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A fine example of the musical implications of multiple recorded performances and how they differ can be found on the posthumous 1969 LP compilation "To Know a Man" (Blue
Horizon 7-66230) which comprises the complete last two early 1960s sessions by legendary slide guitarist Elmore James with backing
337:, a take refers to each filmed "version" of a particular shot or "setup". Takes of each shot are generally numbered starting with "take one" and the number of each successive take is increased (with the director calling for "take two" or "take eighteen") until the filming of the shot is completed.
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is famous for being composed of nine uninterrupted takes, each from four to ten minutes long. This required actors to step over cables and dolly tracks while filming, and stagehands to move furniture and props out of the camera's way as it moved around the room. The eight-minute opening shot of
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behaving sullenly in a police lineup, but the actors could not remain serious and kept spoiling the takes by laughing and making faces. In the end, Singer changed his plan and used the funniest of the takes in the final movie to illustrate the contempt the criminals had for the police.
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musicians. These are unedited studio tapes which include multiple live complete and part takes of several tracks. There are also adlib band reminiscences and talkback chat with the producer which give a superb insight into the creative energy of the performing and recording process.
421:(2000) consists of a single 90-minute take as well, albeit with four camera units shooting simultaneously. In the finished film, all four camera angles are shown simultaneously on a split screen, with the sound fading from one to another to direct audience attention.
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similarly refers to successive attempts to record a song or part. Musical takes are also sequentially numbered. The need to obtain a complete, acceptable take was especially important in the years predating
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occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive special effects) or by some combination of luck and skill.
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Failed attempts are called "false starts" if, for example, not even a complete chorus or verse is recorded; longer almost-complete attempts are called "long false starts".
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is a single continuous recorded performance. The term is used in film and music to denote and track the stages of production.
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In other cases, it is the actors who cause multiple takes. One fight scene in
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Writing consistency and focus is off. Full rewrite is not strictly necessary.
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are notorious for demanding numerous retakes of a single scene, once asking
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due to the high sugar intake. Chaplin also did 342 takes of a scene in
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tried for a full day to get his desired shots of the cast of
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was so intricate that it required 329 takes to complete.
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and/or script supervisor are printed and are sent to the
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includes people discussing long takes in other movies.
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was notoriously frustrated by the retakes required by
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230:Learn how and when to remove this message
168:Learn how and when to remove this message
193:This article includes a list of general
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620:"The Gold Rush (1925) - Trivia - IMDb"
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32:Take (disambiguation)
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281:August 2023
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