Knowledge (XXG)

Allegory

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identify their world (514c–515a). According to the allegory, the shadows are as close as the prisoners get to viewing reality, until one of them finds his way into the outside world where he sees the actual objects that produced the shadows. He tries to tell the people in the cave of his discovery, but they do not believe him and vehemently resist his efforts to free them so they can see for themselves (516e–518a). This allegory is, on a basic level, about a philosopher who upon finding greater knowledge outside the cave of human understanding, seeks to share it as is his duty, and the foolishness of those who would ignore him because they think themselves educated enough.
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Theagenes of Rhegium (whom Porphyry calls the "first allegorist," Porph. Quaest. Hom. 1.240.14–241.12 Schrad.) or Pherecydes of Syros, both of whom are presumed to be active in the 6th century B.C.E., though Pherecydes is earlier and as he is often presumed to be the first writer of prose. The debate is complex, since it demands we observe the distinction between two often conflated uses of the Greek verb "allēgoreīn," which can mean both "to speak allegorically" and "to interpret allegorically."
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physical elements. So, Hephestus represents Fire, for instance (for which see fr. A2 in Diels-Kranz). Some scholars, however, argue that Pherecydes cosmogonic writings anticipated Theagenes allegorical work, illustrated especially by his early placement of Time (Chronos) in his genealogy of the gods, which is thought to be a reinterpretation of the titan Kronos, from more traditional genealogies.
529:. While all this does not mean Tolkien's works may not be treated as having allegorical themes, especially when reinterpreted through postmodern sensibilities, it at least suggests that none were conscious in his writings. This further reinforces the idea of forced allegoresis, as allegory is often a matter of interpretation and only sometimes of original artistic intention. 1071: 38: 1118: 982: 225:. In this perspective, the characters in a "naive" allegory are not fully three-dimensional, for each aspect of their individual personalities and of the events that befall them embodies some moral quality or other abstraction; the author has selected the allegory first, and the details merely flesh it out. 429:
Since meaningful stories are nearly always applicable to larger issues, allegories may be read into many stories which the author may not have recognized. This is allegoresis, or the act of reading a story as an allegory. Examples of allegory in popular culture that may or may not have been intended
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is another example of a well-known work mistakenly perceived as allegorical, as the author himself once stated, "...I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presence. I much prefer history – true or feigned – with
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In the case of "interpreting allegorically," Theagenes appears to be our earliest example. Presumably in response to proto-philosophical moral critiques of Homer (e.g., Xenophanes fr. 11 Diels-Kranz), Theagenes proposed symbolic interpretations whereby the Gods of the Iliad actually stood for
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in his "quasi-allegorical" use of personifications of, e.g., Terror (Deimos) and Fear (Phobos) at Il. 115 f. The title of "first allegorist", however, is usually awarded to whoever was the earliest to put forth allegorical interpretations of Homer. This approach leads to two possible answers:
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or visual representation in which a character, place, or event can be interpreted to represent a meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or
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In this allegory, Plato describes a group of people who have lived chained in a cave all of their lives, facing a blank wall (514a–b). The people watch shadows projected on the wall by things passing in front of a fire behind them and begin to ascribe forms to these shadows, using language to
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in which various powers would try to obtain such a Ring for themselves. Then Tolkien went on to outline an alternative plot for "Lord of The Rings", as it would have been written had such an allegory been intended, and which would have made the book into a
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has a comment by its English translator: "The principal characteristic of Fortunatianus' exegesis is a figurative approach, relying on a set of concepts associated with key terms in order to create an allegorical decoding of the text."
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its varied applicability to the thought and experience of readers. I think that many confuse applicability with allegory, but one resides in the freedom of the reader, and the other in the purposed domination of the author."
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While allegoresis may make discovery of allegory in any work, not every resonant work of modern fiction is allegorical, and some are clearly not intended to be viewed this way. According to Henry Littlefield's 1964 article,
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of this one and only Church there is one body and one head—not two heads as if it were a monster... If, then, the Greeks or others say that they were not committed to the care of Peter and his successors, they
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confess that they are not of the sheep of Christ." This text also demonstrates the frequent use of allegory in religious texts during the Mediaeval Period, following the tradition and example of the Bible.
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In: Ästhetik und Kommunikation, Nr. 25/1976, S. 92–112. Langfassung in: Frauen und Wissenschaft. BeitrĂ€ge zur Berliner SommeruniversitĂ€t fĂŒr Frauen, Juli 1976, Berlin 1977, S.258–297. With illustrations.
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Roppolo, Joseph Patrick. "Meaning and 'The Masque of the Red Death'", collected in Poe: A Collection of Critical Essays, edited by Robert Regan. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1967. p. 137.
1093:): Painting is shown as related to history and politics, the young woman being Clio, the muse of history, and other symbols for the political and religious division of the Netherlands appearing. 342: 492:, may be readily understood as a plot-driven fantasy narrative in an extended fable with talking animals and broadly sketched characters, intended to discuss the politics of the time. Yet, 833: 1004:): The three human heads symbolise past, present and future, the characterisation of which is furthered by the triple-headed beast (wolf, lion, dog), girded by the body of a big snake. 2078: 869: 1674: 1657: 903:: "Such visual representations have raised the question why so many allegories in the history of art, pertaining occupations once reserved for men only, are of female sex." 1893: 371:
with the pope as its head in which the allegorical details of the metaphors are adduced as facts on which is based a demonstration with the vocabulary of logic: "
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Allegory has an ability to freeze the temporality of a story, while infusing it with a spiritual context. Mediaeval thinking accepted allegory as having a
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figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use
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Some elaborate and successful specimens of allegory are to be found in the following works, arranged in approximate chronological order:
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the young man needed to know as guests. Also, the Neoplatonic philosophy developed a type of allegorical reading of Homer and Plato.
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discussed what he termed a "continuum of allegory", a spectrum that ranges from what he termed the "naive allegory" of the likes of
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was a common early Christian practice and continues. For example, the recently re-discovered Fourth Commentary on the Gospels by
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underlying any rhetorical or fictional uses. The allegory was as true as the facts of surface appearances. Thus, the Papal Bull
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organized all the information a fifth-century upper-class male needed to know into an allegory of the wedding of Mercury and
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and its impressive spread and growth, representing Israel's conquest and peopling of the Promised Land. Also allegorical is
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H. Diels and W. Kranz. (1951). Die Fragmente der Vorsokratiker, vol. 1. 6th edn. Berlin: Weidmann, 126–138.
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16 and 17, wherein the capture of that same vine by the mighty Eagle represents Israel's exile to Babylon.
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English summary from Kvinnovetenskaplig Tidskrift, Nr.4. 1981, Lund, Sweden as PDF. Retrieved 10.July 2011
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Like allegorical stories, allegorical poetry has two meanings – a literal meaning and a symbolic meaning.
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H. Diels and W. Kranz. (1951). Die Fragmente der Vorsokratiker, vol. 1. 6th edn. Berlin: Weidmann, 51–52.
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Writers and speakers typically use allegories to convey (semi-) hidden or complex meanings through
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looking over her left shoulder. Two cherubs are removing the weighty crown from her tired head.
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Homer the Theologian: Neoplatonist Allegorical Reading and the Growth of the Epic Tradition
255:(Book VII) and the story of the stomach and its members in the speech of Menenius Agrippa ( 3753: 3350: 3300: 3290: 3157: 3113: 3096: 3004: 2347: 2274: 2259: 2205: 2018: 1547:, Krems: Institut fĂŒr Realienkunde des Mittelalters und der frĂŒhen Neuzeit, pp. 15–31 1034: 945: 887: 692: 641: 517: 386: 83: 1429:
Domaradzki, M. (2017). "The Beginnings of Greek Allegoresis". Classical World 110 (3):301
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Triumphant Spain and the laureate church all over the world by the patronage of Holy Mary
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Calian, Florin George (2013), DolealovĂĄ, Lucie; Rider, Jeff; Zironi, Alessandro (eds.),
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Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times
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Martianus Capella and the Seven Liberal Arts – The Marriage of Philology and Mercury
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Small, S. G. P. (1949). "On Allegory in Homer". The Classical Journal 44 (7): 423.
1470: 1395: 3662: 3647: 3642: 3534: 3497: 3477: 3409: 3375: 3370: 2979: 2969: 2915: 2893: 2727: 2614: 2427: 2412: 2383: 2336: 2279: 2254: 2242: 1187: 1077: 1030: 1016: 848: 778: 667: 612: 563: 560:: an allegory of the civilisation/barbarism binary as it pertains to colonialism 556: 441: 368: 346: 584:: The Devil's Staff symbolises defiance of God. The characters' names, such as 3790: 3694: 3667: 3599: 3589: 3569: 3544: 3492: 3259: 3164: 2856: 2772: 2767: 2447: 2417: 2165: 1246: 675: 112: 71: 2035: 650:: The story can be read as an allegory for humans' inability to escape death. 3721: 3699: 3682: 3672: 3564: 3554: 3549: 3539: 3507: 3502: 3219: 3186: 2949: 2871: 2672: 2572: 2495: 2452: 2402: 2314: 2249: 2190: 2170: 2149: 1198: 604:: The letter represents self-reliance from America's Puritan and conformity. 521: 310: 48:. The dreamer stands on the other side of the stream from the Pearl-maiden. 2331: 1315: 1643: 17: 3758: 3748: 3743: 3738: 3711: 3687: 3652: 3637: 3604: 3579: 3512: 3387: 3194: 2878: 2846: 2758: 2753: 2577: 2510: 2467: 2232: 2221: 960: 759: 526: 513: 414: 306: 200:), "to harangue, to speak in the assembly", which originates from áŒ€ÎłÎżÏÎŹ ( 715:
Allegoria del Buono e Cattivo Governo e loro Effetti in CittĂ  e Campagna
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Some unique specimens of allegory can be found in the following works:
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The denial of medieval allegory as found in the 12th-century works of
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Berufsverbot fĂŒr die Musen. Warum sind so viele Allegorien weiblich?
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Littlefield, Henry (1964). "The Wizard of Oz: Parable on Populism".
1540: 3716: 3333: 2900: 2851: 2829: 2582: 2567: 458: 341: 263: 234: 174: 157: 150:), and other dignitaries. At right, a winged figure, representing 117: 93: 36: 1870:"The Scarlet Letter | Summary, Analysis, Characters, & Facts" 1390:(1957). "Second Essay: Ethical Criticism: Theory of Symbols". In 3071: 2866: 2227: 2040:(Second ed.). Allahabad: The Central Jaina Publishing House 845:, with portraits of many leading political and military figures. 256: 3429: 2122: 1632:
Commentary on the Gospels: English translation and introduction
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Full Texts Online: CĂ€cilia (Cillie) Rentmeister: publications
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Bogstad, Janice M.; Kaveny, Philip E., eds. (9 August 2011).
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As barbas do imperador: D. Pedro II, um monarca nos trĂłpicos
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Tolkien specifically resented the suggestion that the book's
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In classical literature two of the best-known allegories are
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As barbas do imperador: D. Pedro II, um monarca nos trĂłpicos
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emphasized in 1893 that "A fairy tale is not an allegory."
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is thought to mark the beginnings of early modern science.
1949:"What really made Salem the Witch City – The Boston Globe" 1699:
The Bible, Protestantism, and the Rise of Natural Science
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An Allegory of Peace and the Arts under the English Crown
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Feast of Herod with the Beheading of St John the Baptist
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The origins of allegory can be traced at least back to
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The Annotated Wizard of Oz: The Wonderful Wizard of Oz
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Elliott, R. K. (1967). "Socrates and Plato's Cave".
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Allegory of Triumphant Spain with immaculist banner
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Portrait of a Lady, Called Elizabeth, Lady Tanfield
2057:(in Portuguese). SĂŁo Paulo: Companhia das Letras. 1782: 924:Allegorical Paintings of the 16th and 17th century 841:is also an allegory of Europe in the time of the 1278:. SĂŁo Paulo: Companhia das Letras. p. 181. 75:striking to its viewers, readers, or listeners. 1733:"Revised Memoir of Newton (Normalized Version)" 394:on contemporary allegorical representation, as 616:: The pigs stand for political figures of the 154:, carving the "great event" on a stone tablet. 146:, their daughter Maria da GlĂłria (later Queen 3441: 2134: 8: 1817:Picturing Tolkien:Essays on Peter Jackson's 169:First attested in English in 1382, the word 948:, with other esoteric and exoteric symbols. 262:Among the best-known examples of allegory, 221:, to the more private allegories of modern 54:is one of the greatest allegories from the 3448: 3434: 3426: 2141: 2127: 2119: 1178:Cultural depictions of Philip II of Spain 1055:Self-Portrait as the Allegory of Painting 818:Self-Portrait as the Allegory of Painting 1570:(2nd ed.). UNC Press. p. 142. 384:In the late 15th century, the enigmatic 301:Other early allegories are found in the 130:. The painting depicts British diplomat 2013:Allegory: The Theory of a Symbolic Mode 1215: 1163:Allegorical interpretation of the Bible 922: 367:(1302) presents themes of the unity of 321:Allegorical interpretation of the Bible 2812:Types of fiction with multiple endings 1373:, Henry George Liddell, Robert Scott, 1357:, Henry George Liddell, Robert Scott, 1341:, Henry George Liddell, Robert Scott, 1301:, Henry George Liddell, Robert Scott, 1222:Stephen A. Barney (1989). "Allegory". 1846:"The Faerie Queene | work by Spenser" 1316:"Etymology of allegory by etymonline" 196:), "another, different" and áŒ€ÎłÎżÏÎ”ÏÏ‰ ( 7: 1158:Allegorical interpretations of Plato 447:The story of the apple falling onto 27:For the concept in mathematics, see 2091:, Richard Levis, "Allegory and the 1947:Sullivan, James (October 2, 2020). 1629:Fortunatianus Aquileiensis (2017). 1247:"Literary Terms and Definitions: A" 1245:Wheeler, L. Kip (11 January 2018). 305:, such as the extended metaphor in 122:Allegory of the recognition of the 2080:Dictionary of the History of Ideas 1510:. University of California Press. 1168:Allegory in Renaissance literature 666:are thought to be an allegory for 270:, forms a part of his larger work 25: 3215:Third-person omniscient narrative 1397:Anatomy of Criticism: Four Essays 1377:, in the Perseus Digital Library. 1663:from the original on 2022-10-09. 1117: 1098: 1070: 1042: 1009: 981: 953: 928: 411:Historie of Foure-footed Beastes 111:, the goddess of luck, with the 2053:Schwarcz, Lilia Moritz (1998). 1272:Schwarcz, Lilia Moritz (1998). 893:The Cycle of Terror and Tragedy 2603:Conflict between good and evil 1598:Jones, Alexander, ed. (1968). 1: 2048:– via Internet Archive. 1225:Dictionary of the Middle Ages 1133: 1087: 1059: 1023: 998: 970: 858: 822: 805: 786: 783:"Allegory of Queen Elizabeth" 769: 738: 719: 472: 142:, who is flanked by his wife 2084:Allegory in Literary history 1978:Original Version in German: 1471:10.1515/kant.1967.58.1-4.137 1361:, on Perseus Digital Library 1345:, on Perseus Digital Library 1305:, on Perseus Digital Library 966:Venus, Cupid, Folly and Time 881:Truth Coming Out of Her Well 765:Venus, Cupid, Folly and Time 629:The Melancholy of Resistance 1638:. De Gruyter. p. XIX. 1564:Kennedy, George A. (1999). 1145:Hispanic Society of America 1020:Allegory of Queen Elizabeth 647:The Masque of the Red Death 3848: 2101:and interpreting Vergil's 1824:. McFarland. p. 189. 1705:Cambridge University Press 1506:Lamberton, Robert (1986). 1253:. Carson-Newman University 489:The Wonderful Wizard of Oz 335: 26: 3242:Stream of unconsciousness 2773:Falling action/Catastasis 1913:Romm, Jake (2017-04-26). 870:AllĂ©gorie de la publicitĂ© 325:Fortunatianus of Aquileia 2610:Self-fulfilling prophecy 2115:Introduction to Allegory 1695:(2001). "Introduction". 1545:Medium Aevum Quotidianum 680:United States of America 437:The Chronicles of Narnia 338:Four senses of Scripture 3237:Stream of consciousness 2700:Suspension of disbelief 2011:Fletcher, Angus (1964) 1874:Encyclopedia Britannica 1850:Encyclopedia Britannica 1375:A Greek-English Lexicon 1359:A Greek-English Lexicon 1343:A Greek-English Lexicon 1303:A Greek-English Lexicon 801:Allegory of Inclination 165:: Mythological allegory 2778:Denouement/Catastrophe 2759:Rising action/Epitasis 1915:"Misery Loves Company" 1002:  1565–1570 635:Werckmeister Harmonies 569:The Pilgrim's Progress 478: 469:Allegory of Arithmetic 354: 166: 155: 115: 86:of abstract concepts. 59: 29:Allegory (mathematics) 3124:Utopian and dystopian 2097:Roman definitions of 1819:The Lord of the Rings 1644:10.1515/9783110516371 1173:Allegorical sculpture 1050:Artemisia Gentileschi 796:Artemisia Gentileschi 505:The Lord of the Rings 462: 430:include the works of 345: 161: 121: 97: 66:or artistic form, an 40: 3827:Narrative techniques 2678:Narrative techniques 2458:Story within a story 2270:Supporting character 2112:What is an Allegory? 2089:Electronic Antiquity 2037:The Key Of Knowledge 2005:Anatomy of Criticism 1204:Theagenes of Rhegium 1017:The English School's 994:Allegory of Prudence 867:Fernand Le Quesne – 854:Allegory of Painting 839:Bartholomeus Strobel 779:The English School's 624:LĂĄszlĂł Krasznahorkai 268:Allegory of the Cave 148:Maria II of Portugal 3781:Rhetorical question 3383:Political narrative 3225:Unreliable narrator 3082:Speculative fiction 2790:Nonlinear narrative 2738:Three-act structure 2598:Deal with the Devil 2024:The Order of Things 1972:CĂ€cilia Rentmeister 1601:The Jerusalem Bible 1526:10.1525/j.ctt1ppp1k 1251:Literary Vocabulary 1110:Allegory of Hearing 1083:The Art of Painting 710:Ambrogio Lorenzetti 596:Nathaniel Hawthorne 581:Young Goodman Brown 576:Nathaniel Hawthorne 552:William Shakespeare 417:and the astronomer 104:Allegory of Fortune 3361:Narrative paradigm 3356:Narrative identity 3286:Dominant narrative 3232:Multiple narrators 2516:Fictional location 2359:Dramatic structure 1789:. Norton. p.  1758:American Quarterly 1737:The Newton Project 664:Salem witch trials 618:Russian Revolution 601:The Scarlet Letter 479: 465:Laurent de La Hyre 455:Poetry and fiction 396:humanist dialectic 355: 281:In Late Antiquity 229:Classical allegory 223:paradox literature 167: 156: 136:letter of credence 132:Sir Charles Stuart 116: 60: 3822:Figures of speech 3804: 3803: 3575:Hysteron proteron 3457:Figures of speech 3423: 3422: 3366:Narrative therapy 2800:television series 2745:Freytag's Pyramid 2588:Moral development 2491:Alternate history 2201:False protagonist 2032:Jain, Champat Rai 1831:978-0-7864-8473-7 1800:978-0-393-04992-3 1760:, 16 (1): 47–58. 1653:978-3-11-051637-1 1033:at her right and 941:Melencolia I 843:Thirty Years' War 729:Sandro Botticelli 545:The Faerie Queene 403:Hugh of St Victor 332:Medieval allegory 297:Biblical allegory 289:, with the seven 283:Martianus Capella 218:The Faerie Queene 140:Pedro I of Brazil 44:, miniature from 16:(Redirected from 3839: 3450: 3443: 3436: 3427: 3346:Literary science 2889:Narrative poetry 2785:Linear narrative 2695:Stylistic device 2690:Show, don't tell 2653:Figure of speech 2443:Shaggy dog story 2186:Characterization 2143: 2136: 2129: 2120: 2068: 2049: 2047: 2045: 2019:Foucault, Michel 1987: 1969: 1963: 1962: 1960: 1959: 1944: 1938: 1935: 1929: 1928: 1926: 1925: 1910: 1904: 1903: 1901: 1900: 1890: 1884: 1883: 1881: 1880: 1866: 1860: 1859: 1857: 1856: 1842: 1836: 1835: 1811: 1805: 1804: 1788: 1775: 1769: 1754: 1748: 1747: 1745: 1743: 1729: 1723: 1722: 1702: 1689: 1683: 1682: 1671: 1665: 1664: 1662: 1637: 1626: 1620: 1619: 1595: 1589: 1588: 1586: 1584: 1561: 1555: 1554: 1553: 1552: 1536: 1530: 1529: 1503: 1497: 1496: 1489: 1483: 1482: 1454: 1448: 1445: 1439: 1436: 1430: 1427: 1421: 1418: 1412: 1411: 1384: 1378: 1368: 1362: 1352: 1346: 1336: 1330: 1329: 1327: 1326: 1312: 1306: 1296: 1290: 1289: 1269: 1263: 1262: 1260: 1258: 1242: 1236: 1220: 1138: 1135: 1121: 1102: 1092: 1089: 1074: 1064: 1061: 1046: 1028: 1025: 1013: 1003: 1000: 985: 975: 972: 957: 932: 899:Many statues of 876:Jean-LĂ©on GĂ©rĂŽme 863: 860: 827: 824: 810: 807: 791: 788: 774: 771: 743: 740: 724: 723: 1338–1339 721: 688:Shel Silverstein 500:J. R. R. Tolkien 494:George MacDonald 477: 474: 144:Maria Leopoldina 128:its independence 124:Empire of Brazil 56:High Middle Ages 21: 3847: 3846: 3842: 3841: 3840: 3838: 3837: 3836: 3807: 3806: 3805: 3800: 3754:Personification 3619: 3459: 3454: 3424: 3419: 3351:Literary theory 3291:Fiction writing 3274: 3246: 3181: 2933: 2925: 2816: 2714: 2619: 2554: 2477: 2348:Deus ex machina 2289: 2275:Title character 2260:Stock character 2206:Focal character 2152: 2147: 2075: 2065: 2052: 2043: 2041: 2030: 1996: 1994:Further reading 1991: 1990: 1970: 1966: 1957: 1955: 1953:BostonGlobe.com 1946: 1945: 1941: 1936: 1932: 1923: 1921: 1919:The New Inquiry 1912: 1911: 1907: 1898: 1896: 1892: 1891: 1887: 1878: 1876: 1868: 1867: 1863: 1854: 1852: 1844: 1843: 1839: 1832: 1813: 1812: 1808: 1801: 1777: 1776: 1772: 1766:10.2307/2710826 1755: 1751: 1741: 1739: 1731: 1730: 1726: 1719: 1693:Harrison, Peter 1691: 1690: 1686: 1673: 1672: 1668: 1660: 1654: 1635: 1628: 1627: 1623: 1616: 1597: 1596: 1592: 1582: 1580: 1578: 1563: 1562: 1558: 1550: 1548: 1538: 1537: 1533: 1518: 1505: 1504: 1500: 1491: 1490: 1486: 1456: 1455: 1451: 1446: 1442: 1437: 1433: 1428: 1424: 1419: 1415: 1408: 1392:Damrosch, David 1386: 1385: 1381: 1369: 1365: 1353: 1349: 1337: 1333: 1324: 1322: 1314: 1313: 1309: 1297: 1293: 1286: 1271: 1270: 1266: 1256: 1254: 1244: 1243: 1239: 1221: 1217: 1212: 1154: 1147: 1136: 1126:August Bouttats 1122: 1113: 1103: 1094: 1090: 1075: 1066: 1062: 1047: 1038: 1026: 1014: 1005: 1001: 986: 977: 973: 958: 949: 946:personification 933: 921: 888:Graydon Parrish 861: 825: 808: 789: 772: 741: 722: 703: 693:The Giving Tree 642:Edgar Allan Poe 518:nuclear weapons 475: 457: 427: 425:Modern allegory 398:conveyed them. 387:Hypnerotomachia 349:17th century – 340: 334: 299: 231: 210: 204:), "assembly". 134:presenting his 107:, representing 92: 84:personification 64:literary device 46:Cotton Nero A.x 35: 34:Literary device 32: 23: 22: 15: 12: 11: 5: 3845: 3843: 3835: 3834: 3832:Poetic devices 3829: 3824: 3819: 3809: 3808: 3802: 3801: 3799: 3798: 3793: 3788: 3783: 3778: 3777: 3776: 3766: 3761: 3756: 3751: 3746: 3741: 3736: 3731: 3730: 3729: 3724: 3714: 3709: 3708: 3707: 3697: 3692: 3691: 3690: 3680: 3675: 3670: 3665: 3660: 3655: 3650: 3645: 3640: 3635: 3629: 3627: 3621: 3620: 3618: 3617: 3612: 3607: 3602: 3597: 3592: 3587: 3582: 3577: 3572: 3567: 3562: 3557: 3552: 3547: 3542: 3537: 3532: 3527: 3526: 3525: 3515: 3510: 3505: 3500: 3495: 3490: 3485: 3480: 3475: 3469: 3467: 3461: 3460: 3455: 3453: 3452: 3445: 3438: 3430: 3421: 3420: 3418: 3417: 3415:Verisimilitude 3412: 3407: 3402: 3397: 3396: 3395: 3385: 3380: 3379: 3378: 3368: 3363: 3358: 3353: 3348: 3343: 3342: 3341: 3331: 3330: 3329: 3320: 3318:Parallel novel 3315: 3314: 3313: 3308: 3303: 3288: 3282: 3280: 3276: 3275: 3273: 3272: 3267: 3262: 3256: 3254: 3248: 3247: 3245: 3244: 3239: 3234: 3229: 3228: 3227: 3222: 3217: 3207: 3202: 3197: 3191: 3189: 3183: 3182: 3180: 3179: 3178: 3177: 3172: 3162: 3161: 3160: 3155: 3150: 3145: 3140: 3139: 3138: 3133: 3132: 3131: 3126: 3121: 3111: 3106: 3101: 3100: 3099: 3089: 3079: 3074: 3069: 3068: 3067: 3062: 3052: 3047: 3042: 3037: 3032: 3027: 3022: 3017: 3012: 3007: 3002: 2997: 2992: 2987: 2982: 2977: 2972: 2967: 2962: 2960:Action fiction 2952: 2947: 2941: 2939: 2927: 2926: 2924: 2923: 2918: 2913: 2908: 2903: 2898: 2897: 2896: 2886: 2881: 2876: 2875: 2874: 2869: 2864: 2859: 2854: 2844: 2839: 2832: 2826: 2824: 2818: 2817: 2815: 2814: 2809: 2804: 2803: 2802: 2797: 2787: 2782: 2781: 2780: 2775: 2770: 2761: 2756: 2742: 2741: 2740: 2735: 2724: 2722: 2716: 2715: 2713: 2712: 2707: 2702: 2697: 2692: 2687: 2686: 2685: 2675: 2670: 2665: 2660: 2655: 2650: 2645: 2640: 2635: 2629: 2627: 2621: 2620: 2618: 2617: 2612: 2607: 2606: 2605: 2600: 2590: 2585: 2580: 2575: 2570: 2564: 2562: 2556: 2555: 2553: 2552: 2547: 2542: 2541: 2540: 2539: 2538: 2528: 2523: 2513: 2508: 2503: 2498: 2493: 2487: 2485: 2479: 2478: 2476: 2475: 2470: 2465: 2460: 2455: 2450: 2445: 2440: 2438:Self-insertion 2435: 2430: 2425: 2423:Poetic justice 2420: 2415: 2410: 2405: 2400: 2393: 2386: 2381: 2376: 2371: 2366: 2361: 2356: 2351: 2344: 2339: 2334: 2329: 2324: 2323: 2322: 2312: 2307: 2299: 2297: 2291: 2290: 2288: 2287: 2282: 2277: 2272: 2267: 2262: 2257: 2252: 2247: 2246: 2245: 2240: 2235: 2225: 2218: 2213: 2208: 2203: 2198: 2193: 2188: 2183: 2181:Character flaw 2178: 2173: 2168: 2162: 2160: 2154: 2153: 2148: 2146: 2145: 2138: 2131: 2123: 2117: 2116: 2108: 2085: 2074: 2073:External links 2071: 2070: 2069: 2063: 2050: 2028: 2016: 2009: 2000:Frye, Northrop 1995: 1992: 1989: 1988: 1964: 1939: 1930: 1905: 1885: 1861: 1837: 1830: 1806: 1799: 1779:Baum, L. Frank 1770: 1749: 1724: 1717: 1684: 1666: 1652: 1621: 1614: 1590: 1576: 1556: 1531: 1516: 1498: 1484: 1449: 1440: 1431: 1422: 1413: 1406: 1388:Frye, Northrop 1379: 1363: 1347: 1331: 1320:etymonline.com 1307: 1291: 1284: 1264: 1237: 1214: 1213: 1211: 1208: 1207: 1206: 1201: 1196: 1191: 1185: 1183:Diwan (poetry) 1180: 1175: 1170: 1165: 1160: 1153: 1150: 1149: 1148: 1143:, Collection: 1123: 1116: 1114: 1106:Jan van Kessel 1104: 1097: 1095: 1076: 1069: 1067: 1063: 1638–39 1048: 1041: 1039: 1015: 1008: 1006: 987: 980: 978: 959: 952: 950: 936:Albrecht DĂŒrer 934: 927: 925: 920: 917: 916: 915: 904: 897: 885: 873: 865: 846: 829: 826: 1638–39 793: 776: 757: 748:Albrecht DĂŒrer 745: 726: 702: 699: 698: 697: 684: 683: 651: 639: 621: 605: 593: 573: 561: 549: 540:Edmund Spenser 456: 453: 432:Bertolt Brecht 426: 423: 407:Edward Topsell 347:British School 333: 330: 298: 295: 230: 227: 209: 206: 113:horn of plenty 91: 88: 33: 24: 14: 13: 10: 9: 6: 4: 3: 2: 3844: 3833: 3830: 3828: 3825: 3823: 3820: 3818: 3815: 3814: 3812: 3797: 3794: 3792: 3789: 3787: 3784: 3782: 3779: 3775: 3772: 3771: 3770: 3767: 3765: 3764:Procatalepsis 3762: 3760: 3757: 3755: 3752: 3750: 3747: 3745: 3742: 3740: 3737: 3735: 3732: 3728: 3725: 3723: 3720: 3719: 3718: 3715: 3713: 3710: 3706: 3703: 3702: 3701: 3698: 3696: 3693: 3689: 3686: 3685: 3684: 3681: 3679: 3676: 3674: 3671: 3669: 3666: 3664: 3661: 3659: 3656: 3654: 3651: 3649: 3646: 3644: 3641: 3639: 3636: 3634: 3631: 3630: 3628: 3626: 3622: 3616: 3613: 3611: 3608: 3606: 3603: 3601: 3598: 3596: 3593: 3591: 3588: 3586: 3583: 3581: 3578: 3576: 3573: 3571: 3568: 3566: 3563: 3561: 3560:Homeoteleuton 3558: 3556: 3553: 3551: 3548: 3546: 3543: 3541: 3538: 3536: 3533: 3531: 3528: 3524: 3521: 3520: 3519: 3516: 3514: 3511: 3509: 3506: 3504: 3501: 3499: 3496: 3494: 3491: 3489: 3486: 3484: 3481: 3479: 3476: 3474: 3471: 3470: 3468: 3466: 3462: 3458: 3451: 3446: 3444: 3439: 3437: 3432: 3431: 3428: 3416: 3413: 3411: 3408: 3406: 3403: 3401: 3400:Screenwriting 3398: 3394: 3391: 3390: 3389: 3386: 3384: 3381: 3377: 3374: 3373: 3372: 3369: 3367: 3364: 3362: 3359: 3357: 3354: 3352: 3349: 3347: 3344: 3340: 3337: 3336: 3335: 3332: 3328: 3324: 3321: 3319: 3316: 3312: 3309: 3307: 3304: 3302: 3299: 3298: 3297: 3294: 3293: 3292: 3289: 3287: 3284: 3283: 3281: 3277: 3271: 3268: 3266: 3263: 3261: 3258: 3257: 3255: 3253: 3249: 3243: 3240: 3238: 3235: 3233: 3230: 3226: 3223: 3221: 3218: 3216: 3213: 3212: 3211: 3208: 3206: 3205:Second-person 3203: 3201: 3198: 3196: 3193: 3192: 3190: 3188: 3184: 3176: 3173: 3171: 3168: 3167: 3166: 3163: 3159: 3156: 3154: 3151: 3149: 3146: 3144: 3141: 3137: 3134: 3130: 3127: 3125: 3122: 3120: 3117: 3116: 3115: 3112: 3110: 3109:Magic realism 3107: 3105: 3102: 3098: 3095: 3094: 3093: 3090: 3088: 3085: 3084: 3083: 3080: 3078: 3075: 3073: 3070: 3066: 3063: 3061: 3058: 3057: 3056: 3053: 3051: 3048: 3046: 3043: 3041: 3040:Psychological 3038: 3036: 3033: 3031: 3028: 3026: 3023: 3021: 3020:Philosophical 3018: 3016: 3013: 3011: 3008: 3006: 3003: 3001: 2998: 2996: 2993: 2991: 2988: 2986: 2983: 2981: 2978: 2976: 2973: 2971: 2968: 2966: 2963: 2961: 2958: 2957: 2956: 2953: 2951: 2948: 2946: 2945:Autobiography 2943: 2942: 2940: 2937: 2932: 2928: 2922: 2919: 2917: 2914: 2912: 2909: 2907: 2904: 2902: 2899: 2895: 2892: 2891: 2890: 2887: 2885: 2884:Narrative art 2882: 2880: 2877: 2873: 2870: 2868: 2865: 2863: 2860: 2858: 2855: 2853: 2850: 2849: 2848: 2845: 2843: 2842:Flash fiction 2840: 2838: 2837: 2833: 2831: 2828: 2827: 2825: 2823: 2819: 2813: 2810: 2808: 2805: 2801: 2798: 2796: 2793: 2792: 2791: 2788: 2786: 2783: 2779: 2776: 2774: 2771: 2769: 2765: 2762: 2760: 2757: 2755: 2751: 2748: 2747: 2746: 2743: 2739: 2736: 2734: 2733:Act structure 2731: 2730: 2729: 2726: 2725: 2723: 2721: 2717: 2711: 2708: 2706: 2703: 2701: 2698: 2696: 2693: 2691: 2688: 2684: 2681: 2680: 2679: 2676: 2674: 2671: 2669: 2666: 2664: 2661: 2659: 2656: 2654: 2651: 2649: 2646: 2644: 2641: 2639: 2636: 2634: 2631: 2630: 2628: 2626: 2622: 2616: 2613: 2611: 2608: 2604: 2601: 2599: 2596: 2595: 2594: 2591: 2589: 2586: 2584: 2581: 2579: 2576: 2574: 2571: 2569: 2566: 2565: 2563: 2561: 2557: 2551: 2550:Worldbuilding 2548: 2546: 2543: 2537: 2534: 2533: 2532: 2529: 2527: 2524: 2522: 2519: 2518: 2517: 2514: 2512: 2509: 2507: 2504: 2502: 2499: 2497: 2494: 2492: 2489: 2488: 2486: 2484: 2480: 2474: 2471: 2469: 2466: 2464: 2461: 2459: 2456: 2454: 2451: 2449: 2446: 2444: 2441: 2439: 2436: 2434: 2431: 2429: 2426: 2424: 2421: 2419: 2416: 2414: 2411: 2409: 2406: 2404: 2401: 2399: 2398: 2397:Kishƍtenketsu 2394: 2392: 2391: 2390:In medias res 2387: 2385: 2382: 2380: 2377: 2375: 2372: 2370: 2369:Foreshadowing 2367: 2365: 2364:Eucatastrophe 2362: 2360: 2357: 2355: 2352: 2350: 2349: 2345: 2343: 2340: 2338: 2335: 2333: 2330: 2328: 2327:Chekhov's gun 2325: 2321: 2318: 2317: 2316: 2313: 2311: 2308: 2306: 2305: 2301: 2300: 2298: 2296: 2292: 2286: 2283: 2281: 2278: 2276: 2273: 2271: 2268: 2266: 2263: 2261: 2258: 2256: 2253: 2251: 2248: 2244: 2241: 2239: 2236: 2234: 2231: 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Frank Baum 470: 466: 461: 454: 452: 450: 445: 443: 439: 438: 433: 424: 422: 420: 416: 412: 408: 404: 399: 397: 393: 389: 388: 382: 379: 374: 370: 366: 365: 360: 352: 348: 344: 339: 331: 329: 326: 322: 318: 316: 312: 308: 304: 296: 294: 292: 288: 284: 279: 276: 274: 269: 265: 260: 258: 254: 253: 248: 243: 239: 236: 228: 226: 224: 220: 219: 214: 213:Northrop Frye 207: 205: 203: 199: 195: 191: 187: 183: 179: 176: 172: 164: 163:Marco Marcola 160: 153: 149: 145: 141: 137: 133: 129: 125: 120: 114: 110: 106: 105: 100: 99:Salvator Rosa 96: 89: 87: 85: 81: 76: 73: 69: 65: 57: 53: 52: 47: 43: 39: 30: 19: 3774:Antanaclasis 3678:Epanorthosis 3632: 3595:Polysyndeton 3488:Antimetabole 3473:Alliteration 3405:Storytelling 3220:Subjectivity 3210:Third-person 3200:First-person 2834: 2643:Comic relief 2632: 2395: 2388: 2379:Flashforward 2346: 2320:Origin story 2302: 2265:Straight man 2220: 2111: 2102: 2098: 2092: 2088: 2079: 2054: 2042:. Retrieved 2036: 2022: 2012: 2003: 1979: 1967: 1956:. 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Index

Allegories
Allegory (mathematics)

Cotton Nero A.x
Pearl
High Middle Ages
literary device
narrative
symbolic
personification

Salvator Rosa
Allegory of Fortune
Fortuna
horn of plenty

Empire of Brazil
its independence
Sir Charles Stuart
letter of credence
Pedro I of Brazil
Maria Leopoldina
Maria II of Portugal
History

Marco Marcola
Latin
latinisation
Greek
Northrop Frye

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