98:(erotic love, romantic love) including aspects such as love, passion, estrangement, longing, rapprochement, joy and sorrow, etc. Greg Bailey notes that it is "as much about the social aspects of courting, betrayal, feminine indignance and masculine self-pity as it is about sensuality". Similarly, Schelling notes: "All the flavours or nuances of love are said to lie within the book, though you'll notice that the emphasis falls more on the bitter taste of separation or betrayal than on the sweetness of consummation." . Three recensions were made - The Southern represented by Verma , the Bengali or the Eastern by Ravichandra and the Western by Arjuna . Out of 127 stanzas that r found only 72 are considered to be genuine by Dr. S.K. De and the rest have a doubtful authorship.
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Another version, given in
Ravichandra's commentary on the Amarushataka, states that Shankara composed these poems to impart spiritual insight to the epicurean king Amaru, in metaphors he might understand. When this was misunderstood and mocked by the advisers at the court, Shankara entered the body
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Not much is known about the life of Amaru. Traditional accounts attribute the work to King Amaru of
Kashmir. The collection in its present form may well represent the work of more than one authorâthe poems that form part of the collection differ quite significantly across its different regional
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naming
Shankara as the true author of the work, and Ravichandra, a mediaeval commentator on the Bengal recension of the Amarusataka, read metaphysical meanings into the verses. Other legends also state that Amaru was the 101st reincarnation of a soul that had previously occupied 100 women.
130:, Shankara requested an adjournment. He then entered the recently dead body of Amaru and spent a hundred days mastering the art of erotic love, before returning to defeat his opponent. He wrote the Amarushataka to memorialise his learning.
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that "a single stanza of the poet Amaru ... may provide the taste of love equal to what's found in whole volumes." Its verses have been used by poets and critics as examples and standards to judge other poems by.
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194:; edited by C. R. Devadhar A literal translation of the complete text Motilal Banarsidass: first published Poona, 1959; Reprint: Delhi, 1984
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describes it as "love poetry original and vivid as that produced anywhere on the planet".
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Wife awaits her
Husband, Verse 76, Amaru Shataka by Amaru, early 17th-century painting.
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There are also a number of legends associating the collection with the philosopher
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43:(also Amaruka), is a collection of poems dated to about the 7th or 8th century.
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Amarusatakam (A centum of
Ancient Love Lyrics of Amaruka)
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of Amaru and provided a spiritual exegesis of the poems.
39:(ŕ¤
ऎरŕĽŕ¤śŕ¤¤ŕ¤, "the hundred stanzas of Amaru"), authored by
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translated by Andrew
Schelling, Shambala Library, 2004.
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translated by Andrew
Schelling, Shambala Library, 2004.
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A history of classical poetry: Sanskrit, Pali, Prakrit
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351:A history of Sanskrit literature
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265:Erotic Love Poems from India
153:Erotic Love Poems from India
16:Collection of poems by Amaru
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50:ranks as one of the finest
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409:Indian poetry collections
404:Early medieval literature
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346:Arthur Berriedale Keith
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220:Introduction in The
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356:Motilal Banarsidass
56:Sanskrit literature
283:Siegfried Lienhard
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379:Some verses
238:Love Lyrics
222:AmaruĹataka
181:Love Lyrics
165:AmaruĹataka
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