66:). It treats, therefore, in fact, of only one (the fifth, namely) of the seven branches into which the subject is, as usual, divided in the introduction; and may possibly be merely a fragment of a larger work. It would have been most valuable if any considerable number of examples had been left us of the actual use of the system of notation described in it; unfortunately very few remain, and they seem to belong to an earlier stage of the science. However, Alypius's work remains the best source of modern knowledge of the musical notes of the
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The work of
Alypius consists wholly, with the exception of a short introduction, of lists of the symbols used (both for voice and instrument) to denote all the sounds in the forty-five scales produced by taking each of the fifteen modes in the three genera
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There are no tolerably sure grounds for identifying
Alypius with any one of the various persons who bore the name in the times of the later emperors, and of whose history anything is known.
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Translation of this book into Modern Greek, along with comments and explanation notes, by
Athanasios G. Siamakis, Archimandritis, published by Prespes 2003, second edition. pages 140.
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called "Alypius
Antiochensis", who was employed by the emperor Julian in his attempt to rebuild the Jewish temple. Julian addresses two epistles (29 and 30) to Alypius (
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35:) was a Greek writer on music who flourished in the 4th century CE. Of his works, only a small fragment has been preserved, under the title of
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places him towards the end of the 4th century. According to the most plausible conjecture, he was that
Alypius whom the writer
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161:), in one of which he thanks him for a geographical treatise or chart; it would seem more likely that this was
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The text, which seemed hopelessly corrupt to its first contemporary editor, classical scholar
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and his immediate successors, that is, during the 4th century. This
Alypius was a native of
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Iamblichus wrote a life of the
Alexandrian Alypius, although it is no longer extant.
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435: This article incorporates text from a publication now in the
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82:, and serves to throw some light on the obscure history of the modes.
297:
Aristoxenus, Nicomachus, Alypius, ed. Joh. Meursius, Lugd. Bat. 1616.
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Antiquae
Musicae Auctores Septem, ed. Marc. Meibomius, Amstel. 1652
337:. Vol. 1 AA–ANS. London: B. Fellowes et al. p. 373.
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Dictionary of Greek and Roman
Biography and Mythology
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Dictionary of Greek and Roman
Biography and Mythology
165:, instead of the Alypius from Alexandria, although
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215:, Sixth Edition. 2001-05. URL accessed 2006-09-27.
109:, but others also existing in England and Italy.
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315:http://www.britannica.com/eb/article-9005972
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370:and not. vol. ii. p. 63, ed. Wyttenbach
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398:xxix. xxx. and not. p. 297, ed. Heyler
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113:published an authoritative edition in
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169:supposes the two were the same.
158:Ἰουλινὸς Ἀλυπίῳ ἀδελφῷ Καισαρίου
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103:Antiquae Musicae Scriptores
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444:, ed. (1870). "Alypius".
348:Jean-Benjamin de la Borde
244:Little, Brown and Company
213:The Columbia Encyclopedia
140:ὁ διαλεκτικώτατος Ἀλύπιος
127:Jean-Benjamin de la Borde
226:Donkin, William Fishburn
115:Musici Scriptores Graeci
16:4th-century Greek writer
472:Oxford University Press
311:Encyclopædia Britannica
242:. Vol. 1. Boston:
309:"Alypius". (2006). In
279:c. 8. p. 235, c. 9. 12
521:Ancient Greek writers
95:Introduction to Music
37:Introduction to Music
456:Mathiesen, Thomas J.
380:Ammianus Marcellinus
352:Essai sur la Musique
273:Philipp August Böckh
153:Ammianus Marcellinus
531:Writers about music
392:Julian the Apostate
145:Julian the Apostate
467:Grove Music Online
368:Life of Iamblichus
207:2007-03-10 at the
163:Alypius of Antioch
135:Life of Iamblichus
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176:References
149:Alexandria
64:enharmonic
22:Alexandria
506:required)
461:"Alypius"
458:(2016) .
396:Epistulae
331:"Alypius"
230:"Alypius"
133:, in his
60:chromatic
408:Meursius
364:Eunapius
329:(1857).
228:(1867).
205:Archived
167:Meursius
131:Eunapius
121:Identity
99:notation
56:diatonic
439::
422:Sources
236:(ed.).
202:Alypius
32:Ἀλύπιος
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78:, and
72:scales
68:Greeks
232:. In
49:Works
27:Greek
497:2022
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