181:, and acetate recordings of other Allentown bands, and soon realized there was enough material to configure an entire compilation album. Speaking about the significance of the album, Peifley said, "I wanted to make sure that even if we were overlooked commercially, we were not overlooked historically". With the assistance of Distortions Records
162:, original master tapes, and unreleased material that were previously only made available to few garage rock enthusiasts. It is the first installment of albums related to the Allentown garage rock scene, and was released on Distortions Records on April 15, 2005.
29:
169:
was initiated in April 2002 by Bob
Dougherty when he approached the owner of 19th Street Records, Dave Peifley, with recordings of his former Allentown garage band
455:
373:
178:
460:
213:
209:
185:
Dave Brown, the raw fidelity of the songs are preserved by digitally mastering the recordings directly from a
155:
292:
244:
399:
233:
147:
36:
268:
225:
193:
170:
224:
songs, such as their regional hit, "Lying and Trying". Another musical highlight includes
192:
Music on the album mostly derives from original material which was influenced by a mix of
182:
97:
424:
174:
159:
158:, and active in the 1960s and 1970s. The album compiles various tracks taken from rare
449:
208:
such as the Mad Hatter and the Purple Owl in
Allentown, King Arthur's Court outside
204:. The Allentown scene was a bustling one, with the bands performing in several teen
28:
87:
229:
205:
197:
151:
64:
59:
236:. Outside the garage scene, D.B.I.L.T.Y. provides an insight into the rise of
248:
237:
221:
201:
186:
256:
216:. The Shillings are the most thoroughly represented musical act on
177:"Shame". Peifley was also inspired to seek out original singles,
255:
were originally pressed, and the album is readily available on
247:
recordings are radio commercial advertisements sponsoring
106:
96:
86:
70:
58:
50:
42:
35:
21:
298:Jay and the Techniques: "Soft Drink Commercial #2"
232:-driven song influenced by Philadelphia group
274:The Kings Ransom: "Here Today, Gone Tomorrow"
220:with seven of the group's vocally-harmonized
173:, which had a brief brush of fame with their
8:
27:
18:
352:
350:
348:
344:
322:Dooley Invention: "Crimson Afternoon"
319:The Shillings: "Seems Like Yesterday"
310:The Shillings: "The World Could Stop"
307:The Shillings: "Children and Flowers"
7:
361:(CD booklet). Distortions Records.
14:
334:D.B.L.I.T.Y.: "Cut My Hair Today"
331:D.B.L.I.T.Y.: "Go West Young Man"
304:The Shillings: "Lying and Trying"
277:The Kings Ransom: "Unknown to Me"
316:The Shillings: "I'll Get to You"
289:The Limits: "I Lost What I Need"
283:The Limits: "He'll Make You Cry"
280:The Kings Ransom: "Without You"
456:Garage rock compilation albums
228:'s offering, "Without You", a
1:
374:"Setting the Record Straight"
313:The Shillings: "Loving Spell"
295:: "Soft Drink Commercial #1"
251:. In total, 1,000 copies of
400:"Allen Anglophile - Review"
325:Dooley Invention: "No Time"
214:Center Valley, Pennsylvania
477:
154:bands that were formed in
328:Bleu Grass: "What I Know"
111:
26:
212:, and the Mod Mill near
102:Dave Brown, Dave Peifley
461:2005 compilation albums
156:Allentown, Pennsylvania
425:"Boston Rock Pre 1967"
301:The Shillings: "Laugh"
293:Jay and the Techniques
245:Jay and the Techniques
16:2005 compilation album
286:The Limits: "The Key"
359:Allentown Anglophile
357:Brown, Dave (2005).
253:Allentown Anglophile
218:Allentown Anglophile
167:Allentown Anglophile
143:Allentown Anglophile
128:Absolutely Allentown
120:Allentown Anglophile
22:Allentown Anglophile
150:featuring American
240:in the mid-1970s.
234:Mandrake Memorial
148:compilation album
139:
138:
135:
134:
37:Compilation album
468:
440:
439:
437:
435:
429:punkblowfish.com
421:
415:
414:
412:
410:
395:
389:
388:
386:
384:
378:The Morning Call
369:
363:
362:
354:
269:The Kings Ransom
226:the Kings Ransom
194:British Invasion
171:the Kings Ransom
113:
112:
82:
81:
77:
31:
19:
476:
475:
471:
470:
469:
467:
466:
465:
446:
445:
444:
443:
433:
431:
423:
422:
418:
408:
406:
397:
396:
392:
382:
380:
372:Weldman, Marc.
371:
370:
366:
356:
355:
346:
341:
265:
183:record producer
165:The concept of
130:
123:
79:
75:
74:
17:
12:
11:
5:
474:
472:
464:
463:
458:
448:
447:
442:
441:
416:
390:
364:
343:
342:
340:
337:
336:
335:
332:
329:
326:
323:
320:
317:
314:
311:
308:
305:
302:
299:
296:
290:
287:
284:
281:
278:
275:
272:
264:
261:
137:
136:
133:
132:
125:
116:
109:
108:
104:
103:
100:
94:
93:
90:
84:
83:
72:
68:
67:
62:
56:
55:
52:
48:
47:
46:April 15, 2005
44:
40:
39:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
473:
462:
459:
457:
454:
453:
451:
430:
426:
420:
417:
405:
401:
398:Unterberger.
394:
391:
379:
375:
368:
365:
360:
353:
351:
349:
345:
338:
333:
330:
327:
324:
321:
318:
315:
312:
309:
306:
303:
300:
297:
294:
291:
288:
285:
282:
279:
276:
273:
270:
267:
266:
263:Track listing
262:
260:
258:
254:
250:
246:
241:
239:
235:
231:
227:
223:
219:
215:
211:
207:
203:
199:
195:
190:
188:
184:
180:
179:reel-to-reels
176:
172:
168:
163:
161:
157:
153:
149:
145:
144:
129:
126:
122:
121:
117:
115:
114:
110:
105:
101:
99:
95:
91:
89:
85:
73:
69:
66:
63:
61:
57:
53:
49:
45:
41:
38:
34:
30:
25:
20:
434:November 20,
432:. Retrieved
428:
419:
409:November 20,
407:. Retrieved
404:allmusic.com
403:
393:
383:November 20,
381:. Retrieved
377:
367:
358:
252:
242:
217:
191:
166:
164:
142:
141:
140:
127:
119:
118:
54:1960s, 1970s
230:psychedelia
206:dance clubs
198:psychedelia
152:garage rock
92:Distortions
65:Garage rock
450:Categories
339:References
210:Quakertown
107:chronology
271:: "Shame"
249:Coca-Cola
238:glam rock
187:turntable
196:groups,
98:Producer
51:Recorded
43:Released
160:singles
131:(2005)
124:(2005)
257:iTunes
200:, and
175:single
71:Length
146:is a
88:Label
60:Genre
436:2015
411:2015
385:2015
243:The
222:pop
202:pop
452::
427:.
402:.
376:.
347:^
259:.
189:.
80:47
76:52
438:.
413:.
387:.
78::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
