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in Paris around 1900. The maid Philomène is cleaning and complaining about her life. The husband
Alexandre, bearded, asks Philomène to bring in a suitcase and secretly leaves, allegedly for the station, crossing his cousin of the same name from America. Alexander's portrait on the wall is outraged by
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The beardless
Alexander-cousin arrives and explains that Alexander-husband has gone away. Armande falls in love with him at first sight and submits to him, which displeases the painting of Alexander and the maid Philomène. Armande then has dreams full of remorse. In the first dream, both Alexanders
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In the morning the maid
Philomena cleans up in the salon and complains about her life. Alexandre-husband enters, without his beard, and says goodbye to Armande before leaving for the office. During the farewell, he discovers that his wife has also changed. After his departure Oscar enters. To his
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The opera is subtitled "The
Tragedy of a Man who Had His Beard Cut", and the surrealist libretto is set in Paris about 1900. Although Martinů had asked Wurmser for a libretto including a singing cat, he compromised on Wurmser's suggestion of a singing portrait, which acts as narrator to a tale of
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the game of betrayal. Oscar, a man
Armande had met on holiday, comes to visit her. He is dressed in sportswear and offers her a lesson in cycling. Armanda rejects his courtship, pointing out that she is polite and respectable. Oscar leaves.
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surprise, this time
Armanda accepts his invitation for a cycling lesson. The portrait of the husband is left alone and expresses the moral – that it is best if a husband does not tempt his wife.
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on 18 February 1964, when it was conducted by Georg Calder. Shortly afterwards it was given its first performance in Martinů's native
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The opera was intended by Martinů, who was then living in Paris, for performance at the
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in Brno. It was first performed in
America in October 2014 by
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Double
Concerto for Two String Orchestras, Piano, and Timpani
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Supraphon, 1982 (1984 LP, 1994 CD 11 2140-2 611) with
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709:The Epic of Gilgamesh
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468:List of compositions
359:Comedy on the Bridge
182:Gotham Chamber Opera
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401:Brian Large
372:16 February
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124:comic opera
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47:Translation
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828:Categories
703:Field Mass
335:References
269:René Tuček
262:Recordings
229:Portrait,
121:surrealist
90:1964-02-18
57:Librettist
205:Armanda,
194:bourgeois
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499:Julietta
321:Wikidata
308:Wikidata
237:Synopsis
213:baritone
136:libretto
82:Premiere
74:Language
550:Ballets
385:Sources
217:Oskar,
207:soprano
184:at the
176:by the
153:History
119:) is a
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804:Portal
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475:Operas
395:, ed.
77:French
818:Opera
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200:Roles
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374:2023
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