Knowledge (XXG)

Northrop Frye

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2072: 2058: 2141: 814:... a literary work should be contemplated as a pattern of knowledge, an act that must be distinguished, at least initially, from any direct experience of the work, . . . criticism begins when reading ends: no longer imaginatively subjected to a literary work, the critic tries to make sense out of it, not by going to some historical context or by commenting on the immediate experience of reading but by seeing its structure within literature and literature within 860:... leaves out the central structural principles that literature derives from myth, the principles that give literature its communicating power across the centuries through all ideological changes. Such structural principles are certainly conditioned by social and historical factors and do not transcend them, but they retain a continuity of form that points to an identity of the literary organism distinct from all its adaptations to its social environment ( 1043:" as the attitude from which Canadian literature has been written. The garrison mentality is the attitude of a member of a community that feels isolated from cultural centres and besieged by a hostile landscape. Frye maintained that such communities were peculiarly Canadian, and fostered a literature that was formally immature, that displayed deep moral discomfort with "uncivilized" nature, and whose narratives reinforced social norms and values. 933:— that is not accessible directly through their own experience, but ultimately transforms and expands their experience, so that the poetic model becomes a model to live by. In what he terms a "kerygmatic mode," myths become "myths to live by" and metaphors "metaphors to live in," which ". . . not only work for us but constantly expand our horizons, we may enter the world of and pass on to others what we have found to be true for ourselves" ( 929:
function of literary criticism becomes apparent. Essentially, "what criticism can do," according to Frye, "is awaken students to successive levels of awareness of the mythology that lies behind the ideology in which their society indoctrinates them" (Stingle 5). That is, the study of recurring structural patterns grants students an emancipatory distance from their own society, and gives them a vision of a higher human state — the
4050: 1111: 731: 944:, and worked tirelessly to communicate his ideas to a wider audience. "For many years now," he wrote in 1987, "I have been addressing myself primarily, not to other critics, but to students and a nonspecialist public, realizing that whatever new directions can come to my discipline will come from their needs and their intense if unfocused vision" ( 831:, Frye responded, "Oh, it's entirely Romantic, yes" (Stingle 1). It is Romantic in the same sense that Frye attributed Romanticism to Blake: that is, "in the expanded sense of giving a primary place to imagination and individual feeling" (Stingle 2). As artifacts of the imagination, literary works, including "the pre-literary categories of 2107: 1101:
Frye's international reputation allowed him to champion Canadian literature at a time when to do so was considered provincial. Frye argued that regardless of the formal quality of the writing, it was imperative to study Canadian literary productions in order to understand the Canadian imagination and
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Myth therefore provides structure to literature simply because literature as a whole is "displaced mythology" (Bates 21). Hart makes the point well when he states that "For Frye, the story, and not the argument, is at the centre of literature and society. The base of society is mythical and narrative
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6). By attaching criticism to an external framework rather than locating the framework for criticism within literature, this kind of critic essentially "substitute a critical attitude for criticism." For Frye critical integrity means that "the axioms and postulates of criticism . . . have to grow out
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3). He asked, "what if criticism is a science as well as an art?" (7), Thus, Frye launched the pursuit which was to occupy the rest of his career—that of establishing criticism as a "coherent field of study which trains the imagination quite as systematically and efficiently as the sciences train the
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has centripetal tendencies, relying on syntax and lexical choice to delineate characters and establish mood. But the one veers inward, the other pushes outward. Criticism reflects these movements, centripetally focusing on the aesthetic function of literature, centrifugally on the social function of
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The axiom of criticism must be, not that the poet does not know what he is talking about, but that he cannot talk about what he knows. To defend the right of criticism to exist at all, therefore, is to assume that criticism is a structure of thought and knowledge existing in its own right, with some
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Arguing that "criticism cannot be a systematic study unless there is a quality in literature which enables it to be so," Frye puts forward the hypothesis that "just as there is an order of nature behind the natural sciences, so literature is not a piled aggregate of 'works,' but an order of words"
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was a mythological framework, cosmos or body of stories, and that societies live within a mythology" (Hart 18). Blake thus led Frye to the conviction that the Bible provided Western societies with the mythology which informed all of Western literature. As Hamilton asserts, "Blake's claim that 'the
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For Frye, this "new poetics" is to be found in the principle of the mythological framework, which has come to be known as 'archetypal criticism'. It is through the lens of this framework, which is essentially a centrifugal movement of backing up from the text towards the archetype, that the social
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of his day in their centripetal insistence on structural analysis. But for Frye this is only part of the story: "It is right," he declares, "that the first effort of critical apprehension should take the form of a rhetorical or structural analysis of a work of art. But a purely structural approach
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Frye uses the terms 'centripetal' and 'centrifugal' to describe his critical method. Criticism, Frye explains, is essentially centripetal when it moves inwardly, towards the structure of a text; it is centrifugal when it moves outwardly, away from the text and towards society and the outer world.
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The recurring primitive formulas Frye noticed in his survey of the "greatest classics" provide literature with an order of words, a "skeleton" which allows the reader "to respond imaginatively to any literary work by seeing it in the larger perspective provided by its literary and social contexts"
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In seeking integrity for criticism, Frye rejects what he termed the deterministic fallacy. He defines this as the movement of "a scholar with a special interest in geography or economics express . . . that interest by the rhetorical device of putting his favorite study into a causal relationship
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Criticism for Frye, then, is not a task of evaluation — that is, of rejecting or accepting a literary work — but rather simply of recognizing it for what it is and understanding it in relation to other works within the 'order of words' (Cotrupi 4). Imposing value judgments on literature belongs,
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I suggest that it is time for criticism to leap to a new ground from which it can discover what the organizing or containing forms of its conceptual framework are. Criticism seems to be badly in need of a coordinating principle, a central hypothesis which, like the theory of evolution in biology,
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3), sits in dynamic tension with the need to establish integrity for it as a discipline. For Frye, this kind of coherent, critical integrity involves claiming a body of knowledge for criticism that, while independent of literature, is yet constrained by it: "If criticism exists," he declares, "it
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While some critics or schools of criticism emphasize one movement over the other, for Frye, both movements are essential: "criticism will always have two aspects, one turned toward the structure of literature and one turned toward the other cultural phenomena that form the social environment of
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xiii). Mythology and literature thus inhabit and function within the same imaginative world, one that is "governed by conventions, by its own modes, symbols, myths and genres" (Hart 23). Integrity for criticism requires that it too operates within the sphere of the imagination, and not seek an
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was defined by a fear of nature, by the history of settlement and by unquestioned adherence to the community. However, Frye perceived the ability and advisability of Canadian (literary) identity to move beyond these characteristics. Frye proposed the possibility of movement beyond the literary
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118). The archetypes of literature exist, Frye argues, as an order of words, providing criticism with a conceptual framework and a body of knowledge derived not from an ideological system but rooted in the imagination itself. Thus, rather than interpreting literary works from some ideological
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has the same limitation in criticism that it has in biology." That is, it doesn't develop "any explanation of how the structure came to be what it was and what its nearest relatives are. Structural analysis brings rhetoric back to criticism, but we need a new poetics as well . . ." (
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This "declaration of independence" (Hart xv) is necessarily a measured one for Frye. For coherence requires that the autonomy of criticism, the need to eradicate its conception as "a parasitic form of literary expression,… a second-hand imitation of creative power"
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Beyond these publications, Frye edited fifteen books, composed essays and chapters that appear in over sixty books, and wrote over one hundred articles and reviews in academic journals. From 1950 to 1960 he wrote the annual critical and bibliographical survey of
987:. Frye readily acknowledged the debt he owed to Vico in developing his literary theory, describing him as "the first modern thinker to understand that all major verbal structures have descended historically from poetic and mythological ones" ( 892:, are predominantly centrifugal, stressing the thematic connection of the stories and characters to the social order. The "Ode" has centrifugal tendencies, relying for its effects on elements of history and pottery and visual aesthetics. 1093:
constraints of the garrison mentality: growing urbanization, interpreted as greater control over the environment, would produce a society with sufficient confidence for its writers to compose more formally advanced detached literature.
682:, Frye's assumption of coherence for literary criticism carries important implications. Firstly and most fundamentally, it presupposes that literary criticism is a discipline in its own right, independent of literature. Claiming with 589:. His study of Blake's poetry was a major contribution to the subject. Moreover, Frye outlined an innovative manner of studying literature that was to deeply influence the study of literature in general. He was a major influence on 622:
Frye married Helen Kemp, an educator, editor and artist, in 1937. She died in Australia while accompanying Frye on a lecture tour. Two years after her death in 1986, he married Elizabeth Brown. He died in 1991 and was interred in
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established Frye as "the foremost living student of Western literature." Frye's contributions to cultural and social criticism spanned a long career during which he earned widespread recognition and received many honours.
4879: 956:," which he asks his readers to read sympathetically, not "as proceeding from a judgment seat of final conviction, but from a rest stop on a pilgrimage, however near the pilgrimage may now be to its close" ( 998:, Frye's "Virgilian guide" (Stingle 1), who first awakened Frye to the "mythological frame of our culture" (Cotrupi 14). In fact, Frye claims that his "second book was contained in embryo in the first " ( 6120: 2138:
an exhibition celebrating the one hundredth anniversary of Northrop Frye's birth. Selected collection of childhood books and photographs to correspondence, addresses, published works, and awards.
527:, Frye was the third child of Herman Edward Frye and of Catherine Maud Howard. His much older brother, Howard, died in World War I; he also had a sister, Vera. His first cousin was the scientist 4889: 6190: 1337: 948:
7). It is therefore fitting that his last book, published posthumously, should be one that he describes as being "something of a shorter and more accessible version of the longer books,
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Old and New Testaments are the Great Code of Art' became the central doctrine of all criticism" (39). This 'doctrine' found its fullest expression in Frye's appropriately named
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160). For it was in reflecting on the similarity between Blake and Milton that Frye first stumbled upon the "principle of the mythological framework," the recognition that "the
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and theory. He was the first critic to postulate a systematic theory of criticism, "to work out," in his own words, "a unified commentary on the theory of literary criticism" (
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A comprehensive collection of Northrop Frye's published work, literary manuscripts, correspondence, personal and professional writings, photographs and audiovisual materials.
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1450) form, in Frye's vision, a potentially unified imaginative experience. He reminds us that literature is the "central and most important extension" of
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160). In so doing, he shaped the discipline of criticism. Inspired by his work on Blake, Frye developed and articulated his unified theory ten years after
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spied on Frye, watching his participation in the anti–Vietnam War movement, an academic forum about China, and activism to end South African apartheid.
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The Northrop Frye Centre, part of Victoria College at the University of Toronto, was named in his honour, as was the Humanities Stream of the
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must be an examination of literature in terms of a conceptual framework derivable from an inductive survey of the literary field" itself (
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discourse the notion of the role of the imagination in creating meaning. For Vico, poetic discourse is prior to philosophical discourse;
742:, Frye's methodology in defining a conceptual framework begins inductively, "follow the natural order and begin with the primary facts" ( 6125: 3939: 1960: 579:
had long been poorly understood, and considered by some to be delusional ramblings. Frye found in it a system of metaphor derived from
6140: 6105: 4304: 1443: 1185: 1924: 665:(1957). He described this as an attempt at a "synoptic view of the scope, theory, principles, and techniques of literary criticism" ( 5840: 4857: 4009: 3904: 1851: 1813: 1642: 1974: 531:. Frye went to Toronto to compete in a national typing contest in 1929. He studied for his undergraduate degree in philosophy at 6160: 4299: 1483: 1226: 624: 6180: 6175: 4289: 1274: 1351: 1167: 886:", is predominantly centripetal, stressing the sound and movement and imagery of the ordered words. Rhetorical novels, like 746:
15). The primary facts, in this case, are the works of literature themselves. And what did Frye's inductive survey of these
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and not ideological and dialectical" (19). This idea, which is central in Frye's criticism, was first suggested to him by
611: 392: 312: 1683: 5935: 5720: 4204: 4124: 2205: 1074:, a theme that summarizes Canadian literature. Margaret Atwood adopted his approach and elaborated on this in her book 545:(like Victoria College, a constituent part of the University of Toronto). After a brief stint as a student minister in 6135: 4024: 3969: 1138: 851:: "... every human society possesses a mythology which is inherited, transmitted and diversified by literature" ( 2425: 1658: 1142: 1309: 802:
according to Frye, "only to the history of taste, and therefore follows the vacillations of fashionable prejudice" (
5690: 5466: 4339: 3984: 3949: 2355: 2174: 1464: 1386: 489:(1957), one of the most important works of literary theory published in the twentieth century. The American critic 1457: 1199:
Program at Victoria College and the Northrop Frye Centre for Comparative Literature at the University of Toronto.
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in Moncton was named in his honour. A statue shows Frye sitting on a park bench outside the entrance to the
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and the Toronto Arts Lifetime Achievement Award. He was an Honorary Fellow or Member of the following:
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Because of its important social function, Frye felt that literary criticism was an essential part of a
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reveal? Significantly, they revealed "a general tendency on the part of great classics to revert to " (
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9) so that its goal is ultimately knowledge and not evaluation. For the critic in Frye's mode, then,
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17). This order of words constitutes criticism's conceptual framework, its coordinating principle.
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before returning to Victoria College, where he spent the remainder of his professional career.
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Fifteen Days: Stories of Bravery, Friendship, Life and Death from Inside the New Canadian Army
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The Northrop Frye Collection at the Victoria University Library at the University of Toronto
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University of Victoria Special Collections and University Archives, E.J. Pratt Library 
1730: 683: 2120: 1551: 1137:(1970). He was named University Professor by the University of Toronto in 1967. He won the 5962: 5565: 5529: 5480: 5397: 5367: 5337: 5293: 5196: 4978: 4956: 4935: 4928: 4913: 4806: 4761: 4688: 4668: 4658: 4534: 4489: 4454: 4449: 4394: 4384: 4259: 4144: 3999: 3994: 3921: 3608: 3469: 3459: 3453: 3394: 3302: 3197: 3167: 3065: 3027: 3021: 2966: 2960: 2931: 2823: 2815: 2660: 2472: 2401: 2349: 2289: 2178: 1948: 1928: 1921: 1908: 1570: 1323: 1181: 1161: 1066: 594: 537: 463: 454: 426: 416: 296: 278: 255: 32: 4821: 2565: 2248: 2135: 1444:
Reflections on the Canadian Literary Imagination: A Selection of Essays by Northrop Frye
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9). Genuine criticism "progresses toward making the whole of literature intelligible" (
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Canadian Self-Perception and Self-Representation in English-Canadian Drama after 1967.
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Canadian Self-Perception and Self-Representation in English-Canadian Drama after 1967
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Based on his observations of Canadian literature, Frye concluded that, by extension,
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Revenge of the Land: A Century of Greed, Tragedy and Murder on a Saskatchewan Farm
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in 1972. In 2000, he was honoured by the government of Canada with his image on a
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The Judgment of Paris: The Revolutionary Decade That Gave the World Impressionism
2008: 1931:. Companions of the Order of Canada Gallery E-H. Retrieved on: November 30, 2008. 6059: 6002: 5972: 5957:
The End of Absence: Reclaiming What We’ve Lost in a World of Constant Connection
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at Victoria College, University of Toronto. Retrieved on: November 30, 2008.
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Discipline of Power: The Conservative Interlude and the Liberal Restoration
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The Private Capital: Ambition and Love in the Age of Macdonald and Laurier
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A Natural Perspective: The Development of Shakespearean Comedy and Romance
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Frye collected his disparate writings on Canadian writing and painting in
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17). This revelation prompted his next move, or rather, 'inductive leap':
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7) — criticism instead finds integrity within the literary field itself.
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The Critical Path: An Essay on the Social Context of Literary Criticism
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During the 1950s, Frye wrote annual surveys of Canadian poetry for the
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I've Got a Home in Glory Land: A Lost Tale of the Underground Railroad
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Canadian poetry for Letters in Canada, University of Toronto Quarterly
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The Myth of Deliverance: Reflections on Shakespeare's Problem Comedies
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Northrop Frye on Culture and Literature: A Collection of Review Essays
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Frye rose to international prominence as a result of his first book,
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Government of Canada Announces 12 New National Historic Designations
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A World in a Grain of Sand: Twenty-Two Interviews with Northrop Frye
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The Regenerators: Social Criticism in Late Victorian English Canada
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Collected Works of Northrop Frye Volume 12: Northrop Frye on Canada
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The following is a list of his books, including the volumes in the
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in 1971, and the Royal Bank Award in 1978. In 1987 he received the
794:'position' — what Frye calls the "superimposed critical attitude" ( 781:(Hamilton 20). Frye identifies these formulas as the "conventional 5590:
Louisbourg Portraits: Life in an Eighteenth- Century Garrison Town
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Words with Power: Being a Second Study of The Bible and Literature
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Occupied Canada: A Young White Man Discovers His Unsuspected Past
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Mythologizing Canada: Essays on the Canadian Literary Imagination
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that "the artist… is not heard but overheard," Frye insists that
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The Bible and English Literature by Northrop Frye: Full Lectures
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University of Toronto Archives and Records Management Services
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For a critical discussion on Canadianness see: Marc A. Bauch:
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set Frye on his critical path and shaped his contributions to
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Shake Hands With the Devil: The Failure of Humanity in Rwanda
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Introduction: Field Notes of a Public Critic, The Bush Garden
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The Way of the Strangers: Encounters with the Islamic State
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Herman Northrop Frye oral history interview sound recording
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The Golden Spruce: A True Story of Myth, Madness and Greed
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Context(e)s. (pp. 141–43). Retrieved on: October 20, 2011.
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The Secular Scripture: A Study of the Structure of Romance
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25). He would therefore agree, at least in part, with the
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will see the phenomena it deals with as parts of a whole (
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Governor General's Award for English-language non-fiction
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organizing principle in ideology. To do so, claims Frye,
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Lines on the Water: A Fisherman's Life on the Miramichi
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The Oxford Companion to Canadian History and Literature
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Spiritus Mundi: Essays on Literature, Myth, and Society
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The Stubborn Structure: Essays on Criticism and Society
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Governor General's Award-winning non-fiction writers
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Rogue Primate: An Exploration of Human Domestication
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The Double Vision of Language, Nature, Time, and God
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measure of independence from the art it deals with (
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Frye gained international fame with his first book,
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The Bush Garden: Essays on the Canadian Imagination
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The Bush Garden: Essays on the Canadian Imagination
712: 409: 385: 372: 341: 331: 305: 284: 274: 269: 233: 212: 207: 183: 173: 163: 158: 97: 74: 44: 21: 6191:Persons of National Historic Significance (Canada) 1630: 1174:American Academy and Institute of Arts and Letters 2160:Interpretation: A Journal of Political Philosophy 1373:Divisions on a Ground: Essays on Canadian Culture 1289:The Return of Eden: Five Essays on Milton's Epics 1049:Divisions on a Ground: Essays on Canadian Culture 2156:"Questioning Northrop Frye's Adaptation of Vico" 1782: 1780: 1629:Frye, Northrop (2001). Denham, Robert D. (ed.). 535:, where he edited the college literary journal, 1961:Northrop Frye statue unveiled for literary fans 1684:"B. W. Powe | Figure/Ground Communication" 1296:Fools of Time: Studies in Shakespearean Tragedy 688: 6041:alfabet/alphabet: a memoir of a first language 5977:A World We Have Lost: Saskatchewan Before 1905 1749:(Toronto: University of Toronto Press, 2000.) 600:In 1974–1975 Frye was the Norton professor at 493:commented at the time of its publication that 6211:Presidents of the Modern Language Association 6053:Aki-wayn-zih: A Person as Worthy as the Earth 5829:Paris 1919: Six Months That Changed the World 5818:Saboteurs: Wiebo Ludwig's War Against Big Oil 4873: 3898: 2206: 1230:, an ongoing project under the editorship of 1114:Northrop Frye statue outside the entrance of 557:, where he was a member and Secretary of the 533:Victoria College in the University of Toronto 8: 6206:Corresponding fellows of the British Academy 5402:The Crystal Spirit: A Study of George Orwell 1942:University of Victoria, Northrop Frye Centre 1828:(2003). Jean O'Grady; David Staines (eds.). 6196:Burials at Mount Pleasant Cemetery, Toronto 6171:Academic staff of the University of Toronto 5755:Drumblair: Memories of a Jamaican Childhood 5735:Shadow Maker: The Life of Gwendolyn MacEwen 1990:, Parks Canada news release, March 27, 2018 1390:(with Sheridan Baker and George W. Perkins) 827:Once asked whether his critical theory was 5914:Lakeland: Journeys into the Soul of Canada 5600:Byng of Vimy: General and Governor General 4880: 4866: 4858: 3905: 3891: 3883: 2213: 2199: 2191: 2151:An essay on Northrop Frye's life and ideas 2070: 2056: 2047: 2038: 2010:Northrop Frye: The Theoretical Imagination 1741: 1739: 1520:Northrop Frye: An Enumerative Bibliography 1240:Fearful Symmetry: A Study of William Blake 1180:Northrop Frye was made a Companion of the 1102:its reaction to the Canadian environment. 882:Lyric poetry, for instance, like Keats's " 713:Frye's conceptual framework for literature 18: 6029:This Red Line Goes Straight to Your Heart 5947:Journey with No Maps: A Life of P.K. Page 1897: 1895: 734:Northrop Frye Hall, University of Toronto 549:, he was ordained to the ministry of the 6151:Ministers of the United Church of Canada 3682:Identity and dialectal literatures award 1747:Northrop Frye and the Poetics of Process 1366:The Great Code: The Bible and Literature 1129:in 1951 and awarded the Royal Society's 1046:Frye also aided James Polk in compiling 1023:Contribution to the theorizing of Canada 5660:Willie: The Life of W. Somerset Maugham 5191:John A. Macdonald, The Young Politician 2041: 1832:. Toronto: University of Toronto Press. 1618:. Oxford: Basil Blackwell. p. 274. 1546: 1544: 1511: 918:Archetypal criticism as "a new poetics" 680:Northrop Frye: Anatomy of his Criticism 119: 1937; died 1986) 6146:Members of the United Church of Canada 6116:Fellows of the Royal Society of Canada 5513:Go-Boy! Memories of a Life Behind Bars 4940:Confessions of an Immigrant's Daughter 1886:Conclusion, Literary History of Canada 1868:Conclusion, Literary History of Canada 1792:Conclusion, Literary History of Canada 1573:. New Brunswick literary Encyclopedia. 643:The insights gained from his study of 323:Toronto School of communication theory 1188:. An international literary festival 1150:American Academy of Arts and Sciences 7: 5261:John A. Macdonald, The Old Chieftain 2181:. A blog dedicated to Northrop Frye. 1423:Reading the World: Selected Writings 16:Canadian literary critic (1912–1991) 5892:A Place Within: Rediscovering India 3847:Special award for travel literature 3720:Mondello for Multiculturality Award 718:with whatever interests him less" ( 6201:20th-century Canadian philosophers 4305:Friedrich Wilhelm Joseph Schelling 3864:Special Award 40 Years of Mondello 1409:Myth and Metaphor: Selected Essays 639:Contribution to literary criticism 607:Northrop Frye did not have a PhD. 14: 6111:Companions of the Order of Canada 5997:Mamaskatch: A Cree Coming of Age' 3496:"Palermo bridge for Europe" Award 1616:Merton College Register 1900–1964 1552:Guide to the Northrop Frye papers 1143:Governor General's Literary Award 6096:Alumni of Merton College, Oxford 5342:In Search of Canadian Liberalism 4048: 2105: 1484:Collected Works of Northrop Frye 1227:Collected Works of Northrop Frye 1054:Collected Works of Northrop Frye 610:The intelligence service of the 6007:To the River: Losing My Brother 5967:Bee Time: Lessons from the Hive 5492:The Writing of Canadian History 5171:The Progressive Party in Canada 5164:The Progressive Party in Canada 5133:Democratic Government in Canada 2426:Isabella Quarantotti De Filippo 2142:Works by or about Northrop Frye 1773:. Toronto: Anansi. pp. ix. 1637:. University of Toronto Press. 1522:, Scarecrow Press, 1974, p. 68. 1084:Canadian identity in literature 1070:(1971). He coined phrases like 1029:University of Toronto Quarterly 876: 785:and metaphors" which he calls " 541:. He then studied theology at 137: 116: 3619:Special award of the President 1518:Denham, Robert D. (compiler), 1310:A Study of English Romanticism 1168:American Philosophical Society 678:As A. C. Hamilton outlines in 1: 4375:Charles Augustin Sainte-Beuve 4345:Georg Wilhelm Friedrich Hegel 4300:Anne Louise Germaine de StaĂŤl 2356:Associazione Scrittori Cinesi 1973:Viola Pruss (March 5, 2017). 1709:"RCMP spied on Northrop Frye" 1465:Northrop Frye in Conversation 1387:Harper Handbook to Literature 1097:Study of literary productions 924:Archetypal literary criticism 612:Royal Canadian Mounted Police 313:Archetypal literary criticism 6166:University of Toronto alumni 5936:Leonardo and the Last Supper 5925:Mordecai: The Life and Times 5796:Notes from the Hyena's Belly 5745:The Unconscious Civilization 5630:Northrop Frye on Shakespeare 5221:Sex and the Nature of Things 5211:Canada, A Story of Challenge 5113:The Canadian Army, 1939-1945 5103:Halifax, Warden of the North 3783:Prize for Literary Criticism 2506:Prize for foreign literature 2300:Angelo Maria e Ela Ripellino 2096:How to use archival material 1614:Levens, R.G.C., ed. (1964). 1458:Northrop Frye on Shakespeare 6186:20th-century Canadian poets 6131:Literary critics of English 5580:Caribou and the Barren-Land 5318:The History of Fanny Burney 2230:Single Prize for Literature 1731:Helen Kemp Frye (1910-1986) 1531:Forst, G.N. (Winter 2007). 1477:The Eternal Act of Creation 1139:Canada Council Molson Prize 823:A theory of the imagination 723:of the art it deals with" ( 565:Academic and writing career 6227: 6126:Harvard University faculty 5502:Essays on the Constitution 5422:Hunting Tigers Under Glass 4340:Johann Wolfgang von Goethe 1846:. Wiku-Verlag, KĂśln 2012. 1052:(1982). In the posthumous 1037:Literary History of Canada 964:Influences: Vico and Blake 921: 6141:School of Letters faculty 6106:Canadian literary critics 5150:Marjorie Wilkins Campbell 4812:Filippo Tommaso Marinetti 4205:Nicolas Boileau-DesprĂŠaux 4046: 4015:Reader-response criticism 3830:Award for best motivation 2162:, Spring 2010, Vol. 37:3. 1884:; Carl F. Klinck (1965). 1866:; Carl F. Klinck (1965). 1790:; Carl F. Klinck (1965). 1588:The Canadian Encyclopedia 1536:Canadian Literature #195, 1533:"Anatomy of Imagination." 1491:Northrop Frye on Religion 983:is in fact derivative of 444: 440: 336:Victoria College, Toronto 203: 199: 195: 191: 154: 150: 5298:Canada: Tomorrow's Giant 5276:Joseph Lister Rutledge, 5093:The Government of Canada 4918:My Discovery of the West 4255:Gotthold Ephraim Lessing 4010:Psychoanalytic criticism 3632:Emmanuele Maria Emanuele 3538:Roberto Rossi Precerotti 2541:Prize for foreign poetry 2172:The Educated Imagination 1963:, CBC News Feb. 21, 2012 1808:Wiku-Verlag, KĂśln 2012. 1769:; Northrop Frye (1995). 1711:. CBC News. 24 July 2011 1659:"Northrop Frye Fonds 11" 1275:The Well-Tempered Critic 1254:The Educated Imagination 1214:National Historic Person 1125:Frye was elected to the 507:Early life and education 393:Archetypes of literature 6161:Writers from Sherbrooke 5241:This Most Famous Stream 5201:The Incredible Canadian 5129:Robert MacGregor Dawson 5089:Robert MacGregor Dawson 5059:Frederick Phillip Grove 5023:Partner in Three Worlds 4904:Thomas Beattie Roberton 4310:Samuel Taylor Coleridge 3790:Salvatore Silvano Nigro 3419:"Five Continents" Award 1940:University of Toronto. 1745:Cotrupi, Caterina N., 1729:University of Toronto. 1590:. Historica Foundation. 1584:"Frye, Herman Northrop" 1550:University of Toronto. 1359:Creation and Recreation 1127:Royal Society of Canada 670:reason" (Hamilton 34). 625:Mount Pleasant Cemetery 551:United Church of Canada 178:United Church of Canada 6181:Shakespearean scholars 6176:William Blake scholars 5461:Painters in a New Land 5382:John Addington Symonds 5013:The Incomplete Anglers 4993:The Unguarded Frontier 4030:Sociological criticism 4000:Postcolonial criticism 3935:Biographical criticism 3519:Ignazio Buttitta Award 2591:, Stefano Simoncelli, 1920:Harry Palmer Gallery. 1220:Works by Northrop Frye 1207:Moncton Public Library 1156:Merton College, Oxford 1122: 1116:Moncton Public Library 1072:the Garrison Mentality 877:Frye's critical method 866: 820: 765: 735: 697: 674:Criticism as a science 555:Merton College, Oxford 225:Merton College, Oxford 5685:Trudeau and Our Times 4908:TBR: Newspaper Pieces 4475:Ferdinand de Saussure 4058:Theorists and critics 3737:Mondello Youths Award 3104:, Antonio Franchini, 2284:Jarosław Iwaszkiewicz 1135:Pierre Chauveau Medal 1113: 858: 812: 756: 733: 553:. He then studied at 220:University of Toronto 159:Ecclesiastical career 6156:Writers from Moncton 5868:Karolyn Smardz Frost 5761:David Adams Richards 5693:and Robert Calihoo, 5392:In Defence of Canada 5362:The Gutenberg Galaxy 5271:The Mysterious North 5049:Evelyn M. Richardson 5043:Gauntlet to Overlord 5033:The War: Fourth Year 4380:James Russell Lowell 4355:Francesco De Sanctis 4335:Percy Bysshe Shelley 4315:Wilhelm von Humboldt 4160:Lodovico Castelvetro 3945:Cultural materialism 3930:Archetypal criticism 3078:Alessandro Parronchi 2828:Friedrich DĂźrrenmatt 2460:First narrative work 2136:Northrop Frye @ 100: 1564:Herman Northrop Frye 1247:Anatomy of Criticism 1203:Northrop Frye School 884:Ode on a Grecian Urn 738:Taking his cue from 662:Anatomy of Criticism 486:Anatomy of Criticism 451:Herman Northrop Frye 378:Anatomy of Criticism 127:Elizabeth Brown Frye 49:Herman Northrop Frye 5953:Michael John Harris 5878:Christie Blatchford 5288:The Path of Destiny 5278:Century of Conflict 5257:Donald G. Creighton 5251:Man's Emerging Mind 5187:Donald G. Creighton 5099:Thomas Head Raddall 5063:In Search of Myself 4983:The Unknown Country 4480:Claude LĂŠvi-Strauss 4415:Friedrich Nietzsche 4370:Ralph Waldo Emerson 4330:Thomas Love Peacock 4325:Arthur Schopenhauer 4275:Mary Wollstonecraft 3960:Descriptive poetics 3950:Darwinian criticism 3756:Alessandro Zaccuri 3116:Giorgio Montefoschi 3106:Giorgio Pressburger 2820:Adolfo Bioy Casares 2812:Alain Robbe-Grillet 2709:Giuseppe Quatriglio 2609:Daniele Del Giudice 2084:Northrop Frye fonds 1468:(an interview with 1402:No Uncertain Sounds 306:School or tradition 251:I. A. Richards 208:Academic background 6136:Literary theorists 5824:Margaret MacMillan 5802:Thomas Homer-Dixon 5549:Prairie Capitalism 5378:Phyllis Grosskurth 5372:Brown of the Globe 5352:The Ascent of Life 5237:Arthur R. M. Lower 5069:Arthur R. M. Lower 5003:On Canadian Poetry 4924:John Murray Gibbon 4782:Hans-Georg Gadamer 4614:Philip Wheelwright 4604:Simone de Beauvoir 4400:Charles Baudelaire 4295:William Wordsworth 4290:Friedrich Schlegel 4285:Friedrich Schiller 4115:Christine de Pizan 4025:Semiotic criticism 3970:Feminist criticism 3914:Literary criticism 3744:Claudia Durastanti 3573:Eugenio Baroncelli 3486:Christoph Ransmayr 3402:Alessandro Zaccuri 3340:Francesco Pecoraro 3257:Eugenio Baroncelli 3034:Attilio Bertolucci 2940:Marilynne Robinson 2872:Philippe Jaccottet 2864:Vladimir Voinovich 2749:Giovanni Bergamini 2737:Evelina Santangelo 2719:Fabrizio Rondolino 2525:Juan Carlos Onetti 2496:Gilberto Sacerdoti 2450:Francesco Forgione 2444:Enrique Vila-Matas 2259:Special Jury Prize 2221:Recipients of the 2177:2013-10-14 at the 1947:2010-01-30 at the 1927:2008-09-27 at the 1907:2019-03-29 at the 1663:E.J. Pratt Library 1569:2017-07-23 at the 1303:The Modern Century 1261:Fables of Identity 1131:Lorne Pierce Medal 1123: 1106:Awards and honours 1060:Garrison mentality 1041:garrison mentality 1000:Stubborn Structure 776:The order of words 736: 653:Stubborn Structure 649:literary criticism 602:Harvard University 401:garrison mentality 292:Literary criticism 6073: 6072: 5807:The Ingenuity Gap 5741:John Ralston Saul 5731:Rosemary Sullivan 5650:In the Sleep Room 5640:The Russian Album 5636:Michael Ignatieff 5586:Christopher Moore 5284:Thomas H. Raddall 5207:J. M. S. Careless 5169:Frank MacKinnon, 4855: 4854: 4837:Oswald de Andrade 4674:Hans Robert Jauss 4649:E. D. Hirsch, Jr. 4545:John Crowe Ransom 4440:StĂŠphane MallarmĂŠ 4410:Søren Kierkegaard 4230:Giambattista Vico 4020:Russian formalism 3985:Marxist criticism 3880: 3879: 3808:Ermanno Cavazzoni 3689:Gialuigi Beccaria 3672:Evgenij Solonovic 3665:Translation Award 3482:Romesh Gunesekera 3430:Tahar Ben Jelloun 3409:Alessandra Sarchi 3221:Osvaldo Guerrieri 3182:Andrea Di Consoli 3062:Giuseppe Bonaviri 2771:Francesco Fontana 2759:Adriano Lo Monaco 2589:Ferruccio Benzoni 2483:First poetic work 2438:Andrea Ceccherini 2318:Mikhail Gorbachev 2306:Leonardo Sciascia 2243:Achille Campanile 2166:The Frye Festival 2158:. An article in 2101: 2100: 2090: 2089: 1755:978-0-8020-8141-4 1601:"Acta victoriana" 1212:Frye was named a 1190:The Frye Festival 1120:Blue Cross Centre 1090:Canadian identity 942:liberal education 931:Longinian sublime 889:Uncle Tom's Cabin 871:Giambattista Vico 468:literary theorist 448: 447: 397:classless culture 261:Giambattista Vico 246:F. R. Leavis 6218: 6036:Sadiqa de Meijer 5993:Darrel J. McLeod 5814:Andrew Nikiforuk 5771:Marq de Villiers 5715:Touch the Dragon 5681:Christina McCall 5677:Stephen Clarkson 5596:Jeffery Williams 5543:Larry Pratt and 5534:William Kilbourn 5418:Mordecai Richler 5358:Marshall McLuhan 5231:Thirty and Three 5181:The Ardent Exile 5177:Josephine Phelan 5154:The Saskatchewan 5073:Colony to Nation 4882: 4875: 4868: 4859: 4832:Yokomitsu Riichi 4802:J. Hillis Miller 4767:Geoffrey Hartman 4724:Elaine Showalter 4684:Raymond Williams 4644:Martin Heidegger 4634:Gaston Bachelard 4599:Jean-Paul Sartre 4584:Monroe Beardsley 4540:Georges Bataille 4520:Boris Eikhenbaum 4495:Viktor Shklovsky 4365:John Stuart Mill 4350:Giacomo Leopardi 4195:Pierre Corneille 4052: 4035:Source criticism 3907: 3900: 3893: 3884: 3854:Marina Valensise 3796:Maurizio Bettini 3750:Edoardo Albinati 3655:Antonio Riccardi 3585:Valerio Magrelli 3509:Alberto Arbasino 3464:Alberto Arbasino 3356:Letizia Muratori 3310:Valerio Magrelli 3280:Edoardo Albinati 3237:Lorenzo Pavolini 3228:Gregorio Scalise 3152:Paolo Di Stefano 3112:Maurizio Bettini 3096:Andrea Camilleri 3050:Michele Perriera 3046:Fernando Bandini 3040:Luigi Meneghello 3006:Giovanni Macchia 3000:Oreste del Buono 2936:Emmanuel Carrère 2924:Elizabeth Strout 2912:Viktor Yerofeyev 2888:Per Olov Enquist 2880:Aleksandar TiĹĄma 2795:Gabriele PedullĂ  2655:Silvana La Spina 2651:Edoardo Albinati 2645:Giovanni Giudice 2597:Laura Mancinelli 2583:Valerio Magrelli 2531:Tadeusz Konwicki 2519:N. Scott Momaday 2414:Francesco Burdin 2296:Ignazio Buttitta 2272:Stefano D'Arrigo 2215: 2208: 2201: 2192: 2146:Internet Archive 2115: 2113:Biography portal 2110: 2109: 2108: 2086: 2074: 2061: 2060: 2048: 2039: 2030: 2028: 2027: 2020:978-1-13490437-2 1991: 1985: 1979: 1978: 1970: 1964: 1958: 1952: 1938: 1932: 1918: 1912: 1899: 1890: 1889: 1878: 1872: 1871: 1860: 1854: 1840: 1834: 1833: 1822: 1816: 1802: 1796: 1795: 1784: 1775: 1774: 1763: 1757: 1743: 1734: 1727: 1721: 1720: 1718: 1716: 1705: 1699: 1698: 1696: 1695: 1686:. 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Vassanji 5885: 5875: 5865: 5855: 5845: 5836:RomĂŠo Dallaire 5833: 5821: 5811: 5799: 5788: 5786: 5782: 5781: 5779: 5778: 5768: 5758: 5748: 5738: 5728: 5718: 5711:Karen Connelly 5708: 5701:Maggie Siggins 5698: 5688: 5673: 5671: 5667: 5666: 5664: 5663: 5653: 5643: 5633: 5623: 5613: 5603: 5593: 5583: 5573: 5562: 5560: 5556: 5555: 5553: 5552: 5541: 5527: 5517: 5505: 5495: 5488: 5485:Hallowed Walls 5474: 5464: 5459:Michael Bell, 5457: 5454: 5450:The Last Spike 5442: 5438: 5436: 5432: 5431: 5429: 5428: 5425: 5415: 5405: 5395: 5385: 5375: 5365: 5355: 5345: 5334: 5332: 5328: 5327: 5325: 5324: 5321: 5311: 5301: 5291: 5281: 5274: 5264: 5254: 5244: 5234: 5227:Hugh MacLennan 5224: 5214: 5204: 5194: 5184: 5174: 5167: 5157: 5146: 5144: 5140: 5139: 5137: 5136: 5126: 5119:Hugh MacLennan 5116: 5106: 5096: 5086: 5076: 5066: 5056: 5046: 5036: 5026: 5019:Dorothy Duncan 5016: 5006: 4996: 4986: 4976: 4964: 4953: 4951: 4947: 4946: 4944: 4943: 4933: 4921: 4911: 4900: 4898: 4894: 4893: 4887: 4885: 4884: 4877: 4870: 4862: 4853: 4852: 4850: 4849: 4844: 4839: 4834: 4829: 4824: 4819: 4814: 4809: 4804: 4799: 4794: 4789: 4784: 4779: 4774: 4769: 4764: 4759: 4754: 4749: 4747:FĂŠlix Guattari 4743:Gilles Deleuze 4740: 4738:Murray Krieger 4735: 4729:Sandra Gilbert 4726: 4721: 4716: 4711: 4706: 4701: 4696: 4694:Julia Kristeva 4691: 4686: 4681: 4679:Georges Poulet 4676: 4671: 4666: 4664:Roland Barthes 4661: 4656: 4651: 4646: 4641: 4639:Ernst Gombrich 4636: 4631: 4626: 4624:Roman Jakobson 4621: 4619:Theodor Adorno 4616: 4611: 4606: 4601: 4596: 4594:Jan MukařovskĂ˝ 4591: 4589:Cleanth Brooks 4586: 4577: 4575:Ernst Cassirer 4572: 4567: 4562: 4557: 4552: 4550:R. P. Blackmur 4547: 4542: 4537: 4532: 4530:I. A. Richards 4527: 4525:Virginia Woolf 4522: 4517: 4512: 4507: 4505:Irving Babbitt 4502: 4497: 4492: 4487: 4482: 4477: 4472: 4467: 4462: 4457: 4452: 4447: 4442: 4437: 4432: 4430:Anatole France 4427: 4422: 4417: 4412: 4407: 4402: 4397: 4392: 4390:Matthew Arnold 4387: 4382: 4377: 4372: 4367: 4362: 4360:Thomas Carlyle 4357: 4352: 4347: 4342: 4337: 4332: 4327: 4322: 4317: 4312: 4307: 4302: 4297: 4292: 4287: 4282: 4277: 4272: 4267: 4262: 4257: 4252: 4247: 4245:Samuel Johnson 4242: 4237: 4232: 4227: 4225:Joseph Addison 4222: 4220:Alexander Pope 4217: 4212: 4207: 4202: 4197: 4192: 4187: 4185:Henry Reynolds 4182: 4177: 4175:Torquato Tasso 4172: 4170:Jacopo Mazzoni 4167: 4162: 4157: 4155:Wang Changling 4152: 4147: 4142: 4137: 4135:Anandavardhana 4132: 4127: 4122: 4117: 4112: 4107: 4102: 4097: 4092: 4087: 4082: 4077: 4072: 4067: 4061: 4059: 4055: 4054: 4047: 4045: 4043: 4042: 4037: 4032: 4027: 4022: 4017: 4012: 4007: 4002: 3997: 3992: 3987: 3982: 3977: 3972: 3967: 3962: 3957: 3955:Deconstruction 3952: 3947: 3942: 3940:Chicago school 3937: 3932: 3926: 3924: 3918: 3917: 3912: 3910: 3909: 3902: 3895: 3887: 3878: 3877: 3875: 3874: 3867: 3865: 3861: 3860: 3858: 3857: 3850: 3848: 3844: 3843: 3841: 3840: 3833: 3831: 3827: 3826: 3824: 3823: 3817: 3811: 3805: 3799: 3793: 3786: 3784: 3780: 3779: 3777: 3776: 3769: 3767: 3763: 3762: 3760: 3759: 3753: 3747: 3740: 3738: 3734: 3733: 3731: 3730: 3723: 3721: 3717: 3716: 3714: 3713: 3706: 3704: 3700: 3699: 3697: 3696: 3685: 3683: 3679: 3678: 3676: 3675: 3668: 3666: 3662: 3661: 3659: 3658: 3651: 3649: 3645: 3644: 3642: 3641: 3635: 3629: 3622: 3620: 3616: 3615: 3613: 3612: 3606: 3600: 3594: 3588: 3582: 3576: 3570: 3567:Michela Murgia 3564: 3561:Tiziano Scarpa 3557: 3555: 3551: 3550: 3548: 3547: 3541: 3535: 3532:Attilio Lolini 3529: 3522: 3520: 3516: 3515: 3513: 3512: 3506: 3499: 3497: 3493: 3492: 3490: 3489: 3467: 3457: 3451: 3445: 3434:Germaine Greer 3422: 3420: 3416: 3415: 3413: 3412: 3389: 3379:Emanuele Tonon 3366: 3349:Nicola Lagioia 3343: 3320: 3297: 3287:Paolo Di Paolo 3274: 3251: 3231: 3208: 3185: 3162: 3159:Giulio Angioni 3146: 3143:Giuseppe Conte 3129:Raffaele Nigro 3123: 3109: 3102:Andrea Carraro 3099: 3093: 3090:Roberto Alajmo 3087: 3084:Elio Bartolini 3081: 3075: 3072:Carlo Ginzburg 3069: 3059: 3053: 3043: 3037: 3031: 3025: 3019: 3009: 3003: 2997: 2991: 2985: 2979: 2973: 2964: 2957: 2955: 2954:Italian Author 2951: 2950: 2948: 2947: 2944:Cees Nooteboom 2884:Nuruddin Farah 2868:David Grossman 2852:Bohumil Hrabal 2808: 2806: 2805:Foreign author 2802: 2801: 2799: 2798: 2792: 2786: 2780: 2774: 2768: 2762: 2756: 2746: 2740: 2734: 2731:Paolo Febbraro 2728: 2722: 2716: 2713:Tiziano Scarpa 2706: 2700: 2697:Ernesto Franco 2694: 2687:Silvana Grasso 2684: 2677:Marco Caporali 2674: 2668: 2658: 2648: 2638: 2628: 2618: 2612: 2606: 2603:Jolanda Insana 2600: 2586: 2579: 2577: 2573: 2572: 2570: 2569: 2563: 2557: 2554:Joseph Brodsky 2551: 2544: 2542: 2538: 2537: 2535: 2534: 2528: 2522: 2516: 2509: 2507: 2503: 2502: 2500: 2499: 2493: 2490:Giovanni Giuga 2486: 2484: 2480: 2479: 2477: 2476: 2470: 2467:Carmelo SamonĂ  2463: 2461: 2457: 2456: 2454: 2453: 2447: 2441: 2435: 2429: 2423: 2417: 2411: 2405: 2399: 2381: 2359: 2353: 2347: 2321: 2315: 2309: 2303: 2293: 2287: 2281: 2275: 2269: 2266:Denise McSmith 2262: 2260: 2256: 2255: 2253: 2252: 2246: 2240: 2233: 2231: 2227: 2226: 2223:Mondello Prize 2220: 2218: 2217: 2210: 2203: 2195: 2189: 2188: 2182: 2169: 2163: 2153: 2148: 2139: 2133: 2124: 2117: 2116: 2099: 2098: 2092: 2091: 2088: 2087: 2080: 2076: 2075: 2067: 2063: 2062: 2052: 2044: 2043: 2036: 2035:External links 2033: 2032: 2031: 2019: 2005:Hart, Jonathan 1999: 1996: 1993: 1992: 1980: 1965: 1953: 1933: 1913: 1891: 1882:Frye, Northrop 1873: 1864:Frye, Northrop 1855: 1835: 1826:Frye, Northrop 1817: 1797: 1788:Frye, Northrop 1776: 1758: 1735: 1722: 1700: 1675: 1650: 1643: 1621: 1606: 1592: 1575: 1556: 1540: 1524: 1510: 1509: 1507: 1504: 1495: 1494: 1487: 1480: 1473: 1461: 1454: 1447: 1440: 1433: 1426: 1419: 1412: 1405: 1398: 1391: 1383: 1376: 1369: 1362: 1355: 1348: 1341: 1334: 1327: 1320: 1313: 1306: 1299: 1292: 1285: 1278: 1271: 1264: 1257: 1250: 1243: 1221: 1218: 1178: 1177: 1171: 1165: 1159: 1153: 1107: 1104: 1098: 1095: 1033:Carl F. Klinck 1024: 1021: 1009:The Great Code 965: 962: 950:The Great Code 922:Main article: 919: 916: 878: 875: 824: 821: 818:(Hamilton 27). 791:Spiritus Mundi 777: 774: 714: 711: 675: 672: 640: 637: 619: 616: 597:, and others. 566: 563: 508: 505: 503: 500: 446: 445: 442: 441: 438: 437: 435: 434: 429: 424: 419: 413: 411: 407: 406: 404: 403: 398: 395: 389: 387: 383: 382: 374: 370: 369: 367: 366: 361: 356: 351: 345: 343: 342:Main interests 339: 338: 333: 329: 328: 326: 325: 320: 315: 309: 307: 303: 302: 300: 299: 294: 288: 286: 285:Sub-discipline 282: 281: 276: 272: 271: 267: 266: 264: 263: 258: 253: 248: 243: 237: 235: 231: 230: 228: 227: 222: 216: 214: 210: 209: 205: 204: 201: 200: 197: 196: 193: 192: 189: 188: 185: 181: 180: 175: 171: 170: 165: 161: 160: 156: 155: 152: 151: 148: 147: 145: 144: 133: 129: 126: 125: 123: 112: 108: 105: 104: 101: 99: 95: 94: 84: 82:(aged 78) 76: 72: 71: 61: 48: 46: 42: 41: 30: 27: 22: 15: 13: 10: 9: 6: 4: 3: 2: 6223: 6212: 6209: 6207: 6204: 6202: 6199: 6197: 6194: 6192: 6189: 6187: 6184: 6182: 6179: 6177: 6174: 6172: 6169: 6167: 6164: 6162: 6159: 6157: 6154: 6152: 6149: 6147: 6144: 6142: 6139: 6137: 6134: 6132: 6129: 6127: 6124: 6122: 6119: 6117: 6114: 6112: 6109: 6107: 6104: 6102: 6099: 6097: 6094: 6092: 6089: 6087: 6084: 6083: 6081: 6065: 6061: 6058: 6055: 6054: 6049: 6046: 6043: 6042: 6037: 6034: 6031: 6030: 6025: 6022: 6021: 6019: 6015: 6008: 6004: 6001: 5998: 5994: 5991: 5988: 5984: 5981: 5978: 5974: 5971: 5968: 5964: 5961: 5958: 5954: 5951: 5948: 5944: 5941: 5938: 5937: 5932: 5929: 5926: 5922: 5921:Charles Foran 5919: 5916: 5915: 5910: 5907: 5906: 5904: 5900: 5893: 5889: 5886: 5883: 5879: 5876: 5873: 5869: 5866: 5863: 5859: 5856: 5853: 5849: 5848:John Vaillant 5846: 5843: 5842: 5837: 5834: 5831: 5830: 5825: 5822: 5819: 5815: 5812: 5809: 5808: 5803: 5800: 5797: 5793: 5792:Nega Mezlekia 5790: 5789: 5787: 5783: 5776: 5772: 5769: 5766: 5762: 5759: 5756: 5752: 5751:Rachel Manley 5749: 5746: 5742: 5739: 5736: 5732: 5729: 5726: 5722: 5719: 5716: 5712: 5709: 5706: 5702: 5699: 5696: 5692: 5691:Robert Hunter 5689: 5686: 5682: 5678: 5675: 5674: 5672: 5668: 5661: 5657: 5656:Robert Calder 5654: 5651: 5647: 5644: 5641: 5637: 5634: 5631: 5627: 5626:Northrop Frye 5624: 5621: 5617: 5614: 5611: 5607: 5604: 5601: 5597: 5594: 5591: 5587: 5584: 5581: 5577: 5574: 5571: 5567: 5564: 5563: 5561: 5557: 5550: 5546: 5545:John Richards 5542: 5539: 5535: 5531: 5528: 5525: 5521: 5520:Maria Tippett 5518: 5515: 5514: 5509: 5506: 5503: 5499: 5496: 5493: 5490:Carl Berger, 5489: 5486: 5482: 5478: 5477:Marion MacRae 5475: 5472: 5468: 5465: 5462: 5458: 5455: 5452: 5451: 5446: 5445:Pierre Berton 5443: 5440: 5439: 5437: 5433: 5426: 5423: 5419: 5416: 5413: 5409: 5406: 5403: 5399: 5396: 5393: 5389: 5386: 5383: 5379: 5376: 5373: 5369: 5366: 5363: 5359: 5356: 5353: 5349: 5346: 5343: 5339: 5336: 5335: 5333: 5329: 5322: 5319: 5315: 5312: 5309: 5305: 5304:Pierre Berton 5302: 5299: 5295: 5292: 5289: 5285: 5282: 5279: 5275: 5272: 5268: 5267:Pierre Berton 5265: 5262: 5258: 5255: 5252: 5248: 5247:N. J. Berrill 5245: 5242: 5238: 5235: 5232: 5228: 5225: 5222: 5218: 5217:N. J. Berrill 5215: 5212: 5208: 5205: 5202: 5198: 5195: 5192: 5188: 5185: 5182: 5178: 5175: 5172: 5168: 5165: 5161: 5158: 5155: 5151: 5148: 5147: 5145: 5141: 5134: 5130: 5127: 5124: 5123:Cross-country 5120: 5117: 5114: 5110: 5107: 5104: 5100: 5097: 5094: 5090: 5087: 5084: 5080: 5077: 5074: 5070: 5067: 5064: 5060: 5057: 5054: 5050: 5047: 5044: 5040: 5037: 5034: 5030: 5029:Edgar McInnis 5027: 5024: 5020: 5017: 5014: 5010: 5007: 5004: 5000: 4997: 4994: 4990: 4989:Edgar McInnis 4987: 4984: 4980: 4977: 4974: 4973: 4968: 4965: 4962: 4958: 4955: 4954: 4952: 4948: 4941: 4937: 4934: 4931: 4930: 4925: 4922: 4919: 4915: 4912: 4909: 4905: 4902: 4901: 4899: 4895: 4891: 4883: 4878: 4876: 4871: 4869: 4864: 4863: 4860: 4848: 4845: 4843: 4840: 4838: 4835: 4833: 4830: 4828: 4825: 4823: 4820: 4818: 4817:Tristan Tzara 4815: 4813: 4810: 4808: 4805: 4803: 4800: 4798: 4795: 4793: 4790: 4788: 4785: 4783: 4780: 4778: 4775: 4773: 4772:Wolfgang Iser 4770: 4768: 4765: 4763: 4760: 4758: 4757:HĂŠlène Cixous 4755: 4753: 4750: 4748: 4744: 4741: 4739: 4736: 4734: 4730: 4727: 4725: 4722: 4720: 4717: 4715: 4712: 4710: 4709:Chinua Achebe 4707: 4705: 4702: 4700: 4697: 4695: 4692: 4690: 4687: 4685: 4682: 4680: 4677: 4675: 4672: 4670: 4667: 4665: 4662: 4660: 4657: 4655: 4652: 4650: 4647: 4645: 4642: 4640: 4637: 4635: 4632: 4630: 4629:Northrop Frye 4627: 4625: 4622: 4620: 4617: 4615: 4612: 4610: 4607: 4605: 4602: 4600: 4597: 4595: 4592: 4590: 4587: 4585: 4581: 4580:W. K. Wimsatt 4578: 4576: 4573: 4571: 4570:Kenneth Burke 4568: 4566: 4563: 4561: 4560:GyĂśrgy LukĂĄcs 4558: 4556: 4555:Jacques Lacan 4553: 4551: 4548: 4546: 4543: 4541: 4538: 4536: 4533: 4531: 4528: 4526: 4523: 4521: 4518: 4516: 4513: 4511: 4508: 4506: 4503: 4501: 4498: 4496: 4493: 4491: 4488: 4486: 4483: 4481: 4478: 4476: 4473: 4471: 4470:Sigmund Freud 4468: 4466: 4465:A. C. Bradley 4463: 4461: 4458: 4456: 4453: 4451: 4448: 4446: 4443: 4441: 4438: 4436: 4433: 4431: 4428: 4426: 4423: 4421: 4418: 4416: 4413: 4411: 4408: 4406: 4403: 4401: 4398: 4396: 4393: 4391: 4388: 4386: 4383: 4381: 4378: 4376: 4373: 4371: 4368: 4366: 4363: 4361: 4358: 4356: 4353: 4351: 4348: 4346: 4343: 4341: 4338: 4336: 4333: 4331: 4328: 4326: 4323: 4321: 4318: 4316: 4313: 4311: 4308: 4306: 4303: 4301: 4298: 4296: 4293: 4291: 4288: 4286: 4283: 4281: 4280:William Blake 4278: 4276: 4273: 4271: 4270:Immanuel Kant 4268: 4266: 4265:Denis Diderot 4263: 4261: 4258: 4256: 4253: 4251: 4248: 4246: 4243: 4241: 4238: 4236: 4233: 4231: 4228: 4226: 4223: 4221: 4218: 4216: 4213: 4211: 4208: 4206: 4203: 4201: 4198: 4196: 4193: 4191: 4190:Thomas Hobbes 4188: 4186: 4183: 4181: 4180:Francis Bacon 4178: 4176: 4173: 4171: 4168: 4166: 4165:Philip Sidney 4163: 4161: 4158: 4156: 4153: 4151: 4148: 4146: 4143: 4141: 4138: 4136: 4133: 4131: 4128: 4126: 4123: 4121: 4118: 4116: 4113: 4111: 4108: 4106: 4103: 4101: 4098: 4096: 4093: 4091: 4090:St. Augustine 4088: 4086: 4083: 4081: 4078: 4076: 4073: 4071: 4068: 4066: 4063: 4062: 4060: 4056: 4051: 4041: 4038: 4036: 4033: 4031: 4028: 4026: 4023: 4021: 4018: 4016: 4013: 4011: 4008: 4006: 4003: 4001: 3998: 3996: 3993: 3991: 3990:New Criticism 3988: 3986: 3983: 3981: 3978: 3976: 3973: 3971: 3968: 3966: 3963: 3961: 3958: 3956: 3953: 3951: 3948: 3946: 3943: 3941: 3938: 3936: 3933: 3931: 3928: 3927: 3925: 3923: 3919: 3915: 3908: 3903: 3901: 3896: 3894: 3889: 3888: 3885: 3872: 3869: 3868: 3866: 3862: 3855: 3852: 3851: 3849: 3845: 3838: 3835: 3834: 3832: 3828: 3821: 3820:Antonio Prete 3818: 3815: 3814:Serena Vitale 3812: 3809: 3806: 3803: 3800: 3797: 3794: 3791: 3788: 3787: 3785: 3781: 3774: 3773:Enzo Sellerio 3771: 3770: 3768: 3764: 3757: 3754: 3751: 3748: 3745: 3742: 3741: 3739: 3735: 3728: 3725: 3724: 3722: 3718: 3711: 3708: 3707: 3705: 3701: 3694: 3693:Marco Paolini 3690: 3687: 3686: 3684: 3680: 3673: 3670: 3669: 3667: 3663: 3656: 3653: 3652: 3650: 3646: 3639: 3636: 3633: 3630: 3627: 3624: 3623: 3621: 3617: 3610: 3607: 3604: 3601: 3598: 3595: 3592: 3591:Giorgio Falco 3589: 3586: 3583: 3580: 3577: 3574: 3571: 3568: 3565: 3562: 3559: 3558: 3556: 3554:Supermondello 3552: 3545: 3542: 3539: 3536: 3533: 3530: 3527: 3524: 3523: 3521: 3517: 3510: 3507: 3504: 3503:Dacia Maraini 3501: 3500: 3498: 3494: 3487: 3483: 3479: 3475: 3471: 3468: 3465: 3461: 3458: 3455: 3452: 3449: 3446: 3443: 3442:JosĂŠ Saramago 3439: 3438:Wilson Harris 3435: 3431: 3427: 3424: 3423: 3421: 3417: 3410: 3407: 3403: 3400: 3396: 3393: 3390: 3387: 3384: 3380: 3377: 3373: 3372:Marcello Fois 3370: 3367: 3364: 3361: 3357: 3354: 3350: 3347: 3344: 3341: 3338: 3334: 3333:Giorgio Falco 3331: 3327: 3324: 3321: 3318: 3315: 3311: 3308: 3304: 3301: 3298: 3295: 3292: 3288: 3285: 3281: 3278: 3275: 3272: 3269: 3265: 3262: 3258: 3255: 3252: 3249: 3245: 3242: 3238: 3235: 3232: 3229: 3226: 3222: 3219: 3215: 3214:Mario Desiati 3212: 3209: 3206: 3205:Flavio Soriga 3203: 3199: 3196: 3192: 3191:Andrea Bajani 3189: 3186: 3183: 3180: 3176: 3173: 3169: 3166: 3163: 3160: 3157: 3153: 3150: 3147: 3144: 3141: 3137: 3134: 3130: 3127: 3124: 3121: 3117: 3113: 3110: 3107: 3103: 3100: 3097: 3094: 3091: 3088: 3085: 3082: 3079: 3076: 3073: 3070: 3067: 3063: 3060: 3057: 3054: 3051: 3047: 3044: 3041: 3038: 3035: 3032: 3029: 3026: 3023: 3020: 3017: 3013: 3012:Gianni Celati 3010: 3007: 3004: 3001: 2998: 2995: 2994:Luigi Malerba 2992: 2989: 2988:Paolo Volponi 2986: 2983: 2980: 2977: 2976:Italo Calvino 2974: 2971: 2968: 2965: 2962: 2959: 2958: 2956: 2952: 2945: 2941: 2937: 2933: 2929: 2925: 2921: 2920:Javier Cercas 2917: 2913: 2909: 2905: 2901: 2897: 2893: 2889: 2885: 2881: 2877: 2873: 2869: 2865: 2861: 2860:J. M. Coetzee 2857: 2856:Seamus Heaney 2853: 2849: 2848:Kurt Vonnegut 2845: 2841: 2837: 2836:V. S. Naipaul 2833: 2832:Doris Lessing 2829: 2825: 2821: 2817: 2813: 2810: 2809: 2807: 2803: 2796: 2793: 2790: 2789:Carlo Carabba 2787: 2784: 2781: 2778: 2775: 2772: 2769: 2766: 2763: 2760: 2757: 2754: 2750: 2747: 2744: 2743:Giuseppe Lupo 2741: 2738: 2735: 2732: 2729: 2726: 2723: 2720: 2717: 2714: 2710: 2707: 2704: 2701: 2698: 2695: 2692: 2688: 2685: 2682: 2681:Nelida Milani 2678: 2675: 2672: 2671:Anna Cascella 2669: 2666: 2662: 2659: 2656: 2652: 2649: 2646: 2642: 2641:Marco Ceriani 2639: 2636: 2632: 2629: 2626: 2622: 2619: 2616: 2613: 2610: 2607: 2604: 2601: 2598: 2594: 2593:Walter Valeri 2590: 2587: 2584: 2581: 2580: 2578: 2574: 2567: 2564: 2561: 2558: 2555: 2552: 2549: 2548:Jannis Ritsos 2546: 2545: 2543: 2539: 2532: 2529: 2526: 2523: 2520: 2517: 2514: 2513:Milan Kundera 2511: 2510: 2508: 2504: 2497: 2494: 2491: 2488: 2487: 2485: 2481: 2474: 2471: 2468: 2465: 2464: 2462: 2458: 2451: 2448: 2445: 2442: 2439: 2436: 2433: 2430: 2427: 2424: 2421: 2418: 2415: 2412: 2409: 2408:Javier MarĂ­as 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A. Goudge 5341: 5317: 5314:Joyce Hemlow 5307: 5297: 5287: 5277: 5270: 5260: 5250: 5240: 5230: 5220: 5210: 5200: 5190: 5180: 5170: 5163: 5160:W. L. Morton 5153: 5132: 5122: 5112: 5109:C. P. Stacey 5102: 5092: 5082: 5072: 5062: 5052: 5042: 5032: 5022: 5012: 5002: 4992: 4982: 4970: 4960: 4939: 4927: 4917: 4907: 4822:AndrĂŠ Breton 4797:M. H. Abrams 4792:Peter Szondi 4787:Paul Ricoeur 4777:Hayden White 4714:Stanley Fish 4704:Harold Bloom 4654:Noam Chomsky 4628: 4609:Ronald Crane 4515:Leon Trotsky 4420:Walter Pater 4250:Edward Young 4235:Edmund Burke 4125:Rajashekhara 4120:Bharata Muni 4040:Thing theory 4005:Postcritique 3980:Geocriticism 3965:Ecocriticism 3802:Enrico Testa 3703:Essays Prize 3648:Poetry prize 3603:Romana Petri 3526:Nino De Vita 3478:David Malouf 3448:Kenzaburō Ōe 3405: 3398: 3391: 3386:Romana Petri 3382: 3375: 3368: 3359: 3352: 3345: 3336: 3329: 3322: 3313: 3306: 3299: 3290: 3283: 3276: 3271:Igiaba Scego 3267: 3260: 3253: 3247: 3240: 3233: 3224: 3217: 3210: 3201: 3194: 3187: 3178: 3175:Toni Maraini 3171: 3164: 3155: 3148: 3139: 3132: 3125: 3016:Emilio Villa 2970:alla memoria 2969: 2916:Edmund White 2908:Bapsi Sidhwa 2844:Christa Wolf 2777:Paolo Fallai 2753:Simona Corso 2691:Giulio Mozzi 2665:Romana Petri 2631:Marco Lodoli 2566:Gyula IllyĂŠs 2432:Marina Rullo 2420:Luciano Erba 2396:Qin Weinjung 2378:Chen Yuanbin 2370:Wang Huanbao 2362:Dong Baoucum 2340:Wole Soyinka 2331: 2249:GĂźnter Grass 2159: 2129:held at the 2024:. 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Lee 1225: 1223: 1211: 1201: 1196: 1194: 1179: 1124: 1100: 1087: 1083: 1082: 1075: 1071: 1065: 1063: 1059: 1058: 1053: 1047: 1045: 1036: 1028: 1026: 1016: 1008: 999: 993: 988: 972: 967: 957: 953: 949: 945: 939: 934: 927: 911: 902: 899: 897:literature. 893: 887: 880: 867: 861: 859: 852: 844: 826: 813: 807: 803: 800: 795: 790: 779: 769: 766: 760: 757: 751: 747: 743: 737: 724: 719: 716: 706: 701: 698: 692: 689: 679: 677: 666: 660: 656: 652: 642: 621: 609: 606: 599: 591:Harold Bloom 580: 570: 568: 547:Saskatchewan 536: 510: 494: 491:Harold Bloom 484: 474: 472: 450: 449: 422:Harold Bloom 376: 332:Institutions 168:Christianity 80:(1991-01-23) 24:The Reverend 6091:1991 deaths 6086:1912 births 6060:Kyo Maclear 6003:Don Gillmor 5983:Graeme Wood 5973:Bill Waiser 5943:Sandra Djwa 5909:Allan Casey 5616:Ramsay Cook 5606:Sandra Gwyn 5508:Roger Caron 5498:F. R. Scott 5408:Norah Story 5388:James Eayrs 5009:John Robins 4999:E. K. Brown 4847:Octavio Paz 4752:RenĂŠ Girard 4733:Susan Gubar 4719:Edward Said 4699:Paul de Man 4565:Paul ValĂŠry 4500:T. S. Eliot 4485:T. E. Hulme 4460:Umberto Eco 4445:Leo Tolstoy 4435:Oscar Wilde 4215:John Dennis 4200:John Dryden 3837:Simona Gioè 3474:AndrĂŠ Brink 3326:Irene Chias 3317:Walter Siti 3056:Nico Orengo 2900:Magda SzabĂł 2876:Don DeLillo 2840:Octavio Paz 2783:Luca Giachi 2725:Alba Donati 2625:Dario Villa 2560:Juan Gelman 2392:Yu Yougqnan 2328:JosĂŠ Donoso 2324:Peter Carey 2066:Identifiers 2042:Archives at 1977:. CBC News. 1268:T. S. Eliot 1170:(1976), and 907:New Critics 618:Family life 559:Bodley Club 529:Alma Howard 349:Imagination 318:Romanticism 6080:Categories 6064:Unearthing 6048:Eli Baxter 5524:Emily Carr 5039:Ross Munro 4967:Emily Carr 4961:Slava Bohu 4425:Émile Zola 4320:John Keats 4240:David Hume 4210:John Locke 3544:Silvia Bre 2982:Mario Luzi 2896:Les Murray 2576:First work 2344:Lu Tongliu 2026:2018-03-14 1694:2012-07-23 1668:29 October 1506:References 981:philosophy 960:Preface). 912:Archetypes 845:Archetypes 787:archetypes 513:Sherbrooke 410:Influenced 275:Discipline 234:Influences 63:Sherbrooke 55:1912-07-14 5931:Ross King 5858:Ross King 5538:C.D. Howe 4972:Klee Wyck 4510:Carl Jung 4405:Karl Marx 4110:Boccaccio 4070:Aristotle 3975:Formalism 3120:Nelo Risi 2942:(2016) • 2938:(2015) • 2934:(2014) • 2930:(2013) • 2926:(2012) • 2922:(2011) • 2918:(2010) • 2914:(2009) • 2910:(2007) • 2906:(2006) • 2902:(2005) • 2898:(2004) • 2894:(2003) • 2890:(2002) • 2886:(2001) • 2882:(2000) • 2878:(1999) • 2874:(1998) • 2870:(1996) • 2866:(1995) • 2862:(1994) • 2858:(1993) • 2854:(1992) • 2850:(1991) • 2846:(1990) • 2842:(1989) • 2838:(1988) • 2834:(1987) • 2830:(1986) • 2826:(1985) • 2822:(1984) • 2818:(1983) • 2814:(1982) • 2615:Aldo Busi 2374:Shi Peide 2366:Fan Boaci 2312:Wang Meng 1582:Ayre, J. 1216:in 2018. 849:mythology 841:folk-tale 740:Aristotle 659:, in the 502:Biography 354:archetype 213:Education 5308:Klondike 4827:Mina Loy 4095:Boethius 4085:Plotinus 4080:Longinus 3727:Kim ThĂşy 3426:Kōbō Abe 2904:Uwe Timm 2388:Xiao Xue 2175:Archived 2051:Location 2007:(1994). 1945:Archived 1925:Archived 1905:Archived 1567:Archived 1080:(1972). 1077:Survival 1013:typology 946:Auguries 829:Romantic 585:and the 511:Born in 184:Ordained 164:Religion 92:, Canada 69:, Canada 4842:Hu Shih 4150:Liu Xie 4130:Valmiki 4100:Aquinas 2144:at the 1998:Sources 1633:Diaries 1197:Vic One 1176:(1981). 914:1447). 816:culture 808:Anatomy 804:Anatomy 796:Anatomy 770:Anatomy 761:Anatomy 752:Anatomy 744:Anatomy 725:Anatomy 720:Anatomy 707:Anatomy 702:Anatomy 693:Anatomy 667:Anatomy 633:Ontario 629:Toronto 521:Moncton 495:Anatomy 279:English 142:​ 134:​ 130:​ 121:​ 113:​ 109:​ 98:Spouses 90:Ontario 86:Toronto 6066:(2023) 6056:(2022) 6044:(2021) 6032:(2020) 6009:(2019) 5999:(2018) 5989:(2017) 5979:(2016) 5969:(2015) 5959:(2014) 5949:(2013) 5939:(2012) 5927:(2011) 5917:(2010) 5894:(2009) 5884:(2008) 5874:(2007) 5864:(2006) 5854:(2005) 5844:(2004) 5832:(2003) 5820:(2002) 5810:(2001) 5798:(2000) 5777:(1999) 5767:(1998) 5757:(1997) 5747:(1996) 5737:(1995) 5727:(1994) 5717:(1993) 5707:(1992) 5697:(1991) 5687:(1990) 5662:(1989) 5652:(1988) 5642:(1987) 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3752:(2012) 3746:(2011) 3729:(2011) 3712:(2010) 3695:(2010) 3674:(2010) 3657:(2010) 3640:(2011) 3634:(2010) 3628:(2009) 3611:(2017) 3605:(2016) 3599:(2015) 3593:(2014) 3587:(2013) 3581:(2012) 3575:(2011) 3569:(2010) 3563:(2009) 3546:(2007) 3540:(2006) 3534:(2005) 3528:(2003) 3511:(2000) 3505:(1999) 3488:(1997) 3466:(1996) 3456:(1994) 3450:(1993) 3444:(1992) 3411:(2017) 3388:(2016) 3365:(2015) 3342:(2014) 3319:(2013) 3296:(2012) 3273:(2011) 3250:(2010) 3230:(2009) 3207:(2008) 3184:(2007) 3161:(2006) 3145:(2005) 3122:(2004) 3108:(2003) 3098:(2002) 3092:(2001) 3086:(2000) 3080:(1999) 3074:(1998) 3068:(1997) 3058:(1996) 3052:(1995) 3042:(1994) 3036:(1993) 3030:(1992) 3024:(1991) 3018:(1990) 3008:(1989) 3002:(1988) 2996:(1987) 2990:(1986) 2984:(1985) 2978:(1984) 2972:(1983) 2963:(1982) 2946:(2017) 2892:Adunis 2797:(2010) 2791:(2009) 2785:(2008) 2779:(2007) 2773:(2006) 2767:(2005) 2761:(2004) 2755:(2003) 2745:(2001) 2739:(2000) 2733:(1999) 2727:(1998) 2721:(1997) 2715:(1996) 2705:(1995) 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971:, in 937:18). 894:Cabin 783:myths 748:facts 645:Blake 587:Bible 457: 364:Bible 136:( 132: 115:( 111: 35: 5679:and 5532:and 5479:and 4745:and 4731:and 4582:and 3871:Gipi 3406:ter. 3399:sec. 3383:ter. 3376:sec. 3360:ter. 3353:sec. 3337:ter. 3330:sec. 3314:ter. 3307:sec. 3291:ter. 3284:sec. 3268:ter. 3261:sec. 3248:ter. 3241:sec. 3225:ter. 3218:sec. 3202:ter. 3195:sec. 3179:ter. 3172:sec. 3156:sec. 3140:ter. 3133:sec. 2015:ISBN 1848:ISBN 1810:ISBN 1751:ISBN 1717:2014 1670:2019 1639:ISBN 969:Vico 952:and 837:myth 763:16). 727:6). 709:7). 466:and 459:FRSC 359:myth 187:1936 75:Died 45:Born 37:FRSC 3392:pr. 3369:pr. 3346:pr. 3323:pr. 3300:pr. 3277:pr. 3254:pr. 3234:pr. 3211:pr. 3188:pr. 3165:pr. 3149:pr. 3126:pr. 1118:at 1035:'s 843:" ( 789:" ( 695:5). 627:in 6082:: 6062:, 6050:, 6038:, 6026:, 6005:, 5995:, 5985:, 5975:, 5965:, 5955:, 5945:, 5933:, 5923:, 5911:, 5890:, 5880:, 5870:, 5860:, 5850:, 5838:, 5826:, 5816:, 5804:, 5794:, 5773:, 5763:, 5753:, 5743:, 5733:, 5723:, 5713:, 5703:, 5683:, 5658:, 5648:, 5638:, 5628:, 5618:, 5608:, 5598:, 5588:, 5578:, 5568:, 5547:, 5536:, 5522:, 5510:, 5500:, 5483:, 5469:, 5447:, 5420:, 5410:, 5400:, 5390:, 5380:, 5370:, 5360:, 5350:, 5340:, 5316:, 5306:, 5296:, 5286:, 5269:, 5259:, 5249:, 5239:, 5229:, 5219:, 5209:, 5199:, 5189:, 5179:, 5162:, 5152:, 5131:, 5121:, 5111:, 5101:, 5091:, 5081:, 5071:, 5061:, 5051:, 5041:, 5031:, 5021:, 5011:, 5001:, 4991:, 4981:, 4969:, 4959:, 4938:, 4926:, 4916:, 4906:, 3691:e 3484:, 3480:, 3476:, 3472:, 3462:, 3440:, 3436:, 3432:, 3428:, 3404:, 3397:, 3381:, 3374:, 3358:, 3351:, 3335:, 3328:, 3312:, 3305:, 3289:, 3282:, 3266:, 3259:, 3246:, 3239:, 3223:, 3216:, 3200:, 3193:, 3177:, 3170:, 3154:, 3138:, 3131:, 3118:, 3114:, 3064:, 3048:, 3014:, 2751:, 2711:, 2689:, 2679:, 2663:, 2653:, 2643:, 2633:, 2623:, 2595:, 2394:, 2390:, 2386:, 2376:, 2372:, 2368:, 2364:, 2342:, 2338:, 2334:, 2330:, 2326:, 2298:, 1894:^ 1779:^ 1738:^ 1661:. 1586:. 1543:^ 1502:. 1234:. 873:. 835:, 635:. 631:, 593:, 523:, 515:, 455:CC 138:m. 117:m. 88:, 65:, 33:CC 4881:e 4874:t 4867:v 3906:e 3899:t 3892:v 2214:e 2207:t 2200:v 2029:. 1951:. 1719:. 1697:. 1672:. 1647:. 1603:. 1472:) 768:( 700:( 57:) 53:(

Index

The Reverend
CC
FRSC
Sherbrooke
Quebec
Toronto
Ontario
Christianity
United Church of Canada
University of Toronto
Merton College, Oxford
William Blake
F. R. Leavis
I. A. Richards
Oswald Spengler
Giambattista Vico
English
Literary criticism
literary theory
Archetypal literary criticism
Romanticism
Toronto School of communication theory
Victoria College, Toronto
Imagination
archetype
myth
Bible
Anatomy of Criticism
Archetypes of literature
garrison mentality

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