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scenery. A country path broadens into a road and joins with the city road. The left half is the urban area, which eventually leads into the city proper with the gates. Many economic activities, such as people loading cargoes onto the boat, shops, and even a tax office, can be seen in this area. People from all walks of life are depicted: peddlers, jugglers, actors, paupers begging, monks asking for alms, fortune tellers and seers, doctors, innkeepers, teachers, millers, metalworkers, carpenters, masons, and official scholars from all ranks.
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bridge is replaced with a stone bridge in the Ming remake. The arc of the stone bridge is much taller than that of the wooden original, and where the original had a boat about to crash into the bridge, the reinterpretation has a boat being methodically guided under the bridge by ropes, pulled by men ashore, several other large boats dutifully waiting their turn, undisturbed. Another 12 meter long copy from the late Ming period is kept in the
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758:; at 128 × 6.5 m, it is roughly 30 times the size of the original scroll. The computer-animated mural, with moving characters and objects and portraying the scene in 4-minute day and night cycles, was one of the primary exhibitions in the Chinese Pavilion, drawing queues up to two hours with a reservation. Elaborate computer animation gives life to the painting.
430:"masterpiece", and gave little respect to later versions, which they called mere copies, forgeries, reproductions, reinterpretations or elaborations, more than a hundred of which are now in museums in China, Japan, Korea, Taiwan, the United Kingdom, North America, and France. The significance and value of these "copies", however, has recently been recognized.
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There is continued debate and research over its creator, the date and location of where it was painted, and the intended meaning of the work. The earliest attribution to Zhang Zeduan is an inscription dated 1186, which was added on the basis of an earlier catalogue by the Jin imperial curator, Zhang Zhu (active late 12th century) to the original scroll:
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riverside are shouting and gesturing toward the boat. Someone near the apex of the bridge lowers a rope to the outstretched arms of the crew below. In addition to the shops and diners, there are inns, temples, private residences, and official buildings varying in grandeur and style, from huts to mansions with grand front- and backyards.
484:, which was completed only after his death by five court painters (Chen Mu, Sun Hu, Jin Kun, Dai Hong and Cheng Zhidao). These five artists worked from a draft scroll in ink, also shown below, by Shen Yuan, another court painter, who apparently worked under the emperor's personal supervision. It was presented to the
301:. Read right to left, as a viewer would unroll it, successive scenes reveal the lifestyle of all levels of the society from rich to poor as well as economic activities in both rural areas and the city, and offer glimpses of clothing and architecture. The painting is considered the most renowned work among all
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in 1947. Another has a length of 6.7 meters, longer than the original. It also replaced the scenery from the Song dynasty to that of the Ming dynasty based on contemporary fashions and customs, updating the costumes worn by the characters and the styles of vehicles (boats and carts). The Song wooden
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in 1127, and that it depicts the
Qingming Festival. Some suggest that the city is an idealized city of the mind; that it was painted after the fall of the dynasty in 1127; and that it depicts a scene in early autumn. However, other scholars view that the city is indeed Kaifeng, but that the painting
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The scroll is 25.5 centimetres (10.0 inches) in height and 5.25 meters (5.74 yards) long. In its length there are 814 humans, 28 boats, 60 animals, 30 buildings, 20 vehicles, 8 sedan chairs, and 170 trees. Only about twenty women appear in the Song dynasty original, and only women of low social rank
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The original painting is celebrated as the most famed work of art from the Song dynasty. However, little was directly known about its painter, who is generally presumed to be Zhang Zeduan, since many written records were destroyed when the Jin dynasty overthrew the
Northern Song dynasty in the 1127.
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An allegorical interpretation proposed that the painting was a subtle entreaty to the emperor that he recognize dangerous currents beneath the surface of prosperity. Kaifeng depended on grain from the far south, but the painting showed only a lowly official on duty at the docks, only a few guards
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as the centerpiece of a special exhibition to mark the 40th anniversary of normalized diplomatic relations between China and Japan, with the
Japanese museum officials providing the "highest security standards" for the work as this was the first attested time ever in the almost nine centuries since
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The countryside and the densely populated city are the two main sections in the picture, with the river meandering through the entire length. The right section is the rural area of the city. There are crop fields and unhurried rural folk—predominately farmers, goatherds, and pig herders—in bucolic
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As an artistic creation, the painting has been revered and artists of subsequent dynasties made hundreds of replicas, copies of copies, and even forgeries of well-regarded copies, each following the overall composition and the theme of the original but differing in detail and technique. Over the
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in Taipei in 1949. There are many more people, over 4,000, in this remake, which also is much larger (at 11 metres by 35 cm, or 37 ft by 1 ft). The leftmost third of this version, which does not appear in the Song version, is within the palace, with buildings and people appearing
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Outside the city proper (separated by the gate to the left), there are businesses of all kinds, selling wine, grain, secondhand goods, cookware, bows and arrows, lanterns, musical instruments, gold and silver, ornaments, dyed fabrics, paintings, medicine, needles, and artifacts, as well as many
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Where the great bridge crosses the river is the center and main focus of the scroll. A great commotion animates the people on the bridge. A boat approaches at an awkward angle with its tow-mast not completely lowered, threatening to crash into the bridge. The crowds on the bridge and along the
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dynasties, dozens of copies were made by little-known professional painters in Suzhou, usually carrying the (forged) signature of either Zhang Zeduan or Qiu Ying. The scholar Chang Su-chen argues that these paintings should not be dismissed as mere "copies." These painters, she says, created
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The original painting was a pride of the imperial collections for centuries. It was frequently copied by later artists of successive periods and it became familiarized among the nobles, scholar officials, urban residents and merchants. Many scholars thought of the Song original as the
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Scholars have studied the painting carefully in the second half of the twentieth and beginning of the twenty-first century but do not agree on many basic points. Scholars question the accuracy of the translation of the painting's name, since the word
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in 1924. It was recovered in 1945 and kept at the Palace Museum in the
Forbidden City. The Song original and later versions are regarded as national treasures and are exhibited only for brief periods every few years due to their delicate nature.
1997:
Ch'ing Ming Shang Ho, Spring
Festival on the River. A Scroll Painting (Ex. Coll. A.W. Bahr) of the Ming Dynasty after a Sung Dynasty Subject, Reproduced in Its Entirety and in Its Original Size in a Portfolio of 23 Collotype Plates and 12 Enl.
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on
January 15, 1737. This is distinguished by its innovative modern style, high degree of detail, and intact preservation. This version, shown below, was later moved, along with major portions of the imperial collection, to the
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410:(in particular, a large number of donkeys and mules), sedan chairs, and chariots. The river is packed with fishing boats and passenger-carrying ferries, with men at the river bank, pulling the larger ships.
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and took particular pleasure in depicting boats, carts, markets, bridges, city walls, and streets. He even established his own style. According to Mr. Xiang's critiques on paintings,
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stationed at the city gate and the docks, who did not appear to be alert. The term "Qingming" did not refer to either the holiday or the calendar but was taken from the phrase
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722:. It is estimated that the costs of shipping the painting ran into tens of millions of dollars in addition to an undisclosed cost of insuring this piece of priceless art.
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During the late 1960s, the Taipei Palace Museum released a series of books (later digitized as CD-ROM), videos, and stamps about the scroll that translated it loosely as
285:(1085–1145) and copied or recreated many times in the following centuries. It captures the daily life of people and the landscape of the capital, Bianjing (present-day
1543:
2146:
Ihara, Hiroshi; Yoshida, Mayumi (2001). "The "Qingming
Shanghe Tu" by Zhang Zeduan and Its Relation to Northern Song Society: Light and Shadow in the Painting".
1749:
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In a rare move, the Song original was exhibited in Hong Kong from June 29 to mid-August 2007 to commemorate the 10th anniversary of Hong Kong's transfer to the
339:
Hanlin Zhang Zeduan, courtesy name
Zhengdao, was a native of Dongwu. He went to the capital to study when he was young. Later he learned painting. He mastered
477:“distinctive paintings that visualized pre-modern viewers’ various conceptions of a “great age,” an ideal society from the traditional Chinese perspective.”
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centuries, the Song original was kept in private collections before it eventually returned to public ownership. The painting was a particular favorite of
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restaurants. The vendors (and in the Qing revision, the shops themselves) extend all along the great bridge, called the
Rainbow Bridge (
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2173:
Zhang, Lu (2018), "Along the River During the
Qingming Festival: A Living Painting with a Long History", in Bekken, Deborah A. (ed.),
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938:), an 18th-century remake by the collaborative effort of the Qing court artists Chen Mei, Sun Hu, Jin Kun, Dai Hong, and Cheng Zhidao
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presented at the China Pavilion, the original painting was remade into a 3D animated, viewer-interactive digital version, titled
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Some scholars now question three things that had long been accepted about the Song dynasty original: that the city depicted is
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Bruce Doar, "International Conference on Qingming Shanghe Tu and Song Dynasty Genre Paintings, Beijing, 10–12 October 2005.,"
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The renown of the painting has famously led to several hours-long queues in the rare occasions of its display in public.
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Johnson, Linda Cooke (1996), "The Place of "Qingming Shanghe Tu" in the Historical Geography of Song Dynasty Dongjing",
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The bridge scene where the crew of a boat are in danger of losing control in the current and crashing into nearby boats.
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The wooden bridge depicted in the original version was reconstructed by a team of engineers and documented by the
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is credited with several copies, which have considerable differences from the original. One version came to the
2008:"One Painting, Two Emperors, and Their Cultural Agendas: Reinterpreting the Qingming Shanghe Painting of 1737"
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Created in China: The Great New Leap Forward: Volume 11 of Media, culture, and social change in Asia series
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1195:...arguably the most renowned painting in the history of Chinese art, will be included in the exhibition,
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1341:"Emperor Song Huizong's Ideal in Qingming Shanghe Tu: A Confucian Society with Proper Gender Interaction"
2259:
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from July 1 to September 4, 2011. From December 7, 2011 to February 6, 2012, in an exhibition titled
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1469:"Hand scroll: Riverbank scene at the Qingming festival, copy after Zhang Zeduan (1085–1145) - Anonym"
1159:...an image-making society second to none before the nineteenth century, the most famous painting is
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from November 9 to 29, 2010, where it was a major commercial success. It was then exhibited at the
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1703:"Queue for hours to get tickets to 'Along the River During the Qingming Festival' or see it here"
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composed a poem to be added to the right-most end of the 1737 scroll. The calligraphy is in the
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refined and elegant. Most people within the castle are women, with some well-dressed officials.
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Introduction with list of collection, including versions by Qiu Ying and the Qing Court Version
2111:. Albany, NY: Journal of Sung-Yuan Studies, Dept. of East Asian Studies, University at Albany.
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Murray, Julia K. (1997). "Water under a Bridge: Further Thoughts on the "Qingming" Scroll".
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Tsao, Hsingyuan (2003). "Unraveling the Mystery of the Handscroll 'Qingming Shanghe Tu".
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Quite different was the painting, known as the "Qing Court Version", commissioned by the
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Many of these details are roughly corroborated by Song dynasty writings, principally the
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516:), a prominent court official and companion of the emperor. The poem reads as follows:
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Tsao Hsingyuan, "Unraveling the Mystery of the Handscroll 'Qingming Shanghe Tu'", in
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319:, the last emperor of China, who took it with him when he was forced to leave the
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2109:
The Beijing Qingming Scroll and Its Significance for the Study of Chinese History
2076:"Paintings of Traveling Bullock Carts (Panche Tu) in the Song Dynasty (960–1279)"
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An early copy, generally considered to be faithful to the original, was made by
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25.5 cm × 525 cm (10.0 in × 207 in)
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1978:"Mystery of the Qingming Scroll and Its Subject: The Case Against Kaifeng"
52:
A small section of the painting depicting scenes at the Bianjing city gate
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People and commodities are transported by various modes: wheeled wagons,
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1171:) by Zhang Zeduan, an artist working in the eleventh to twelfth century.
293:. The theme is often said to be the spirit and worldly commotion at the
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from March 25 to April 14, 2011. The digital painting also traveled to
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1187:"Two Hundred Selected Masterpieces from the Palace Museum, Beijing"
1642:
Melvin, Sheila; Tribune, International Herald (January 11, 2003).
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1197:
Two Hundred Selected Masterpieces from the Palace Museum, Beijing
1369:
Great Paintings: The World's Masterpieces Explored and Explained
316:
1941:
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1772:"Renowned Chinese Painting Animation Show Comes to Expo Dome"
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belong to the divine class; collectors should treasure them.
725:
From January 2–24, 2012, the painting was exhibited in the
2177:, Chicago: University of Chicago Press, pp. 145–172,
1811:
Priest, Alan (June 1948). "Spring Festival on the River".
1216:"'China's Mona Lisa' Makes a Rare Appearance in Hong Kong"
761:
After the Expo, the digital version was on display at the
979:
Life Along the Bian River at the Pure Brightness Festival
1963:
Improvised Great Ages: The Creating of Qingming Shengshi
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To pay tribute to the abundance of a myriad of families.
297:, rather than the holiday's ceremonial aspects, such as
1568:
The Republic of China, Government Information Office.
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1107:"Life in the Song seen through a 12th-century Scroll"
950:
910:, Shen Yuan's 18th-century draft scroll remake in ink
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Whitfield, Roderick (2021). "A Word for Shen Yuan".
1786:"Art and the City: The Song Dynasty as a Living Art"
1679:. Chinaculture.org. January 17, 2012. Archived from
889:), a remake by an unknown artist of the Ming dynasty
787:
A Moving Masterpiece: The Song Dynasty As Living Art
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are visible out of doors unless accompanied by men.
1677:"Iconic Painting Causes Crowd Disturbance in Japan"
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1274:China Heritage Newsletter, China Heritage Project
974:Life along the Bian River at the Qingming Festival
685:It is a chance to explore vestiges of bygone days.
679:The watchtowers of the city rise to great heights.
2195:: CS1 maint: DOI inactive as of September 2024 (
1966:(PhD). Vancouver: University of British Columbia.
1730:"'River of Wisdom' is Hong Kong's hottest ticket"
955:may refer to either "peace and order" or to the
789:, the digital reproduction was exhibited at the
730:the painting's creation that it had left China.
1819:(10). The Metropolitan Museum of Art: 280–292.
1546:Along the River During the Ch'ing-ming Festival
859:), a remake by a Suzhou workshop artist of the
793:. Today, it is on permanent exhibition at the
1165:Along the River During the Qing Ming Festival
1038:
1020:; that it was painted before the fall of the
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884:
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687:At that time, people marveled at the size of
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511:
510:style, and is in the hand of Liang Shizheng (
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8:
2305:Along the River During the Qingming Festival
2294:Along the River During the Qingming Festival
930:Along the River During the Qingming Festival
908:Along the River During the Qingming Festival
851:Along the River During the Qingming Festival
831:), the 12th-century original by Zhang Zeduan
823:Along the River During the Qingming Festival
244:Along the River During the Qingming Festival
1100:
1098:
1043:("A bright and enlightened era") from the
959:. Other translations have been suggested:
518:
189:
20:
2260:Scrolling video of the Qing Court Version
1968:Online at University of British Columbia
1798:
1705:. CNNGO. October 20, 2010. Archived from
1505:
2255:Online gallery of the Qing Court Version
1774:. Taipei City Government. July 28, 2009.
1563:
1561:
964:Along the river during Qingming Festival
732:
2001:. New York: Metropolitan Museum of Art.
1813:The Metropolitan Museum of Art Bulletin
1728:Seno, Alexandra A. (November 2, 2010).
1458:Hong Kong Island edition. Issue 72, p.2
1441:
1334:
1332:
1209:
1207:
1094:
683:The bustling scene is truly impressive.
393:) or, more rarely, the Shangdu Bridge (
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1902:
1891:
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1141:Christ to Coke: How Image Becomes Icon
969:Going Upriver on the Qingming Festival
109:
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1181:
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989:Upper River during Qing Ming Festival
7:
1750:"Animated Chinese painting in Macau"
1590:
1542:The National Palace Museum, Taipei.
1529:
1517:
1414:
1244:"A Rare Look at 'China's Mona Lisa'"
1242:Seno, Alexandra A. (July 15, 2007).
984:Riverside Scene at Qingming Festival
741:, on display at the World Expo 2010.
351:Dragon Boat Regatta on the West Lake
1288:Melvin, Sheila (January 11, 2003).
664:A wall of gold has been mounted on
115:Along the River During the Qingming
24:Along the River During the Qingming
16:Painting attributed to Zhang Zeduan
1644:"A rare peek at China's treasures"
1290:"A Rare Peek at China's Treasures"
781:and displayed at the Expo Dome in
305:, and it has been called "China's
14:
2217:Introduction to the Song original
1848:"Old Chinese Paintings on Stamps"
448:(14th to 17th centuries) painter
1756:. August 3, 2011. Archived from
1214:Bradsher, Keith (July 3, 2007).
917:
896:
869:
838:
811:
750:For a three-month period in the
693:And now, we lament the fates of
130:
46:
2266:Interactive paintings from the
1888:马, 伯庸 (2013). "古董局中局2：清明上河图之谜".
1496:National Palace Museum, Taibei]
999:Spring Festival Along the River
881:Qingming in Ease and Simplicity
1025:depicts a day in the Qingming
463:Museum of Applied Arts, Vienna
269:
260:
252:
225:
211:
170:
145:
1:
2185:(inactive September 12, 2024)
1033:, not the Qingming Festival.
2367:Religious festivals in China
2166:Journal of Song-Yuan Studies
2157:Journal of Song-Yuan Studies
2148:Journal of Song-Yuan Studies
2128:Journal of Song-Yuan Studies
1986:Journal of Song-Yuan Studies
1875:Journal of Song-Yuan Studies
1850:. Victor Manta, Switzerland.
1367:Janes, Karen Hosack (2011).
1169:Spring Festival on the River
994:Spring Festival on the River
928:The "Qing Court Version" of
1925:"Building a Rainbow Bridge"
1606:of the 1742 Qingming scroll
1083:Culture of the Song dynasty
1004:Peace Reigns Over the River
951:
636:
472:In the late Ming and early
415:
389:
355:
345:
2393:
2233:Interactive online gallery
849:The "Suzhou Imitation" of
720:People's Republic of China
454:Metropolitan Museum of Art
2357:Paintings by Zhang Zeduan
2183:10.7208/9780226456171-008
2107:Hansen, Valerie (1996b).
2074:Cheng, Wen-Chien (2016).
1357:Translated in Tsao (2003)
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299:tomb sweeping and prayers
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2285:August 10, 2015, at the
2052:10.1215/00666637-8866698
2024:10.1215/00666637-8124988
2006:Wang, Cheng-Hua (2020),
1976:Hansen, Valerie (1996).
226:Ch‘ing-ming Shang-ho T‘u
140:Traditional Chinese
1960:Chang, Su-Chen (2013).
1735:The Wall Street Journal
1618:"TOKYO NATIONAL MUSEUM"
1307:Keane, Michael (2007).
1145:Oxford University Press
1065:Secrets of Lost Empires
1049:, and used ironically.
165:Simplified Chinese
79:Ink and color on silk;
2372:Song dynasty paintings
2322:12th-century paintings
2308:at China Online Museum
2244:National Palace Museum
1994:Priest, Alan (1948b).
1901:Cite journal requires
1580:on September 29, 2007.
1548:(with zoom-in viewer)"
944:Analysis and questions
742:
645:shèngshì chéng guānzhǐ
643:chéngquè jiǔchóng shēn
491:National Palace Museum
378:
2377:Works about festivals
2277:on June 6, 2020) and
2092:10.1353/aaa.2016.0018
2080:Archives of Asian Art
2040:Archives of Asian Art
2012:Archives of Asian Art
1347:on September 9, 2014.
1191:Tokyo National Museum
1117:on September 27, 2011
1046:Book of the Later Han
1022:Northern Song dynasty
736:
727:Tokyo National Museum
376:
1760:on October 29, 2013.
1683:on September 2, 2012
1570:"Video (26 min.) of
1554:on October 28, 2012.
1105:Asia for Educators.
677:collect spare change
637:Shǔjǐn zhuāng jīn bì
417:Dongjing Meng Hua Lu
2299:Columbia University
1878:33 (2003): 155–179.
1788:. Yahoo! Singapore.
1161:Qingming shanghe tu
1111:Columbia University
711:Notable exhibitions
659:Literal translation
502:In April 1742, the
356:Qingming shanghe tu
270:Qingming Shanghe Tu
257:traditional Chinese
212:Qīngmíng Shànghé Tú
2362:Paintings in China
2352:Maritime paintings
2342:Culture in Kaifeng
2268:Harvard University
1863:, p. 183-200.
1648:The New York Times
1508:, p. 123-124.
1494:Qing Court Version
1402:, p. 197-199.
1373:Dorling Kindersley
1294:The New York Times
1276:4 (December 2005)
1221:The New York Times
743:
660:
631:
524:
379:
249:simplified Chinese
2211:The Palace Museum
1754:Macau Daily Times
1709:on April 14, 2011
1386:978-0-75-668940-7
1322:978-0-415-41614-6
1154:978-0-19-161988-5
957:Qingming Festival
708:
707:
658:
651:cǐrì tàn Huī Qīn.
649:dāngshí kuā Yù dà
647:yízōng jiè tànxún
639:Wú gōng jù suìjīn
627:
522:
482:Yongzheng Emperor
346:Xihu zhengbiao tu
328:The Song original
303:Chinese paintings
295:Qingming Festival
240:
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199:Standard Mandarin
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1970:Open Collections
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1011:A City of Cathay
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1883:
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1758:the original
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1707:the original
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1681:the original
1671:
1659:. Retrieved
1647:
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1621:
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1586:
1578:the original
1571:
1552:the original
1545:
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1489:
1484:, p. 3.
1482:Chang (2013)
1477:
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1437:
1430:Chang (2013)
1395:
1368:
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1345:the original
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1137:Kemp, Martin
1131:
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1115:the original
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62:Zhang Zeduan
33:
18:
2213:, Beijing:
1713:October 15,
1687:October 15,
1591:Wang (2020)
1530:Wang (2020)
1518:Wang (2020)
1415:Wang (2020)
437:during the
435:Zhao Mengfu
2316:Categories
2246:, Taiwan:
2159:(33): 155.
2118:1889145017
1622:www.tnm.jp
1089:References
1027:solar term
771:Macau Dome
275:handscroll
220:Wade–Giles
87:Dimensions
81:handscroll
2100:193398156
2060:236691312
2032:225963905
1656:0362-4331
767:Hong Kong
390:Hong Qiao
308:Mona Lisa
71:1085–1145
2283:Archived
2275:Archived
2191:citation
2140:23496051
1248:Newsweek
1139:(2011).
1072:See also
1068:series.
952:Qingming
935:清院本清明上河圖
856:蘇州片清明上河圖
799:Shanghai
523:Original
458:New York
450:Qiu Ying
281:painter
119:Festival
95:Location
28:Festival
2297:at the
2225:Details
1998:Details
1954:Sources
1833:3258128
1661:June 5,
1627:June 5,
1253:June 4,
1227:July 4,
1029:of the
1018:Kaifeng
805:Gallery
669:brocade
467:Austria
287:Kaifeng
273:) is a
103:Beijing
2138:
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2030:
1831:
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783:Taipei
779:Taiwan
629:Pinyin
425:Copies
353:) and
341:jiehua
267::
265:pinyin
259::
251::
117:
58:Artist
26:
2175:China
2136:JSTOR
2096:S2CID
2056:S2CID
2028:S2CID
1981:(PDF)
1829:JSTOR
886:清明易簡圖
828:清明上河圖
775:Macau
261:清明上河圖
253:清明上河图
37:清明上河圖
2242:The
2197:link
2113:ISBN
1921:NOVA
1907:help
1715:2013
1689:2013
1663:2024
1652:ISSN
1629:2024
1602:The
1381:ISBN
1317:ISBN
1255:2024
1229:2007
1149:ISBN
1123:2011
1059:NOVA
1040:清明之世
697:and
474:Qing
444:The
317:Puyi
76:Type
68:Year
2279:two
2271:one
2179:doi
2088:doi
2048:doi
2020:doi
1942:PBS
1930:PBS
1821:doi
1167:or
1054:PBS
773:in
765:in
699:Qin
695:Hui
666:Shu
513:梁詩正
465:in
456:in
399:).
396:上土橋
311:."
2318::
2193:}}
2189:{{
2132:26
2130:,
2094:.
2084:66
2082:.
2078:.
2054:.
2044:71
2042:.
2026:,
2016:70
2014:,
2010:,
1983:.
1939:.
1927:.
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1898::
1896:}}
1892:{{
1827:.
1752:.
1732:.
1650:.
1646:.
1620:.
1560:^
1422:^
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1371:.
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1263:^
1246:.
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1206:^
1193:.
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1178:^
1157:.
1143:.
1109:.
1097:^
1013:.
801:.
797:,
689:Yu
675:Wu
619:徽欽
597:當時
593:探尋
587:遺踪
583:觀止
577:盛事
570:九重
567:城闕
560:萬井
557:謳歌
553:碎金
531:蜀錦
469:.
441:.
385:虹橋
263:;
255:;
172:清明
147:清明
101:,
2289:)
2281:(
2273:(
2199:)
2181::
2121:.
2102:.
2090::
2062:.
2050::
2022::
1972:.
1945:.
1933:.
1909:)
1905:(
1835:.
1823::
1817:6
1738:.
1717:.
1691:.
1665:.
1631:.
1574:"
1544:"
1471:.
1389:.
1375:(
1325:.
1296:.
1257:.
1231:.
1199:.
1163:(
1125:.
932:(
883:(
853:(
825:(
701:.
691:,
671:.
616:歎
613:日
610:此
606:大
603:豫
600:誇
590:借
580:誠
573:深
563:富
550:聚
547:工
544:吳
540:壁
537:金
534:裝
349:(
247:(
181:图
178:河
175:上
156:圖
153:河
150:上
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