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Portal:Music

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The Music Portal

Grooved side of the Voyager Golden Record launched along the Voyager probes to space, which feature music from around the world

Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer.

Music often plays a key role in social events and religious ceremony. The techniques of making music are often transmitted as part of a cultural tradition. Music is played in public and private contexts, highlighted at events such as festivals and concerts for various different types of ensembles. Music is used in the production of other media, such as in soundtracks to films, TV shows, operas, and video games.

Listening to music is a common means of entertainment. The culture surrounding music extends into areas of academic study, journalism, philosophy, psychology, and therapy. The music industry includes songwriters, performers, sound engineers, producers, tour organizers, distributors of instruments, accessories, and publishers of sheet music and recordings. Technology facilitating the recording and reproduction of music has historically included sheet music, microphones, phonographs, and tape machines, with playback of digital musics being a common use for MP3 players, CD players, and smartphones. (Full article...)

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The following are images from various music-related articles on Knowledge (XXG).

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Featured articles are displayed here, which represent some of the best content on English Knowledge (XXG).
  • Image 1 No Line on the Horizon is the twelfth studio album by Irish rock band U2. It was produced by Brian Eno, Daniel Lanois, and Steve Lillywhite, and was released on 27 February 2009. It was the band's first record since How to Dismantle an Atomic Bomb (2004), marking the longest gap between studio albums of their career to that point. The band originally intended to release the songs as two EPs, but later combined the material into a single record. Photographer Anton Corbijn shot a companion film, Linear, which was released alongside the album and included with several special editions. U2 began work on a new album in 2006 with record producer Rick Rubin but shelved most of the material from those sessions. In May 2007, the group began new sessions with Eno and Lanois in Fez, Morocco, while attending the World Sacred Music Festival. Intending to write "future hymns"—songs that would be played forever—the group spent two weeks recording in a riad, with the producers involved in the songwriting process. The exotic musical influences that the group were exposed to in Fez inspired them to pursue a more experimental sound, but as the sessions unfolded, the band decided to scale back the extent of those pursuits. Having grown tired of writing in the first-person, lead singer Bono wrote his lyrics from the perspective of different characters. Recording continued at several studios in the United States, United Kingdom, and Ireland through December 2008. The group had intended to release No Line on the Horizon in November, but after composing 50 to 60 songs, they delayed the release to continue writing. (Full article...)
    Image 1
    No Line on the Horizon is the twelfth studio album by Irish rock band U2. It was produced by Brian Eno, Daniel Lanois, and Steve Lillywhite, and was released on 27 February 2009. It was the band's first record since How to Dismantle an Atomic Bomb (2004), marking the longest gap between studio albums of their career to that point. The band originally intended to release the songs as two EPs, but later combined the material into a single record. Photographer Anton Corbijn shot a companion film, Linear, which was released alongside the album and included with several special editions.

    U2 began work on a new album in 2006 with record producer Rick Rubin but shelved most of the material from those sessions. In May 2007, the group began new sessions with Eno and Lanois in Fez, Morocco, while attending the World Sacred Music Festival. Intending to write "future hymns"—songs that would be played forever—the group spent two weeks recording in a riad, with the producers involved in the songwriting process. The exotic musical influences that the group were exposed to in Fez inspired them to pursue a more experimental sound, but as the sessions unfolded, the band decided to scale back the extent of those pursuits. Having grown tired of writing in the first-person, lead singer Bono wrote his lyrics from the perspective of different characters. Recording continued at several studios in the United States, United Kingdom, and Ireland through December 2008. The group had intended to release No Line on the Horizon in November, but after composing 50 to 60 songs, they delayed the release to continue writing. (Full article...)
  • Image 2 The Portrait of a Musician is an unfinished painting by the Italian Renaissance artist Leonardo da Vinci, dated to c. 1483–1487. Produced while Leonardo was in Milan, the work is painted in oils, and perhaps tempera, on a small panel of walnut wood. It is his only known male portrait painting, and the identity of its sitter has been closely debated among scholars. Perhaps influenced by Antonello da Messina's introduction of the Early Netherlandish style of portrait painting to Italy, the work marks a dramatic shift from the profile portraiture that predominated in 15th-century Milan. It shares many similarities with other paintings Leonardo executed there, such as the Louvre Virgin of the Rocks and the Lady with an Ermine, but the Portrait of a Musician is his only panel painting remaining in the city, where it has been in the Pinacoteca Ambrosiana since at least 1672. One of Leonardo's best preserved paintings, there are no extant contemporary records of the commission. Based on stylistic resemblances to other works by Leonardo, virtually all current scholarship attributes at least the sitter's face to him. Uncertainty over the rest of the painting arises from the stiff and rigid qualities of the body, which are uncharacteristic of Leonardo's work. While this may be explained by the painting's unfinished state, some scholars believe that Leonardo was assisted by one of his students. (Full article...)
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    The Portrait of a Musician is an unfinished painting by the Italian Renaissance artist Leonardo da Vinci, dated to c. 1483–1487. Produced while Leonardo was in Milan, the work is painted in oils, and perhaps tempera, on a small panel of walnut wood. It is his only known male portrait painting, and the identity of its sitter has been closely debated among scholars.

    Perhaps influenced by Antonello da Messina's introduction of the Early Netherlandish style of portrait painting to Italy, the work marks a dramatic shift from the profile portraiture that predominated in 15th-century Milan. It shares many similarities with other paintings Leonardo executed there, such as the Louvre Virgin of the Rocks and the Lady with an Ermine, but the Portrait of a Musician is his only panel painting remaining in the city, where it has been in the Pinacoteca Ambrosiana since at least 1672. One of Leonardo's best preserved paintings, there are no extant contemporary records of the commission. Based on stylistic resemblances to other works by Leonardo, virtually all current scholarship attributes at least the sitter's face to him. Uncertainty over the rest of the painting arises from the stiff and rigid qualities of the body, which are uncharacteristic of Leonardo's work. While this may be explained by the painting's unfinished state, some scholars believe that Leonardo was assisted by one of his students. (Full article...)
  • Image 3 "I Need You" is a song recorded by American socialite Paris Hilton. Michael Green produced the song and co-wrote it with Hilton and Simon Wilcox. Heiress Records released it as a digital download on February 14, 2018. A version of the song leaked in 2010, but Hilton said she re-recorded portions of the vocals and instrumental as a dedication to her fiancé Chris Zylka. It is a doo-wop and pop ballad that features holiday-related puns about love. Green based the single's style on 1950s music. Critics praised "I Need You", partially as a departure from Hilton's previous dance-oriented and EDM songs. The single peaked at number 32 on the Dance Club Songs chart, Hilton's fifth appearance. A music video, directed by Zylka, was released on February 14, 2018, through Hilton's YouTube account. Inspired by Marilyn Monroe's performance of "I Wanna Be Loved by You" and Jessica Rabbit, the music video features Hilton wearing lingerie, posing in a bed covered with red rose petals, and popping out of a cake. Critics described the bed scene as a homage to the 1999 film American Beauty. Remixes by other artists, including Hector Fonseca, were released to promote the track. (Full article...)
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    "I Need You" is a song recorded by American socialite Paris Hilton. Michael Green produced the song and co-wrote it with Hilton and Simon Wilcox. Heiress Records released it as a digital download on February 14, 2018. A version of the song leaked in 2010, but Hilton said she re-recorded portions of the vocals and instrumental as a dedication to her fiancé Chris Zylka. It is a doo-wop and pop ballad that features holiday-related puns about love. Green based the single's style on 1950s music.

    Critics praised "I Need You", partially as a departure from Hilton's previous dance-oriented and EDM songs. The single peaked at number 32 on the Dance Club Songs chart, Hilton's fifth appearance. A music video, directed by Zylka, was released on February 14, 2018, through Hilton's YouTube account. Inspired by Marilyn Monroe's performance of "I Wanna Be Loved by You" and Jessica Rabbit, the music video features Hilton wearing lingerie, posing in a bed covered with red rose petals, and popping out of a cake. Critics described the bed scene as a homage to the 1999 film American Beauty. Remixes by other artists, including Hector Fonseca, were released to promote the track. (Full article...)
  • Image 4 1987 (What the Fuck Is Going On?) is the debut studio album by British electronic band the Justified Ancients of Mu Mu (the JAMs), later known as the KLF. 1987 was produced using extensive unauthorised samples that plagiarised a wide range of musical works, continuing a theme begun in the JAMs' debut single "All You Need Is Love". These samples provided a deliberately provocative backdrop for beatbox rhythms and cryptic, political raps. Shortly after independent release in June 1987, the JAMs were ordered by the Mechanical-Copyright Protection Society to destroy all unsold copies of the album, following a complaint from ABBA. In response, the JAMs disposed of many copies of 1987 in unorthodox, publicised ways. They also released a version of the album titled 1987 (The JAMs 45 Edits), stripped of all unauthorised samples to leave periods of protracted silence and so little audible content that it was formally classed as a 12-inch single. (Full article...)
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    1987 (What the Fuck Is Going On?) is the debut studio album by British electronic band the Justified Ancients of Mu Mu (the JAMs), later known as the KLF. 1987 was produced using extensive unauthorised samples that plagiarised a wide range of musical works, continuing a theme begun in the JAMs' debut single "All You Need Is Love". These samples provided a deliberately provocative backdrop for beatbox rhythms and cryptic, political raps.

    Shortly after independent release in June 1987, the JAMs were ordered by the Mechanical-Copyright Protection Society to destroy all unsold copies of the album, following a complaint from ABBA. In response, the JAMs disposed of many copies of 1987 in unorthodox, publicised ways. They also released a version of the album titled 1987 (The JAMs 45 Edits), stripped of all unauthorised samples to leave periods of protracted silence and so little audible content that it was formally classed as a 12-inch single. (Full article...)
  • Image 5 R2K: The Concert was the first arena concert by Filipino entertainer Regine Velasquez, held on April 7 and 8, 2000, at the Araneta Coliseum in Quezon City. It was a part of Velasquez's promotion of her tenth studio album, R2K (1999). It was exclusively promoted by Viva Concerts, with beauty brands Pond's and Sunsilk as sponsors. Velasquez served as the stage and creative director for the show, which featured Ogie Alcasid, Gabby Eigenmann, Janno Gibbs, Jaya, and KC Montero as guest acts. The concert's production and staging featured a 360-degree configuration with a semi-circular plexiglass stage, four large video screens, and an automated flying rig used during Velasquez's aerial performance of "On the Wings of Love" and "Butterfly". She collaborated on outfits with designer Rajo Laurel, who drew inspiration from Dolce & Gabbana's "print-on-print" collection. The set list included songs predominantly taken from R2K and various covers of pop hits from 1999 and 2000; these included "Larger than Life" by the Backstreet Boys and a medley of "If You Had My Love", "Waiting for Tonight", and "Let's Get Loud" by Jennifer Lopez, which she performed as part of the opening set. (Full article...)
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    R2K: The Concert was the first arena concert by Filipino entertainer Regine Velasquez, held on April 7 and 8, 2000, at the Araneta Coliseum in Quezon City. It was a part of Velasquez's promotion of her tenth studio album, R2K (1999). It was exclusively promoted by Viva Concerts, with beauty brands Pond's and Sunsilk as sponsors. Velasquez served as the stage and creative director for the show, which featured Ogie Alcasid, Gabby Eigenmann, Janno Gibbs, Jaya, and KC Montero as guest acts.

    The concert's production and staging featured a 360-degree configuration with a semi-circular plexiglass stage, four large video screens, and an automated flying rig used during Velasquez's aerial performance of "On the Wings of Love" and "Butterfly". She collaborated on outfits with designer Rajo Laurel, who drew inspiration from Dolce & Gabbana's "print-on-print" collection. The set list included songs predominantly taken from R2K and various covers of pop hits from 1999 and 2000; these included "Larger than Life" by the Backstreet Boys and a medley of "If You Had My Love", "Waiting for Tonight", and "Let's Get Loud" by Jennifer Lopez, which she performed as part of the opening set. (Full article...)
  • Image 6 Elderly Instruments is a musical instrument retailer in Lansing, Michigan, United States, with a reputation as a "megastore", a repair shop and a locus for folk music including bluegrass and "twang". Specializing in fretted instruments, including acoustic and electric guitars, banjos, mandolins, and ukuleles, Elderly maintains a selection of odd or rare instruments. Elderly is known as a premier repair shop for fretted instruments, as one of the larger vintage instrument dealers in the United States, and as a major dealer of Martin guitars in particular. Industry publications, music retail trade, and bluegrass music journals have featured articles about the Elderly repair staff. The company also provides consignment services for rare and vintage instruments. Since its founding in 1972, Elderly has undergone two major expansions: into mail order in 1975 and then into Internet sales in the 1990s. In 2005 it was the subject of a lawsuit by Gibson Guitar Corporation concerning trademark infringement. Today it is recognized internationally for its services and products; its mail order and Internet business account for 65–70 percent of its total revenue. Elderly grossed $12 million in 1999, and by 2007 was grossing $17 million annually. (Full article...)
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    Elderly Instruments is a musical instrument retailer in Lansing, Michigan, United States, with a reputation as a "megastore", a repair shop and a locus for folk music including bluegrass and "twang". Specializing in fretted instruments, including acoustic and electric guitars, banjos, mandolins, and ukuleles, Elderly maintains a selection of odd or rare instruments. Elderly is known as a premier repair shop for fretted instruments, as one of the larger vintage instrument dealers in the United States, and as a major dealer of Martin guitars in particular.

    Industry publications, music retail trade, and bluegrass music journals have featured articles about the Elderly repair staff. The company also provides consignment services for rare and vintage instruments. Since its founding in 1972, Elderly has undergone two major expansions: into mail order in 1975 and then into Internet sales in the 1990s. In 2005 it was the subject of a lawsuit by Gibson Guitar Corporation concerning trademark infringement. Today it is recognized internationally for its services and products; its mail order and Internet business account for 65–70 percent of its total revenue. Elderly grossed $12 million in 1999, and by 2007 was grossing $17 million annually. (Full article...)
  • Image 7 Song of Innocence is the debut album by American composer and producer David Axelrod. It was released in October 1968 by Capitol Records. In an effort to capitalize on the experimental climate of popular music at the time, Axelrod composed the album as a suite-like tone poem interpreting Songs of Innocence, a 1789 illustrated collection of poems by William Blake. Recording took place at Capitol Studios in Los Angeles with an orchestra and studio musicians from the Wrecking Crew collective, including keyboardist and conductor Don Randi, guitarist Al Casey, bassist Carol Kaye, and drummer Earl Palmer. An instrumental jazz fusion record, Song of Innocence incorporates elements of classical, rock, funk, pop, and theatre music. Axelrod arranged the music for bass, drums, and string instruments, composing in a rock idiom with tempos centered on such rhythms played by Palmer. He used contrast in his orchestral compositions, interspersing their euphoric psychedelic R&B structures with dramatic, harrowing arrangements to reflect the supernatural themes found in Blake's poems. The resulting music's reverent, psychedelic overtones have been interpreted as evoking the poet's themes of innocence and spirituality. (Full article...)
    Image 7
    Song of Innocence is the debut album by American composer and producer David Axelrod. It was released in October 1968 by Capitol Records. In an effort to capitalize on the experimental climate of popular music at the time, Axelrod composed the album as a suite-like tone poem interpreting Songs of Innocence, a 1789 illustrated collection of poems by William Blake. Recording took place at Capitol Studios in Los Angeles with an orchestra and studio musicians from the Wrecking Crew collective, including keyboardist and conductor Don Randi, guitarist Al Casey, bassist Carol Kaye, and drummer Earl Palmer.

    An instrumental jazz fusion record, Song of Innocence incorporates elements of classical, rock, funk, pop, and theatre music. Axelrod arranged the music for bass, drums, and string instruments, composing in a rock idiom with tempos centered on such rhythms played by Palmer. He used contrast in his orchestral compositions, interspersing their euphoric psychedelic R&B structures with dramatic, harrowing arrangements to reflect the supernatural themes found in Blake's poems. The resulting music's reverent, psychedelic overtones have been interpreted as evoking the poet's themes of innocence and spirituality. (Full article...)
  • Image 8 Lansbury in 1950 Dame Angela Brigid Lansbury DBE (October 16, 1925 – October 11, 2022) was a British and American actress. In a career spanning 80 years, she played various roles across film, stage, and television. Although based for much of her life in the United States, her work attracted international attention. Lansbury was born into an upper-middle-class family in central London, the daughter of Irish actress Moyna Macgill and English politician Edgar Lansbury. To escape the Blitz, she moved to the United States in 1940, studying acting in New York City. Proceeding to Hollywood in 1942, she signed to Metro-Goldwyn-Mayer (MGM) and obtained her first film roles, in Gaslight (1944), National Velvet (1944), and The Picture of Dorian Gray (1945). She appeared in 11 further MGM films, mostly in minor roles, and after her contract ended in 1952, she began to supplement her cinematic work with theatrical appearances. Lansbury was largely seen as a B-list star during this period, but her role in The Manchurian Candidate (1962) received widespread acclaim and is frequently ranked as one of her best performances. Moving into musical theatre, Lansbury gained stardom for playing the leading role in the Broadway musical Mame (1966), winning her first Tony Award and becoming a gay icon. (Full article...)
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    Lansbury in 1950

    Dame Angela Brigid Lansbury DBE (October 16, 1925 – October 11, 2022) was a British and American actress. In a career spanning 80 years, she played various roles across film, stage, and television. Although based for much of her life in the United States, her work attracted international attention.


    Lansbury was born into an upper-middle-class family in central London, the daughter of Irish actress Moyna Macgill and English politician Edgar Lansbury. To escape the Blitz, she moved to the United States in 1940, studying acting in New York City. Proceeding to Hollywood in 1942, she signed to Metro-Goldwyn-Mayer (MGM) and obtained her first film roles, in Gaslight (1944), National Velvet (1944), and The Picture of Dorian Gray (1945). She appeared in 11 further MGM films, mostly in minor roles, and after her contract ended in 1952, she began to supplement her cinematic work with theatrical appearances. Lansbury was largely seen as a B-list star during this period, but her role in The Manchurian Candidate (1962) received widespread acclaim and is frequently ranked as one of her best performances. Moving into musical theatre, Lansbury gained stardom for playing the leading role in the Broadway musical Mame (1966), winning her first Tony Award and becoming a gay icon. (Full article...)
  • Image 9 "Lips Are Movin" is a song by American singer-songwriter Meghan Trainor, taken from her debut major-label studio album, Title (2015). It was written by Trainor and the album's producer, Kevin Kadish. Epic Records premiered the song on MTV News on October 15, 2014, and released it to the United States contemporary hit radio stations on October 21, as the second single from Title. A retro-tinged doo-wop and pop song with girl-group harmonies and bubblegum pop hooks, "Lips Are Movin" was inspired by Trainor's conflict with her record label. However, critical commentary has described it as a song about Trainor leaving her significant other after discovering he is cheating on her. Critics drew similarities between the song's style and that of Trainor's debut single, "All About That Bass" (2014). Some deemed the song catchy, while others criticized its lyrics. In the United States, "Lips Are Movin" reached number 4 on the Billboard Hot 100 and was certified quadruple platinum by the Recording Industry Association of America (RIAA). It received platinum or multi-platinum certifications in Australia, Canada, New Zealand, and the United Kingdom, and reached the top 10 on their charts among others. (Full article...)
    Image 9
    "Lips Are Movin" is a song by American singer-songwriter Meghan Trainor, taken from her debut major-label studio album, Title (2015). It was written by Trainor and the album's producer, Kevin Kadish. Epic Records premiered the song on MTV News on October 15, 2014, and released it to the United States contemporary hit radio stations on October 21, as the second single from Title. A retro-tinged doo-wop and pop song with girl-group harmonies and bubblegum pop hooks, "Lips Are Movin" was inspired by Trainor's conflict with her record label. However, critical commentary has described it as a song about Trainor leaving her significant other after discovering he is cheating on her.

    Critics drew similarities between the song's style and that of Trainor's debut single, "All About That Bass" (2014). Some deemed the song catchy, while others criticized its lyrics. In the United States, "Lips Are Movin" reached number 4 on the Billboard Hot 100 and was certified quadruple platinum by the Recording Industry Association of America (RIAA). It received platinum or multi-platinum certifications in Australia, Canada, New Zealand, and the United Kingdom, and reached the top 10 on their charts among others. (Full article...)
  • Image 10 Picture of Stafford from the New York Sunday News, September 21, 1947 Jo Elizabeth Stafford (November 12, 1917 – July 16, 2008) was an American traditional pop singer, whose career spanned five decades from the late 1930s to the early 1980s. Admired for the purity of her voice, she originally underwent classical training to become an opera singer before following a career in popular music, and by 1955 had achieved more worldwide record sales than any other female artist. Her 1952 song "You Belong to Me" topped the charts in the United States and United Kingdom, becoming the second single to top the UK Singles Chart, and the first by a female artist to do so. Born in remote oil-rich Coalinga, California, near Fresno in the San Joaquin Valley, Stafford made her first musical appearance at age 12. While still at high school, she joined her two older sisters to form a vocal trio named the Stafford Sisters, who found moderate success on radio and in film. In 1938, while the sisters were part of the cast of Twentieth Century Fox's production of Alexander's Ragtime Band, Stafford met the future members of the Pied Pipers and became the group's lead singer. Bandleader Tommy Dorsey hired them in 1939 to perform vocals with his orchestra. From 1940 to 1942, the group often performed with Dorsey's new male singer, Frank Sinatra. (Full article...)
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    Picture of Stafford from the New York Sunday News, September 21, 1947

    Jo Elizabeth Stafford (November 12, 1917 – July 16, 2008) was an American traditional pop singer, whose career spanned five decades from the late 1930s to the early 1980s. Admired for the purity of her voice, she originally underwent classical training to become an opera singer before following a career in popular music, and by 1955 had achieved more worldwide record sales than any other female artist. Her 1952 song "You Belong to Me" topped the charts in the United States and United Kingdom, becoming the second single to top the UK Singles Chart, and the first by a female artist to do so.

    Born in remote oil-rich Coalinga, California, near Fresno in the San Joaquin Valley, Stafford made her first musical appearance at age 12. While still at high school, she joined her two older sisters to form a vocal trio named the Stafford Sisters, who found moderate success on radio and in film. In 1938, while the sisters were part of the cast of Twentieth Century Fox's production of Alexander's Ragtime Band, Stafford met the future members of the Pied Pipers and became the group's lead singer. Bandleader Tommy Dorsey hired them in 1939 to perform vocals with his orchestra. From 1940 to 1942, the group often performed with Dorsey's new male singer, Frank Sinatra. (Full article...)
  • Image 11 Zappa performing at Ekeberghallen in Oslo, Norway, in 1977 Frank Vincent Zappa (/ˈzæpə/ ZAP-ə; December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation. As a mostly self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while simultaneously playing drums in rhythm and blues bands, later switching to electric guitar. His debut studio album with the Mothers of Invention, Freak Out! (1966), combined satirical but seemingly conventional rock and roll songs with extended sound collages. He continued this eclectic and experimental approach throughout his career. (Full article...)
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    Zappa performing at Ekeberghallen in Oslo, Norway, in 1977

    Frank Vincent Zappa (/ˈzæpə/ ZAP-ə; December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.

    As a mostly self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while simultaneously playing drums in rhythm and blues bands, later switching to electric guitar. His debut studio album with the Mothers of Invention, Freak Out! (1966), combined satirical but seemingly conventional rock and roll songs with extended sound collages. He continued this eclectic and experimental approach throughout his career. (Full article...)
  • Image 12 "Angel of Death" is the opening track on American thrash metal band Slayer's 1986 album Reign in Blood. The lyrics and music were written by guitarist Jeff Hanneman. They detail the Nazi physician Josef Mengele's human experiments at the Auschwitz concentration camp during World War II. "Angel of Death" led to accusations of Nazi sympathizing and racism against the band, which they vigorously denied but which followed them throughout their early career. Despite the controversy and the resulting delay in the release of Reign in Blood, the song remained a live favorite, and has appeared on all of Slayer's live albums. (Full article...)
    Image 12
    "Angel of Death" is the opening track on American thrash metal band Slayer's 1986 album Reign in Blood. The lyrics and music were written by guitarist Jeff Hanneman. They detail the Nazi physician Josef Mengele's human experiments at the Auschwitz concentration camp during World War II.

    "Angel of Death" led to accusations of Nazi sympathizing and racism against the band, which they vigorously denied but which followed them throughout their early career. Despite the controversy and the resulting delay in the release of Reign in Blood, the song remained a live favorite, and has appeared on all of Slayer's live albums. (Full article...)
  • Image 13 New York Dolls is the debut studio album by the American rock band New York Dolls, released on July 27, 1973, by Mercury Records. In the years leading up to the album, the Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion as well as homophobia in New York; the group later appeared in exaggerated drag on the album cover for shock value. After signing a contract with Mercury, the Dolls recorded their first album at The Record Plant in New York City with producer Todd Rundgren, who was known for his sophisticated pop tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer David Johansen and guitarist Sylvain Sylvain later said Rundgren successfully captured how the band sounded live. The resulting music on the album – a mix of carefree rock and roll, influences from Brill Building pop, and campy sensibilities – explores themes of urban youth, teen alienation, adolescent romance, and authenticity, as rendered in Johansen's colloquial and ambiguous lyrics. (Full article...)
    Image 13
    New York Dolls is the debut studio album by the American rock band New York Dolls, released on July 27, 1973, by Mercury Records. In the years leading up to the album, the Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion as well as homophobia in New York; the group later appeared in exaggerated drag on the album cover for shock value.

    After signing a contract with Mercury, the Dolls recorded their first album at The Record Plant in New York City with producer Todd Rundgren, who was known for his sophisticated pop tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer David Johansen and guitarist Sylvain Sylvain later said Rundgren successfully captured how the band sounded live. The resulting music on the album – a mix of carefree rock and roll, influences from Brill Building pop, and campy sensibilities – explores themes of urban youth, teen alienation, adolescent romance, and authenticity, as rendered in Johansen's colloquial and ambiguous lyrics. (Full article...)
  • Image 14 Everywhere at the End of Time (commonly shortened to EATEOT) is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. The albums were produced in Kraków and released over six-month periods to "give a sense of time passing", with abstract album covers by his friend Ivan Seal. The series drew comparisons to the works of composer William Basinski and electronic musician Burial, while the later stages were influenced by avant-gardist composer John Cage. The series comprises six hours of music, portraying a range of emotions and characterised by noise throughout. Although the first three stages are similar to An Empty Bliss, the last three depart from Kirby's earlier ambient works. The albums reflect the patient's disorder and death, their feelings, and the phenomenon of terminal lucidity. To promote the series, anonymous visual artist Weirdcore created music videos for the first two stages. At first concerned about whether the series would seem pretentious, Kirby thought of not creating Everywhere at all, but he ended up spending more time producing it than any of his other releases. The album covers received attention from a French art exhibition named after the Caretaker's Everywhere, an Empty Bliss (2019), a compilation of archived songs. (Full article...)
    Image 14
    Everywhere at the End of Time (commonly shortened to EATEOT) is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. The albums were produced in Kraków and released over six-month periods to "give a sense of time passing", with abstract album covers by his friend Ivan Seal. The series drew comparisons to the works of composer William Basinski and electronic musician Burial, while the later stages were influenced by avant-gardist composer John Cage.

    The series comprises six hours of music, portraying a range of emotions and characterised by noise throughout. Although the first three stages are similar to An Empty Bliss, the last three depart from Kirby's earlier ambient works. The albums reflect the patient's disorder and death, their feelings, and the phenomenon of terminal lucidity. To promote the series, anonymous visual artist Weirdcore created music videos for the first two stages. At first concerned about whether the series would seem pretentious, Kirby thought of not creating Everywhere at all, but he ended up spending more time producing it than any of his other releases. The album covers received attention from a French art exhibition named after the Caretaker's Everywhere, an Empty Bliss (2019), a compilation of archived songs. (Full article...)
  • Image 15 "Cry Me a River" is a song by American singer-songwriter Justin Timberlake for his debut solo album, Justified (2002). It was thought to be inspired by Timberlake's former relationship with singer Britney Spears. Jive Records released the song to contemporary hit and rhythmic radio in the United States on November 25, 2002, as the album's second single. Accompanied by an electric piano, beatbox, guitars, synthesizers, Arabian-inspired riffs and Gregorian chants, "Cry Me a River" is a pop and R&B song about a brokenhearted man who moves on from his past. "Cry Me a River" received acclaim from music critics, who praised Timbaland's production while calling it a standout track on Justified. The song earned several lists of best of the year and the decade (2000s), while Rolling Stone included it on their 500 Greatest Songs of All Time at 484. It won the Grammy Award for Best Male Pop Vocal Performance at the 2004 ceremony. The song peaked at number three on the US Billboard Hot 100 and Pop Songs charts and charted in the top ten in other countries. It was certified double platinum by both the Australian Recording Industry Association (ARIA) and the British Phonographic Industry (BPI). (Full article...)
    Image 15
    "Cry Me a River" is a song by American singer-songwriter Justin Timberlake for his debut solo album, Justified (2002). It was thought to be inspired by Timberlake's former relationship with singer Britney Spears. Jive Records released the song to contemporary hit and rhythmic radio in the United States on November 25, 2002, as the album's second single. Accompanied by an electric piano, beatbox, guitars, synthesizers, Arabian-inspired riffs and Gregorian chants, "Cry Me a River" is a pop and R&B song about a brokenhearted man who moves on from his past.

    "Cry Me a River" received acclaim from music critics, who praised Timbaland's production while calling it a standout track on Justified. The song earned several lists of best of the year and the decade (2000s), while Rolling Stone included it on their 500 Greatest Songs of All Time at 484. It won the Grammy Award for Best Male Pop Vocal Performance at the 2004 ceremony. The song peaked at number three on the US Billboard Hot 100 and Pop Songs charts and charted in the top ten in other countries. It was certified double platinum by both the Australian Recording Industry Association (ARIA) and the British Phonographic Industry (BPI). (Full article...)

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