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Amalia Del Ponte

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140: 25: 182:. Del Ponte's work has been described as being suspended between art and science, through studies that investigate the relationship between sculpture, music, science and technology. Her international debut in the 1970s won First Prize for Sculpture at the 471: 222:
In 1965 Amalia Del Ponte made her first sculptures in Plexiglas, based on an analysis of basic geometric shapes. Two years later Vittorio Fagone named these works
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Del Ponte received international acclaim in 1973 when she was invited by Bruno Munari and Umbro Apollonio to participate at the
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described as "sound stones that point out the invisible correspondences between geometric shapes, musical scales and colors".
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during a solo show at Galleria Vismara in Milano. In the 1960s Del Ponte also designed the interiors of the fashion boutique
79: 648: 57: 49: 86: 633: 496: 38: 638: 628: 93: 42: 567: 238: 183: 539: 199: 162:(born 1936) is an Italian artist and designer. Her work has been praised by critics and art historians such as 75: 139: 603: 568:"Amalia del Ponte - Regno dei possibili. Invisibili - Amalia del Ponte - Regno dei possibili. Invisibili" 536:"Sabato alla Certosa inaugurazione della mostra "Regno dei possibili, invisibili" di Amalia del Ponte" 608: 264:, with a room dedicated to her work in the Italian Pavilion. Here she exposed an original set-up of 179: 203: 163: 64: 100: 407: 272: 261: 211: 175: 144: 394:"Amalia del Ponte, l'artista che inventò il negozio di Fiorucci e poi se ne dimenticò" 325: 597: 257: 231: 207: 171: 339: 553: 167: 250: 363: 457: 500: 276: 586: 283:
is about how art and science make otherwise invisible reality visible.
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Amalia Del Ponte - Intervista di Mario Gamba per Notte Cultura Rai 3
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Amalia Del Ponte e Elio Fiorucci - intervista di Matteo Giacometti
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from the article and its talk page, especially if potentially
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in 1936. Between 1956 and 1961 she studied sculpture under
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In 2010 she created a project for Certosa Island in the
241:, where she won First Prize for Sculpture with her work 554:"REGNO DEI POSSIBILI, INVISIBILI di AMALIA DEL PONTE" 340:"Amalia Del Ponte di Cristina Casero su Titolo" 472:"Italiani - Storia della Biennale di Venezia" 260:invited Del Ponte to participate at the 46th 8: 178:, Francesco Tedeschi, Flaminio Gualdoni and 458:"12ª Bienal de São Paulo (1973) - Catálogo" 245:. In 1993, Del Ponte exhibited some of her 56:about living persons that is unsourced or 206:in Milan. Among her fellow students were 127:Learn how and when to remove this message 292: 7: 497:"Authors' Biographies [a-d]" 298: 296: 624:21st-century Italian women artists 619:20th-century Italian women artists 14: 522:"ACTV | Muoversi a Venezia" 365:documentario su Amalia Del Ponte 281:Regno dei possibili, invisibili, 23: 435:Delponte, Amalia (2012-04-24), 303:delponte, amalia (2011-03-16), 422:"Archivio Corriere della Sera" 1: 380:"... FARAHZAD ART ... Events" 614:Italian contemporary artists 538:(in Italian). Archived from 34:biography of a living person 61:must be removed immediately 16:Italian artist and designer 665: 279:. The art work, entitled 190:Early life and education 644:Italian women sculptors 239:São Paulo Art Biennial 194:Del Ponte was born in 184:São Paulo Art Biennial 156: 48:Please help by adding 142: 649:Brera Academy alumni 396:. 14 September 2022. 210:, Mario Robaudi and 143:Amalia Del Ponte at 54:Contentious material 249:at Fort Asperen in 634:Artists from Milan 344:1995-2015.undo.net 326:"Amalia del Ponte" 204:Accademia di Brera 157: 76:"Amalia Del Ponte" 639:Italian sculptors 629:Italian designers 137: 136: 129: 111: 37:needs additional 656: 590: 589: 587:Official website 572: 571: 564: 558: 557: 550: 544: 543: 532: 526: 525: 518: 512: 511: 509: 508: 499:. Archived from 493: 487: 486: 484: 483: 474:. Archived from 468: 462: 461: 460:. December 2008. 454: 448: 447: 446: 445: 432: 426: 425: 418: 412: 411: 404: 398: 397: 390: 384: 383: 376: 370: 369: 360: 354: 353: 351: 350: 336: 330: 329: 322: 316: 315: 314: 313: 300: 273:Lagoon of Venice 160:Amalia Del Ponte 132: 125: 121: 118: 112: 110: 69: 50:reliable sources 27: 26: 19: 664: 663: 659: 658: 657: 655: 654: 653: 594: 593: 585: 584: 581: 576: 575: 566: 565: 561: 552: 551: 547: 534: 533: 529: 520: 519: 515: 506: 504: 495: 494: 490: 481: 479: 470: 469: 465: 456: 455: 451: 443: 441: 434: 433: 429: 420: 419: 415: 406: 405: 401: 392: 391: 387: 378: 377: 373: 362: 361: 357: 348: 346: 338: 337: 333: 324: 323: 319: 311: 309: 302: 301: 294: 289: 262:Venice Biennale 251:the Netherlands 243:Area percettiva 232:Elio Fiorucci's 220: 192: 133: 122: 116: 113: 70: 68: 47: 28: 24: 17: 12: 11: 5: 662: 660: 652: 651: 646: 641: 636: 631: 626: 621: 616: 611: 606: 596: 595: 592: 591: 580: 577: 574: 573: 559: 545: 542:on 2014-02-23. 527: 513: 488: 463: 449: 427: 413: 399: 385: 371: 355: 331: 317: 291: 290: 288: 285: 230:in Milan, and 219: 216: 212:Gianni Colombo 191: 188: 176:Arturo Schwarz 145:Carrara quarry 135: 134: 58:poorly sourced 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 661: 650: 647: 645: 642: 640: 637: 635: 632: 630: 627: 625: 622: 620: 617: 615: 612: 610: 607: 605: 604:Living people 602: 601: 599: 588: 583: 582: 578: 569: 563: 560: 556:(in Italian). 555: 549: 546: 541: 537: 531: 528: 523: 517: 514: 503:on 2014-05-03 502: 498: 492: 489: 478:on 2014-02-23 477: 473: 467: 464: 459: 453: 450: 440: 439: 431: 428: 423: 417: 414: 409: 403: 400: 395: 389: 386: 381: 375: 372: 368:(in Italian). 367: 366: 359: 356: 345: 341: 335: 332: 327: 321: 318: 308: 307: 299: 297: 293: 286: 284: 282: 278: 274: 269: 267: 263: 259: 258:Gillo Dorfles 254: 252: 248: 244: 240: 235: 233: 229: 225: 217: 215: 213: 209: 208:Kengiro Azuma 205: 201: 200:Marino Marini 197: 189: 187: 185: 181: 180:Tommaso Trini 177: 173: 172:Gillo Dorfles 169: 165: 161: 154: 150: 146: 141: 131: 128: 120: 117:February 2019 109: 106: 102: 99: 95: 92: 88: 85: 81: 78: –  77: 73: 72:Find sources: 66: 62: 59: 55: 51: 45: 44: 40: 35: 30: 21: 20: 562: 548: 540:the original 530: 516: 505:. Retrieved 501:the original 491: 480:. Retrieved 476:the original 466: 452: 442:, retrieved 437: 430: 416: 402: 388: 374: 364: 358: 347:. Retrieved 343: 334: 320: 310:, retrieved 305: 280: 270: 266:lithophones, 265: 255: 246: 242: 236: 234:first shop. 227: 223: 221: 193: 168:Bruno Munari 159: 158: 123: 114: 104: 97: 90: 83: 71: 60: 43:verification 36: 609:1936 births 247:lithophones 164:Guido Ballo 598:Categories 507:2014-02-13 482:2014-02-13 444:2019-02-16 349:2019-02-16 312:2019-02-16 287:References 277:Case Matte 87:newspapers 256:In 1995, 39:citations 65:libelous 408:"Tropi" 202:at the 149:Tuscany 101:scholar 218:Career 103:  96:  89:  82:  74:  579:Links 228:Gulp! 224:Tropi 196:Milan 153:Italy 108:JSTOR 94:books 32:This 80:news 41:for 600:: 342:. 295:^ 253:. 214:. 186:. 174:, 170:, 166:, 151:, 147:, 52:. 570:. 524:. 510:. 485:. 424:. 410:. 382:. 352:. 328:. 155:. 130:) 124:( 119:) 115:( 105:· 98:· 91:· 84:· 67:. 46:.

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Carrara quarry
Tuscany
Italy
Guido Ballo
Bruno Munari
Gillo Dorfles
Arturo Schwarz
Tommaso Trini
São Paulo Art Biennial
Milan
Marino Marini
Accademia di Brera
Kengiro Azuma
Gianni Colombo
Elio Fiorucci's

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