34:
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297:, improve their attacks, or grant invulnerability for a certain time. Life bars are lost by taking damage from enemy attacks and traps. When Alisia's pets lose all their life bars, they are removed from play and cannot be brought back until a "Revive" power-up is collected. If Alisia loses all her life bars, she can restart the level by expending a
1246:
274:, the player controls the protagonist, Alisia, in her quest to save the world by defeating the evil forces that killed her father. The game consists of eight levels of side-scrolling environments; Alisia has to jump across gaps and kill the enemies that stand in her way. Each stage is completed by defeating the
337:
is described in the manual. Alisia is the daughter of a sorcerer who attempted to stop the prince of all things evil, Baldour. As a child, her father was tortured to death in front of her eyes by
Baldour. Although the world has not fully recovered from the devastating effects of Baldour's last visit,
281:
Alisia attacks by shooting streaks of lightning from her hands. The attack automatically targets enemies in range but gets weaker with each volley as Alisia's power is depleted. Her power recharges when she stops attacking; when fully charged, it allows her to unleash a multi-target attack, hitting
467:
sold few copies upon its release in Japan. The game was published earlier by Sega for North
America. However, it was a subdued release; Sega did not place major advertisements for the game in the media. To localize the contents for the Western market, the video game publisher made several cosmetic
285:
Helping Alisia in her quest are her pet monsters. These creatures fly around the heroine on their own, attacking her foes, and blocking enemy attacks from hitting her. There are four pets, each with its own type of attack. The Dragon Frye spits fireballs, and the
Boomerang Lizard hurls boomerangs.
522:
praised the game for its pet monsters design, calling the management of the pets in the game an encouragement toward tactics. His fellow reviewer, Richard
Leadbetter, wrote the game was visually attractive with "beautiful sprites" and "amazing backdrops". He found the gameplay challenging, being
286:
The
Thunder Raven emits a thunder blast that affects enemies across the screen, and the Ball O' Fire burns enemies on contact. Only one pet can fight alongside Alisia in her quest, but the player can select any of the four (or none) as the active companion at any time.
368:
is a departure from this tradition. The animation studio handled the artistic end of the production, writing the story and creating the artwork that would be used for the design of the game's environments and characters. Several of its founders had worked on
383:
featured high-tech spaceships and robots alongside mythical zombies and dragons. The composition of the soundtrack was delegated to Mecano
Associates, who had produced the music for other works from Game Arts, such as the action games
309:
the player's progress. After the game is completed, a screen is shown, charting the overall performance of the player based on the number of kills, the power level of Alisia's attack, and the frequency the pet monsters are used.
523:
forced to conserve energy as the game " everything but the kitchen sink at ". Rignall agreed with
Leadbetter on the game's difficulty, which along with the secret rooms and power-ups to be discovered made
338:
Baldour's aide Ornah manages to transport his dormant cocoon back to Earth. Now a woman with magical ability rivaling that of her father, Alisia sets out to destroy
Baldour's cocoon before he can awaken.
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238:. The player controls Alisia, a young woman who is on a quest to avenge her father and save the world. She can fire lightning from her hands and summon four faithful beasts to aid her.
282:
every enemy on the screen. The energy system introduces an element of strategy, encouraging the player to manage Alisia's power to have her able to defend herself at critical moments.
558:
was very different from the rest; instead of targeting hardcore fans of anime and focusing on exploitive themes, the game's appeal was for everyone. In light of this, Ciolek called
293:. These enhancement items are placed throughout the first seven stages, mostly in hidden locations. The various power-ups can heal Alisia and her monsters, increase their maximum
326:
is simple and short. The game goes straight into the action, tasking Alisia to demolish everything in sight. After defeating the final boss, the player is treated to a cinematic
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were evident in certain levels of the game. Similarly, due to the predominance of mixing science fiction with fantasy themes in the
Japanese animation circles at that time,
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among the top 100 games, calling it " the best dragon-based platform game around." Despite the positive sentiments, sales of the game outside Japan were weak.
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responsive controls, coupled with the hectic action and handsome graphics, made the game highly desirable for owners of the
Genesis console. The Lessers of
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Gameplay involves action and platforming elements, as the player controls Alisia to jump onto platforms and kill enemies with the aid of her pets.
400:, adapting the artwork into environments and creatures that can be rendered by the console hardware and writing them as lines of software code.
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role-playing games, to produce an action video game. Gainax's video game product line tended to target a niche crowd who generally preferred
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Westerners were more enthusiastic toward the game than were the Japanese, although there were a few negative appraisals.
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on the box covers outside Japan. The Western depiction of Alisia was likened to the scantily clad females in artist
246:. Despite the acclaim the game received, it was not a commercial success. The game was later made available on the
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an excellent action platform game that had long-lasting appeal. Of the hundreds of Genesis games,
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Williamson, Matt (December 21, 1992). "And the 1992 Winners, Among Home Video Games, are ...".
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Over the course of the game, Alisia and her monsters can improve their abilities by collecting
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Lesser, Hartley; Lesser, Patricia; Lesser, Kirk (February 1993). "The Role of Computers".
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373:'s animated films, and the influences of Miyazaki's 1984 science fiction animated film
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562:"the best video game Gainax ever touched" and "a spectacular ride in its own right".
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for its "solid arcade action" that satisfied their "need for fast reflexes".
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1018:"Out-of-Print Archive • Mega Drive/Genesis reviews • Alisia Dragoon"
844:
Jinky the Monkey (May 1992). "Genesis Pro Review: Alisia Dragoon".
1245:
473:
261:
176:
68:
1547:
1038:
Szczepaniak, John (2006-07-20). "Retro Inspection: Mega Drive".
772:
243:
61:
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874:"当世ゲーム業界 働く女性事情 - ワーキング・ガール: 和田めい子 (ゲームアーツ) Character Designer"
610:
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magazine were equally impressed with the gameplay, praising
554:
reviewers. Noting Gainax's catalog of games, he noted that
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1681:
Gurren Lagann The Movie: The Lights in the Sky are Stars
814:. Vol. 12, no. 190. Wisconsin, United States:
396:. Game Arts, however, did most of the work in producing
540:
Sixteen years after the game's release, Todd Ciolek of
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Stella Women's Academy, High School Division Class C3
301:. The game ends if all the continues have been used.
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677:"Interview: Fumihito Kasatani of Mecano Associates"
209:
197:
159:
147:
119:
109:
99:
80:
55:
43:
26:
1125:(4). Bath, United Kingdom: Future Publishing: 86.
476:, Alisia was portrayed as a golden bikini-wearing
472:. Instead of a big-eyed heroine drawn in typical
550:and repeated much of the same sentiments as the
590:
1174:
850:. No. 34. New Hampshire, United States:
8:
1637:Neon Genesis Evangelion: Death & Rebirth
1044:. No. 27. Bournemouth, United Kingdom:
616:"Software List (Released by Soft Licensees)"
803:
801:
330:of Alisia's triumphant return to her home.
1621:Royal Space Force: The Wings of Honnêamise
1181:
1167:
1159:
973:"Game Browser: Music by Mecano Associates"
411:
32:
23:
1881:Video games featuring female protagonists
1673:Gurren Lagann The Movie: Childhood's End
771:. No. 18. London, United Kingdom:
763:"Megadrive Review—Alisia Dragoon"
715:"The X Button—Finite Discoveries"
604:
571:
1500:Circuit no Ōkami II: Modena no Tsurugi
1121:Mega staff (January 1993). "Top 100".
1092:Mega staff (October 1992). "Top 100".
753:
751:
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747:
745:
743:
741:
1316:Mahoromatic: Something More Beautiful
839:
837:
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833:
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702:
700:
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696:
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7:
1755:Daicon III and IV Opening Animations
1399:Panty & Stocking with Garterbelt
1098:. No. 1. Bath, United Kingdom:
761:; Leadbetter, Richard (March 1992).
416:
318:Similar to most action games on the
727:from the original on 27 August 2008
407:
346:In 1992, Japanese animation studio
1308:Magical Shopping Arcade Abenobashi
679:. Pixelated Audio. 10 January 2017
376:Nausicaä of the Valley of the Wind
242:was published outside of Japan by
14:
364:and anime-based adventure games.
1795:
1794:
1769:Daicon Film's Return of Ultraman
1407:The Mystic Archives of Dantalian
1244:
1629:Nadia: The Secret of Blue Water
1262:Nadia: The Secret of Blue Water
935:"Be~Mega Hot Menu - アリシア ドラグーン"
923:. March 1991. pp. 114–115.
911:"Be~Mega Hot Menu - アリシア ドラグーン"
641:Faulk, Donna (March 20, 1992).
1886:Video games developed in Japan
1474:Mahjong Hishō-den: Naki no Ryū
1:
1586:Mahoromatic: I'm Home Special
1332:This Ugly yet Beautiful World
1300:Mahoromatic: Automatic Maiden
947:. April 1991. pp. 74–76.
1851:Nintendo Switch Online games
1776:Yamata no Orochi no Gyakushū
943:(in Japanese). No. 19.
919:(in Japanese). No. 18.
886:. November 1990. p. 88.
882:(in Japanese). No. 14.
350:was in a collaboration with
1562:Mahoromatic: Summer Special
713:Ciolek, Todd (2008-08-27).
591:
1902:
1856:Side-scrolling platformers
1876:Single-player video games
1826:Video games about dragons
1792:
1242:
582:
420:
417:
31:
1846:Magical girl video games
1871:Sega Genesis-only games
1716:Musashi: Samurai Legend
1285:Modern Love's Silliness
1270:Neon Genesis Evangelion
1073:. Ohio, United States:
1020:. Outofprintarchive.com
1594:Wish Upon the Pleiades
1447:Wish Upon the Pleiades
267:
252:Nintendo Switch Online
1653:Revival of Evangelion
1645:The End of Evangelion
1540:Casshan: Robot Hunter
1391:Hanamaru Kindergarten
1324:Petite Princess Yucie
265:
1383:Shikabane Hime: Kuro
1075:Advance Publications
387:Fire Hawk: Thexder 2
354:, the makers of the
305:has no features for
1831:Fantasy video games
1423:Medaka Box Abnormal
1375:Shikabane Hime: Aka
1360:(animated sequence)
661:Coming this month:
622:(in Japanese). Sega
414:
1866:Sega Genesis games
1602:Masamune Datenicle
1340:Melody of Oblivion
1236:Yoshiyuki Sadamoto
1048:. pp. 42–51.
1046:Imagine Publishing
1003:issue 9, page 23.
957:2018-08-03 at the
896:2019-11-21 at the
818:. pp. 58–59.
775:. pp. 68–70.
720:Anime News Network
643:"Heroines Wanted!"
543:Anime News Network
412:
362:dating simulations
268:
38:European cover art
1808:
1807:
1762:Kaiketsu Noutenki
1254:Television series
1100:Future Publishing
1005:Future Publishing
971:MobyGames staff.
953:by Shmuplations.
945:SoftBank Creative
921:SoftBank Creative
892:by Shmuplations.
884:SoftBank Creative
852:IDG Entertainment
787:on 30 August 2008
461:
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248:Sega Genesis Mini
219:
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128:Fumihito Kasatani
1893:
1861:Sega video games
1821:1992 video games
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1508:Honō no Tenkōsei
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1070:The Plain Dealer
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979:. Archived from
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916:Beep! Mega Drive
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879:Beep! Mega Drive
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1570:Re: Cutie Honey
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1348:He Is My Master
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1211:Hiroyuki Yamaga
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134:Mamoru Ishimoda
105:Masatoshi Azumi
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1184:
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1081:. p. 5D.
1080:
1079:Scipps Howard
1076:
1072:
1071:
1063:
1060:
1055:
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1043:
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983:on 2012-11-10
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821:
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769:
768:Mean Machines
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552:Mean Machines
549:
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531:
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521:
515:
514:
513:Mean Machines
509:
505:
504:
496:
492:
491:
485:
483:
482:Boris Vallejo
479:
475:
474:anime styling
471:
466:
456:
454:
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449:
448:
444:
442:
441:
437:
436:
432:
430:
429:
428:Mean Machines
425:
424:
413:Review scores
403:
401:
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395:
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389:
388:
382:
378:
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367:
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292:
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279:
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264:
257:
255:
253:
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245:
241:
237:
233:
230:developed by
229:
228:platform game
225:
224:
215:
214:Single-player
212:
208:
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200:
196:
187:
183:
178:
174:
169:
165:
164:
162:
158:
155:
152:
150:
146:
139:
136:
133:
130:
127:
126:
124:
122:
118:
115:Yoshimi Kanda
114:
112:
108:
104:
102:
98:
91:
89:Naozumi Honma
88:
87:
85:
83:
82:Programmer(s)
79:
70:
66:
65:
63:
60:
58:
54:
51:
48:
46:
42:
35:
30:
25:
19:
1781:
1774:
1767:
1760:
1753:
1749:Shouji Saeki
1714:
1707:
1706:
1698:
1679:
1671:
1659:
1651:
1643:
1635:
1627:
1619:
1600:
1592:
1584:
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1568:
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1554:
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1538:
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1522:
1514:
1506:
1498:
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1464:
1445:
1437:
1429:
1421:
1413:
1405:
1397:
1389:
1381:
1373:
1365:
1354:
1346:
1338:
1330:
1322:
1314:
1306:
1298:
1290:
1284:
1276:
1268:
1260:
1226:Toshio Okada
1206:Hideaki Anno
1148:
1122:
1116:
1093:
1087:
1068:
1062:
1039:
1033:
1022:. Retrieved
1012:
1007:, June 1993.
1000:
996:
985:. Retrieved
981:the original
966:
938:
929:
914:
905:
877:
868:
845:
809:
789:. Retrieved
785:the original
766:
729:. Retrieved
718:
681:. Retrieved
671:
662:
660:
653:. Retrieved
651:. p. 32
648:The Olympian
646:
636:
624:. Retrieved
619:
592:
574:
559:
555:
551:
547:
541:
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528:
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511:
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494:
488:
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478:barbarianess
469:
464:
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450:
438:
426:
397:
391:
385:
380:
374:
365:
355:
345:
333:Much of the
332:
323:
320:Sega Genesis
317:
302:
288:
284:
280:
278:at the end.
271:
269:
239:
236:Sega Genesis
222:
221:
220:
92:Osamu Harada
57:Publisher(s)
45:Developer(s)
18:
1783:Uru in Blue
1703:(1991–2007)
1692:Video games
1605:(2016–2018)
1581:(2004–2006)
1551:(2000–2001)
1543:(1993–1994)
1535:(1992–1993)
1487:soundtracks
1477:(1988–1990)
1439:Magica Wars
1362:(2007–2008)
1327:(2002–2003)
1319:(2002–2003)
1303:(2001–2002)
1281:(1998–1999)
1273:(1995–1996)
1265:(1990–1991)
1221:Takami Akai
1041:Retro Gamer
951:Translation
890:Translation
468:changes to
418:Publication
342:Development
149:Platform(s)
140:Mariko Sato
137:Yoko Sonoda
121:Composer(s)
1815:Categories
1532:K.O. Beast
1516:Money Wars
1415:Medaka Box
1356:Ani*Kuri15
1024:2015-11-12
987:2009-01-17
791:2008-08-28
731:2008-08-28
683:4 February
620:セガ 製品情報サイト
566:References
226:is a 1992
172:March 1992
1665:Diebuster
1661:Gunbuster
1578:Diebuster
1493:Beat Shot
1482:Gunbuster
1466:Appleseed
1278:Kare Kano
1154:MobyGames
1131:0966-6206
1108:0966-6206
1054:1742-3155
977:MobyGames
860:1042-8658
824:0279-6848
781:0960-4952
583:アリシアドラグーン
546:reviewed
484:'s work.
409:Reception
404:Reception
352:Game Arts
335:backstory
295:life bars
291:power-ups
232:Game Arts
111:Writer(s)
101:Artist(s)
73:Game Arts
50:Game Arts
1801:Category
1458:OVA/ONAs
1199:Founders
955:Archived
894:Archived
725:Archived
655:June 25,
579:Japanese
452:Sega Pro
393:Silpheed
328:cutscene
299:continue
258:Gameplay
234:for the
204:Platform
199:Genre(s)
1744:Trigger
1727:Related
847:GamePro
626:May 15,
587:Hepburn
490:GamePro
210:Mode(s)
160:Release
154:Genesis
1836:Gainax
1719:(2005)
1711:(1992)
1684:(2009)
1676:(2008)
1668:(2006)
1656:(1998)
1648:(1997)
1640:(1997)
1632:(1991)
1624:(1987)
1597:(2011)
1589:(2009)
1573:(2004)
1565:(2003)
1557:(2002)
1527:(1991)
1519:(1991)
1511:(1991)
1503:(1990)
1495:(1989)
1469:(1988)
1450:(2015)
1442:(2014)
1434:(2013)
1426:(2012)
1418:(2012)
1410:(2011)
1402:(2010)
1394:(2010)
1386:(2009)
1378:(2008)
1370:(2007)
1351:(2005)
1343:(2004)
1335:(2004)
1311:(2002)
1295:(1999)
1287:(1999)
1191:Gainax
1129:
1106:
1052:
858:
822:
811:Dragon
779:
517:'s
503:Dragon
498:'s
348:Gainax
307:saving
1739:Khara
1734:Gaina
1613:Films
421:Score
357:Lunar
1663:vs.
1548:FLCL
1127:ISSN
1123:Mega
1104:ISSN
1095:Mega
1050:ISSN
1001:Mega
856:ISSN
820:ISSN
777:ISSN
773:EMAP
685:2017
657:2024
628:2023
530:Mega
440:Mega
390:and
314:Plot
276:boss
250:and
244:Sega
190:1992
62:Sega
1152:at
816:TSR
457:85%
445:81%
433:87%
270:In
1817::
1077:.
975:.
961:).
937:.
913:.
900:).
876:.
832:^
800:^
765:.
740:^
723:.
717:.
693:^
659:.
645:.
618:.
607:^
589::
585:,
581::
254:.
186:EU
177:JP
168:NA
69:JP
1485:(
1182:e
1175:t
1168:v
1133:.
1110:.
1056:.
1027:.
990:.
949:(
888:(
862:.
826:.
794:.
734:.
687:.
630:.
188::
179::
170::
71::
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