238:, notes that the performance “exposed the investments of a range of institutional systems in body as both a creative and reproductive system,” and wrote of the media controversy, “the content of the performance has expanded to include nearly all reaction to it.” Art historian, Carrie Lambert Beatty, writes that the project's “central point that what we take as biological facts are constructed in language and ideology,” noting the different implications of calling Shvarts's bleeding a period, a miscarriage, or an abortion. Shvarts's later artworks made using documentation of
28:
350:, where she has published a number of essays, including “Figuration and Failure, Performance and Pedagogy: Reflections Three Years Later,” which considers what it meant to be known for a piece that had, at the time, never been exhibited publicly. She has given talks and lectures at
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political commentators. Yale claimed that the project was a “creative fiction” and requested that
Shvarts submit an alternate thesis project in order to graduate. The work has since been considered an important piece of
1898:
275:(2012–ongoing), in which she retroactively designates events and interactions not initially conceived as part of an artistic project as art to explore the gendered dynamics of artistic collaboration.
306:
email performance that explores the various ways in which people are read as fictional along lines of race, class, gender, and sexuality by systems of institutional power. Originally commissioned by
159:
s idea of decreation has been described as "a mystical passage from the created to the uncreated" and "a spiritual exercise of mystical passage: across a threshold, from created to uncreated".
1437:
168:
generated an international debate. The work explores ideas of fiction and doubt, and engages feminist inquiries into the medical, political, and legal frameworks of gender and reproduction.
396:(2008) being censored by Yale. She has also exhibited and performed at Abrons Art Center and LĂ©vy Gorvy in New York; the Slought Foundation in Philadelphia; and Performance Space and the
280:
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428:| Warhol Foundation Arts Writers Grant. She attended the Whitney Independent Study Program as a Helena Rubinstein Fellow in Critical Studies in 2014 to 2015.
960:
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652:
Schotzko, T. Nikki Cesare (2015). "Not yet finished, never yet begun: Aliza
Shvarts, the girl from West Virginia, and the consequence of doubt".
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1754:"Whitney Independent Study Program Critical Studies Symposium: Critical Perspectives on Visual Culture - Whitney Museum of American Art"
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Hagen, Lisa Hall (4 April 2012). "A performance ethics of the 'real' abortive body: The case of Aliza
Shvarts and 'Untitled , 2008'".
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Shvarts's work has been the subject of a solo exhibition at
Artspace, New Haven, which occurred on the decade anniversary of
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2018:
271:(2012), in which she invited participants to ask her to do something they thought she'd never done before, as well as
366:, among other institutions. In addition to her artistic and scholarly work, Shvarts has written liner notes for the
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1438:"Queens of Welfare / Pawns of Capital: ReframingWelfare Debates Through Archives, Public Discussions and Brunch"
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1651:"The Magic Flute, Part Two: A Film in Pieces - 80 Washington Square East Galleries - NYU Steinhardt"
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1387:"Learning Series Lecture: Participation/ Occupation/ Belonging - Whitney Museum of American Art"
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Shvarts continues to explore ideas surrounding gender, narrative, and truth in her performance
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961:"Interviews: Aliza Shvarts talks about her exhibition at Artspace in New Haven, Connecticut"
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213:(2008), was the center of an international debate around abortion. The piece consisted of a
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In 2017, Shvarts further used digital communication and mass media to engage concepts of “
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1489:"Performance Artist Aliza Shvarts Comments On Kayne West's 'Runaway' (Video Clip) - MTV"
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in London, among other venues. She frequently designs stage sets for and performs with
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Doyle, Jennifer (2013). "Three Case
Studies in Difficulty and the Problem of Affect".
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1361:"Critical Utopianism from Yoko Ono to Jimmie Durham - Whitney Museum of American Art"
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Vogel, Wendy (Summer 2018). "Going Viral: Aliza
Shvarts's Daring Performance Work".
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1294:"Figuration and Failure, Pedagogy and Performance: Reflections Three Years Later"
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Fusco, Coco (March 2018). "Learning the Rules of the Game: Art
Without Rules?".
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1115:"(No) coma cuento Verdad y mentira al mismo tiempo (y en sentido contrario)"
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Performing Ethos: International
Journal of Ethics in Theatre and Performance
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1243:"How Sunn O)))'s Subversive Metal Birthed An Album With A Buddhist Heart"
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1037:"March 29: Consent/Dissent, a talk by Aliza Shvarts and Emma Sulkowicz"
180:
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Litwin Books, LLC : Feminist and Queer
Information Studies Reader
769:"Aliza Shvarts on Being Banned and What We Have in Common (interview)"
568:
Epoché: The
University of California Journal for the Study of Religion
209:
In the spring of her senior year at Yale, Shvarts's first major work,
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Shvarts was a 2017 Critical Writing Fellow at Recess, New York and a
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1464:"Sunn O))): Kannon review – daunting but oddly relaxing drone-metal"
217:(crudely translated as "extended time") performance of self-induced
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2503:
1616:"Bio-Performatives, Cross-Species, and Continents of Plastic in
1412:"ARTS@DRCLAS/ HAA/ VES Series: Prosthetic Realities Programming"
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Couple in The Cage: Two Undiscovered Amerindians Visit the West
1802:
692:
Hold it against me: difficulty and emotion in contemporary art
381:
545:
Marcus Boon and Gabriel Levine, “The Promise of Practice” in
795:"Shvarts Explains Her 'Repeated Self-Induced Miscarriages'"
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110:
1624:: An Interview with Carmelita Tropicana and Ela Troyano"
654:
Learning how to fall: art and culture after September 11
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821:"An Artwork at Yale May Not Be Real, but the Furor Is"
1301:
Women & Performance: A Journal of Feminist Theory
348:
Women & Performance: a journal of feminist theory
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Abrahamson, Zachary; Kaplan, Thomas (26 June 2008).
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David Rockefeller Center for Latin American Studies
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1794:, Shvarts's solo exhibition at Artspace, New Haven
1090:"Aliza Shvarts: How Does it Feel to Be a Fiction?"
694:. Durham: Duke University Press. pp. 28–39.
338:The Feminist and Queer Information Studies Reader
281:Hemispheric Institute of Performance and Politics
124:(born 1986) is an artist and writer who works in
910:"Aliza Shvarts: Off Scene May 11- June 30, 2018"
183:, narrative, and doubt. Shvarts holds a BA from
656:. Abingdon, Oxon: Routledge. pp. 99–128.
1814:
1590:"Shvarts to present new piece at Tate Modern"
8:
462:"Make-Believe: Parafiction and Plausibility"
310:’s Critical Writing Fellowship, versions of
1728:"2014 Warhol Arts Writers Grants Announced"
840:"Yale Demands End to Student's Performance"
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1649:Auder, Michel; Stickrod, Michael (2015).
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1041:The Shelley & Donald Rubin Foundation
1963:Mattress Performance (Carry That Weight)
1074:. New Haven, CT: Artspace. pp. 3–7.
989:Kachel, Andrew (2017). "Aliza Shvarts".
1181:Keilty, Patrick; Dean, Rebecca (2013).
591:
589:
547:Documents of Contemporary Art: Practice
449:
380:and appeared as a guest commentator on
179:(2017) have expanded on such themes as
1939:How to Explain Pictures to a Dead Hare
1630:. Barnard Center for Research on Women
460:Lambert-Beatty, Carrie (Summer 2009).
32:Aliza Shvarts speaking at the Whitney.
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1241:Barron, Michael (1 December 2015).
959:Olunkwa, Emmanuel (June 12, 2018).
871:Gelder, Lawrence Van (2008-05-01).
819:Arenson, Karen W. (23 April 2008).
751:"There is Life After Campus Infamy"
144:understandings of reproduction and
64:, Whitney Independent Study Program
1215:Shvarts, Aliza (5 February 2015).
1068:"Aliza Shvarts: Material Fictions"
346:. She is on the advisory board of
330:Shvarts's writing has appeared in
14:
1462:Bakare, Lanre (3 December 2015).
549:(Cambridge: MIT Press, 2018), 21.
148:, and use these themes to affirm
793:Shvarts, Aliza (18 April 2008).
312:How Does It Feel To Be A Fiction
300:How Does It Feel To Be A Fiction
177:How does it feel to be a fiction
1677:"Emma Sulkowicz with Kang Kang"
1564:"April 2015: Directing Actions"
1088:Shvarts, Aliza (6 April 2017).
1043:. 24 March 2017. Archived from
412:, and Critical Practices, Inc.
2663:Survival Research Laboratories
1758:Whitney Museum of American Art
1391:Whitney Museum of American Art
1365:Whitney Museum of American Art
1140:Shvarts, Aliza (1 June 2014).
749:Alptraum, Lux (21 July 2018).
623:Finch, Charlie (12 May 2008).
136:. Her art and writing explore
1:
2714:American contemporary artists
1292:Shvarts, Aliza (March 2011).
838:Kennedy, Randy (2008-04-22).
277:Non-consensual Collaborations
273:Non-consensual Collaborations
242:have since been exhibited at
173:Non-consensual Collaborations
152:, failure, and "decreation".
2560:LaBeouf, Rönkkö & Turner
1313:10.1080/0740770X.2011.563047
1066:Szymanek, Angelique (2018).
561:"Decreation , or Saying Yes"
404:, and has collaborated with
2724:21st-century American women
314:have been presented at the
234:performance art. Theorist,
41:1986 (age 37–38)
2740:
1867:Breathing in/breathing out
526:Arts Writers Grant Program
522:"Aliza Shvarts - Grantees"
483:10.1162/octo.2009.129.1.51
279:has been presented at the
202:
162:Shvarts' 2008 performance
2565:Los Angeles Urban Rangers
1614:McHugh, Kathleen (2013).
25:
2658:Performance art in China
1923:Empathy and Prostitution
873:"Yale Students' New Art"
559:Robert, William (2005).
316:Universidad de Los Andes
205:Untitled (Senior Thesis)
2709:Jewish American artists
2051:The Death of The Artist
1947:I'm too sad to tell you
1539:"Emergent Perspectives"
1272:Women & Performance
2719:Yale University alumni
2704:American women artists
2499:Mierle Laderman Ukeles
1891:Ceci N'est Pas Un Viol
1707:Critical Practices Inc
1335:"In the Last Instance"
416:Awards and fellowships
2091:Untitled (Rape Scene)
2043:The Artist Is Present
1853:Amen or The Pederasty
1187:. Litwin Books, LLC.
1009:Hemispheric Institute
610:10.1386/peet.2.1.21_1
333:TDR: The Drama Review
246:and written about in
171:Her subsequent works
2234:Guillermo Gómez-Peña
1514:"Subject to Capital"
1418:. Harvard University
1159:10.1162/dram_a_00342
1146:TDR/The Drama Review
2289:Natalie Jeremijenko
1931:Food for the Spirit
1268:"About the Journal"
402:Carmelita Tropicana
320:Artspace, New Haven
269:Please Come Find Me
244:Artspace, New Haven
193:New York University
189:Performance Studies
175:(2012–ongoing) and
58:New York University
2668:Viennese Actionism
2545:COUM Transmissions
2464:Carolee Schneemann
2309:Ragnar Kjartansson
2083:Three Weeks in May
1518:Abrons Arts Center
1442:Abrons Arts Center
1121:(in Spanish). 2017
914:Artspace New Haven
877:The New York Times
844:The New York Times
825:The New York Times
755:The New York Times
364:Abrons Arts Center
360:Harvard University
2681:
2680:
2653:Participatory art
2494:Melati Suryodarmo
2379:Charlotte Moorman
2027:Seven Easy Pieces
1734:. 4 December 2014
1681:The Brooklyn Rail
1568:Performance Space
1221:The Brooklyn Rail
1194:978-1-936117-16-1
625:"Mission Aborted"
343:The Brooklyn Rail
119:
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101:Art Writers Award
86:material feminism
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2600:Kusama: Infinity
2479:Barbara T. Smith
2454:Rachel Rosenthal
2399:Pauline Oliveros
2119:Marina Abramović
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2159:Rebecca Belmore
2134:Laurie Anderson
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1971:One & Other
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1047:on 10 June 2018
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1005:"Aliza Shvarts"
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187:, and a PhD in
185:Yale University
165:Untitled , 2008
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76:Performance art
62:Yale University
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495:the original
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219:miscarriages
215:"durational"
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134:installation
121:
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111:alizashvarts
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2694:1986 births
2673:Process art
2603:(2018 film)
2595:(1988 film)
2575:The Yes Men
2469:Tino Sehgal
2444:Jim Pomeroy
2394:Pat Oleszko
2374:Frank Moore
2319:Terence Koh
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2144:Abel Azcona
2059:The Fathers
1979:Rest Energy
1966:(2014–2015)
1618:Chicas 2000
398:Tate Modern
388:Exhibitions
368:drone metal
154:Simone Weil
126:performance
46:Nationality
2688:Categories
2540:Concept 21
2449:Duke Riley
2414:Eiko Otaki
2404:Mihai Olos
2349:Miki Malör
2344:James Luna
2314:Yves Klein
2294:Joan Jonas
2284:Zhang Huan
2229:Coco Fusco
2174:Mark Bloch
2067:The Shadow
1955:Luminosity
1703:"About Us"
1655:Steinhardt
1152:(2): 2–3.
1019:2018-05-30
890:2018-05-30
857:2018-05-30
574:(1): 59–85
532:2018-05-30
504:2018-05-30
444:References
302:(2017), a
292:truthiness
227:pro-choice
2648:monochrom
2638:Happening
2424:Gina Pane
2254:Jo Hanson
2224:Terry Fox
2209:Papo Colo
2139:Ron Athey
2075:The Shame
1987:Rhythm 10
1950:(1970–71)
1907:Cut Piece
1902:(1992–93)
1845:7000 Oaks
1792:Off Scene
1594:Yale News
1321:191495535
1247:The Fader
1142:"The Con"
1119:De Cabeza
1072:Off-Scene
885:0362-4331
852:0362-4331
799:Yale News
710:808216847
672:890462461
394:Untitled
374:'s album
372:Sunn O)))
296:fake news
285:8th Floor
240:Untitled
211:Untitled
150:abjection
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2618:Body art
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2324:Paul Kos
2149:Franko B
2011:Rhythm 0
2003:Rhythm 2
1995:Rhythm 5
1732:ArtForum
1168:57564363
966:Artforum
491:57560104
432:See also
283:and The
261:Artforum
232:feminist
146:duration
142:feminist
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2111:Artists
2019:Seedbed
1543:Slought
578:28 June
470:October
424:of the
294:” and “
181:consent
106:Website
2633:Fluxus
2528:Groups
2102:(2008)
2094:(1973)
2086:(1977)
2078:(2018)
2070:(2014)
2062:(2016)
2054:(2018)
2046:(2010)
2038:(1964)
2030:(2005)
2022:(1972)
2014:(1974)
2006:(1974)
1998:(1974)
1990:(1973)
1982:(1980)
1974:(2009)
1958:(1997)
1942:(1965)
1934:(1971)
1926:(2013)
1918:(2012)
1915:Eating
1910:(1964)
1894:(2015)
1886:(2015)
1883:Buried
1878:(1974)
1870:(1977)
1862:(1969)
1860:Bed-in
1856:(2015)
1848:(1982)
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1657:. NYU
1317:S2CID
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