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Alicia Boyle died in Dublin, Ireland on 11 January 1997. Boyle's estate was later valued at £407,470. Boyle bequeathed one-hundred and twenty-five sketchbooks from 1936-1996 and six oils to the
National Collections of Ireland. Boyle summarised her life and work in 1988 when she told Niall MacMonagle,
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From the late 1960s and early 1970s Boyle became obsessed with the myths and songs of
Sweeney, the cursed Celtic King, producing in excess of thirty paintings in a theme that enveloped her work for the remaining thirty years of her life. Between 1983 and 1989 Boyle had five solo exhibitions and three
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In 1949 she held a one-woman show in London's Leger
Galleries and another at the same venue in 1951. Boyle became a member of the Midland Regional Group of Artists and Designers with whom she exhibited in the autumn of 1948 and also in 1949 Boyle debuted in Ulster with a solo exhibition at the CEMA
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was inspired by a chance meeting with locals near
Claidhneach, Connemara in 1949. The Council For the Encouragement for Music and the Arts (CEMA) purchased the painting in 1950, and displayed in an exhibition of CEMA purchases at their 55a Donegall Place gallery in 1954. The 24 picture collection
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In 1939 Boyle travelled to
Mykonos in the Aegean Islands as an invited artist at the School of Fine Art. The resulting works were shown in an exhibition in Athens which financed a two-month painting expedition to Italy before she returned to England before the outbreak of World War II. One of the
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exhibition for more than a quarter of a century. Boyle held her first solo exhibition in the Peter Jones
Gallery in London in 1945, which afforded her the luxury of reducing her teaching hours. As the decade drew to a close Boyle became inspired by her native land after visits to Donegal and
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Her narrative paintings of this period were inspired by the people and folktales she gathered on her travels, leading her to depict farmers and weavers, and into producing paintings that established her artistic reputation in Ulster. Her literary inspirations at this time were
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Boyle was appointed as part-time teacher at
Northampton High School for Girls in January 1940. During this time Boyle designed stage-sets for ballets and plays by Tolstoy, Shaw and Shakespeare She later secured a post at Northampton Art College where the actor
285:. Boyle presented an exhibition of watercolours at the Walker's Gallery, London in 1958. She was elected to the Royal Society of British Artists in 1958. Between 1958 and 1962 Boyle showed a total of twenty-six works with the Royal Society of British Artists.
335:, a book about common prayer by Hilary Pyle in 1977. Boyle presented a solo exhibition at the Tom Caldwell Gallery in Belfast in the spring of 1978, having previously shown at Caldwell's Dublin gallery in 1975.
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was displayed at the Royal
Academy of Arts annual show. She won a commission to produce a mural for the Nurse's Home at Great Ormond Street Hospital for Sick Children two years later, which is no longer extant.
327:, County Cork, before later settling in Dublin. The Arts Council of Northern Ireland presented an exhibition of Boyle's watercolours in 1963. In 1973 Boyle held a joint exhibition of oils in New York with
172:, Boyle began to draw with a quill and ink. She became interested in calligraphy and prepared her own quills, a practice that she was to continue throughout her life. In 1932 Boyle's painting
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133:. Together they attended the theatre and art exhibitions. When her Mother died and her Father remarried, Boyle felt unable to remain in the family home and left to live in a bedsit.
1313:. Friends of the National Collections of Ireland, Hugh Lane Municipal Gallery of Modern Art, RHA Gallagher Gallery. Dublin: Friends of the National Collections of Ireland. 1999.
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Boyle began to paint at the age of five. Her parents encouraged her to paint around
Limavady and Magilligan. Her mother also introduced her to the work of playwrights such as
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major retrospectives. Boyle was inaugurated into the
National Self Portrait Collection of Ireland in 1995, alongside twelve others including Joseph O'Connor, Sidney Smith,
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At the age of seventeen Boyle enrolled on a teacher-training course at Clapham Art Training School where she studied for four years. From 1929 until 1934 Boyle attended
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75 years of giving : the Friends of the National Collections of Ireland : works of art donated by the Friends to the public collections of Ireland
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on the opening day of the 1950 show. Boyle showed once more with CEMA in 1952 and once again, at the Belfast Municipal Gallery in 1959.
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in Northern Ireland and moved to London, England with her family at the age of ten. At the age of two Boyle contracted cholera.
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1001:"The exhibition of the Royal Academy, 1960. The 192nd. | Exhibition Catalogues | RA Collection | Royal Academy of Arts"
975:"The exhibition of the Royal Academy, 1957. The 189th. | Exhibition Catalogues | RA Collection | Royal Academy of Arts"
949:"The exhibition of the Royal Academy, 1952. The 184th. | Exhibition Catalogues | RA Collection | Royal Academy of Arts"
923:"The exhibition of the Royal Academy, 1952. The 184th. | Exhibition Catalogues | RA Collection | Royal Academy of Arts"
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168:. Having viewed Hokusai's work at the British Museum and also in attending the Chinese exhibition at the
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Boyle began exhibiting at the Leicester Galleries in London in 1944. She was to show annually in their
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Connemara when she began to portray Irish subjects and scenes. A second masterpiece of this era,
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Alicia Boyle was born on 1 August 1908 to Brudenell P Boyle, an engineer, and his wife Birney in
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and Nevill Johnson. The foreword to the catalogue was written by the poet, critic and curator
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numbered amongst her many students. Boyle was later engaged as a visiting lecturer at
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331:. The Mother's Union of Dublin and Glendalough commissioned Boyle to illustrate
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in 1962. She moved to Ireland full-time in 1971 where she built a studio in
144:. Boyle was a prizewinning student who won two scholarships whilst at Byam.
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Pyle, Hilary (1990). "The "Daemon Fantasy" in Alicia Boyle's Paintings".
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most significant paintings of her early career was a critique of fascism
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The Scottish Committee of the Arts Council welcomed an exhibition of
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Royal Society of British Artists, Members Exhibiting 1947-1962
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Her works are held in numerous public collections including
911:. Vol. 5. Leigh-on-Sea: F. Lewis Limited. p. 5.
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1052:"Alicia Boyle - Related Artist Discovery - Alicia Boyle"
1385:(2nd ed.). Dublin, Ireland: Merlin. p. 42.
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in 1957, and a further watercolour in 1960 entitled
544:"National Irish Visual Arts Library: Boyle, Alicia"
254:gallery in the spring of 1950, where she displayed
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433:"The "Daemon Fantasy" in Alicia Boyle's Paintings"
114:, Siam. Boyle had two brothers. She was raised in
1446:100+ works by Alicia Boyle in private collections
750:"Midland Artists' display experimental paintings"
1483:20th-century women artists from Northern Ireland
397:the National Self Portrait Collection of Ireland
356:"It's been a journey through line and colour."
296:at the Royal Academy of Arts in 1952, one oil,
1452:Artworks by Alicia Boyle in public collections
776:"Colour and Form: Woman artist's work on show"
580:McCann, John; McCann, Gudrun (29 April 2013).
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1090:"Artist returns to quiet scene of childhood"
1468:20th-century painters from Northern Ireland
1117:"Irish Art, West African sculpture on view"
955:. William Clowes & Sons Ltd. p. 55
269:to Edinburgh where Boyle showed alongside
78:Byam Shaw School of Drawing & Painting
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634:"An Irishwoman's Diary: Unusual features"
98:(1 August 1908 – 11 January 1997) was an
138:Byam Shaw School of Drawing and Painting
1007:. William Clowes & Sons. p. 63
981:. William Clowes & Sons. p. 46
929:. William Clowes & Sons. p. 54
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86:abstract marine and landscape painting.
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1196:"Alicia Boyle at the Caldwell Gallery"
503:"Derry girl artist's first exhibition"
102:abstract marine and landscape artist.
1493:Alumni of the Byam Shaw School of Art
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152:Boyle's early work was influenced by
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1488:Women painters from Northern Ireland
1383:20th Century Dictionary of Irish Art
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1115:Kreisberg, Louisa (15 March 1973).
607:"Exhibition of water colours opens"
472:"A journey through line and colour"
431:Pyle, Hilary (Spring–Summer 1990).
365:Northampton Museum and Art Gallery
317:Arts Council of Northern Ireland's
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1418:(1). Old City Publishing: 21–25.
1194:Fallon, Brian (15 January 1975).
226:and Sidney Smith amongst others.
1283:"Widow's estate valued at £5.5m"
880:Leland, Mary (8 February 1984).
470:MacMonagle, Niall (8 May 1988).
1257:"Statutory Notice to creditors"
1231:"Boost for portrait collection"
1143:"New book about common prayer"
1027:"Death of artist Alicia Boyle"
861:. 30 November 1958. p. 17
381:Northern Ireland Civil Service
369:Herbert Art Gallery and Museum
306:Irish Exhibition of Living Art
302:Slatty Strand, towards Sherkin
288:Boyle showed two watercolours
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1503:Irish expatriates in Thailand
1263:. 26 January 1998. p. 23
1357:"Art UK | Discover Artworks"
1149:. 14 October 1977. p. 4
1088:Chichester (12 April 1963).
827:Candida (27 February 1959).
782:. 31 October 1949. p. 2
756:. 4 December 1948. p. 4
730:. 14 January 1951. p. 3
660:"Encouraging art in Belfast"
632:Candida (8 September 1950).
530:MacMonagle, 8 May 1988, p.B3
294:The Sorrel Field, Rossdougan
267:Contemporary Ulster Painting
1508:20th-century women painters
1289:. 24 August 1997. p. 8
666:. 4 October 1954. p. 5
393:National Gallery of Ireland
210:Artists of Fame and Promise
93:Alicia Louisa Letitia Boyle
70:Clapham Art Training School
35:Alicia Louisa Letitia Boyle
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1175:. 1 April 1978. p. 17
907:Bradshaw, Maurice (1977).
802:"Boyle Pictures in demand"
704:. 20 March 1949. p. 8
509:. 14 April 1950. p. 3
304:. Boyle exhibited in the
613:. 6 April 1963. p. 9
321:Open Painting Competition
290:The Sea's Edge, Connemara
260:Potato-Washers, Connemara
829:"An Irish Woman's Diary"
389:Nottingham Castle Museum
315:She was a winner of the
308:in the 1950s and in the
106:Early life and education
1237:. 8 May 1995. p. 9
1169:"Next week in the Arts"
1005:www.royalacademy.org.uk
979:www.royalacademy.org.uk
953:www.royalacademy.org.uk
927:www.royalacademy.org.uk
808:. 5 May 1950. p. 5
754:Nottingham Evening Post
1341:: CS1 maint: others (
882:"A lifetime of colour"
373:Abbot Hall Art Gallery
361:Paintings in Hospitals
333:You can say that again
1381:Snoddy, Theo (2002).
203:Farnham School of Art
170:Royal Academy of Arts
377:Crawford Art Gallery
312:Exhibition in 1976.
218:comprised work from
187:Machines of Learning
1412:Woman's Art Journal
806:Northampton Mercury
437:Woman's Art Journal
199:West Sussex College
131:George Bernard Shaw
123:William Shakespeare
1448:via invaluable.com
1287:Sunday Independent
1220:Pyle, (1990), p.24
1078:Pyle, (1990), p.25
780:Nottingham Journal
687:Pyle, (1990), p.23
570:Pyle, (1990), p.22
1235:Irish Independent
1094:Belfast Telegraph
611:Belfast Telegraph
256:The red, red Cock
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