84:. A snatch of the refrain, the lyrics of which are "J'irai revoir ma Normandie" ("I long to see my Normandy"), is discreetly worked into the middle of the piece. Biographer Mary E. Davis saw this early instance of musical borrowing as a "surprising glimpse of Satie's future compositional style" and added, "The musical reference, clear enough to be audible by any listener familiar with the tune, creates an allusion to both song and place, thus deepening the experience beyond the purely sonic realm into the arena of memory and nostalgia."
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revealed "no precocity whatever...an isolated case of allusion to popular repertoire, and an utter lack of awareness how to proceed beyond a promising start." Pianist-musicologist Olof Höjer, on the other hand, found it more technically interesting, noting how Satie deliberately compressed an already
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Alan M. Gillmor, "Erik Satie and the
Concept of the Avant-Garde", Ph.D thesis for the University of Toronto, 1972. Cited by Orledge, "Satie the Composer", p. 372.
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was given its concert premiere by pianist
Giancarlo Carlini at the Teatro di Porta Romana in Milan, Italy, on April 12, 1980. It was first recorded by
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119:. Facsimiles of the manuscript were first published by Alan M. Gillmor (1972) and Nigel Wilkins (1980). Three performance versions, edited by
39:. Dated September 9, 1884, when Satie was 18, it is his earliest known composition. It also marked the first time he signed his given name as
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Pierre-Daniel
Templier, "Erik Satie", MIT Press, 1969, pp. 7-8. Translated from the original French edition published by Rieder, Paris, 1932.
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59:- his first surviving attempt at composing - not as a student exercise but on his own, during a summer holiday visit to his native
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Steven Moore
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is uncharacteristic of Satie's subsequent work. It is a musical postcard of sorts, quoting the well-known song
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Steven Moore
Whiting, "Satie the Bohemian: From Cabaret to Concert Hall", Clarendon Press, 1999, pp. 63-65.
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Olof Höjer, notes to "Erik Satie: The
Complete Piano Music, Vol. 1", p. 12, Swedish Society Discofil, 1996.
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Robert
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Fête donnée par des
Chevaliers Normands en l'honneur d'une jeune demoiselle (XIe siecle)
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Nigel
Wilkins (ed.), "The Writings of Erik Satie", Eulenburg Books, London, 1980, p. 19.
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was unknown for nearly a century before it was discovered amongst Satie's papers at the
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151:(Decca, 2002), Cristina Ariagno (Brilliant Classics, 2006) and Alessandro Simonetto (
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In 1884 Satie was still struggling through his unhappy studies (1879-1886) at the
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301:"Satie: Early Works – Sarabandes, Gnossiennes, Gymnopédies & Pièces froides"
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have been primarily confined to comprehensive editions of Satie's piano music:
55:, which he later described as a "penitentiary". Significantly, he produced the
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Höjer, notes to "Erik Satie: The
Complete Piano Music, Vol. 1", p. 12.
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minuscule piece through the use of a short bridge passage.
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Mary E. Davis, "Erik Satie", Reaktion Books, 2007, p. 20.
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Mary E. Davis, "Erik Satie", Reaktion Books, 2007, p. 20.
103:(1999), Steven Moore Whiting asserted that this bit of
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123:, were issued by Salabert between 1995 and 1998. The
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932:Sonnerie pour réveiller le bon gros Roi des Singes
969:Metropolitan Church of Art of Jesus the Conductor
848:Choses vues Ă droite et Ă gauche (sans lunettes)
704:Les trois valses distinguées du précieux dégoûté
70:The breezy, irony-free optimism of the nine-bar
627:Croquis et agaceries d'un gros bonhomme en bois
918:Petit prélude de 'La Mort de Monsieur Mouche'
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855:Cinq grimaces pour Le songe d'une nuit d'été
809:Veritables Preludes flasques (pour un chien)
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131:for the Le Chant Du Monde label in 1986.
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290:Orledge, "Satie the Composer", p. 268.
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753:Prélude de la porte héroïque du ciel
830:Vieux sequins et vieilles cuirasses
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760:Préludes flasques (pour un chien)
683:Heures séculaires et instantanées
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802:Trois morceaux en forme de poire
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117:Bibliothèque nationale de France
620:Chapitres tournés en tous sens
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975:The Minimalism of Erik Satie
521:Trois petites pièces montées
1065:Compositions for solo piano
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1060:Compositions by Erik Satie
989:Musée-Placard d'Erik Satie
816:Verset laĂŻque et somptueux
788:Sonneries de la Rose+Croix
35:is a brief piano piece by
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795:Sports et divertissements
725:Petite ouverture Ă danser
641:Descriptions automatiques
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781:Sonatine bureaucratique
613:Avant-dernières pensées
560:Quatre petites mélodies
539:Bonjour Biqui, Bonjour!
267:"Formats and Editions"
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91:Satie's birthplace in
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129:Jean-Pierre Armengaud
111:The existence of the
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869:Geneviève de Brabant
606:Aperçus désagréables
581:Trois poèmes d'amour
514:La belle excentrique
446:List of compositions
911:Les Pantins dansent
897:Le Fils des Ă©toiles
890:La statue retrouvée
883:La Diva de l'Empire
149:Jean-Yves Thibaudet
53:Paris Conservatoire
43:instead of "Éric".
904:Le piège de Méduse
862:En habit de cheval
840:Other compositions
746:Prélude d'Eginhard
648:Embryons desséchés
139:Recordings of the
101:Satie the Bohemian
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99:In his book
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77:Ma Normandie
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15:
960:(1924 film)
739:Poudre d'or
676:Gymnopédies
669:Gnossiennes
591:Piano music
531:Vocal music
153:OnClassical
47:Description
1054:Categories
876:Je te veux
774:Sarabandes
655:Enfantines
437:Erik Satie
159:References
135:Recordings
80:(1836) by
37:Erik Satie
23:Erik Satie
982:Monotones
957:Entr'acte
950:A Romance
823:Vexations
711:Nocturnes
321:"Allegro"
105:juvenilia
1026:Category
1000:The Gift
985:(ballet)
328:imslp.eu
93:Honfleur
65:Normandy
61:Honfleur
599:Allegro
567:Socrate
546:Ludions
482:Relâche
468:Mercure
453:Ballets
401:YouTube
395:Allegro
352:Portals
306:Spotify
200:Allegro
141:Allegro
125:Allegro
113:Allegro
72:Allegro
57:Allegro
32:Allegro
25:in 1884
718:Ogives
475:Parade
393:Satie
378:France
333:4 June
276:4 June
41:"Erik"
1038:Audio
500:Danse
366:Music
324:(PDF)
335:2023
278:2023
29:The
399:on
63:in
1056::
326:.
303:.
269:.
429:e
422:t
415:v
354::
337:.
309:.
280:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
