268:, offering an approach to singing lessons and voice training based solely upon his self-devised techniques. The aim of his lessons was to help students extend the range and expressiveness of their voice to include every possible vocal sound, which he believed both represented and precipitated the realization of increased
488:. Prior to his father's death, Wolfsohn had been disturbed by the sounds of his mother screaming during sexual intercourse, which he could hear from his bedroom. After his father died, Wolfsohn developed a close relationship with his mother, who comforted him by singing, using a high voice to depict an
2395:
Salomon-Lindberg, P., interviewed by Mary Löwenthal
Felstiner, Amsterdam, 23â26 March 1984; 15â20 April 1985; 6â8 July 1988; 14 July 1993. Trans. Franz Weisz. Repository: Franz Weisz Film Research Archives, Amsterdam and Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1025:
In the summer of 1974, the Roy Hart
Theatre group, which comprised some members who had worked with Wolfsohn for 25 years, moved to the south of France where they began converting the buildings of an old chĂąteau into studios for vocal and theatrical research. A year later, Roy Hart, his wife Dorothy
1312:
Hart, R., et al., 'An
Outline of the Work of the Alfred Wolfsohn Voice Research Centre', subsequently published in 'The Roy Hart Theatre: Documentation and Interviews', Dartington Theatre Papers, ed. David Williams, Fifth Series, No. 14, pp. 2â7. Series ed. Peter Hulton. Dartington College of Arts,
1466:
Salomon-Lindberg, P., interviewed by Mary Löwenthal
Felstiner, Amsterdam, 23â26 March 1984; 15â20 April 1985; 6â8 July 1988; 14 July 1993. Trans. Franz Weisz. Repository: Franz Weisz Film Research Archives, Amsterdam and Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham,
1076:
Wolfsohn believed that by extending the vocal range, it was possible to give this imagery a voice, including what Jung called mini-personalities, later referred to as subpersonalities thereby providing the vocalist with an opportunity to integrate disparate elements of their
2282:
Johnson, J. singing 'The Lift Girl', music by Donald Swan, lyrics by John
Betjeman. Recorded at the Hoffnung Music Festival. Phonograph recordings, 1957â1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
112:
Inspired by the range and flexibility of his voice, which developed as a consequence of the exercises and experiments he pursued, Wolfsohn began teaching others to use his vocal techniques as a form of therapeutic expression, which were later incorporated into
2464:. Manuscript containing excerpts from articles and correspondence, compiled and printed by attendants of the Alfred Wolfsohn Voice Research Centre in 1963. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2229:
Hart, R., performing 'Rhapsody on a Windy Night' by T. S. Eliot under the direction of and conducted by Alfred
Wolfsohn. Phonograph recordings, 1957â1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
389:, which included some who like Hart had studied with Alfred Wolfsohn, and others who had never met the German teacher, but had been students in Hart's drama classes, which the South African actor began teaching at venues across London during the late 1950s.
1991:
Newham, P. (1988) 'Voicework as
Therapy: The Artistic use of Vocal Sound to Heal Mind and Body. In S. K. Levine and E. G. Levine (eds) Foundations of Expressive Therapy: Theoretical and Clinical Perspectives. London. Jessica Kingsley Publishers, pp.
2233:
Hart, R., performing 'The Hollow Men' by T. S. Eliot under the direction of and conducted by Alfred
Wolfsohn. Phonograph recordings, 1957â1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2311:(newspaper), Cited in 'Roy Hart Theatre', unpublished anthology of reviews, extracts from articles and other material, compiled by Barrie Coghlan with assistance from Noah Pikes in 1979. Repository: Roy Hart Theatre Archives, Malérargues, France.
2237:
Hart, R., performing 'The Rocks' by T. S. Eliot under the direction of and conducted by Alfred
Wolfsohn. Phonograph recordings, 1957â1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2078:
Coghlan, B., 'The Human Voice and the Aural Vision of the Soul'. Paper read at the First
International Conference on Scientific Aspects of Theatre at Karpacz, Poland, September 1979. Repository: Roy Hart Theatre Archives, Malérargues, France.
194:
Inspired by the range and expressiveness of his voice, which resulted from the vocal exercises and techniques he developed in an attempt to heal the symptoms of trauma sustained during the war, Wolfsohn began teaching others, acting as both a
572:
approach, which prohibited him from giving voice to the sounds he had heard in the trenches. He therefore supplemented and eventually replaced the singing lessons with his own experiments, seeking to push his voice to its limits in range and
1054:. Jung claimed to have witnessed what he variously called 'mini-personalities', 'splinter-psyches', and the 'little-people' expressed through vocal sound when he observed his cousin, a girl called Helly, manifest a range of distinct vocal
899:
company comprising some of Wolfsohn's long-standing students, and others who had taken acting lessons with Hart at various venues across London. Meanwhile, a number of other students and associates of Wolfsohn, including Jenny Johnson and
30:
1524:
Bergmeier, Horst J.P., Ejal Jakob Eisler, and Rainer E. Lotz. Vorbei . . . Beyond Recall: Dokumentation jĂŒdischen Musiklebens in Berlin 1933â1938. A Record of Jewish musical life in Nazi Berlin 1933â1938. Hambergen: Bear Family Records,
2225:
Hart, R., performing 'Carnivorous Crark' under the direction of and conducted by Alfred Wolfsohn. Phonograph recordings, 1957â1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2399:
Salomon-Lindberg, P., interviewed by Franz Weisz, Amsterdam, 1981. Trans. Franz Weisz. Repository: Franz Weisz Film Research Archives, Amsterdam and Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
544:
of the vocal screams he had heard whilst serving in the trenches. Wolfsohn later recorded that, after being discharged from hospital, he felt as though he was dead for many years, but came back to life when he started singing.
2278:
Johnson, J. singing 'Pagliacci' by Ruggiero Leoncavallo, conducted by Alfred Wolfsohn. Phonograph recordings, 1957â1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2141:
1902:
Jung, C.G. (1953) The Collected Works of C G Jung, vol. 8 (Bollingen Series XX). H. Read, M. Fordham, G. Adler and Wm McGuire (eds). Princeton, New Jersey: Princeton University Press and London: Routledge and Kegan Paul, pp.
1915:
10 Jung, C.G. (1953) The Collected Works of C G Jung, vol. 1 (Bollingen Series XX). H. Read, M. Fordham, G. Adler and Wm McGuire (eds). Princeton, New Jersey: Princeton University Press and London: Routledge and Kegan Paul,
1552:
Salomon-Lindberg, P., interviewed by Franz Weisz, Amsterdam, 1981. Trans. Franz Weisz. Repository: Franz Weisz Film Research Archives, Amsterdam and Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham,
1476:
Salomon-Lindberg, P., interviewed by Franz Weisz, Amsterdam, 1981. Trans Franz Weisz. Repository: Franz Weisz Film Research Archives, Amsterdam and Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham,
2096:
Croner, A., interviewed by Franz Weisz, London, 1980/81. Trans. Franz Weisz. Repository: Franz Weisz Film Research Archives, Amsterdam and Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1062:, during which she claimed to be speaking on behalf of dead persons. This became the starting point for Jung's doctoral thesis, and precipitated his later work on what he described as the multiple nature of the psyche.
2121:
Film: Footage and accompanying sound-track showing Wolfsohn teaching, produced by Leslie Shepard in London 1955. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
1632:
Author unknown, 'She Can Sing Every Note: Jennifer Soars Right Through the Keyboard', Daily Express (newspaper), 27 February 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham,
806:. The recordings verified what Luchsinger described as an extraordinarily large vocal range, from C (65 c.p.s.) to f4 sharp (2960 c.p.s.), or 5 octaves and 6 tones. Thirty-seven years later, in 1992, consultant
724:. The research, experimentation and tutoring at the centre first attracted public attention ten years later on 22 November 1953, when a journalist observed him working with two of his pupils, Jenny Johnson and
516:
in the trenches of World War I along both the Eastern and Western front. During this time, Wolfsohn became disturbed by the vocal sounds that wounded and dying soldiers made. Furthermore, he experienced intense
496:. Wolfsohn asserted that hearing his mother express both unpleasant screams and beautiful singing contributed to his belief that the human voice should be able to express the complete spectrum of human emotion.
2100:
Croner, A., interviewed by Mary Löwenthal Felstiner, 30 March 1984. Repository: Franz Weisz Film Research Archives, Amsterdam and Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1112:, which was initially inspired by both Wolfsohn's research and Jung's notion of subpersonalities, and uses the act of vocalizing, particularly singing and praying, as the means by which to explore the psyche.
2645:
1776:
Warrack, J., 'Joke Fantasy of Hoffnung Concert: Hosepipe Concerto', Daily Telegraph (newspaper), 14 November 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2129:(television documentary), hosted by Fife Robertson, made and broadcast by the BBC in the mid 1950s. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2274:
Johnson, J. singing 'Nightingale', conducted by Alfred Wolfsohn. Phonograph recordings, 1957â1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
1217:(television documentary), hosted by Fife Robertson, made and broadcast by the BBC in the mid 1950s. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
1445:
GĂŒnther, M., The Human Voice, Paper read at the National Conference on Drama Therapy, Antioch University, San Francisco, November 1986. Published on audio tape by Roy Hart Theatre, MalĂ©rargues, France.
1758:
Author unknown (initials L.S.), 'The Hoffnung Musical Festival', The Gramophone (newspaper), December 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2086:. Paper documenting the development of the Alfred Wolfsohn Voice Research Centre from 1943 to 1953. 1953. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1245:
BackÚs-Clément, C., 'Voice and Madness; Echo of the Origin of Man', Lettres Françaises (magazine), 1979. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
396:
to establish a permanent rehearsal studio, school, and drama troupe. Roy Hart died in a car accident a year later, but the French-based group of remaining members continued producing experimental
2023:
Author unknown, 'He Gives the Girls 7-Octave Voices', unknown newspaper, 22 November 1953. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2454:. Anthology of reviews, extracts from articles and other material, compiled by Barrie Coghlan with assistance from Noah Pikes), 1979. Repository: Roy Hart Theatre Archives, Malérargues, France.
1601:
Author unknown, 'He Gives the Girls 7-Octave Voices', unknown newspaper, 22 November 1953. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2431:. Paper read at the Sixth International Congress of Psychotherapy, London, August 1964. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
1706:
Weiser, E., 'Stimme Ohne Fessel', Die Weltwoche (newspaper), 30 September 1955. Trans. Ian Halcrow. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1329:. Paper read at the Sixth International Congress of Psychotherapy, London, August 1964. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
1877:
Hart, R., Paper read at the Sixth International Conference for Psychodrama in Zagreb. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
477:, Wolfsohn repeatedly describes himself as an exceptionally detached child, an outsider, and an observer, and he attributes this experience to being one of few Jewish children at school.
183:, Wolfsohn failed to recover in response to hospitalization or psychiatric treatment, but cured himself by vocalizing extreme sounds, bringing about what he described as a combination of
1890:. Paper read at the Seventh International Congress of Psychodrama in Tokyo, 1972. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2215:
Hart, R., et al., performing 'Spoon River'. Phonograph recordings, 1957â1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
739:
There followed a series of reports in national newspapers, all of which concentrated on the extended vocal range demonstrated by Wolfsohn's pupils, with scant reference to any
1580:
Adam C. Stanley, "Salomon, Charlotte (1917â1943)" in Bernard A. Cook, Women and war: a historical encyclopedia from antiquity to the present. Volume 1, ABC-CLIO, 2006, p. 514.
1300:
Salomon, C., Charlotte: Life or Theatre, ed. U.G. Schwartz with a preface by Judith C. E. Belinfante and an introduction by Judith Herzberg. London: Allen Lane, Penguin, 1981.
961:
Nonetheless, it was Hart who succeeded in introducing the therapeutic benefits of Wolfsohn's techniques where his teacher had failed, presenting papers, primarily authored by
2324:
Luchsinger, R. and Dubois, C.L., 'Phonetische und stroboskopische UntersĂŒchungen an einem StimmphĂ€nomen', Folia Phoniatrica, 8: No. 4, pp. 201â210. Trans. Ian Halcrow. 1956.
1571:
Salomon, C., A Diary in Pictures, ed. A.J. Peterson with introductions by Paul Tillich and Emil Strauss. First published in Tokyo: Zokeisha, 1963, then London: Collins, 1963.
1736:
Luchsinger, R. and Dubois, C.L., 'Phonetische und stroboskopische UntersĂŒchungen an einem StimmphĂ€nomen', Folia Phoniatrica, 8: No. 4, pp. 201â210. Trans. Ian Halcrow. 1956.
2520:
Wolfsohn, A., Letters to Aldous Huxley. October â December 1958. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2208:
Hart, R., et al., 'An Outline of the Work of the Alfred Wolfsohn Voice Research Centre', subsequently published in 'The Roy Hart Theatre: Documentation and Interviews',
2185:, Paper read at the National Conference on Drama Therapy, Antioch University, San Francisco, November 1986. Repository: Roy Hart Theatre Archives, Malérargues, France.
1657:
Davy, J., 'Creak to Squeal', Observer (newspaper), 4 March 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
1623:
Author unknown, 'Low F to High C', Daily Mail (newspaper), 28 February 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2403:
Salomon-Lindberg, P., interviewed by Paul Newham, Amsterdam, August 1991. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1715:
Young, W., 'A New Kind of Voice', Observer (newspaper), 26 February 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1489:
Salomon-Lindberg, P., interviewed by Paul Newham, Amsterdam, August 1991. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2635:
2440:
Student: (anonymous by request) in interview with Paul Newham, 1993/94. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2251:
Wolfsohn, A., Letters to Aldous Huxley. April â July 1958. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2006:
Attenborough, R., Letter to Jenny Johnson and Roy Hart. 22 April 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1404:
Huxley, J., "Letter to Alfred Wolfsohn. 14 November 1958". Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
682:, whom he mentored. Charlotte Salomon documented her relationship with Wolfsohn in a series of paintings, in which he appears as an elusive personal tutor called
2254:
Huxley, J., letter to Alfred Wolfsohn, 14 November 1958. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2630:
2248:
Huxley, A., letter to Alfred Wolfsohn. 5 December 1958. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
720:
In the same year, Wolfsohn was given permission by the British government to teach singing lessons, which he began at a house in North London that he named the
2075:
Braggins, S., interviewed by Paul Newham, London, November 1991. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
624:
by drawing attention to the Jewish arts. He convinced the Nazis to permit a safe haven for talented Jewish artists, so they could perform for an exclusively
2297:, ed. H. Read, M. Fordham, G. Adler and W. McGuire, vol. 9. Princeton, New Jersey: Princeton University Press, and London: Routledge and Kegan Paul, 1953.
203:, seeking to combine the principles of both disciplines. Wolfsohn had no formal training in either field, but nonetheless became a critic of traditional
2188:
GĂŒnther, M., interviewed by David Williams, MalĂ©rargues, France, February 1985. Repository: Dartington College of Arts Theatre Papers Archives, Devon.
2605:
2471:. Manuscript for BBC Radio broadcast on 19 November 1957. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2327:
Mayer, L., interviewed by David Williams, Malérargues, France, February 1985. Repository: Dartington College of Arts Theatre Papers Archives, Devon.
101:, but did not respond to treatment. He subsequently cured himself by vocalizing extreme sounds, bringing about what he described as a combination of
1785:) Vox Humana: Alfred Wolfsohn's Experiments in Extension of Human Vocal Range. New York: Folkways Records and Service Corp., Album No. FPX 123, 1956
2457:
Various, Phonograph recordings, 1957â1960. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2434:
Shepard, L., interviewed by Paul Newham, Dublin, 1990. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2378:
Salamon, E., interviewed by Paul Newham, London, 1990. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2222:. Paper read at the Seventh International Congress for Psychotherapy, Wiesbaden, 1967. Repository: Roy Hart Theatre Archives, Malérargues, France.
762:
of the Zurich Otolaryngological Clinic, the results of which were presented in a lecture before the German Society for Speech and Voice Therapy in
2650:
1855:. Paper read at the Seventh International Congress for Psychotherapy, Wiesbaden, 1967. Repository: Roy Hart Theatre Archives, Malérargues, France.
2503:(newspaper), 30 September 1955. Trans. Ian Halcrow. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2314:
Landry, I., Letter to Paul Newham, 29 October 1991. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
121:. Meanwhile, some pupils of Wolfsohn used the extraordinary vocal range they developed to create performing arts productions, which influenced
2385:, ed. A.J. Peterson with introductions by Paul Tillich and Emil Strauss. First published in Tokyo: Zokeisha, 1963, then London: Collins, 1963.
1675:
Joachim, H, (newspaper), Die Welt, 20 October 1969. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
891:
On 26 January 1962, Wolfsohn ceased teaching due to ill health and died after contracting a chest infection while in hospital. Subsequently,
2640:
2354:
Moses, P.J., Letter to Alfred Wolfsohn, 16 April 1961. Repository: Roy Hart Theatre Archives, MalĂ©rargues, France. Copyright Marita GĂŒnther.
1955:
Newham, P. (1992) âJung and Alfred Wolfsohn: analytical psychology and the singing voice.â Journal of Analytical Psychology, 37, pp. 323â336.
916:
872:
721:
424:
370:
353:
310:
took lessons with Wolfsohn, or observed demonstrations by his students, subsequently acknowledging his contribution to their work, including
261:
2202:. Paper read at the Third International Congress of Psychodrama, Vienna, 1968. Repository: Roy Hart Theatre Archives, Malérargues, France.
1868:. Paper read at the Third International Congress of Psychodrama, Vienna, 1968. Repository: Roy Hart Theatre Archives, Malérargues, France.
1543:
Salomon-Lindberg, P., interviewed by Mary Löwenthal Felstiner, Amsterdam, 23â26 March 1984; 15â20 April 1985; 6â8 July 1988; 14 July 1993.
931:, Roy Hart sought to appropriate the extended vocal range of his pupils into artistic expression, by devising, rehearsing, and performing
568:
Although he attributed his recovery from shell shock to these lessons, he also criticized his teachers for their adherence to a classical
356:
since 1947, who extended the vocal demonstrations for invited audiences, instigated by Wolfsohn, into full public performances, including
2392:, ed. U.G. Schwartz with a preface by Judith C. E. Belinfante and an introduction by Judith Herzberg. London: Allen Lane, Penguin, 1981.
1982:
Newham, P. Therapeutic Voicework: Principles and Practice for the Use of Singing as a Therapy. London, Jessica Kingsley Publishers 1998.
1973:
Newham, P. (1992) âSinging and psyche: towards voice movement therapyâ. Voice: Journal of the British Voice Association. 1, pp. 75â102.
1065:
Jung paid little subsequent attention to vocal expression in his work, but sought to show the way in which literature, painting, and
2330:
Moore, B., interviewed by Peter Hulton, Paris, January 1985. Repository: Dartington College of Arts Theatre Papers Archives, Devon.
2108:(newspaper), 4 March 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
596:, Wolfsohn recognized that Jews with formal employment were in a better position to avoid Nazi harassment, and in 1935 went to Dr.
2089:
Cowell, H., 'Introduction to Vox Humana', (printed introduction to accompany gramophone recording, with notes by Leslie Shepard),
1964:
Newham, P. (1993) âThe singing cure: how voice movement therapy has evolvedâ. Human Communication 2, no. 2, February 1993 pp. 6â8.
553:
After discharge from hospital, Wolfsohn worked in a variety of positions, including rent-collector, bank teller, piano player for
404:
productions and teaching the approach to vocal expression initially established by Wolfsohn. The other group, including vocalist
1562:
Gerne, M., Problemlösung im Traum am Beispiel der Trauerverarbeitung. Zurich, 1987. Doctoral thesis, University of Zurich, 1987.
1457:
Newham, P., The Singing Cure: An Introduction to Voice Movement Therapy. London: Random House, 1993 and Boston: Shambhala, 1994.
698:
left Germany for the south of France, and a month later, Wolfsohn fled Berlin and went to London. He volunteered to the British
990:
974:
2625:
970:
2290:(Manuscript). 1924. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
2478:(newspaper), 14 November 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2245:(newspaper), 28 February 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2037:(newspaper), 27 February 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2030:(newspaper), 28 February 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
998:
982:
2496:(newspaper), 17 October 1955. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2489:(newspaper), 17 October 1955. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2261:(newspaper),14 November 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2205:
Hart, R., Lecture read at the Jung Institute in London, 1963. Repository: Roy Hart Theatre Archives, Malérargues, France.
521:
at having run for safety, leaving behind a badly wounded soldier, rather than risking his own life to save the dying man.
1842:
Hart, R., Lecture read at the Jung Institute in London, 1963. Repository: Roy Hart Theatre Archives, Malérargues, France.
2610:
2013:(newspaper), December 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
714:
2517:. London 1947 (Manuscript). Trans. Marita GĂŒnther and Sheila Braggins. Repository: Joods Historisch Museum, Amsterdam.
2044:(newspaper), January 1957. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2020:(newspaper), 3 April 1954. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1614:(newspaper), 3 April 1954. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1164:. London 1947 (Manuscript). Trans. Marita GĂŒnther and Sheila Braggins. Repository: Joods Historisch Museum, Amsterdam.
2534:. London 1943â1960. (Manuscript). Trans. Marita GĂŒnther. Repository: Roy Hart Theatre Archives, MalĂ©rargues, France.
2420:
Shepard, L., 'The Voice of the World', (printed notes to accompany recording, with introduction by Dr Henry Cowell),
1534:
Salomon-Lindberg, P. 'Mein Câest La VieâLeben' In Einer Bewegten der JĂŒdischen KĂŒnstlerin. Berlin: Das Arsenal, 1992.
1090:
1417:. London 1943â1960. (Manuscript). Trans. Marita GĂŒnther. Repository: Roy Hart Theatre Archives, MalĂ©rargues, France.
2178:
GĂŒnther, M., 'The Human Voice: On Alfred Wolfsohn'. Spring: A Journal of Archetype and Culture 50. 1990 pp. 65â75.
1794:
Moses, P. J., Letter to Alfred Wolfsohn, 16 April 1961. Repository: Roy Hart Theatre Archives, Malérargues, France.
822:
635:
597:
358:
1006:
2587:
2563:
2437:
Singer, K., statements made in 1934 latterly recorded by Herbert Freeden (1956). Curated by Paul Newham, London.
1288:
Löwenthal Felstiner, M., To Paint her Life: Charlotte Salomon in the Nazi Mirror. New York: Harper Collins, 1994.
787:
2212:, ed. David Williams, Fifth Series, No. 14, pp. 2â7. Series ed. Peter Hulton. Dartington College of Arts, 1985.
2058:, 14 November 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2271:, 20 October 1969. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1128:
818:
771:
431:
2552:
26 February 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2541:. London 1958 (Manuscript). Trans. Kaya Anderson. Repository: Roy Hart Theatre Archives, Malérargues, France.
2264:
Jaffe, A., letter to Alfred Wolfsohn, 3 May 1955. Repository: Roy Hart Theatre Archives, Malérargues, France.
2065:(magazine), 1979. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1026:
Hart, and a third group member Vivienne Young â died in a car accident while en route between performances in
405:
2368:, 18 March 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2072:, 11 March 1956. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1724:
Jaffe, A., Letter to Alfred Wolfsohn, 3 May 1955. Repository: Roy Hart Theatre Archives, Malérargues, France.
1433:. London 1958 (Manuscript). Trans. Kaya Anderson. Repository: Roy Hart Theatre Archives, Malérargues, France.
725:
2417:(newspaper), 18 March 1956. Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
2304:(newspaper), 11 March 1956. Alfred Wolfsohn Voice Research Centre Archives. Curated by Paul Newham, London.
1105:
936:
927:
Whilst Wolfsohn had viewed his approach to singing and vocal expression as primarily a potential adjunct to
880:
833:
601:
589:, and Wolfsohn began to experience the discrimination to which all German Jews were subjected at that time.
541:
2118:, written by Judith Herzberg, directed by Franz Weisz. Released by Elsevier Select Video, Amsterdam, 1981.
1109:
939:
vocal expression. The group that joined Hart in this endeavour after Wolfsohn's death named themselves the
810:
2469:
Six Instead of Two and a Half Octaves: Unlimited Range â About an Experiment and its Possible Consequences
775:
673:
643:
227:
173:
86:
2527:. Germany 1936â1938 (Manuscript). Trans. Marita GĂŒnther. Repository: Joods Historisch Museum, Amsterdam.
2111:
Downes, E., letter to Alfred Wolfsohn, 1958. Repository: Roy Hart Theatre Archives, Malérargues, France.
1395:. Repository: Alfred Wolfsohn Voice Research Centre Archives. Curated by Leslie Shepard, Dublin, Ireland.
1767:
Jacobs, A., 'Mr. Hoffnung Starts a New Musical Fashion', Evening Standard (newspaper), 14 November 1956.
1184:. Germany 1936â1938 (Manuscript). Trans. Marita GĂŒnther. Repository: Joods Historisch Museum, Amsterdam.
840:
released a vinyl long playing record of Wolfsohn's pupils demonstrating an extended vocal range, called
658:
586:
208:
646:, who offered him lodging and a job teaching singing to those she described as her less gifted pupils.
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946:
Performances by Roy Hart and the Roy Hart Theatre influenced a number of notable contributors to the
932:
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397:
363:
141:
122:
1666:
Hickey, W., 'William Hickey and the Voice of the Year', Daily Express (newspaper), 28 February 1956.
966:
291:. Wolfsohn sought to enable the expression of these subpersonalities through distinct vocal sounds.
1066:
1043:
864:
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829:
which showed how extended vocal flexibility can be produced without damage to the vocal apparatus.
699:
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remained a frustration to Wolfson, culminating in his failure to secure a meeting with Carl Jung.
132:
After Wolfsohn died in 1962, many of his long-standing pupils formed a theatre company called the
1101:
826:
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767:
759:
401:
169:
140:, who had studied with Wolfsohn for fifteen years, which continued to influence practices within
126:
2410:, ed. Jarrell C. Jackman and Carla M. Borden.Washington, D.C.: Smithsonian Institution, 1983.
1688:
in Birmingham: Alfred Wolfsohn's Demonstration', Birmingham Post (newspaper), 17 October 1955.
1515:, ed. Jarrell C. Jackman and Carla M. Borden. Washington, D.C.: Smithsonian Institution, 1983.
740:
695:
679:
238:
2429:
An Empirical Therapy Based on an Extension of Vocal Range and Expression in Singing and Drama
1697:
Waterhouse, J.F., 'Night-Queen Sings Sarastro', Birmingham Post (newspaper), 17 October 1955.
1327:
An Empirical Therapy Based on an Extension of Vocal Range and Expression in Singing and Drama
940:
876:
837:
802:
showed no structural abnormality, but was small and symmetrical, corresponding to that of a
513:
509:
386:
299:
161:
133:
90:
2581:
1375:
Newham, P. (1992) "Jung and Alfred Wolfsohn: analytical psychology and the singing voice".
851:
However, the kind of recognition that Wolfsohn sought was not forthcoming until 1959, when
85:(23 September 1896 â 5 February 1962) was a German singing teacher who suffered persistent
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2033:
Author unknown, 'She Can Sing Every Note: Jennifer Soars Right Through the Keyboard',
1589:
Gilbert, Martin (2002). The Routledge Atlas of the Holocaust. Psychology Press. p. 10.
462:
re-established the London base for the Alfred Wolfsohn Voice Research Centre in 1990.
2599:
2161:, vols. 2 and 3. London: Hogarth Press and the Institute of Psychoanalysis, 1953â74.
2154:
1946:
Newham, P. (1990) âThe voice and the shadowâ. Performance 60, Spring 1990, pp. 37-47.
1116:
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funerals. During this period, he also took singing lessons with a range of teachers.
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114:
665:, seeking to help others use the singing lesson as a means to assuage and alleviate
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later that year. This was the first clinical examination of a voice trained in the
729:
676:
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554:
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253:
157:
1123:. However, the influence and legacy of Alfred Wolfsohn's work is more apparent in
1937:
Samuels, A., (1985). Jung and the PostJungians. London: Routledge and Kegan Paul.
176:
of screaming soldiers, whom he had witnessed dying of wounds during his service.
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of screaming soldiers, whom he had witnessed dying of wounds while serving as a
1259:
Newham, P. "The psychology of voice and the founding of the Roy Hart Theatre".
2158:
2150:
1089:. However, Wolfsohn failed to secure a meeting with Jung, and the work of the
1010:
905:
791:
629:
605:
533:
455:
430:
Alfred Wolfsohn was instrumental in precipitating and inspiring many types of
29:
604:, a cultural association promoting Jewish art and culture. Singer, who was a
241:. Wolfsohn and his theories inspired Charlotte Salomon to create her artwork
1042:
Wolfsohn subscribed to the views of Carl Jung, who proposed that each human
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856:
733:
649:
It was then that Wolfsohn began to combine his understanding of firstly the
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102:
2582:
Vox Humana: Alfred Wolfsohn's Experiments in Extension of Human Vocal Range
2422:
Vox Humana: Alfred Wolfsohn's Experiments in Extension of Human Vocal Range
2091:
Vox Humana: Alfred Wolfsohn's Experiments in Extension of Human Vocal Range
1059:
1005:. In addition, in 1965 the Roy Hart Theatre began working with patients at
480:
When Wolfsohn was 10 years old, his father, who had been a rifleman in the
2016:
Author unknown, 'Eight octaves High: No Strain at all, the Wolfsohn Way',
1610:
Author unknown, 'Eight octaves High: No Strain at all, the Wolfsohn Way',
2424:. New York: Folkways Records and Service Corp., Album No. FPX 123, 1956.
2142:
The Standard Edition of the Complete Psychological Works of Sigmund Freud
2093:. New York: Folkways Records and Service Corp., Album No. FPX 123, 1956.
892:
537:
493:
345:
341:
When Wolfsohn died in 1962, the group of long-standing students divided.
269:
235:
188:
137:
106:
1745:
Newham, P. (1992) "Singing and psyche: towards voice movement therapy".
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295:
257:
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46:
2474:
Warrack, J., 'Joke Fantasy of Hoffnung Concert: Hosepipe Concerto',
2061:
BackÚs-Clément, C., 'Voice and Madness; Echo of the Origin of Man',
758:
In August 1955 the voice of Jenny Johnson was examined by Professor
728:. The journalist's article said of them: "They can sing deeper than
2364:
Owen, E.H., 'Letters to the Editor: Song and Strain', (newspaper),
438:
who incorporate into their performances sounds not usually used in
1803:
Moses, P. J., "Reorientation of Concepts and Facts in Phonetics",
1115:
In addition, the work of Wolfsohn and Hart influenced a number of
1051:
1031:
1002:
895:, a student who had begun working with Wolfsohn in 1947, formed a
639:
489:
349:
344:
One group continued to train their voices under the leadership of
288:
223:
2408:
The Muses Flee Hitler: Cultural Transfer and Adaptation 1930â1945
2347:
Moses, P.J., 'Reorientation of Concepts and Facts in Phonetics',
2009:
Author unknown (initials L.S.), 'The Hoffnung Musical Festival',
1513:
The Muses Flee Hitler: Cultural Transfer and Adaptation 1930â1945
794:
investigation. Luchsinger's examinations revealed that Johnson's
736:. In fact, they have crashed through the musical sound barrier".
540:. Wolfsohn complained that his treatment failed to alleviate the
710:
625:
470:
Alfred Wolfsohn was born in Berlin into a German Jewish family.
443:
2506:
Wolfsohn, A, 'Notes on Orpheus'. London, 1949 (Manuscript). In
1925:
Redfearn, J. My Self My many Selves. London. Karnac Books, 1994
1371:
1369:
1367:
845:
2175:. Zurich, 1987. Doctoral Thesis. University of Zurich 1987.
1829:
Moses, P. J., "Speech and Voice Therapy in Otolaryngology",
1485:
1483:
1353:
1351:
2359:
The Singing Cure: An Introduction to Voice Movement Therapy
2333:
Moses, P.J., 'Speech and Voice Therapy in Otolaryngology',
2307:
Kretzmer, H., 'Stunning â this Trip with the Human Voice',
717:, where she and her unborn child were killed by the Nazis.
2569:
2068:
Bendit, L.J., MD, 'Letters to the Editor: The New Voice',
1597:
1595:
1284:
1282:
661:
evolved by Carl Jung, with his unconventional approach to
2257:
Jacobs, A., 'Mr. Hoffnung Starts a New Musical Fashion',
2173:
Problemlösung im Traum am Beispiel der Trauerverarbeitung
2040:
Author unknown, 'The Hoffnung Musical Festival Concert',
1200:
The Prophet of Song: The Life and Work of Alfred Wolfsohn
879:
generally, and the emotional and psychological causes of
766:
and subsequently published in an article co-written with
2646:
Jewish emigrants from Nazi Germany to the United Kingdom
2361:. London Random House, 1993 and Boston Shambhala, 1994.
2241:
Hickey, W., 'William Hickey and the Voice of the Year',
1898:
1896:
2413:
Shepard, L., 'Letters to the Editor: Song and Strain',
2319:
To Paint her Life: Charlotte Salomon in the Nazi Mirror
1911:
1909:
859:
in charge of the Speech and Voice Section, Division of
702:
but was later discharged, having been classified as an
2373:
Experimental Theatre: From Stanislavski to Peter Brook
1732:
1730:
1255:
1253:
1251:
1231:
Experimental Theatre: From Stanislavski to Peter Brook
2462:
Synopsis of Alfred Wolfsohn's Work on the Human Voice
875:
had contributed substantially to an understanding of
836:, receiving favourable reviews. During the same year
446:. In addition, Wolfsohn was a major influence on the
2300:
Kelsey, F., 'Letters to the Editor: The New Voice',
2132:
Freeden, H., 'A Jewish Theatre under the Swastika'.
1387:
1385:
1272:
GĂŒnther, M., "The Human Voice: On Alfred Wolfsohn".
168:
in 1914, when he was eighteen years old. After his
1933:
1931:
1441:
1439:
1337:
1335:
1321:
1319:
1296:
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746:The lack of formal recognition as a contributor to
423:, dispersed and sought to continue the work of the
392:In 1974 the Roy Hart Theatre moved to the south of
70:
54:
39:
20:
1453:
1451:
1085:, which was a principal aim of Jung's approach to
709:In October 1943 Charlotte Salomon was captured in
672:Wolfsohn also developed a close relationship with
2485:in Birmingham: Alfred Wolfsohn's Demonstration',
2127:In Town Tonight: Alfred Wolfsohn at Golders Green
1215:In Town Tonight: Alfred Wolfsohn at Golders Green
1194:
1192:
1190:
2492:Waterhouse, J.F., 'Night-Queen Sings Sarastro',
1747:Voice: Journal of the British Voice Association
1308:
1306:
1093:had little impact on mainstream psychotherapy.
848:broadcast a documentary about Wolfsohn's work.
1357:Newham, P. (1990) "The voice and the shadow".
2406:Schwarz, B., 'The Music World in Migration',
1511:Schwarz, B., "The Music World in Migration",
1425:
1423:
813:recorded a video stroboscopic examination of
136:, under the direction of South African actor
8:
754:Scientific analysis and artistic application
1393:Letters to Aldous Huxley. April â July 1958
2508:Spring: A Journal of Archetype and Culture
1274:Spring: A Journal of Archetype and Culture
524:After the war, Wolfsohn was admitted to a
28:
17:
2564:The Complete Biography of Alfred Wolfsohn
965:and giving demonstrations in 1963 at the
821:derivative of Wolfsohn's approach at the
774:established by Wolfsohn and consisted of
2447:. London and New York: Routledge, 1990.
2344:. New York: Grune & Stratton, 1954.
991:International Conference for Psychodrama
975:International Congress for Psychotherapy
179:After being subsequently diagnosed with
1820:. New York: Grune & Stratton, 1954.
1345:. London and New York: Routledge, 1990.
1140:
971:International Congress of Psychotherapy
832:In 1956 Jenny Johnson performed in the
528:in Berlin, where he was diagnosed with
2636:British Army personnel of World War II
549:Recovery and initial experimental work
207:and an advocate for the principles of
2337:, 32: No. 7, pp. 367â375. July 1953.
999:International Congress of Psychodrama
983:International Congress of Psychodrama
917:Alfred Wolfsohn Voice Research Centre
873:Alfred Wolfsohn Voice Research Centre
722:Alfred Wolfsohn Voice Research Centre
425:Alfred Wolfsohn Voice Research Centre
377:in 1969, migrated to new premises in
371:Alfred Wolfsohn Voice Research Centre
354:Alfred Wolfsohn Voice Research Centre
262:Alfred Wolfsohn Voice Research Centre
7:
2631:German Army personnel of World War I
2525:Orpheus, oder der Weg zu einer Maske
2375:, 4th edn. London: Routledge, 1989.
1833:, 32: No. 7, pp. 367â375. July 1953.
1263:IX No. 33. February 1993, pp. 59â65.
1241:
1239:
1225:
1223:
1210:
1208:
1182:Orpheus, oder der Weg zu einer Maske
1176:
1174:
1172:
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1154:
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1150:
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1144:
1081:in accordance with the principle of
871:, proposed that the research of the
275:Wolfsohn subscribed to the views of
2335:Eye, Ear, Nose & Throat Monthly
2026:Author unknown, 'Low F to High C',
1831:Eye, Ear, Nose & Throat Monthly
1500:A Jewish Theatre under the Swastika
1233:, 4th edn. London: Routledge, 1989.
915:sought to continue the work of the
243:Leben? Oder Theater? Ein Singespiel
2544:Young, W., 'A New Kind of Voice',
2499:Weiser, E., 'Stimme Ohne Fessel',
2321:. New York: Harper Collins, 1994.
973:in London; in 1967 at the seventh
935:with a strong focus on verbal and
362:, composed especially for Hart by
14:
1131:than in any clinical discipline.
2606:20th-century German male singers
2047:Author unknown, 'The Omnitone',
1642:Author unknown, 'The Omnitone',
1377:Journal of Analytical Psychology
1202:. London 1997. Tigers Eye Press.
969:in London; in 1964 at the sixth
669:and psychological difficulties.
1091:Alfred Wolfsohn Research Centre
638:put Wolfsohn in touch with the
279:, who proposed that each human
218:Wolfsohn began his teaching in
172:, Wolfsohn suffered persistent
2651:Military personnel from Berlin
2576:The Way Alfred Wolfsohn Taught
2220:How Voice Gave me a Conscience
1853:How Voice Gave me a Conscience
385:troupe, assuming the name the
97:. Wolfsohn was diagnosed with
1:
2588:Downloadable pdf of the book
2288:The Letters of Leopold Mozart
2104:Davy, J., 'Creak to Squeal',
997:; and in 1972 at the seventh
823:Ferens Institute Voice Clinic
628:public in community centres,
352:and regular attendant of the
2641:Royal Pioneer Corps soldiers
1050:that appear most vividly in
1007:Shenley Psychiatric Hospital
743:benefits of his techniques.
287:that appear most vividly in
245:, assigning to him the name
788:electro-acoustical analysis
230:where he developed a close
2667:
2590:Orpheus Or a Way to a Mask
2539:The Problem of Limitations
2390:Charlotte: Life or Theatre
1431:The Problem of Limitations
359:Eight Songs for a Mad King
222:, whilst working with the
2570:Roy Hart Theatre Archives
2317:Löwenthal Felstiner, M.,
2267:Joachim, H, (newspaper),
2210:Dartington Theatre Papers
1361:, Spring 1990, pp. 37â47.
1046:comprises a composite of
283:comprises a composite of
142:expressive arts therapies
27:
2532:The Biography of an Idea
2168:, 3: pp. 248â253. 1951.
1502:. LBI Yearbook 1 (1956).
1415:The Biography of an Idea
1129:extended vocal technique
819:extended vocal technique
772:extended vocal technique
674:Paula Salomon-Lindberg's
432:extended vocal technique
272:in other areas of life.
1102:expressive arts therapy
1096:Between 1990 and 2001,
1069:give expression to the
989:; in 1970 at the sixth
981:; in 1968 at the third
834:Hoffnung Music Festival
585:In 1933, Hitler became
542:auditory hallucinations
500:World War I and illness
2584:Folkways Records 1956)
2149:in collaboration with
1106:voice movement therapy
644:Paula Salomon-Lindberg
616:, and director of the
504:In 1914, Wolfsohn was
454:, Wolfsohn's official
234:relationship with the
228:Paula Salomon-Lindberg
174:auditory hallucination
87:auditory hallucination
2626:German voice teachers
2342:The Voice of Neurosis
1818:The Voice of Neurosis
1261:New Theatre Quarterly
1110:therapeutic voicework
811:David Garfield-Davies
690:Escaping Nazi Germany
659:analytical psychology
632:, and private homes.
592:With the rise of the
587:chancellor of Germany
450:and creative work of
209:analytical psychology
2510:50. 1990 pp. 76â79.
933:experimental theatre
887:Death and new leader
867:School of Medicine,
844:. Also in 1956, the
776:phonetic examination
713:, and dispatched to
618:Deutsche Oper Berlin
602:JĂŒdischer Kulturbund
526:psychiatric hospital
492:and a low voice for
369:This group left the
364:Peter Maxwell Davies
294:A number of notable
264:in a large house in
260:and established the
156:Alfred Wolfsohn was
2611:Avant-garde singers
2467:von Einsiedel, W.,
2383:A Diary in Pictures
2351:, pp. 45â51. 1958.
2295:The Collected Works
1888:The Objective Voice
1276:50. 1990 pp. 65â75.
1067:religious symbolism
923:Therapy and theatre
865:Stanford University
700:Royal Pioneer Corps
620:, sought to combat
482:Franco-Prussian War
473:In his unpublished
328:Jean-Louis Barrault
256:, Wolfsohn came to
164:in the trenches of
123:avant-garde theatre
93:in the trenches of
2578:by Sheila Braggins
2481:Waterhouse, J.F.,
2063:Lettres Françaises
1807:, pp. 45â51. 1958.
1684:Waterhouse, J.F.,
1379:, 37, pp. 323â336.
1100:founded a form of
827:Middlesex Hospital
804:coloratura soprano
760:Richard Luchsinger
458:who together with
436:performing artists
348:, a South African
127:experimental music
2483:The Utopian Voice
2166:Folia Phoniatrica
2051:, 19 March 1956.
1686:The Utopian Voice
817:demonstrating an
741:psychotherapeutic
696:Charlotte Salomon
694:In January 1939,
684:Amadeus Daberlohn
680:Charlotte Salomon
600:, founder of the
300:theatre directors
247:Amadeus Daberlohn
239:Charlotte Salomon
80:
79:
43:23 September 1896
2658:
2452:Roy Hart Theatre
2371:Roose-Evans J.,
2259:Evening Standard
2054:Author unknown,
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1749:. 1, pp. 75â102.
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1648:, 19 March 1956.
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1229:Roose-Evans J.,
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1058:and dialects at
1048:subpersonalities
941:Roy Hart Theatre
877:psychogenic pain
838:Folkways Records
732:and higher than
657:, and later the
536:, and underwent
514:stretcher bearer
512:and served as a
510:military service
387:Roy Hart Theatre
285:subpersonalities
162:stretcher-bearer
134:Roy Hart Theatre
91:stretcher bearer
61:
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2572:Various Authors
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2554:
2494:Birmingham Post
2487:Birmingham Post
2476:Daily Telegraph
2183:The Human Voice
2018:The Illustrated
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1125:performing arts
1121:Alexander Lowen
1073:of the psyche.
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956:Jerzy Grotowski
925:
897:performing arts
889:
881:voice disorders
756:
692:
583:
551:
502:
468:
383:performing arts
381:, and formed a
316:Jerzy Grotowski
270:human potential
252:After escaping
201:psychotherapist
197:singing teacher
154:
146:performing arts
83:Alfred Wolfsohn
75:Singing teacher
66:
63:
59:
58:5 February 1962
50:
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2558:External links
2556:
2537:Wolfsohn, A.,
2530:Wolfsohn, A.,
2523:Wolfsohn, A.,
2513:Wolfsohn, A.,
2153:, assisted by
2147:James Strachey
2042:The Gramophone
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1139:
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1030:and a tour of
1022:
1021:Move to France
1019:
967:Jung Institute
963:Leslie Shepard
924:
921:
913:Leslie Shepard
888:
885:
883:specifically.
861:Otolaryngology
825:, part of the
755:
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663:vocal pedagogy
651:psychoanalysis
582:
581:Early teaching
579:
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460:Leslie Shepard
421:Leslie Shepard
205:vocal pedagogy
160:to serve as a
153:
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65:United Kingdom
64:
62:(aged 65)
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2134:LBI Yearbook
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2015:
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1199:
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1119:, including
1114:
1095:
1075:
1064:
1041:
1024:
960:
950:, including
945:
926:
890:
850:
841:
831:
780:laryngoscopy
757:
745:
738:
730:Paul Robeson
726:Jill Johnson
719:
708:
693:
683:
677:stepdaughter
671:
648:
634:
622:antisemitism
610:musicologist
608:, musician,
591:
584:
567:
555:silent films
552:
523:
503:
486:tuberculosis
479:
472:
469:
429:
391:
368:
357:
343:
340:
304:philosophers
293:
274:
254:Nazi Germany
251:
246:
242:
217:
193:
178:
155:
131:
111:
82:
81:
60:(1962-02-05)
15:
2621:1962 deaths
2616:1896 births
2548:(newspaper)
2286:Jones, J.,
2171:Gerne, M.,
2164:Garde, E.,
2139:Freud, S.,
1198:Newham, P.
1104:, known as
1098:Paul Newham
1079:personality
952:Peter Brook
948:avant garde
855:, clinical
815:Paul Newham
784:stroboscopy
768:C.L. Dubois
636:Kurt Singer
614:neurologist
598:Kurt Singer
594:Third Reich
530:shell shock
506:conscripted
475:manuscripts
452:Paul Newham
448:therapeutic
324:Irene Worth
320:R. D. Laing
312:Peter Brook
181:shell shock
166:World War I
158:conscripted
99:shell shock
95:World War I
2600:Categories
2515:Die BrĂŒcke
2218:Hart, R.,
2198:Hart, R.,
2159:Alan Tyson
2151:Anna Freud
2136:1 (1956).
2084:Commentary
2082:Cole, E.,
2028:Daily Mail
1864:Hart, R.,
1851:Hart, R.,
1162:Die BrĂŒcke
1135:References
1117:therapists
1011:St. Albans
906:film maker
853:Paul Moses
842:Vox Humana
630:synagogues
534:medication
484:, died of
456:biographer
410:film maker
308:scientists
71:Occupation
2460:Various,
2450:Various,
2195:. (1892)
2193:Mysteries
2116:Charlotte
2056:The Times
1127:that use
979:Wiesbaden
937:nonverbal
910:archivist
857:professor
734:Yma Sumac
715:Auschwitz
667:emotional
606:conductor
570:bel canto
563:synagogue
466:Childhood
418:archivist
379:Hampstead
277:Carl Jung
232:mentoring
213:Carl Jung
185:catharsis
170:discharge
103:catharsis
49:, Germany
2546:Observer
2415:Observer
2366:Observer
2302:Observer
2269:Die Welt
2106:Observer
2070:Observer
1886:Har, R,
893:Roy Hart
538:hypnosis
494:St Peter
434:used by
346:Roy Hart
189:exorcism
152:Overview
144:and the
138:Roy Hart
107:exorcism
2445:On Jung
2200:Context
2000:Sources
1992:89â112.
1866:Context
1633:London.
1553:London.
1477:London.
1467:London.
1343:On Jung
1060:séances
1056:timbres
1028:Austria
863:at the
800:pharynx
764:Hamburg
704:invalid
642:singer
398:theatre
296:authors
236:painter
226:singer
2145:, ed.
2125:Film:
2114:Film:
1903:97â98.
1052:dreams
1044:psyche
1038:Legacy
995:Zagreb
987:Vienna
902:author
796:larynx
790:and a
626:Jewish
575:timbre
559:hazzan
557:, and
440:speech
416:, and
414:author
394:France
334:, and
306:, and
289:dreams
281:psyche
258:London
220:Berlin
47:Berlin
2349:Logos
1916:p.47.
1805:Logos
1525:2001.
1313:1985.
1032:Spain
1003:Tokyo
640:opera
519:guilt
490:angel
402:music
350:actor
224:opera
2157:and
2049:Time
1645:Time
1108:and
954:and
908:and
798:and
711:Nice
444:song
408:and
400:and
199:and
187:and
125:and
117:and
105:and
55:Died
40:Born
1013:in
1001:in
993:in
985:in
977:in
846:BBC
561:at
508:to
442:or
373:in
2602::
1930:^
1908:^
1895:^
1729:^
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1482:^
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1438:^
1422:^
1384:^
1366:^
1350:^
1334:^
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1222:^
1207:^
1189:^
1169:^
1143:^
1034:.
1017:.
1009:,
958:.
943:.
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338:.
330:,
326:,
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215:.
191:.
148:.
129:.
109:.
2550:,
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