Knowledge (XXG)

American Negro Theatre

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Unhappily, we have been trained to think of the theatre mostly in terms of commercial enterprise that is too expensive when it is worthy, and too cheap and boring when it is not. We know it too frequently as an investment for gambling show men, or as a playground for dilettantes and escapists who are unable to withstand the hard realities of life. We need a people's theatre which shall in effect be a national theatre. The people who want a theatre will have to organize it and pay a part of the expense for both its creation and support. Realizing the reluctance of the people to assume this responsibility, the essential burden of stimulating the development of such a project rests upon the shoulders of those individuals who are willing to assume this obligation, those who feel sincerely the call in a genuine quest for the content of theatre art, and by their talent, industry, and profound respect for a theatre they shall create.
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most important legacies. The assessment of the curators of the Schomburg Center for Research in Black Culture at New York Public Library, which hosted ANT's 75th Anniversary in 2016 explained the ANT's importance by pointing out that ANT "sought to push the boundaries of black theatre ... experimenting with modernist theatrical tropes, and producing ambitious, original works by Black playwrights. Ultimately, the American Negro Theatre became one of the most influential black theater organizations of the 1940s," while also cultivating a generation of professional Black actors, directors and other artists in the performing arts who continue to influence the culture today.
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A People's theatre is a very valuable institution. it provides the finest outlet for class emotions that can be organized. It serves as a spur to citizen ambition provides a partly self-supporting source of work and income, and a healthy kind of occupational therapy on a national scale for thousands.
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Theatre arts scholar Jonathan Shandell counts ANT's expansion of the "repertoire to include canonical black playwrights, use of a predominantly black cast and crew in all productions, and ... community outreach efforts, such as the free Uptown Shakespeare performances at Marcus Garvey Park" among its
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In 1944, the ANT submitted a proposal to the General Education Board of Rockefeller Center, explaining that their objectives were to develop (1) an Art, (2) a Vital Theatre and (3) Pride and Honor, and requesting funding for the salaries of the company's officers. The proposal resulted in a $ 22,000
450:, at the cost of their earlier emphasis on a "people's theatre", and Hill's own break with the company. From then on, the ANT only featured plays from established white playwrights, and young actors viewed the ANT as a means to break into Broadway productions. 315:
Hill and O'Neal quickly garnered support for the American Negro Theatre, which they dubbed the ANT to reinforce the idea of a hard-working interdependent community, by assembling several of their theatre friends, including: Howard Augusta, James Jackson,
405:, was "originally conceived as the story of a sordid, impoverished Polish family in a small Pennsylvania town," but Yordan could not find a company to perform it, so he rewrote it to feature a Black family, and it was performed by the ANT in 1944. 268:, Belafonte described how the American Negro Theatre opened his eyes to how "magical" theatre was. Belafonte said that he saw his first show in the ANT when he was given two tickets as a gratuity when working as a janitor's assistant for 3048: 3043: 195:
In addition to their theatre productions, the ANT also produced a weekly radio program in 1945, with a repertoire that spanned Shakespeare, Dickens and opera. It also ran the Studio Theatre school of drama under the leadership of
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The ANT produced 12 original Black plays and seven adaptations of non-Black work for tens of thousands of primarily Black audiences in its first nine years. The Black playwrights whose work the company produced included
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When the ANT was first founded in 1940, the group created a 30-page constitution for themselves that reflected the ideals of the Federal Theatre Project. The constitution also drew upon
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Nine New York newspaper dailies reviewed the show. They all raved and producers instantly started fighting over who would get the rights to the play. Yordan agreed to sign a
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To develop a permanent acting company trained in the arts and crafts of the theatre that also reflected the special gifts, talents, and attributes of African Americans.
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was inspired by ANT's Broadway hit, it relied on the original 1936 Polish-American play to justify its all-white cast. Another film was released under the
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To produce plays that honestly, and with integrity, interpreted, illuminated, and criticized contemporary Black life and the concerns of the Black people.
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Marshall University et al. "American Negro Theater, 1930-1955." Clio: Your Guide to History. July 14, 2021. Accessed January 10, 2022.
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Harlem's Little Library Theatre in the 135th Street branch of the New York Public Library hosted ANT's early performances.
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A 1926 photo of a performance of the Little Library Theatre at the 135th Street Branch of the New York Public Library.
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Aside from teaching, Archer also directed plays for the ANT, most notably a 1948 command performance for First Lady
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To maintain an affiliation with, and provide leadership for, other Black theatre groups throughout the nation.
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on March 30, 1944, the sets for that initial production were designed by the American realist painter
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Hill approached librarians at the public library on 135th Street in Harlem, the Harlem Branch of the
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To utilize its resources to develop racial pride in the theatre, rather than racial apathy.
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grant-in-aid. These objectives were also printed on programs for ANT productions.
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Universal Negro Improvement Association and African Communities League (UNIA-ACL)
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and scored star Alice Childress the first Tony nomination for a Black actress.
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The New York Public Library's Schomburg Center for Research in Black Culture
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Belafonte, Harry, Interview of Harry Belafonte by Cornel West, June 3, 1996
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Englewood Cliffs, NJ: Prentice-Hall, 1980. Print. Twentieth Century Views.
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Schomburg Center for Research in Black Culture, New York Public Library.
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Association for the Study of African American Life and History (ASALH)
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National Association for the Advancement of Colored People (NAACP)
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Remembering Our American Negro Theatre on Its 75th Anniversary
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ran for five months and, in March 1941, Hill moved it to the
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Restoring Hope: Conversations on the Future of Black America
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Hutchinson, George; Hutchinson, George Evelyn (2007-06-14).
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Classix: A living library of rarely seen Black classic plays
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gained a Tony nomination for playing the title character.
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The first major play that the ANT put into rehearsal was
1308:"archives.nypl.org -- American Negro Theatre records" 1552:"The 75th Anniversary of the American Negro Theatre" 1523:"The 75th Anniversary of the American Negro Theatre" 3509: 3424: 3148: 3081: 3019: 2919: 2880: 2805: 2720: 2640: 2578: 2520: 2169: 2024: 1695: 117: 93: 79: 71: 63: 55: 47: 437:. This gave Hill a five percent author's royalty. 1251:The Cambridge Companion to the Harlem Renaissance 2782:Student Nonviolent Coordinating Committee (SNCC) 1645:"75th Anniversary of the American Negro Theatre" 1119:(an association for Black theater professionals) 2827:Black players in professional American football 2777:Southern Christian Leadership Conference (SCLC) 1388:"Remembering Osceola Archer—Thespian, Activist" 433:contract that would make Hill the co-author of 342:Players, who also held performances in Harlem. 1639:Black Theatre Companies: Black Theatre Matters 1673: 1647:. Exhibitions. New York Public Library. 2015. 140:was co-founded on June 5, 1940 by playwright 8: 2540:Historically black colleges and universities 30: 3742:Defunct theatre companies in New York City 2809: 1680: 1666: 1658: 1617:. Sealey, Kelvin Shawn (ed.), Boston, MA: 1339:"Alice Childress, the Last Woman Standing" 1226:"American Negro Theatre (1940-ca. 1955) •" 440:The ANT itself received few royalties for 36: 29: 2757:National Black Chamber of Commerce (NBCC) 1113:Coordinating Council for Negro Performers 387:The company's most successful production 847:(Selection was limited by availability.) 368: 1598:The theatre of Black Americans. 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O'Neill 657: 647: 644:Walter Carroll 640:Tin Top Valley 637: 634:Kurt Unkelbach 630:The Peacemaker 627: 624:George Kaufman 611: 599: 587: 577: 565: 558:Garden of Time 555: 543: 527: 517: 507: 500: 498: 495: 477: 474: 473: 472: 469: 466: 463: 455: 452: 416:Michael Lenson 411:Brooklyn Eagle 360:Leonard Harper 348:Apollo Theater 340:Rose McClendon 304: 301: 270:Clarice Taylor 258:Sidney Poitier 256:, movie actor 245:The Cosby Show 234:Clarice Taylor 229:The Jeffersons 218:Isabel Sanford 198:Osceola Archer 182:Garden of Time 162:Countee Cullen 132: 131: 121: 118: 115: 114: 100:Sidney Poitier 97: 94: 91: 90: 88: 87: 83: 81: 77: 76: 73: 69: 68: 65: 61: 60: 57: 53: 52: 49: 45: 44: 41: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 3759: 3748: 3745: 3743: 3740: 3738: 3735: 3733: 3730: 3728: 3727:Black theatre 3725: 3723: 3720: 3718: 3715: 3713: 3710: 3708: 3705: 3703: 3700: 3699: 3697: 3682: 3672: 3670: 3667: 3666: 3663: 3657: 3654: 3652: 3651:Neighborhoods 3649: 3647: 3644: 3642: 3639: 3637: 3634: 3632: 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P. Johnson 353: 349: 345: 341: 337: 332: 330: 326: 321: 319: 309: 302: 300: 296: 294: 290: 286: 282: 278: 273: 271: 267: 263: 259: 255: 251: 247: 246: 241: 240: 235: 231: 230: 225: 224: 219: 215: 214: 209: 208: 203: 199: 193: 191: 187: 183: 179: 175: 171: 170:Go Down Moses 167: 163: 157: 155: 151: 147: 143: 139: 129: 125: 122: 116: 113: 109: 105: 101: 98: 92: 86:New York City 85: 84: 82: 78: 74: 70: 67:Theatre group 66: 62: 58: 54: 50: 46: 39: 34: 19: 3567:Sportspeople 3537:Billionaires 3454:Sierra Leone 3357:Philadelphia 3193:Jacksonville 3020:Demographics 2852:Jack Johnson 2842:Muhammad Ali 2675:Conservatism 2610:Black church 2507:Andrew Young 2492:Ida B. Wells 2482:David Walker 2477:C. T. Vivian 2432:Paul Robeson 2427:Hiram Revels 2407:Colin Powell 2387:Barack Obama 2342:James Lawson 2297:Jimi Hendrix 2267:James Farmer 2262:Medgar Evers 2232:Ralph Bunche 2182:Maya Angelou 2156:Middle class 2034:Afrofuturism 1960: 1948: 1941: 1862: 1807: 1754: 1720:Afrocentrism 1710:Abolitionism 1619:Beacon Press 1614: 1597: 1579: 1573:Bibliography 1559:. Retrieved 1555: 1546: 1535:. Retrieved 1527:www.nypl.org 1526: 1483:. Retrieved 1479: 1454:. Retrieved 1445: 1436: 1425:. Retrieved 1417:www.nypl.org 1416: 1406: 1395:. Retrieved 1391: 1382: 1371:. Retrieved 1367: 1358: 1347:. Retrieved 1345:. 2011-10-03 1342: 1315:. Retrieved 1311: 1286:. Retrieved 1282: 1250: 1229:. Retrieved 1201:. Retrieved 1197: 1024: 1005: 987: 969: 952: 933: 915: 897: 879: 862: 845: 815:Helen Martin 800:Gordon Heath 785:Roger Furman 735: 723: 713: 703: 693: 679: 674:George Kelly 670:The Show Off 669: 659: 649: 639: 629: 613: 608:Seán O'Casey 601: 591:Angel Street 589: 584:Samuel Kootz 579: 567: 557: 547:Anna Lucasta 545: 540:Henry Ephron 529: 519: 509: 503: 490: 486: 479: 476:Constitution 457: 448:Anna Lucasta 447: 443:Anna Lucasta 441: 439: 435:Anna Lucasta 434: 428: 409: 407: 395:Anna Lucasta 390:Anna Lucasta 388: 386: 376:Anna Lucasta 374: 364: 343: 335: 333: 328: 322: 314: 297: 289:Anna Lucasta 288: 284: 274: 243: 237: 227: 221: 212: 205: 202:Helen Martin 194: 189: 185: 181: 173: 169: 165: 158: 137: 135: 95:Membership 3587:US senators 3557:Republicans 3542:Journalists 3399:San Antonio 3364:Puerto Rico 3305:Mississippi 3198:Tallahassee 3171:Los Angeles 2862:Jesse Owens 2847:Arthur Ashe 2705:Nationalism 2695:Raised fist 2658:Black power 2563:in medicine 2497:Roy Wilkins 2452:Emmett Till 2437:Al Sharpton 2202:Julian Bond 2197:James Bevel 2161:Upper class 2151:Stereotypes 2044:Black mecca 1956:Plantations 1735:Black Codes 1028:in 1944. 953:Early Hyman 899:Ossie Davis 878:Playwright 830:Hilda Simms 805:Earle Hyman 775:Ossie Davis 698:Nat Sherman 684:John Colton 562:Owen Dodson 520:Natural Man 266:Cornel West 250:Ossie Davis 178:Owen Dodson 174:Natural Man 112:Ossie Davis 3696:Categories 3532:Astronauts 3322:New Jersey 3166:California 2670:Capitalism 2467:Nat Turner 2397:Rosa Parks 2382:Diane Nash 2352:John Lewis 2141:Newspapers 2111:Literature 2096:Juneteenth 2049:Businesses 1903:Exodusters 1871:Free Negro 1561:2022-01-09 1537:2022-01-16 1485:2022-01-09 1456:2022-01-12 1427:2022-01-16 1397:2022-01-12 1373:2022-01-16 1349:2022-01-10 1317:2022-01-09 1288:2022-01-09 1231:2022-01-09 1203:2022-01-10 1175:References 1025:Hilda Sims 989:Canada Lee 514:Abram Hill 352:Don Burley 207:Good Times 144:and actor 142:Abram Hill 124:Abram Hill 3646:Monuments 3522:Activists 3374:Tennessee 3294:Michigan 3278:Baltimore 3268:Louisiana 3261:Lexington 3244:Davenport 3183:Cleveland 3082:Languages 3011:Melungeon 2989:Blaxicans 2857:Joe Louis 2712:Socialism 2648:Anarchism 2377:Bob Moses 2362:Malcolm X 2282:Fred Gray 2146:Soul food 2084:New Negro 2069:Folktales 1979:Redlining 1117:The Frogs 968:Composer 620:Moss Hart 190:Starlight 186:Walk Hard 56:Dissolved 48:Formation 3669:Category 3460:America 3426:Diaspora 3411:Virginia 3344:Oklahoma 3327:New York 3310:Nebraska 3273:Maryland 3256:Kentucky 3222:Illinois 3161:Arkansas 3066:Illinois 3004:of color 2690:Populism 2663:Movement 2580:Religion 1922:Lynching 1705:Timeline 1621:, 1997. 1586:, 2003. 1531:Archived 1450:Archived 1421:Archived 1051:See also 1034:Archives 1022:Actress 1010:in 1968. 992:in 1941. 974:in 1921. 956:in 1956. 938:in 1972. 935:Ruby Dee 932:Actress 920:in 1958. 902:in 1963. 884:in 1948. 780:Ruby Dee 424:Ruby Dee 420:Broadway 283:'s play 254:Ruby Dee 108:Ruby Dee 80:Location 3597:Writers 3562:Singers 3547:Jurists 3495:Europe 3449:Liberia 3394:Houston 3298:Detroit 3234:Indiana 3227:Chicago 3210:Atlanta 3205:Georgia 3188:Florida 3156:Alabama 3106:English 2680:Leftism 2550:Museums 2101:Kwanzaa 2026:Culture 1994:Slavery 1697:History 1651:Video: 1392:TAPinto 842:Gallery 736:Freight 454:Mission 303:History 232:), and 72:Purpose 3609:Mayors 3527:Actors 3499:France 3491:Israel 3479:Mexico 3464:Canada 3439:Gambia 3434:Africa 3384:Austin 3349:Oregon 3288:Boston 3251:Kansas 3217:Hawaii 3135:Gullah 2945:Yoruba 2935:Gullah 2806:Sports 2724:groups 2554:Women 2091:Hoodoo 1965:(1896) 1891:Second 1867:(1857) 1812:(1956) 1759:(1954) 1625:  1604:  1590:  1258:  1004:Actor 986:Actor 950:Actor 914:Actor 896:Actor 866:, n.d. 742:(1949) 732:(1949) 720:(1949) 710:(1948) 700:(1948) 690:(1947) 676:(1947) 666:(1947) 656:(1947) 646:(1947) 636:(1946) 626:(1946) 610:(1946) 598:(1946) 586:(1946) 576:(1945) 564:(1945) 542:(1943) 526:(1941) 516:(1940) 506:(1940) 3510:Lists 3474:Haiti 3444:Ghana 3379:Texas 3315:Omaha 2593:Islam 2126:Names 2116:Music 2054:Dance 1613:, in 3406:Utah 3239:Iowa 3071:Ohio 3032:list 2940:Igbo 2930:Fula 2074:Hair 2064:Film 1781:1968 1771:1964 1623:ISBN 1602:ISBN 1588:ISBN 1256:ISBN 686:and 680:Rain 660:Rope 622:and 538:and 252:and 242:and 226:and 210:and 172:and 136:The 110:and 64:Type 59:1951 51:1940 2039:Art 1896:New 738:by 728:by 716:by 706:by 696:by 682:by 672:by 662:by 652:by 642:by 632:by 618:by 606:by 594:by 582:by 572:by 560:by 550:by 534:by 522:by 512:by 401:'s 213:227 192:). 176:), 3698:: 1910:/ 1554:. 1529:. 1525:. 1513:^ 1494:^ 1478:. 1465:^ 1448:. 1444:. 1419:. 1415:. 1390:. 1366:. 1341:. 1326:^ 1310:. 1297:^ 1281:. 1270:^ 1240:^ 1212:^ 1196:. 1183:^ 362:. 126:, 106:, 102:, 1681:e 1674:t 1667:v 1564:. 1540:. 1488:. 1459:. 1430:. 1400:. 1376:. 1352:. 1320:. 1291:. 1264:. 1234:. 1206:. 236:( 220:( 204:( 180:( 164:( 20:)

Index

American Negro Theater

Sidney Poitier
Harry Belafonte
Ruby Dee
Ossie Davis
Abram Hill
Frederick O'Neal
Abram Hill
Frederick O'Neal
Federal Theatre Project
W. E. B. Du Bois
Countee Cullen
Owen Dodson
Osceola Archer
Helen Martin
Good Times
227
Isabel Sanford
All in the Family
The Jeffersons
Clarice Taylor
Sanford and Son
The Cosby Show
Ossie Davis
Ruby Dee
Sidney Poitier
Harry Belafonte
Cornel West
Clarice Taylor

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