258:
184:
31:
589:
532:
300:
around the saints' heads and the role of the peaceful sleep of the patient receiving the transplant, Ambrosius' composition dwells more on the technique of the amputation and also shows the patient as a normal person whose face is distorted in pain. The saints have no nimbus and do not have help of
291:
Many of his works that have survived depict martyrdoms, a theme popular in
Counter-Reformation Flanders. One of his important commissions was the painting of the triptych for the Guild of Barbers and Surgeons in 1590. One of the wings of the triptych depicts the miracles of the
296:. The saints' most famous miraculous exploit was the grafting of a leg from a recently deceased Ethiopian to replace a patient's ulcered or cancerous leg. Unlike earlier representations of the subject which accentuate the role of the divine by including angels, a
301:
angels. They use their own hands and their instruments are lying on the floor and are clearly recognizable. The depiction is more naturalistic than the earlier representations as it discounts the miraculous and makes the technical procedure take centre stage.
230:. Raphael Coxie was involved in a dispute with the Ghent magistrate who he felt was offering a sum that was too low for his masterpiece. Ambrosius Francken and Marten de Vos were also chosen as the chief designers of the decorations for the 1594
217:
He clearly established a name for himself as a prolific maker of the many altarpieces that replaced the ones destroyed during the iconoclastic troubles. His reputation was such that in 1589 he together with
205:
in the Low
Countries. In 1577 Antwerp had elected a Calvinist city council. The council ordered in 1581 the systematic removal of all images from local churches. This event is referred to as the 'silent
267:
Ambrosius
Francken I is known for religious works and historical allegories. He made large altarpieces for churches in Antwerp that replaced the many artworks that had disappeared during the
420:
567:
277:
a few decades before. His compositions depicting muscular figures based on classical prototypes exercised an important influence on contemporary artists.
257:
451:
Van opdracht tot veiling, Kunstaanbestedingen naar aanleiding van de Blijde
Intrede van aartshertog Ernest van Oostenrijk te Antwerpen in 1594
1353:
610:
344:
172:
where he lived at the Bishop's residence. Van Mander met him in
Tournai while he himself was residing there as a young pupil at his master
560:
319:) that are ascribed to Ambrosius I are interesting and show plays that he may have seen while residing in Fontainebleau in the 1570s.
1358:
636:
536:
1363:
1368:
614:
436:(Thesis binnen de opleiding ‘Kunstwetenschappen’, Universiteit Gent), Promotor : Prof. Dr. Maximiliaan Mart, p. 46-52
553:
136:
family of artists, which played a very important role in the
Flemish art scene from the late 16th to middle 17th century.
210:'. Ambrosius, who is believed to have converted to Calvinism himself, was elected dean of the Guild in 1582. After the
297:
434:
Raphaël van Coxcie (1540-1616): een monografische benadering toegespitst op zijn ‘Laatste
Oordeel’-tafereel te Gent.
235:
1373:
599:
293:
183:
156:
both became successful painters. Ambrosius studied under his father and the leading
Antwerp Mannerist painter
104:
30:
481:
1184:
1175:
618:
603:
304:
During his
Calvinist period (roughly 1579 to 1585) Ambrosius was responsible for a set of engravings called
392:
Ursula Härting. "Francken." Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 29 July 2014
312:
284:
in the opulently draped robes and other details. He occasionally painted the staffage in the landscapes of
1008:
242:
148:. His father was the painter Nicolaes Francken from Herentals who later moved to Antwerp. His brothers
1028:
834:
153:
110:
657:
448:
358:
1348:
1343:
1297:
999:
173:
1045:
194:
1165:
1018:
992:
844:
516:
509:
362:
316:
285:
161:
149:
211:
367:
219:
165:
125:
1337:
281:
227:
177:
454:
in: De zeventiende eeuw. Jaargang 19. Uitgeverij Verloren, Hilversum 2003, p. 25-54
214:, the city became Catholic again and Ambrosius made it known he was Catholic again.
197:
as a master. Ambrosius lived in a very turbulent time due to the conflict between
273:
231:
157:
128:
painter known for his religious works and historical allegories painted in a late
588:
406:
The Representation of Martyrdoms During The Early Counter-Reformation in Antwerp
193:
Around 1573 Ambrosius Francken I was back in Antwerp where he joined the local
268:
207:
198:
202:
145:
129:
50:
531:
340:
311:
Very few of his drawings have survived. Some drawings of scenes from the
234:
into Antwerp of the newly appointed governor of the Southern Netherlands,
133:
246:
169:
54:
222:
was appointed by the Ghent magistrate to value the painting of the
182:
308:
that strongly criticised, even ridiculed, the Catholic clergy.
582:
498:
Commodified Bodies: Organ Transplantation and the Organ Trade
468:
Opening Doors: The Early Netherlandish Triptych Reinterpreted
241:
He married Clara Pickarts and later became the teacher of
245:, the son of his brother Frans Francken I. He died in
98:
90:
82:
74:
62:
43:
21:
510:Ambrosius Francken (I) (circa 1544/1545–1618),
176:'s house. In 1570 Francken spent some time in
561:
8:
617:. Unsourced material may be challenged and
568:
554:
546:
29:
18:
637:Learn how and when to remove this message
132:style. He was a prominent member of the
483:The Golden Legend or Lives of the Saints
256:
408:, Burlington Magazine, 1976, p. 132-138
328:
262:The Charity of Saints Cosmas and Damian
416:
414:
400:
398:
1317:
1315:
1313:
1311:
1309:
1307:
1305:
1303:
1296:
1294:
1292:
1290:
1288:
1286:
1284:
1282:
1280:
1278:
1276:
1274:
1272:
1270:
1268:
1266:
1264:
1258:
1256:
1254:
1252:
1250:
1248:
1246:
1244:
1242:
1240:
1234:
1232:
1230:
1228:
1226:
1224:
1222:
1220:
1218:
1216:
1214:
1212:
1210:
1208:
1206:
1204:
1202:
1196:
1194:
1192:
1190:
1183:
1181:
1174:
1172:
1163:
1161:
1159:
1157:
1155:
1153:
1151:
1149:
1147:
1145:
1143:
1141:
1139:
1113:
1111:
1109:
1107:
1105:
1103:
1079:
1077:
1075:
1073:
1071:
1069:
1067:
1065:
1063:
1061:
1059:
1057:
1055:
1044:
1042:
1040:
1038:
1036:
1034:
1027:
1025:
1016:
1014:
1007:
1005:
998:
996:
991:
955:
953:
947:
945:
943:
941:
939:
937:
935:
903:
901:
899:
893:
886:
884:
877:
875:
873:
871:
869:
867:
865:
863:
861:
859:
857:
855:
853:
851:
842:
840:
833:
773:
771:
715:
709:
707:
705:
703:
701:
699:
697:
695:
693:
691:
689:
687:
685:
683:
681:
679:
677:
675:
673:
671:
669:
667:
665:
663:
656:
345:Netherlands Institute for Art History
336:
334:
332:
7:
615:adding citations to reliable sources
388:
386:
384:
382:
380:
14:
512:Scene from the commedia dell'arte
280:His style shows the influence of
144:Ambrosius Francken I was born in
587:
530:
470:, Penn State Press, 2012, p. 256
500:, Routledge, 24 Apr 2014, p. 73
1:
1354:Flemish Renaissance painters
480:Jacobus de Voragine (1275).
315:(including a drawing at the
168:that Francken spent time in
66:1618 (aged 73–74)
36:Let the children come to me
1390:
421:About Ambrosius Francken I
236:Archduke Ernest of Austria
1238:
1236:
1133:
1131:
1129:
1123:
1121:
1119:
1101:
1097:
1095:
1093:
1091:
1089:
1087:
1085:
1081:
985:
983:
981:
975:
973:
971:
965:
963:
961:
951:
949:
933:
929:
927:
925:
923:
921:
919:
917:
915:
913:
911:
909:
905:
897:
895:
827:
825:
823:
817:
815:
813:
811:
809:
807:
805:
803:
801:
799:
797:
795:
793:
791:
789:
783:
781:
779:
769:
765:
763:
761:
759:
757:
755:
753:
751:
749:
747:
745:
743:
741:
739:
737:
735:
733:
731:
729:
727:
725:
723:
721:
717:
160:. The early biographer
28:
1359:Flemish history painters
294:Saints Cosmas and Damian
124:(1544–1618) was a
105:Frans Francken the Elder
1176:Hieronymus Francken III
1364:Flemish genre painters
1185:Ambrosius Francken III
1009:Hieronymus Francken II
537:Ambrosius Francken (I)
264:
243:Hieronymus Francken II
190:
1369:People from Herentals
1029:Ambrosius Francken II
835:Hieronymus Francken I
539:at Wikimedia Commons
260:
186:
154:Hieronymus Francken I
111:Hieronymus Francken I
1298:Constantijn Francken
887:(Cornelius Francken)
879:Ambrosius Francken I
611:improve this section
576:Francken family tree
122:Ambrosius Francken I
23:Ambrosius Francken I
306:The Fate of Mankind
195:Guild of Saint Luke
1166:Frans Francken III
432:Nina D’haeseleer,
359:Ambrosius Francken
341:Ambrosius Francken
313:commedia dell’arte
265:
191:
1332:
1331:
1323:
1322:
1019:Frans Francken II
993:Isabella Francken
658:Nicolaes Francken
647:
646:
639:
535:Media related to
515:, drawing at the
404:David Freedberg,
119:
118:
1381:
1168:
1021:
847:
845:Frans Francken I
654:
653:
642:
635:
631:
628:
622:
591:
583:
570:
563:
556:
547:
534:
519:
517:Amsterdam Museum
507:
501:
494:
488:
487:
477:
471:
466:Lynn F. Jacobs,
464:
458:
457:
446:
440:
439:
430:
424:
418:
409:
402:
393:
390:
375:
374:
363:Karel van Mander
356:
350:
349:
338:
317:Amsterdam Museum
286:Abraham Govaerts
162:Karel van Mander
150:Frans Francken I
69:Antwerp, Belgium
33:
19:
1389:
1388:
1384:
1383:
1382:
1380:
1379:
1378:
1374:Francken family
1334:
1333:
1324:
1300:
1187:
1179:1611–after 1661
1178:
1169:
1164:
1049:1581–after 1610
1048:
1031:
1022:
1017:
1011:
1002:
1000:Thomas Francken
881:
848:
843:
837:
660:
643:
632:
626:
623:
608:
592:
577:
574:
545:
528:
523:
522:
508:
504:
496:Oliver Decker,
495:
491:
479:
478:
474:
465:
461:
455:
447:
443:
437:
431:
427:
419:
412:
403:
396:
391:
378:
372:
357:
353:
347:
339:
330:
325:
271:fervour of the
255:
212:Fall of Antwerp
188:The Last Supper
164:reports in the
142:
70:
67:
58:
48:
39:
24:
17:
16:Flemish painter
12:
11:
5:
1387:
1385:
1377:
1376:
1371:
1366:
1361:
1356:
1351:
1346:
1336:
1335:
1330:
1329:
1326:
1325:
1321:
1319:
1318:
1316:
1314:
1312:
1310:
1308:
1306:
1304:
1302:
1295:
1293:
1291:
1289:
1287:
1285:
1283:
1281:
1279:
1277:
1275:
1273:
1271:
1269:
1267:
1265:
1262:
1260:
1259:
1257:
1255:
1253:
1251:
1249:
1247:
1245:
1243:
1241:
1239:
1237:
1235:
1233:
1231:
1229:
1227:
1225:
1223:
1221:
1219:
1217:
1215:
1213:
1211:
1209:
1207:
1205:
1203:
1200:
1198:
1197:
1195:
1193:
1191:
1189:
1182:
1180:
1173:
1171:
1162:
1160:
1158:
1156:
1154:
1152:
1150:
1148:
1146:
1144:
1142:
1140:
1137:
1136:
1134:
1132:
1130:
1128:
1126:
1124:
1122:
1120:
1118:
1115:
1114:
1112:
1110:
1108:
1106:
1104:
1102:
1100:
1098:
1096:
1094:
1092:
1090:
1088:
1086:
1084:
1082:
1080:
1078:
1076:
1074:
1072:
1070:
1068:
1066:
1064:
1062:
1060:
1058:
1056:
1053:
1051:
1050:
1043:
1041:
1039:
1037:
1035:
1033:
1026:
1024:
1015:
1013:
1006:
1004:
997:
995:
989:
988:
986:
984:
982:
980:
978:
976:
974:
972:
970:
968:
966:
964:
962:
960:
957:
956:
954:
952:
950:
948:
946:
944:
942:
940:
938:
936:
934:
932:
930:
928:
926:
924:
922:
920:
918:
916:
914:
912:
910:
908:
906:
904:
902:
900:
898:
896:
894:
891:
889:
888:
885:
883:
876:
874:
872:
870:
868:
866:
864:
862:
860:
858:
856:
854:
852:
850:
841:
839:
831:
830:
828:
826:
824:
822:
820:
818:
816:
814:
812:
810:
808:
806:
804:
802:
800:
798:
796:
794:
792:
790:
788:
786:
784:
782:
780:
778:
775:
774:
772:
770:
768:
766:
764:
762:
760:
758:
756:
754:
752:
750:
748:
746:
744:
742:
740:
738:
736:
734:
732:
730:
728:
726:
724:
722:
720:
718:
716:
713:
711:
710:
708:
706:
704:
702:
700:
698:
696:
694:
692:
690:
688:
686:
684:
682:
680:
678:
676:
674:
672:
670:
668:
666:
664:
662:
652:
649:
648:
645:
644:
595:
593:
586:
579:
578:
575:
573:
572:
565:
558:
550:
544:
541:
527:
526:External links
524:
521:
520:
502:
489:
472:
459:
441:
425:
410:
394:
376:
368:Schilder-boeck
351:
327:
326:
324:
321:
254:
251:
220:Maerten de Vos
174:Pieter Vlerick
166:Schilder-boeck
141:
138:
117:
116:
115:
114:
108:
100:
96:
95:
94:Clara Pickarts
92:
88:
87:
84:
80:
79:
76:
72:
71:
68:
64:
60:
59:
49:
45:
41:
40:
34:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1386:
1375:
1372:
1370:
1367:
1365:
1362:
1360:
1357:
1355:
1352:
1350:
1347:
1345:
1342:
1341:
1339:
1328:
1327:
1320:
1299:
1263:
1261:
1201:
1199:
1186:
1177:
1167:
1138:
1135:
1127:
1125:
1117:
1116:
1099:
1083:
1054:
1052:
1047:
1046:Hans Francken
1030:
1020:
1010:
1001:
994:
990:
987:
979:
977:
969:
967:
959:
958:
931:
907:
892:
890:
880:
846:
836:
832:
829:
821:
819:
787:
785:
777:
776:
767:
719:
714:
712:
659:
655:
651:
650:
641:
638:
630:
620:
616:
612:
606:
605:
601:
596:This section
594:
590:
585:
584:
581:
580:
571:
566:
564:
559:
557:
552:
551:
549:
548:
542:
540:
538:
533:
525:
518:
514:
513:
506:
503:
499:
493:
490:
485:
484:
476:
473:
469:
463:
460:
453:
452:
445:
442:
435:
429:
426:
423:at Jean Moust
422:
417:
415:
411:
407:
401:
399:
395:
389:
387:
385:
383:
381:
377:
370:
369:
364:
360:
355:
352:
346:
342:
337:
335:
333:
329:
322:
320:
318:
314:
309:
307:
302:
299:
295:
289:
287:
283:
282:Marten de Vos
278:
276:
275:
270:
263:
259:
252:
250:
248:
244:
239:
237:
233:
229:
228:Raphael Coxie
225:
224:Last Judgment
221:
215:
213:
209:
204:
200:
196:
189:
185:
181:
179:
178:Fontainebleau
175:
171:
167:
163:
159:
155:
151:
147:
139:
137:
135:
131:
127:
123:
112:
109:
106:
103:
102:
101:
97:
93:
89:
85:
81:
77:
73:
65:
61:
56:
52:
46:
42:
37:
32:
27:
20:
878:
633:
624:
609:Please help
597:
529:
511:
505:
497:
492:
482:
475:
467:
462:
450:
444:
433:
428:
405:
366:
354:
310:
305:
303:
290:
279:
274:Beeldenstorm
272:
269:iconoclastic
266:
261:
240:
232:Joyous Entry
223:
216:
192:
187:
158:Frans Floris
143:
121:
120:
35:
1349:1618 deaths
1344:1544 births
627:April 2015
543:Family tree
449:Ann Diels,
75:Nationality
1338:Categories
456:(in Dutch)
438:(in Dutch)
373:(in Dutch)
348:(in Dutch)
323:References
208:iconoclasm
199:Calvinists
83:Occupation
1301:1661–1717
1188:1614–1662
1170:1607–1667
1032:1590–1632
1023:1581–1642
1012:1578–1623
1003:1574–1625
882:1544–1618
849:1542–1616
838:1540–1610
661:1515–1596
598:does not
203:Catholics
146:Herentals
130:Mannerist
113:(brother)
107:(brother)
57:, Belgium
51:Herentals
38:, c. 1600
134:Francken
619:removed
604:sources
371:, 1604
343:at the
247:Antwerp
170:Tournai
126:Flemish
86:Painter
78:Flemish
55:Antwerp
99:Family
91:Spouse
602:any
600:cite
361:in:
298:halo
253:Work
201:and
152:and
140:Life
63:Died
47:1544
44:Born
613:by
226:by
1340::
413:^
397:^
379:^
365:,
331:^
288:.
249:.
238:.
180:.
53:,
640:)
634:(
629:)
625:(
621:.
607:.
569:e
562:t
555:v
486:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
