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scene full of detail, with landscape elements characteristic of the time. The Magi with their offerings, in the
Epiphany, address the central figures. The last compartment depicts two scenes, without any architectural separation: the Slaughter of the Innocents, which is difficult to recognise as the soldiers’ spears and the slaughtered children have been lost, and the Flight into Egypt.
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In the side compartments, separated by thin columns, are scenes from Christ’s childhood, beginning with the
Annunciation by the angel to Mary and the Visitation by the latter to St Elizabeth. It continues with the Nativity and, behind Joseph, the Annunciation to the Shepherds, a highly descriptive
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The technique features they use in backgrounds and on frames of stucco reliefs, which were once coated with fine layers of metal and yellow varnish (known as colradura) to give them the appearance of precious metal. The pictorial style is highly narrative and uses a lot of bright colours that, in
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their day, with the gilding that has since been lost, must have been even brighter. These sightly works must have been in great demand, something we can deduce from the number of specimens preserved.
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The frontal is presided by the Virgin and Child, enthroned inside an almond-shaped mandorla surrounded by the
Tetramorph, the four symbolic beings that proclaimed the Gospel.
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Carbonell, Eduard; Pagès, Montserrat; Camps, Jordi; Marot, Teresa (1998).
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97 cm Ă— 162 cm (38 in Ă— 64 in)
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The Corpus
Christi Procession Leaving the Church of Santa Maria del Mar
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Tempera, stucco reliefs and remains of varnished metal plate on wood
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The
Medieval Treasures of the Museu Nacional D'Art de Catalunya
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Guide of the Museu
Nacional d'Art de Catalunya. MNAC, 2004.
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Romanesque Art Guide: Museu
Nacional D'Art de Catalunya
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Altar frontal from La Seu d'Urgell or of The
Apostles
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702:Paintings in the Museu Nacional d'Art de Catalunya
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253:Carbonell, Eduard; Sureda i Pons, Joan (1997).
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419:Mural paintings of the conquest of Majorca
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164:Castiñeiras, Manuel; Camps, Jordi (2008).
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676:List of artists from the MNAC collection
508:Mural Paintings from the Herrera Chapel
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589:Ramon Casas and Pere Romeu on a Tandem
501:Jean-Claude Richard, abbé of Saint-Non
446:Nativity and Saint John the Evangelist
167:Romanesque art in the MNAC collections
231:. Museu Nacional d'Art de Catalunya.
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358:Erill la Vall Descent from the Cross
712:Paintings of the Madonna and Child
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681:Museu Nacional d'Art de Catalunya
315:Museu Nacional d'Art de Catalunya
198:Museu Nacional D'Art de Catalunya
89:Museu Nacional d'Art de Catalunya
72:Museu Nacional d'Art de Catalunya
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596:Confidant from the BatllĂł House
279:The artwork at Museum's website
47:Second half of the 13th century
536:Martyrdom of Saint Bartholomew
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453:Altarpiece of the Saints John
351:Apse of Sant Climent de TaĂĽll
150:The artwork at MNAC's Website
87:is an altar conserved at the
39:Johannes. Ribagorça Workshop
631:Woman in Hat and Fur Collar
439:Altarpiece of Saint Barbara
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515:Saint Peter and Saint Paul
467:Saint Augustine Altarpiece
103:, along with the one from
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337:Southern apse from Pedret
85:Altar frontal from Cardet
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22:Altar frontal from Cardet
460:Virgin of the Consellers
344:Apse of Santa Maria Àneu
16:13th century alter front
372:Altar frontal from AviĂ
99:The Altar frontal from
707:13th-century paintings
474:Resurrection of Christ
379:Paintings from Arlanza
201:. MNAC. 1 March 2009.
624:Portrait of My Father
529:Immaculate Conception
432:Virgin of the Angels
386:The Christ from 1147
575:The Spanish Wedding
522:Madonna of Humility
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238:978-84-8043-039-5
208:978-84-8043-200-9
181:978-84-8043-196-5
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603:Terraced Village
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261:. Retrieved
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550:Saint Agnes
263:3 September
244:3 September
214:3 September
187:3 September
95:Description
696:Categories
582:Desolation
543:Saint Paul
122:References
60:Dimensions
659:A Romance
617:Cala Forn
259:. Lunwerg
76:Barcelona
669:See also
105:Rigatell
68:Location
610:Paloma
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101:Cardet
36:Artist
265:2012
246:2012
233:ISBN
216:2012
203:ISBN
189:2012
176:ISBN
172:MNAC
135:ISBN
83:The
52:Type
44:Year
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
