3085: 3080: 3076: 3075: 3072: 3069: 3063: 3060: 3055: 3051: 3050: 3047: 3044: 3038: 3032: 3027: 3023: 3022: 3019: 3016: 3013: 3003: 3000: 2996: 2995: 2992: 2989: 2983: 2977: 2972: 2968: 2967: 2964: 2961: 2955: 2952: 2950:Claudio Abbado 2947: 2943: 2942: 2939: 2936: 2933: 2927: 2922: 2918: 2917: 2914: 2911: 2905: 2896: 2893: 2889: 2888: 2885: 2882: 2876: 2867: 2862: 2858: 2857: 2854: 2851: 2845: 2837: 2832: 2828: 2827: 2822: 2819: 2813: 2805: 2800: 2796: 2795: 2790: 2787: 2784:Věra Soukupová 2781: 2773: 2768: 2764: 2763: 2760: 2757: 2754:Rosalind Elias 2751: 2742: 2737: 2733: 2732: 2727: 2724: 2721: 2715: 2710: 2706: 2705: 2702: 2699: 2693: 2685: 2683:Eugene Ormandy 2680: 2676: 2675: 2672: 2669: 2666: 2663: 2661:Samuil Samosud 2658: 2654: 2653: 2650: 2647: 2644: 2641: 2638: 2616: 2613: 2612: 2611: 2598: 2537: 2516: 2475: 2439:conducted the 2358: 2355: 2353: 2350: 2312: 2311: 2301: 2298: 2297: 2296: 2286: 2283: 2281: 2277: 2267: 2264: 2262: 2254: 2239: 2229: 2226: 2224: 2216: 2197: 2187: 2184: 2182: 2162: 2152: 2149: 2147: 2116: 2113: 2112: 2111: 2102: 2049: 2028: 1987: 1964: 1961: 1949:Eugene Ormandy 1936:conducted the 1925: 1922: 1921: 1920: 1912: 1911: 1908: 1905: 1901: 1900: 1887: 1884: 1862:Recomposition: 1855:Consolidation: 1848:Abbreviations: 1825: 1822: 1821: 1810: 1809: 1806: 1803: 1800: 1797: 1794: 1793: 1790: 1787: 1784: 1781: 1778: 1777: 1774: 1771: 1768: 1765: 1762: 1761: 1758: 1755: 1752: 1749: 1746: 1745: 1742: 1739: 1736: 1733: 1730: 1729: 1726: 1723: 1720: 1717: 1714: 1713: 1710: 1707: 1704: 1701: 1698: 1697: 1694: 1691: 1688: 1673: 1670: 1668: 1662: 1661: 1660: 1657: 1654: 1651: 1648: 1645: 1642: 1639: 1636: 1633: 1630: 1627: 1624: 1621: 1604: 1603: 1600: 1597: 1592: 1589: 1588: 1585: 1582: 1577: 1574: 1573: 1570: 1567: 1564: 1561: 1560: 1557: 1554: 1551: 1548: 1547: 1544: 1543:The Prisoners 1541: 1538: 1535: 1534: 1531: 1527: 1526: 1523: 1522:The Prisoners 1519: 1518: 1515: 1511: 1510: 1507: 1503: 1502: 1499: 1498:The Prisoners 1495: 1494: 1491: 1487: 1486: 1483: 1480: 1475: 1472: 1469: 1468: 1465: 1462: 1459: 1458: 1455: 1452: 1445: 1442: 1441: 1438: 1434: 1433: 1430: 1427: 1421: 1420: 1417: 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861: 857: 856: 853: 851: 848: 846: 843: 840: 834: 833: 830: 827: 824: 823:Преследование 821: 817: 816: 813: 810: 807: 804: 800: 799: 796: 793: 790: 787: 783: 782: 779: 778:Der Zweikampf 776: 773: 770: 766: 765: 762: 759: 756: 753: 749: 748: 745: 742: 736: 733: 729: 728: 725: 722: 719: 716: 712: 711: 708: 707:Reiterattacke 705: 702: 699: 695: 694: 691: 688: 678: 675: 671: 670: 667: 664: 663:Russian Horns 661: 660:Русские рожки 658: 654: 653: 650: 649:Sonnenaufgang 647: 644: 641: 637: 636: 633: 632:Mobilisierung 630: 627: 624: 620: 619: 616: 613: 610: 607: 603: 602: 599: 596: 591: 588: 584: 583: 580: 578: 575: 573: 570: 567: 563: 562: 559: 556: 553: 550: 546: 545: 542: 539: 536: 533: 529: 528: 525: 523: 520: 518: 515: 512: 506: 505: 502: 499: 496: 493: 489: 488: 486: 483: 480: 477: 435: 432: 431: 430: 421: 408: 355: 326: 307:bass clarinets 276: 253: 250: 219: 216: 199: 196: 147: 144: 142: 136: 109:mezzo-sopranos 103:, Op. 78, for 67:Livonian Order 15: 13: 10: 9: 6: 4: 3: 2: 4628: 4617: 4614: 4612: 4609: 4607: 4604: 4602: 4599: 4597: 4596:1939 cantatas 4594: 4592: 4589: 4588: 4586: 4576: 4566: 4562: 4549: 4548: 4544: 4539: 4537: 4536: 4527: 4526: 4523: 4517: 4516: 4512: 4510: 4507: 4505: 4502: 4500: 4499: 4495: 4493: 4490: 4488: 4485: 4483: 4480: 4478: 4475: 4473: 4470: 4468: 4465: 4463: 4460: 4458: 4455: 4454: 4452: 4448: 4437: 4436: 4432: 4430: 4429: 4424: 4422: 4421: 4416: 4414: 4413: 4412:War and Peace 4408: 4406: 4405: 4400: 4398: 4397: 4393: 4391: 4390: 4386: 4384: 4383: 4379: 4377: 4374: 4373: 4371: 4367: 4361: 4355: 4353: 4350: 4348: 4339: 4337: 4328: 4326: 4323: 4321: 4318: 4316: 4313: 4311: 4308: 4306: 4303: 4301: 4298: 4297: 4295: 4291: 4288: 4284: 4278: 4269: 4267: 4264: 4262: 4259: 4257: 4254: 4252: 4249: 4247: 4244: 4242: 4239: 4237: 4234: 4232: 4229: 4227: 4224: 4222: 4219: 4217: 4214: 4213: 4211: 4209:Chamber music 4207: 4201: 4200: 4196: 4194: 4193: 4189: 4187: 4186: 4182: 4180: 4179: 4175: 4173: 4172: 4168: 4166: 4165: 4161: 4159: 4158: 4154: 4153: 4151: 4147: 4141: 4140: 4136: 4134: 4133: 4129: 4127: 4126: 4122: 4120: 4119: 4115: 4114: 4112: 4108: 4102: 4101: 4097: 4095: 4094: 4090: 4088: 4087: 4083: 4081: 4080: 4079:The Year 1941 4076: 4074: 4073: 4069: 4067: 4066: 4062: 4060: 4059: 4055: 4053: 4050: 4049: 4047: 4043: 4033: 4027: 4025: 4022: 4020: 4017: 4015: 4012: 4010: 4007: 4006: 4004: 4000: 3994: 3988: 3986: 3983: 3980: 3971: 3969: 3966: 3964: 3961: 3959: 3950: 3949: 3947: 3943: 3940: 3936: 3930: 3921: 3919: 3910: 3908: 3899: 3897: 3894: 3892: 3889: 3887: 3884: 3882: 3880: 3875: 3874: 3872: 3868: 3862: 3861: 3857: 3855: 3854: 3850: 3848: 3847: 3843: 3841: 3840: 3836: 3834: 3833: 3829: 3827: 3826: 3822: 3820: 3819: 3815: 3813: 3812: 3808: 3806: 3805: 3801: 3800: 3798: 3794: 3788: 3787: 3783: 3781: 3780: 3779:War and Peace 3776: 3774: 3773: 3769: 3767: 3766: 3762: 3760: 3759: 3755: 3753: 3752: 3748: 3746: 3745: 3741: 3739: 3738: 3734: 3732: 3731: 3727: 3726: 3724: 3720: 3716: 3711: 3707: 3700: 3695: 3693: 3688: 3686: 3681: 3680: 3677: 3670: 3669: 3668:Three Oranges 3666:Article from 3664: 3663: 3659: 3654: 3651: 3649: 3648:0-89875-149-7 3645: 3641: 3637: 3634: 3630: 3627: 3623: 3621: 3615: 3612: 3608: 3605: 3601: 3600: 3599: 3598: 3586: 3583: 3577: 3574: 3568: 3565: 3561: 3556: 3553: 3549: 3546: 3545: 3538: 3535: 3529: 3526: 3522: 3518: 3517:0-89875-149-7 3514: 3510: 3506: 3500: 3498: 3494: 3488: 3485: 3479: 3476: 3470: 3467: 3461: 3459: 3455: 3449: 3447: 3445: 3443: 3439: 3426: 3422: 3415: 3412: 3409: 3408:0-634-03481-2 3405: 3399: 3396: 3384: 3380: 3373: 3370: 3366: 3365: 3358: 3351: 3348: 3345: 3342: 3337: 3334: 3331: 3328: 3327: 3324: 3321: 3318: 3313: 3310: 3308: 3305: 3302: 3301: 3297: 3294: 3291: 3290:Olga Borodina 3288: 3286: 3282: 3279: 3277: 3274: 3271: 3270: 3266: 3263: 3260: 3251: 3248: 3246: 3243: 3240: 3239: 3236: 3233: 3230: 3227: 3222: 3219: 3217: 3214: 3211: 3210: 3207: 3204: 3201: 3198: 3196: 3192: 3190: 3187: 3184: 3183: 3180: 3177: 3174: 3172: 3168: 3165: 3163: 3160: 3157: 3156: 3153: 3150: 3147: 3144: 3141: 3139: 3136: 3133: 3132: 3128: 3125: 3122: 3120: 3116: 3114: 3111: 3108: 3107: 3103: 3100: 3097: 3094: 3089: 3086: 3084: 3081: 3078: 3077: 3073: 3070: 3067: 3064: 3061: 3059: 3056: 3053: 3052: 3048: 3045: 3042: 3039: 3036: 3033: 3031: 3028: 3025: 3024: 3020: 3017: 3014: 3012: 3007: 3004: 3002:André Previn 3001: 2998: 2997: 2993: 2990: 2987: 2984: 2981: 2978: 2976: 2973: 2970: 2969: 2965: 2962: 2959: 2956: 2953: 2951: 2948: 2945: 2944: 2940: 2937: 2934: 2931: 2928: 2926: 2923: 2920: 2919: 2915: 2912: 2909: 2906: 2903: 2897: 2894: 2891: 2890: 2886: 2883: 2880: 2879:Anna Reynolds 2877: 2875: 2871: 2868: 2866: 2863: 2860: 2859: 2855: 2852: 2849: 2846: 2844:RSFSR Chorus 2841: 2838: 2836: 2833: 2830: 2829: 2823: 2820: 2817: 2814: 2809: 2806: 2804: 2801: 2798: 2797: 2791: 2788: 2785: 2782: 2777: 2774: 2772: 2769: 2766: 2765: 2761: 2758: 2755: 2752: 2750: 2746: 2743: 2741: 2738: 2735: 2734: 2728: 2725: 2722: 2719: 2716: 2714: 2711: 2708: 2707: 2703: 2700: 2697: 2696:Jennie Tourel 2694: 2689: 2686: 2684: 2681: 2678: 2677: 2673: 2670: 2667: 2664: 2662: 2659: 2656: 2655: 2651: 2648: 2645: 2642: 2639: 2636: 2635: 2632: 2630: 2626: 2622: 2621:Frank Strobel 2614: 2610: 2606: 2602: 2599: 2597: 2593: 2589: 2588:tubular bells 2585: 2581: 2577: 2573: 2569: 2565: 2561: 2557: 2553: 2549: 2545: 2541: 2538: 2536: 2532: 2528: 2524: 2520: 2517: 2515: 2514:contrabassoon 2511: 2507: 2503: 2502:bass clarinet 2499: 2495: 2491: 2487: 2483: 2479: 2476: 2474: 2473:double basses 2470: 2466: 2462: 2458: 2455: 2454: 2453: 2452: 2448: 2446: 2442: 2438: 2434: 2429: 2428: 2424: 2420: 2415: 2413: 2408: 2405: 2403: 2398: 2396: 2395: 2391:and Disney's 2390: 2389: 2383: 2376: 2373: 2369: 2368:William Brohn 2364: 2363: 2356: 2351: 2349: 2345: 2343: 2339: 2335: 2331: 2330: 2326:for his 1930 2325: 2321: 2317: 2310: 2307: 2306: 2305: 2300:Text analysis 2299: 2290: 2278: 2271: 2259: 2255: 2252: 2248: 2244: 2240: 2233: 2221: 2217: 2214: 2210: 2209:C-sharp minor 2206: 2202: 2198: 2191: 2179: 2175: 2171: 2167: 2163: 2156: 2144: 2140: 2136: 2135: 2131: 2114: 2110: 2106: 2103: 2101: 2097: 2093: 2089: 2088:tubular bells 2085: 2081: 2077: 2073: 2069: 2065: 2061: 2057: 2053: 2050: 2048: 2044: 2040: 2036: 2032: 2029: 2027: 2026:contrabassoon 2023: 2019: 2015: 2014:bass clarinet 2011: 2007: 2003: 1999: 1995: 1991: 1988: 1986: 1985:double basses 1982: 1978: 1974: 1970: 1967: 1966: 1962: 1960: 1959:(contralto). 1958: 1954: 1950: 1945: 1943: 1942:Jennie Tourel 1939: 1935: 1930: 1923: 1918: 1914: 1913: 1909: 1906: 1903: 1902: 1898: 1894: 1890: 1889: 1885: 1883: 1879: 1876: 1872: 1869: 1865: 1863: 1859: 1858:an ABA form. 1856: 1852: 1849: 1845: 1842: 1838: 1834: 1828: 1820: 1815: 1807: 1804: 1801: 1796: 1795: 1791: 1788: 1786:Мёртвое поле 1785: 1780: 1779: 1775: 1772: 1769: 1764: 1763: 1759: 1756: 1753: 1748: 1747: 1743: 1740: 1737: 1732: 1731: 1727: 1724: 1721: 1716: 1715: 1711: 1708: 1705: 1700: 1699: 1695: 1692: 1689: 1686: 1685: 1682: 1680: 1671: 1666: 1663: 1658: 1655: 1652: 1649: 1646: 1643: 1640: 1637: 1634: 1631: 1628: 1625: 1622: 1619: 1618: 1617: 1614: 1613: 1609: 1601: 1598: 1591: 1590: 1586: 1583: 1576: 1575: 1571: 1568: 1563: 1562: 1558: 1555: 1550: 1549: 1545: 1542: 1537: 1536: 1532: 1529: 1528: 1524: 1521: 1520: 1516: 1513: 1512: 1508: 1505: 1504: 1500: 1497: 1496: 1492: 1489: 1488: 1484: 1481: 1470: 1466: 1461: 1460: 1456: 1444: 1443: 1439: 1436: 1435: 1431: 1428: 1422: 1418: 1413: 1406: 1405: 1401: 1398: 1393: 1392: 1388: 1385: 1384: 1380: 1377: 1376: 1372: 1369: 1368: 1364: 1361: 1355: 1351: 1348: 1341: 1340: 1336: 1333: 1332: 1328: 1325: 1324: 1320: 1317: 1309: 1304: 1300: 1297: 1292: 1291: 1287: 1282: 1275: 1274: 1270: 1265: 1260: 1257: 1252: 1248: 1245: 1238: 1237: 1233: 1228: 1227: 1223: 1213: 1210: 1205: 1201: 1199: 1196: 1187: 1184: 1180: 1179: 1175: 1172: 1171: 1167: 1164: 1163: 1159: 1156: 1155: 1151: 1148: 1147: 1143: 1140: 1139: 1135: 1132: 1128: 1124: 1121: 1114: 1111: 1106: 1102: 1099: 1094: 1091: 1087: 1086: 1082: 1077: 1076: 1072: 1060: 1057: 1052: 1048: 1046: 1042: 1035: 1030: 1029: 1025: 1022: 1019: 1016: 1015: 1012: 1010: 1006: 1003: 995: 993: 991: 988:), and other 987: 983: 979: 975: 971: 967: 963: 959: 955: 951: 941: 938: 935: 930: 927: 926: 922: 919: 916: 913: 910: 909: 905: 902: 899: 896: 893: 892: 888: 885: 882: 879: 876: 875: 871: 868: 865: 862: 859: 858: 852: 847: 844: 841: 836: 835: 831: 828: 825: 822: 819: 818: 814: 811: 808: 805: 802: 801: 797: 794: 791: 788: 785: 784: 780: 777: 774: 771: 768: 767: 763: 760: 757: 754: 751: 750: 746: 743: 741: 737: 734: 731: 730: 726: 723: 720: 717: 714: 713: 709: 706: 703: 701:Конная атака 700: 697: 696: 692: 689: 686: 682: 679: 676: 673: 672: 668: 665: 662: 659: 656: 655: 651: 648: 645: 642: 639: 638: 634: 631: 629:Mobilization 628: 625: 622: 621: 617: 614: 611: 608: 605: 604: 600: 597: 595: 592: 589: 586: 585: 579: 574: 571: 568: 565: 564: 560: 557: 554: 551: 548: 547: 543: 540: 537: 534: 531: 530: 524: 519: 516: 513: 508: 507: 503: 500: 498:Ravaged Rus' 497: 494: 491: 490: 487: 484: 481: 478: 476: 475: 472: 469: 467: 463: 461: 457: 452: 449: 445: 441: 433: 429: 425: 422: 420: 416: 412: 409: 407: 403: 399: 398:tubular bells 395: 391: 387: 383: 379: 375: 371: 367: 363: 359: 356: 354: 350: 349:bass trombone 346: 342: 338: 334: 330: 327: 324: 323:contrabassoon 320: 316: 312: 308: 304: 300: 296: 292: 288: 284: 280: 277: 275: 274:double basses 271: 267: 263: 259: 256: 255: 251: 249: 246: 244: 240: 236: 231: 229: 225: 217: 215: 213: 209: 205: 204:Frank Strobel 197: 195: 193: 189: 183: 181: 177: 173: 169: 165: 161: 160: 155: 154: 145: 140: 137: 135: 133: 132: 126: 124: 123: 118: 114: 110: 106: 102: 99: 95: 90: 88: 84: 80: 76: 72: 68: 64: 63: 59:'s 1938 film 58: 54: 50: 46: 41: 36: 35: 27: 23: 19: 4540: 4528: 4513: 4496: 4433: 4427: 4419: 4411: 4403: 4394: 4387: 4380: 4359:(unfinished) 4197: 4190: 4183: 4176: 4169: 4162: 4156: 4155: 4137: 4130: 4123: 4117: 4116: 4098: 4091: 4084: 4077: 4070: 4063: 4058:Summer Night 4056: 4031:(unfinished) 3992:(unfinished) 3878: 3858: 3851: 3844: 3837: 3832:Prodigal Son 3830: 3823: 3816: 3809: 3802: 3784: 3777: 3770: 3765:Semyon Kotko 3763: 3756: 3749: 3742: 3735: 3728: 3667: 3652: 3639: 3632: 3625: 3619: 3618:"An Unknown 3610: 3603: 3596: 3595: 3585: 3576: 3567: 3555: 3547: 3542: 3537: 3528: 3508: 3504: 3487: 3478: 3469: 3431:December 17, 3429:. Retrieved 3425:the original 3414: 3398: 3387:. Retrieved 3382: 3372: 3363: 3362: 3231:(contralto) 3162:Zdeněk Mácal 3138:Eduardo Mata 3041:Linda Finnie 2881:(contralto) 2865:André Previn 2818:(contralto) 2771:Karel Ančerl 2740:Fritz Reiner 2618: 2600: 2592:glockenspiel 2539: 2518: 2494:English horn 2477: 2456: 2450: 2449: 2437:André Previn 2430: 2426: 2425: 2421: 2417: 2411: 2409: 2406: 2401: 2399: 2392: 2386: 2381: 2378: 2371: 2365: 2361: 2360: 2346: 2341: 2337: 2333: 2327: 2313: 2308: 2303: 2176:army at the 2164:"Song about 2129: 2104: 2096:glockenspiel 2051: 2030: 2006:English horn 1989: 1968: 1946: 1931: 1927: 1916: 1892: 1880: 1874: 1873: 1867: 1866: 1861: 1860: 1854: 1853: 1847: 1846: 1840: 1836: 1835: 1832: 1826: 1817: 1813: 1675: 1664: 1615: 1611: 1610: 1607: 1426:The Pursuit 1308:5 April 1242 1242:Mobilization 1039:Ravaged Rus' 1008: 1007: 999: 947: 920:Das Prusten 826:The Pursuit 690:Das Schwein 626:Мобилизация 615:Das Wetsche 598:Das Wetsche 470: 464: 459: 455: 453: 447: 437: 423: 410: 357: 328: 295:English horn 278: 257: 247: 245:as soloist. 232: 223: 221: 207: 201: 184: 157: 151: 149: 138: 129: 127: 120: 100: 91: 60: 51:composed by 38: 33: 32: 31: 18: 4286:Piano music 4149:Vocal music 4100:Waltz Suite 3981:(left-hand) 3879:"Classical" 3804:Ala i Lolli 3744:The Gambler 3349:Film score 3145:and Chorus 3037:and Chorus 3030:Neeme Järvi 2982:and Chorus 2932:and Chorus 2908:Betty Allen 2720:and Chorus 2713:Mario Rossi 2251:cacophonous 2247:Lake Peipus 1895:, Op. 78a, 1556:The Fallen 1490:The Fallen 1359:The Square 1183:Pereyaslavl 1045:Mongol Yoke 1017:Intertitle 1002:intertitles 986:tambourines 829:Verfolgung 744:Das Karree 378:tambourines 366:snare drums 339:(including 321:(including 301:(including 293:(including 230:in Moscow. 174:sound. The 156:(1934) and 4585:Categories 4428:Cinderella 4341:No. 8 in B 4330:No. 7 in B 4110:Film music 3973:No. 4 in B 3952:No. 1 in D 3923:No. 7 in C 3912:No. 6 in E 3901:No. 5 in B 3870:Symphonies 3853:Cinderella 3389:2016-10-12 3359:References 3229:Ewa Podleś 3193:Choeur et 3117:Choeur et 3083:Kurt Masur 2640:Conductor 2615:Recordings 2568:tambourine 2548:snare drum 2540:Percussion 2080:wood block 2072:tambourine 2060:snare drum 2052:Percussion 1875:Additions: 1868:Expansion: 1841:ad libitum 1837:Omissions: 1712:Orchestra 1602:Orchestra 1587:Orchestra 1559:Orchestra 1546:Orchestra 1533:Orchestra 1525:Orchestra 1517:Orchestra 1509:Orchestra 1501:Orchestra 1493:Orchestra 1467:Orchestra 1432:Orchestra 1419:Orchestra 1389:Orchestra 1365:Orchestra 1352:Orchestra 1321:Orchestra 1288:Orchestra 1234:Orchestra 1224:Orchestra 1176:Orchestra 1160:Orchestra 1136:Orchestra 1125:Orchestra 1049:Orchestra 964:(flutes), 958:skomorokhi 897:Псков 4-й 880:Псков 3-й 755:Рог тонет 552:Псков 2-й 535:Псков 1-й 444:soundscape 428:flügelhorn 382:wood block 358:Percussion 188:discordant 164:microphone 4199:Zdravitsa 3938:Concertos 3737:Maddalena 3730:The Giant 3622:Oratorio" 2596:xylophone 2576:woodblock 2556:bass drum 2531:trombones 2498:clarinets 2478:Woodwinds 2253:in style. 2201:Crusaders 2115:Movements 2100:xylophone 2064:bass drum 2043:trombones 2010:clarinets 1990:Woodwinds 1679:contralto 1298:Fanfares 996:Structure 970:hornpipes 954:recorders 775:The Duel 772:Поединок 685:The Wedge 479:Original 394:xylophone 370:bass drum 345:trombones 299:clarinets 279:Woodwinds 222:The film 172:distorted 117:orchestra 105:contralto 47:) is the 4535:Category 4382:Sarcasms 4344:♭ 4333:♭ 4274:♯ 3976:♭ 3955:♭ 3926:♯ 3915:♭ 3904:♭ 3322:Cantata 3295:Cantata 3234:Cantata 3205:Cantata 3178:Cantata 3151:Cantata 3126:Cantata 3101:Cantata 3071:Cantata 3046:Cantata 3018:Cantata 2991:Cantata 2963:Cantata 2938:Cantata 2913:Cantata 2884:Cantata 2853:Cantata 2821:Cantata 2789:Cantata 2726:Cantata 2671:Cantata 2649:Version 2646:Soloist 2584:triangle 2527:trumpets 2510:bassoons 2443:and the 2394:Fantasia 2084:triangle 2039:trumpets 2022:bassoons 1951:led the 1696:Scoring 1693:English 1448:"Answer, 1410:The Duel 1399:Fanfare 1209:Novgorod 1026:Scoring 966:zhaleyki 900:Pskov 4 883:Pskov 3 643:Рассвет 555:Pskov 2 538:Pskov 1 482:English 390:triangle 337:trumpets 319:bassoons 94:arranged 4357:No. 10 4293:Sonatas 3818:Trapèze 3796:Ballets 3597:Sources 3521:115–17 3505:Pioneer 2572:maracas 2560:cymbals 2552:tom-tom 2544:timpani 2482:piccolo 2461:violins 2457:Strings 2320:Vulgate 2174:Swedish 2143:C minor 2076:maracas 2068:cymbals 2056:timpani 1994:piccolo 1973:violins 1969:Strings 1191:"Arise, 962:svireli 939:Finale 936:Finale 917:Sopeli 914:Сопели 677:Свинья 485:German 440:numbers 374:cymbals 362:timpani 283:piccolo 262:violins 258:Strings 98:cantata 40:Russian 4561:Portal 4438:(1926) 3990:No. 6 3722:Operas 3646:  3515:  3406:  3264:Brohn 3171:Chorus 2874:Chorus 2749:Chorus 2652:Label 2486:flutes 2469:cellos 2465:violas 2258:lament 2220:E-flat 2170:B-flat 2139:Mongol 2092:tamtam 1998:flutes 1981:cellos 1977:violas 1915:1941, 1897:Muzgiz 1690:Title 1595:Finale 1580:Sopeli 1485:Bells 1402:Brass 1373:Brass 1329:Brass 1315:Swine 1301:Brass 1168:Brass 1144:Brass 1103:Bells 974:rozhki 950:flutes 740:Square 612:Veche 456:likely 402:tamtam 386:rattle 341:cornet 287:flutes 270:cellos 266:violas 113:chorus 4547:Audio 4369:Other 4347:major 4336:major 4277:minor 4002:Other 3979:major 3958:major 3945:Piano 3929:minor 3918:minor 3907:major 3811:Chout 3364:Notes 3329:2003 3303:2002 3272:2002 3241:1995 3212:1994 3185:1994 3158:1993 3134:1993 3109:1992 3079:1991 3054:1991 3026:1988 2999:1987 2971:1984 2946:1980 2921:1979 2892:1975 2861:1971 2831:1966 2799:1962 2767:1962 2736:1959 2709:1954 2679:1949 2657:1947 2637:Year 2609:organ 2601:Other 2580:anvil 2523:horns 2519:Brass 2490:oboes 2205:Pskov 2199:"The 2105:Other 2035:horns 2031:Brass 2002:oboes 1473:Pskov 1217:Veche 1118:Pskov 1110:Pskov 982:bubnï 978:horns 735:Каре 681:Swine 646:Dawn 609:Вече 594:Veche 590:Вече 424:Banda 419:piano 415:harps 411:Other 353:tubas 343:), 3 333:horns 329:Brass 305:), 2 297:), 3 291:oboes 180:mixed 176:brass 75:Pskov 49:score 3644:ISBN 3513:ISBN 3433:2011 3404:ISBN 3169:and 2900:The 2872:and 2747:and 2605:harp 2564:gong 2535:tuba 2529:, 3 2525:, 3 2521:: 4 2508:, 2 2496:, 2 2488:, 2 2484:, 2 2109:harp 2047:tuba 2041:, 3 2037:, 3 2033:: 4 2020:, 2 2008:, 2 2000:, 2 1996:, 2 1687:No. 1279:Dawn 1020:Cue 1009:Note 990:folk 803:19? 786:18? 752:17? 738:The 715:16? 683:(or 657:13? 434:Cues 413:: 2 406:gong 376:, 2 364:, 2 351:, 2 335:, 5 331:: 4 317:, 3 313:, 2 309:, 2 289:, 3 285:, 2 192:folk 115:and 83:Rus' 55:for 3548:135 3519:), 2338:est 2203:in 980:), 972:), 952:or 942:22 928:27 923:14 911:26 906:06 889:05 872:21 860:22 839:21 832:20 820:19 815:18 798:17 781:16 769:18 764:12 747:15 732:16 727:13 710:19 698:15 693:10 674:14 669:11 652:02 640:12 635:09 623:10 618:08 606:09 601:07 587:08 566:07 561:04 549:06 544:03 532:05 511:03 504:01 492:01 4587:: 3624:, 3523:). 3496:^ 3457:^ 3441:^ 3381:. 2778:, 2631:. 2607:, 2603:: 2594:, 2590:, 2586:, 2578:, 2574:, 2570:, 2566:, 2562:, 2558:, 2554:, 2550:, 2546:, 2542:: 2533:, 2512:, 2504:, 2500:, 2492:, 2480:: 2471:, 2467:, 2459:: 2397:. 2107:: 2098:, 2094:, 2090:, 2086:, 2082:, 2078:, 2074:, 2070:, 2066:, 2062:, 2058:, 2054:: 2045:, 2024:, 2016:, 2012:, 2004:, 1992:: 1983:, 1979:, 1971:: 1593:27 1578:26 1565:25 1552:24 1539:23 1477:22 1463:21 1446:20 1424:19 1408:18 1395:17 1357:16 1343:15 1313:14 1294:13 1277:12 1262:11 1240:10 1130:6 894:? 877:? 837:20 687:) 509:02 417:, 404:, 400:, 396:, 392:, 388:, 384:, 380:, 372:, 368:, 360:: 347:, 281:: 272:, 268:, 260:: 182:. 89:. 42:: 4563:: 3881:) 3698:e 3691:t 3684:v 3435:. 3392:. 3338:, 3314:, 3252:, 3223:, 3090:, 3008:, 2842:, 2810:, 2690:, 2291:. 2272:. 2241:" 2234:. 2215:. 2192:. 2157:. 1798:7 1782:6 1766:5 1750:4 1734:3 1718:2 1702:1 1230:9 1215:8 1189:7 1116:5 1096:4 1079:3 1062:2 1037:1 984:( 976:( 968:( 932:- 854:- 849:- 581:- 576:- 526:- 521:- 325:) 37:(

Index


Nikolay Cherkasov
Russian
score
Sergei Prokofiev
Sergei Eisenstein
Alexander Nevsky
Livonian Order
Novgorod Republic
Pskov
Alexander Nevsky
Rus'
Vladimir Lugovskoy
arranged
cantata
contralto
mezzo-sopranos
chorus
orchestra
Lieutenant Kijé
Ivan the Terrible
Lieutenant Kijé
The Queen of Spades
microphone
Teutonic Knights
distorted
brass
mixed
discordant
folk

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