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In his time Lorenz was considered to be the leading expert in
Wagnerian form. His formal ideas regarding Wagner's operas were enormously influential; McClatchie suggests that by 1952, Lorenz's formal conception of Wagner's operas was almost "universally accepted." More recently, however, Lorenz's
110:. To analyze these large, dramatic works, Lorenz develops a set of forms, and then proceeds to show in specific detail how Wagner's operas can be divided into these forms. One of Lorenz's forms is the
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theories have been roundly dismissed by scholars on purely analytical grounds, and only partly because of Lorenz's association with the Nazi party and the ideological bias of his work.
55:. His father's interest in genealogy may have influenced Alfred Lorenz's later interest in race and his eventual involvement with Nazi ideology. In 1885, Lorenz moved to
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39:'s best-known operas. Lorenz's work reflects to a great extent his sympathy with Nazi ideology, and has only recently been discredited by scholarship.
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117:, which has a historical legacy dating back to medieval poetry. Another of Lorenz's forms is the Bogen form, which in its simple form is
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59:, where he began his legal studies in 1886. Lorenz ended his legal studies in 1889, and began studying music with
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consists of four volumes, each of which analyzes one of Wagner's operas. The four operas covered by Lorenz are
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in Berlin. Lorenz's career as a conductor and composer lasted until 1920, when he was forced to retire by the
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71:. Lorenz then moved to Munich, where he spent the rest of his life as an academic. Lorenz joined the
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Der musikalische Aufbau von
Richard Wagners "Die Meistersinger von NĂĽrnberg"
52:
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Analyzing Wagner's Operas: Alfred Lorenz and German
Nationalist Ideology
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Alessandro
Scarlatti's Jugendoper: Ein Beitr. z. Geschichte d. ital. Oper
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Der musikalische Aufbau des BĂĽhnenfestspieles "Der Ring des
Nibelungen"
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in 1931, and remained an active party member until his death in 1939.
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20:
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Der musikalische Aufbau von
Richard Wagners "Tristan und Isolde"
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47:
Lorenz was born in
Oldislobene in 1868. Lorenz's father was
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Der musikalische Aufbau von
Richard Wagners "Parsifal"
35:, which attempts to comprehensively analyze some of
27:) was an Austrian-German conductor, composer, and
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285:Emigrants from Austria-Hungary to Germany
135:Das Geheimnis der Form bei Richard Wagner
92:Das Geheimnis der Form bei Richard Wagner
85:Das Geheimnis der Form bei Richard Wagner
33:Das Geheimnis der Form bei Richard Wagner
31:. His principal work is the four-volume
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7:
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228:. University of Rochester Press.
270:German male conductors (music)
104:Die Meistersinger von NĂĽrnberg
1:
224:McClatchie, Stephen (1998).
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166: ; (B. Filser, 1927)
51:, a historian who studied
265:German conductors (music)
96:Der Ring des Nibelungen
280:German music theorists
17:Alfred Ottokar Lorenz
275:German musicologists
23:– 20 November 1939,
184:McClatchie pp.1–15
100:Tristan und Isolde
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260:German composers
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211:McClatchie p.169
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61:Robert Radecke
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250:1868 births
87:, 1924–1933
244:Categories
218:References
73:Nazi party
53:genealogy
129:Writings
112:Bar form
108:Parsifal
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106:, and
25:Munich
21:Vienna
173:Notes
230:ISBN
63:and
57:Jena
43:Life
119:ABA
115:AAB
246::
121:.
102:,
98:,
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