Knowledge (XXG)

Allerseelen (band)

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Allerseelen's recordings have been issued on the private label Aorta, with various distributors, and since 2004 on Ahnstern, a collaboration with Steinklang, a Salzburg imprint. Album design is by Stefan Alt, known as Salt; several have cover art by the Bulgarian artists HaateKaate. Petak has also
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evaluated Petak's writings, use of symbolism and sources in his music, and collaborations and judged him to be "an innovative right-wing culture warrior who should be taken seriously", but with a "self-contained" and "ethnically pluralistic" view of the world, neither a "fascist bully-boy" nor a
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struck a reviewer as more romantic than previous Allerseelen releases, with a less jagged use of electronic sampling. The reviewer also noted that frequent collaborators with Allerseelen such as Dimo Dimov of the Bulgarian group Svarrogh and Marcel P. of the German group Miel Noir were in effect
476:'s "Shoeshine Girl", to new lyrics by Petak. It has Spanish colour in the musical treatments and was the result of collaboration with Spanish groups: Circe and the Catalan musician Demian's project Ô Paradis. There is also percussion by the Moroccan group Rubbayat. The cover photo of a 676:, and Petak's girlfriend, Aida de Acosta. A reviewer noted that the coalescence of Allerseelen into a group continued, with Marcel P. and Estella Plunket of Miel Noir appearing once more, together with other guest artists including Thomas Bøjden of Die Weisse Rose, Aki Cederberg of 537:, issued in December 2005, is a compilation of tracks, many reworked in less harsh style, with Rosa, Gaya, Josef, and M. Precht as guest vocalists. A reviewer noted that Petak's newer compositions were often inspired by Megalithic monuments. 591:, so named according to Petak because he did not know at the outset how it would turn out, was released in 2015 and includes reworkings of old tracks as well as new material, with lyrics by Nietzsche, Goethe, and 368:, issued in 1999, the guest singer was Sabine, who became a long-term collaborator with Allerseelen. Some of the tracks were reissues, including "Alle Lust will Ewigkeit", from a 7" record published in homage to 295:, which Allerseelen have also used as an emblem. The album gave Allerseelen a reputation for glorifying Nazism. Allerseelen have also released records in collaboration with Storm, the right-wing musician 607:, Daniel P. of Arnica, Alexander Wieser of Hrefnesholt, and Robert N. Taylor of Changes. The album is illustrated with mountain photographs by Petak; the cover image is of a memorial chapel to 1696: 644:") was released in 2019 and titled for a libation invocation revived by Nietzsche in 1871. In addition to Nietzsche, Wiligut, and Ninon Hesse, it includes lyrics by Elisabeth of Austria, 119:, also known as Kadmon and Gerhard Hallstatt. Briefly a group in 1987, it has been a solo project since 1989; Petak collaborates with groups for performances. His music is 1738:, ed. Judith Schlehe and Evamaria Sandkühler, Historische Lebenswelten in populären Wissenskulturen / History in Popular Cultures 12, Bielefeld: Transcript, 2014, 1205:
dedicated to Evola. He has praised musicians who pursue a "Nordic Nietzscheanism", thus making Black Metal music into a "pagan avant-garde, a Nordic 'occulture'".
1437: 1346:, ed. Uwe Backes and Patrick Moreau, Schriften des Hannah-Arendt-Instituts für Totalitarismusforschung 46, Göttingen: Vandenhoeck & Ruprecht, 2012, 1454: 1805: 403:(2000, named for an expedition to the Antarctic carried out by the Nazi regime in 1938–39) Petak announced a shift from dissonance to "fin de siècle 407:", which has been credited as the first use of the term. Tracks are based on or refer to among others Jünger (who is quoted on the cover), 1178:) and all world views that elevate the material over the spiritual". A 1993 issue covers the supposed magical defence of England from the 576:
from "obscure recordings" to build atmosphere and for rhythmic purposes. With this album, Petak began using the name Gerhard Hallstatt.
1815: 1201:, and along with other European neo-pagan musicians including Moynihan, to a 2001 issue of Philippe Randa's right-wing French journal 1776: 1743: 1683: 1351: 1271: 1697:"Gerhard Hallstatt by Gerhard Hallstatt, Author of the Book 'Blutleuchte', Entrevista/Interview en Exclusiva para Lux Atenea" 1556: 1810: 1581: 1499: 641: 608: 135:
authors, and has also written admiringly of Nazi cultural figures and collaborated with right-wing extremist musicians.
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monument in Spain is by the Vienna erotic photographer Helmut Wolech. At this time Petak backed up Demian on the album
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focus and cover art of an underground temple. He described his work then as "technosophic music" and its style drew on
1371: 378:, and "Feuertaufe", from a French Mithraic compilation. Others were inspired by or pay homage to JĂĽnger, Nietzsche, 553: 506:, and another song was inspired by an alchemical work by Serrano. The album's cover quote is again from Nietzsche. 416: 374: 183: 1440:, IDA-NRW (Informations- und Dokumentationszentrum fĂĽr Antirassismusarbeit in Nordrhein-Westfalen), , rev. 2017. 433: 219:'s Orgien Mysterien Theater. In 1987 he founded Allerseelen as his own group, named for the Catholic festival of 171: 1671: 657: 503: 296: 284: 1416: 653: 499: 1462: 1339: 191: 124: 557: 491: 335: 1606: 472:
he enjoyed in his youth. The album includes a new version of "Santa Sangre" and a neo-folk adaptation of
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and has often fallen into the neo-folk and pagan rock categories. He is known for his use of lyrics by
1291: 340: 1262: 1166:. Issues have included studies of cultural figures of the Nazi era including Wiligut, Riefenstahl, 518: 304: 1539: 548:. Using only male voices, and except for one song in English, only German, with lyrics by Goethe, 448: 424: 321:, Allerseelen's next album, appeared in 1997 and in addition to "In Stahlgewittern", inspired by 308: 288: 280: 120: 66: 62: 1772: 1747: 1739: 1722: 1679: 1654: 1355: 1347: 1267: 665: 621:
with the addition of the original and new versions of two songs that Allerseelen recorded for
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suspended publication after 29 issues; a compilation of material was published in English as
645: 617:, released in 2017, consists of digitally remastered, shortened versions of the tracks from 573: 549: 387: 369: 358: 629:, and three other new songs. The album is illustrated with photographs that Petak took in 420: 383: 238: 228: 33: 564:, and Nietzsche, it has an Austrian focus; the cover photo is of skulls in the chapel at 468: 447:, Allerseelen's 2001 album, includes lyrics by Nietzsche (his poem "Venedig") as well as 322: 215:. In the 1980s he played drums for Michael DeWitt's Zero Kama and at one appearance of 673: 669: 604: 592: 438: 428: 326: 257: 216: 307:'s "Lied der Gefangenen" (Prisoners' Song), which was supposedly circulated among the 268:
reviewed the work as "a good mixture of folk-influenced and more experimental songs".
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as a "spiritual movement with the objective of combating mechanistic materialism (
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is a setting of a cycle of twelve love-poems by the Nazi esoteric philosopher and
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were 2004 reissues on LP of Allerseelen music first issued as far back as 1989.
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Religion, Tradition and the Popular: Transcultural Views from Asia and Europe
1523: 517:, Ă” Paradis, and Waldteufel based on work by the German mystic and anti-Nazi 349:, and "Sturmlied", sung by Ostara, which quotes the poem of the same name by 1734:
Stefanie v. Schnurbein, "Germanic Neo-Paganism—A Nordic Art-Religion?", in:
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He also contributed to right-wing publications such as the German newspaper
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with dissonant settings, and in the 2005 reissue on LP, added a setting of
1375: 1342:, "Musical and Political Subculture—A Review of Attempts of Entrism", in: 490:, released in 2003, incorporates classical strings and includes lyrics by 1323:, Duisburger Institut für Sprach- und Sozialforschung, 14 December 1996. 622: 600: 473: 1479: 495: 312: 58: 484:, which appeared on Aorta, and adopted the professional name Gerhard. 1209: 630: 1789: 244:
After a series of cassettes, in 1993 Petak released his first CD,
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or "industrial Folklore", and criticised his over-repetition of
354: 132: 299:'s label. Petak has said that he was undermining the lyrics on 248:, a purely instrumental compilation of work since 1989 with a 154: 978:
7", limited to 1,000 copies. Split with the group Ă” Paradis.
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Until 2001, Petak used the name Kadmon, from the kabbalistic
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Antifaschistisches Pressearchiv und Bildungszentrum Berlin,
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The Extreme Right in Europe: Current Trends and Perspectives
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by English witches, which is also the unifying theme of
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Petak has also published writings in periodical form as
568:. A reviewer noted that Petak was now calling his music 329:, includes "Leichenfarbne Dämmerung", which quotes from 544:, Petak's first album of substantially new music since 353:
and was a hit. The cover picture is of a sculpture of
386:; the printed material quotes the French philosopher 1436:B. Rheims, rev. Fabian Jellonnek and Pit Reinesch, 1321:"'Allerseelen': Nazi-Esoterik als Klang-Avantgarde" 1170:, and Evola, and in one Petak praised the Romanian 102: 98: 90: 72: 54: 46: 41: 18: 115:is the musical project of the Austrian musician 1256: 1254: 1252: 1250: 1721:François, "Musical and Political Subculture", 1653:François, "Musical and Political Subculture", 1504:: Die kauzige Gerhard Ein-Mann-Krautpop-Show!" 1374:, Grufties gegen Rechts Bremen, archived from 1248: 1246: 1244: 1242: 1240: 1238: 1236: 1234: 1232: 1230: 1056:2xLP, limited to 600 copies. Gatefold sleeve. 1043:2xLP, limited to 600 copies. Gatefold sleeve. 1030:2xLP, limited to 600 copies. Gatefold sleeve. 1335: 1333: 190:. Please discuss this issue on the article's 139:published his writing as a periodical titled 8: 1266:, , 2nd ed. Zeltingen-Rachtig: Index, 2007, 1263:Looking for Europe: Neofolk und HintergrĂĽnde 1765:Looking for Europe: The History of Neofolk 1703:, 10 October 2012, online 25 January 2019. 1530:, 3 October 2004, retrieved 1 August 2020. 1315: 1313: 1311: 26: 15: 1494: 1492: 390:and includes images from the occult film 1712:François, "The Euro-Pagan Scene", p. 42. 1486:1.2, Summer 2007, pp. 35–54, p. 41. 1372:"Cruor—DĂĽnger fĂĽr's geheime Deutschland" 1366: 1364: 692: 1286: 1284: 1226: 991:CD5", limited to 500 copies. DVD case. 513:, a collaboration with Moynihan's band 1411: 1409: 1407: 1405: 1478:StĂ©phane François, tr. Ariel Godwin, 1393:"The Murky World of Neofolk Politics" 7: 1484:Journal for the Study of Radicalism 482:Serpiente de Luna, Serpiente de Sol 1771:. Zeltingen-Rachtig: Index, 2013. 1763:Andreas Diesel and Dieter Gerten. 1260:Andreas Diesel and Dieter Gerten, 680:, and the Algerian singer Faye R. 14: 844:Alle Lust Will Ewigkeit/Traumlied 1806:Austrian industrial music groups 1194:in 2010, and in French in 2011. 174:to read and navigate comfortably 159: 1678:, Jacksonville, Florida: AJNA, 1208:Early in the 21st century, the 896:Canco De Somni/Marques De Pubol 587:Allerseelen's following album, 339:, "Heiliges Blut", inspired by 287:, and depicts on its cover the 1: 1461:, 17 May 2019, archived from 952:2xLP, limited to 600 copies. 640:(Ancient Greek for "Welcome, 540:In 2007 Allerseelen released 415:, the Icelandic heathen poet 327:memoir of the First World War 1670:, trans. Gerhard Hallstatt, 1214:Grufties gegen Rechts Bremen 609:Empress Elisabeth of Austria 509:Also in 2003 Petak released 291:mosaic from the SS fortress 1592:, retrieved 3 August 2020. 1567:, retrieved 3 August 2020. 1510:, retrieved 1 August 2020. 1455:"Der leichtgläubige Joschi" 1217:"nostalgic fan of Hitler". 1069:7", limited to 600 copies. 595:and several guest artists: 502:as well as the rune-mystic 462:In 2002 Allerseelen issued 423:, and in titles, a book on 315:renovating the Wewelsburg. 311:prisoners who worked under 260:as well as bands including 182:content into sub-articles, 36:with members of Sal Solaris 1832: 1546:, retrieved 1 August 2020. 554:Christian Friedrich Hebbel 1816:Martial industrial groups 883:Nornar Nagli/Panzergarten 434:Where the Wild Things Are 25: 1212:anti-right-wing project 658:Gotthold Ephraim Lessing 584:coalescing into a band. 504:Friedrich Bernhard Marby 364:In the following album, 32:Allerseelen on stage in 1540:"Allerseelen–Edelweiss" 1419:, Störungsmelder blog, 1417:"SS-Lyrik in Kreuzberg" 417:Sveinbjörn Beinteinsson 802:Walked In Line/Ernting 702:Format, Special Notes 336:Thus Spake Zarathustra 283:on the subject of the 106:Gerhard "Kadmon" Petak 42:Background information 511:Wir rufen deine Wölfe 419:, the tango composer 1811:Neofolk music groups 1561:: Reich der Träumer" 1391:Jason Pitzl-Waters, 922:Abenteuerliches Herz 828:Käferlied/Brian Boru 546:Abenteuerliches Herz 464:Abenteuerliches Herz 341:Alejandro Jodorowsky 258:Tibetan ritual music 1746:, pp. 243–60, 1666:Gerhard Hallstatt, 1399:, 16 December 2010. 1274:, pp. 236–47. 1176:Panzermaterialismus 948:Archaische Arbeiten 558:Friedrich Hölderlin 519:Friedrich Hielscher 492:Friedrich Hölderlin 1609:Dunkelgraue Lieder 1378:on 25 March 2014. 1354:, pp. 409–18, 1130:Dunkelgraue Lieder 974:Funke/El Astro Rey 654:Yrjö von Grönhagen 615:Dunkelgraue Lieder 500:Juan RamĂłn JimĂ©nez 449:Rainer Maria Rilke 425:esoteric Hitlerism 309:concentration camp 281:Karl Maria Wiligut 63:Martial industrial 1640:, 11 March 2019. 1633:Chairete Daimones 1616:, 11 March 2019. 1586:: Staub gewischt" 1544:Compulsion Online 1423:, 20 March 2015. 1340:StĂ©phane François 1319:Alfred Schobert, 1301:, 11 March 2019. 1151: 1150: 1143:Chairete Daimones 1013:Gefiederte Träume 666:Ferdinand Raimund 638:Chairete Daimones 627:Whitedivisiongrey 556:, Hermann Hesse, 529:Gefiederte Träume 262:Throbbing Gristle 231:and a chapter in 223:and also for the 209: 208: 110: 109: 1823: 1751: 1732: 1726: 1719: 1713: 1710: 1704: 1693: 1687: 1672:Michael Moynihan 1664: 1658: 1651: 1645: 1643: 1627: 1621: 1619: 1603: 1597: 1595: 1578: 1572: 1570: 1553: 1547: 1537: 1531: 1521: 1515: 1513: 1496: 1487: 1476: 1470: 1468: 1465:on 18 May 2019. 1451: 1445: 1443: 1434: 1428: 1426: 1413: 1400: 1389: 1383: 1381: 1368: 1359: 1337: 1328: 1326: 1317: 1306: 1304: 1288: 1279: 1277: 1258: 693: 646:Aleister Crowley 550:Hermann von Gilm 388:Jean Baudrillard 370:Leni Riefenstahl 359:Bernhard Hoetger 297:Michael Moynihan 204: 201: 195: 163: 162: 155: 85: 83: 75: 30: 16: 1831: 1830: 1826: 1825: 1824: 1822: 1821: 1820: 1796: 1795: 1786: 1760: 1758:Further reading 1755: 1754: 1733: 1729: 1720: 1716: 1711: 1707: 1695:FĂ©lix V. DĂ­az, 1694: 1690: 1665: 1661: 1652: 1648: 1641: 1638:Dark Entries.be 1628: 1624: 1617: 1614:Dark Entries.be 1604: 1600: 1593: 1584:Terra Incognita 1579: 1575: 1568: 1554: 1550: 1538: 1534: 1522: 1518: 1511: 1497: 1490: 1477: 1473: 1466: 1453:Nina Horaczek, 1452: 1448: 1441: 1435: 1431: 1424: 1414: 1403: 1390: 1386: 1379: 1369: 1362: 1338: 1331: 1324: 1318: 1309: 1302: 1299:Dark Entries.be 1294:Terra Incognita 1289: 1282: 1275: 1259: 1228: 1223: 1156: 1117:Terra Incognita 870:Neuschwabenland 857:Stirb Und Werde 832:7", split with 691: 686: 589:Terra Incognita 579:The 2010 album 421:Astor Piazzolla 401:Neuschwabenland 384:Igor Stravinsky 366:Stirb und Werde 285:Germanic months 271:The 1995 album 239:George Bataille 229:Richard Strauss 205: 199: 196: 177: 164: 160: 153: 125:post-industrial 81: 79: 73: 37: 34:Nizhny Novgorod 21: 12: 11: 5: 1829: 1827: 1819: 1818: 1813: 1808: 1798: 1797: 1794: 1793: 1785: 1784:External links 1782: 1781: 1780: 1759: 1756: 1753: 1752: 1727: 1714: 1705: 1688: 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465: 460: 458: 454: 450: 446: 442: 440: 436: 435: 430: 426: 422: 418: 414: 411:and his wife 410: 409:Hermann Hesse 406: 402: 397: 395: 394: 389: 385: 381: 377: 376: 371: 367: 362: 360: 356: 352: 348: 347: 342: 338: 337: 332: 328: 324: 320: 316: 314: 310: 306: 302: 301:Gotos=Kalanda 298: 294: 290: 286: 282: 278: 274: 273:Gotos=Kalanda 269: 267: 263: 259: 255: 251: 247: 242: 240: 236: 235: 230: 226: 222: 218: 214: 203: 200:February 2022 193: 189: 185: 181: 175: 173: 168:This section 166: 157: 156: 150: 148: 146: 142: 136: 134: 130: 126: 122: 118: 117:Gerhard Petak 114: 105: 101: 97: 93: 89: 77: 71: 68: 64: 60: 57: 53: 49: 45: 40: 35: 29: 24: 17: 1769:Markus Wolff 1764: 1735: 1730: 1717: 1708: 1700: 1691: 1676:Markus Wolff 1667: 1662: 1649: 1637: 1632: 1625: 1613: 1608: 1601: 1589: 1583: 1580:Andreas X., 1576: 1564: 1559:Rauhe Schale 1558: 1555:Dominik T., 1551: 1543: 1535: 1528:Heimdallr.ch 1527: 1519: 1507: 1501: 1498:Dominik T., 1483: 1474: 1463:the original 1458: 1449: 1432: 1420: 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German) 1425:(in German) 1380:(in German) 1356:p. 411 1325:(in German) 1276:(in German) 1192:Blutleuchte 1184:Sturmlieder 1154:Other media 1039:Sturmlieder 815:Sturmlieder 684:Discography 678:Halo Manash 650:Walter Flex 619:Sturmlieder 597:John Haughm 413:Ninon Hesse 319:Sturmlieder 305:Ernst Busch 254:shamanistic 213:Adam Kadmon 188:subheadings 143:, formerly 113:Allerseelen 20:Allerseelen 1800:Categories 1792:on MySpace 1701:Lux Atenea 1642:(in Dutch) 1618:(in Dutch) 1303:(in Dutch) 1221:References 1172:Iron Guard 834:Blood Axis 636:The album 515:Blood Axis 478:Megalithic 453:Ezra Pound 293:Wewelsburg 184:condensing 1767:. Trans. 1590:Nonpop.de 1565:Nonpop.de 1524:News 2004 1508:Nonpop.de 1502:Hallstatt 1180:Luftwaffe 1168:Otto Rahn 1147:CD/LP/MC 1091:Hallstatt 1078:Edelweiss 767:Cassette 754:Cassette 741:Cassette 737:Autdaruta 728:Cassette 715:Cassette 711:Autdaruta 662:AnaĂŻs Nin 633:in 2010. 566:Hallstatt 542:Hallstatt 535:Edelweiss 331:Nietzsche 289:black sun 192:talk page 180:splitting 178:Consider 1421:Die Zeit 1188:Ahnstern 1160:Ahnstern 623:Agalloch 601:Agalloch 570:krautpop 474:Iggy Pop 372:'s film 343:'s film 279:officer 250:Mithraic 172:too long 141:Ahnstern 1370:Arici, 1203:Dualpha 909:Venezia 763:Auslese 750:Requiem 724:Requiem 642:daemons 574:samples 496:Novalis 445:Venezia 313:Himmler 170:may be 151:History 103:Members 80: ( 59:Neofolk 50:Austria 1775:  1742:  1682:  1459:Falter 1350:  1270:  1210:Bremen 1065:Knospe 1000:Flamme 961:Flamme 699:Title 631:Oregon 498:, and 488:Flamme 455:, and 382:, and 91:Labels 86:–today 55:Genres 47:Origin 1164:Aorta 1139:2019 1126:2017 1113:2015 1100:2010 1087:2007 1074:2005 1061:2005 1048:2005 1035:2004 1022:2004 1009:2004 996:2004 987:Pedra 983:2003 970:2003 965:2xLP 957:2003 944:2003 931:2002 918:2002 905:2001 892:2001 879:2000 866:2000 853:1999 840:1999 824:1998 811:1996 798:1995 785:1995 776:Cruor 772:1994 759:1992 746:1990 733:1990 720:1989 707:1989 696:Year 399:With 266:Zillo 246:Cruor 145:Aorta 1773:ISBN 1740:ISBN 1680:ISBN 1674:and 1348:ISBN 1268:ISBN 527:and 431:and 355:Odin 252:and 225:song 133:Nazi 127:and 82:1987 78:1987 1134:CD 1121:CD 1108:CD 1095:CD 1082:CD 1017:LP 1004:CD 939:7" 926:CD 913:CD 900:7" 887:7" 874:CD 861:CD 848:7" 819:CD 806:7" 793:CD 780:CD 599:of 437:by 427:by 357:by 333:'s 325:'s 237:by 227:by 147:. 1802:: 1699:, 1636:, 1612:, 1588:, 1563:, 1542:, 1526:, 1506:, 1491:^ 1482:, 1457:, 1404:^ 1395:, 1363:^ 1332:^ 1310:^ 1297:, 1283:^ 1229:^ 1186:. 672:, 668:, 664:, 660:, 652:, 648:, 611:. 560:, 552:, 521:. 494:, 459:. 451:, 441:. 396:. 277:SS 65:, 61:, 1779:. 1750:. 1725:. 1686:. 1657:. 1644:. 1620:. 1596:. 1571:. 1514:. 1469:. 1444:. 1427:. 1382:. 1358:. 1327:. 1305:. 1278:. 202:) 198:( 194:. 176:. 84:)

Index


Nizhny Novgorod
Neofolk
Martial industrial
Experimental
experimental
post-industrial
military pop
Nazi
too long
splitting
condensing
subheadings
talk page
Adam Kadmon
Hermann Nitsch
All Souls' Day
song
Richard Strauss
Blue of Noon
George Bataille
Mithraic
shamanistic
Tibetan ritual music
Throbbing Gristle
SS
Karl Maria Wiligut
Germanic months
black sun
Wewelsburg

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