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The band was increasingly popular in not-so-rock circles, particularly in so-called "trendy" clubs, yet only mildly received in the rock industry. But the strength of their sound would begin to reach crossover audiences, particularly after their 2nd full-length
198:("Save Sebastian"), is widely seen as the biggest single in the group's catalog. And the rest of the album remains strong, the culmination of a half-decade of strong musical output that by 1975 had won rockers and music hall listeners alike.
187:, was arguably their strongest and one of the best rock releases of the period. It was sophisticated music, as much rock as mature melodies with some political leanings (to the left), predicting Argentine rock trends by about three years.
148:", for the Mandioca label. Soon after, Gustavo Moretto replaced Mario Salvador on the horns, which would in hindsight be an important development. Alma y Vida then proceeded to sign with RCA to release their first self-titled album.
216:. That would be the end of the road for the group, with Carlos Mellino also leaving, but not before Alma y Vida left a delightful and gratifying sounding mark in the landscape of music of their time.
100:), while other future members were regular visitors at the historic La Cueva club, Alma y Vida were pioneers in Argentina of jazz-rock in the vein of
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But by then
Gustavo Moretto gave the announcement he was stepping aside from Alma y Vida to pursue new musical horizons (he would form prog-rock act
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212:(number five), in early 1976. But the album showed clear signs of fatigue, in spite of a solid single in
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Once they settled on a style, Alma y Vida recorded their debut single:
158:'s similar music proposal. 1971's homonymous debut featured hit songs
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96:in the late 1960s (Carlos Mellino was a member of
88:during the first half of the 1970s. Composed of
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154:was to be influenced by the huge success of
69:Learn how and when to remove this message
190:Alma y Vida released self-titled number
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53:by removing or replacing such wording.
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208:A now five member group released
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233:Alma y Vida- Argentine Groups A
160:"Mujer, gracias por tu llanto",
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282:Argentine rock music groups
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183:Their third album, 1973's
260:www.rock.com.ar (Spanish)
165:(with superb guitar) and
125:Bernardo Baraj: saxophone
92:musicians that turned to
16:Argentinian musical group
277:Argentine jazz ensembles
214:"Le daré su mano a Dios"
185:Del Gemido de un Gorrión
102:Blood, Sweat & Tears
84:were a musical group in
251:Alma y Vida Alma y Vida
180:was a significant hit.
178:"Hoy Te Vamos a Cantar"
142:"Niño de color cariño"
34:contains wording that
131:Mario Salvador: horns
128:Carlos Villalba: bass
122:Alberto Hualde: drums
119:Juan Barrueco: guitar
116:: voice and keyboards
196:"Salven a Sebastián"
167:"Lágrima de ciudad".
38:the subject through
256:2007-12-02 at the
238:2006-09-08 at the
44:unnoteworthy facts
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163:"Veinte monedas"
108:Original members
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146:"He comprendido
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174:Alma y Vida II
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210:Alma y Vida V
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59:December 2021
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32:This article
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40:exaggeration
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152:Alma y Vida
98:The Seasons
82:Alma y Vida
271:Categories
220:References
94:rock music
86:Argentina
254:Archived
236:Archived
36:promotes
156:Chicago
136:History
49:Please
203:ALAS
144:b/w
90:jazz
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42:of
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192:IV
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