717:. From this marriage, which eventually failed and ended in separation, he had a daughter, Farida. His second marriage was to Munni Bai, who gave birth to a son, Akram Ahmed. Around 1965, Khansaheb married Raisa Begum, daughter of the thumri singer, Mushtari Begum of Agra. He had expected that Munni Begum would accept the third wife; however, Munni disappeared and it is rumored that she committed suicide. With Raisa he had a son, Haider Amir, later called
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463:इधर-उधर कर दिया करते थे, लेकिन मै यह कोशीश करता हूं के ज़्यादा से ज़्यादा राग खूब्सूरत हो लेकिन राग अप्नी जगह राग रहे"). He used to say, "नग़मा वही नग़मा है जो रूह सुने और रूह सुनाए" (نغمہ وہی نغمہ ہے جو روح سنے اور روح سناہے ; music is that which originates from the heart and touches the soul).
462:
He believed in competition between the genres of classical music and film and other popular music, and he felt that classical renderings needed to be made more beautiful while remaining faithful to the spirit and grammar of the raga ("बाज़ लोग ऐसे थे के जो खूब्सूरती बनाने के लिये वो राग को ज़रा
320:. The style he evolved was a unique fusion of intellect and emotion, of technique and temperament, of talent and imagination. Unlike other artists he never made any concessions to popular tastes, but always stuck to his pure, almost puritanical, highbrow style.
450:
was generally more subtle. His performances had an understated elegance, reverence, restrained passion and an utter lack of showmanship that both moved and awed listeners. According to
Kumarprasad Mukhopadhyay's book "The Lost World of Hindustani Music",
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of
Raigadh Sansthan in Madhya Pradesh. He performed at a music conference in Mirzapur on behalf of the Raja, with many illustrious musicians present, but he was hooted off the stage after only 15 minutes or so. The organizer suggested singing a
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Amir
Khansahib had a rich baritone open-throated voice with a three-octave range. His voice had some limitations but he turned them fruitfully and effortlessly to his advantage. He presented an aesthetically detailed
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264:, but he refused, saying that his mind was never really inclined towards thumri. He stayed at Raigadh for only about a year. Amir Khan's father died in 1937. Later, Khansahib lived for some time in
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He was initially trained in the sarangi by his father. However, seeing his interest in vocal music, his father gradually devoted more time to vocal training, focusing on the
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technique. Amir Khan was exposed at an early age to many different styles, since just about every musician who visited Indore would come to their house, and there would be
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style. Amir
Khansahib believed that poetry was important in khyal compositions, and with his pen name, Sur Rang ("colored in swara"), he has left several compositions.
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225:. Amir Ali's mother died when he was nine years old. He had a younger brother, Bashir, who went on to become a sarangi player at the Indore station of
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559:. This attempt to introduce classical music to the masses through films significantly boosted Khansahib's visibility and popularity. He also sang a
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593:, Mukund Goswami, Munir Khan, Pradyumna Kumud Mukherjee and Poorabi Mukherjee, Kamal Bandhopadhyay, Shankar Mazumdar, Shankar Lal Mishra,
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multiple laya jatis in a single taan<note>Khansahib demonstrated this in an interview with the tabla player
Chatturlal</note>
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Ustad Amir Khan dedicated a large part of his musical career to the study of taranas. In his research, he found that the words used in
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637:. Although he referred to his style as the Indore Gharana, he was a firm believer of absorbing elements from various gharanas.
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255:. These initial performances were not well received. Following his father's advice, in 1936 he joined the services of Maharaj
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Besides singing in concerts, Amir Khan also sang film songs in ragas, in a purely classical style, most notably for the
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Khansahib died in a car accident in
Calcutta on 13 February 1974 aged 61, and was buried at Calcutta's Gobra cemetery.
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come from
Persian and Arabic languages. In one of his research articles he explained their meanings as follows:
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slow-tempo, leisurely raga development (except with
Carnatic ragas, which he typically rendered in medium tempo)
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455:'s music was extroverted, exuberant and a crowd-puller, whereas Amir Khan's was an introverted, dignified
312:(merukhand). This unique style, known as the Indore Gharana, blends the spiritual flavour and grandeur of
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but rather inserted merukhandi passages throughout his performance. He believed that practising
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mixture of taan types (including chhoot, sapaat, bal, sargam and bol-taan) in a single taan
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Thomas W. Ross (Spring–Summer 1993). "Forgotten
Patterns: "Mirkhand" and Amir Khan".
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381:. While he was famous for his use of merukhand, he did not do a purely merukhandi
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938:- longer performance of 'Jhanak Jhanak Payal Baje' title song, one other version
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Indore ke masihā: Paṇḍita
Amaranathaji dwara Ustad Amir Khan sahab ke sansmaran
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Tandardani – Tanke Aandarka Jannewala (One who knows what is inside the body)
422:
185:; 15 August 1912 – 13 February 1974) was an Indian singer and musician in the
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In another interview, he also states the meaning of the following syllables:
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1700:"The Swara Aspect of Gayaki (Analysis of Ustad Amir Khan's Vocal Style)"
436:, which he has demonstrated in a few recordings, he generally favored a
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with complex and unpredictable movements and jumps while preserving the
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1991:
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Nadirdani – Tu Sabse Adhik Janata Hai (You know more than anyone else)
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with merukhandi patterns, followed by gradually speeding up "floating"
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Amir Khan's first marriage was to Zeenat, sister of the sitar player,
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of Indore. His grandfather, Change Khan, was a singer in the court of
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Amir Khan was a virtually self-taught musician. He developed his own
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in 1934, and there he gave a few concerts and cut about half a dozen
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controlled use of embellishments to preserve introspective quality
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playing from one of his maternal uncles, who was a tabla player.
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at their place on a regular basis. He also learned the basics of
143:
EMI, HMV, Music Today, Inreco, Ninaad, Navras, Columbia, The Twin
1328:- Preview of an article on Amir Khan by his disciple Thomas Ross
539:
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Extracts from Pandit Amarnath's lec-dem on Amir Khan's gayaki
581:, Ajit Singh Paintal, Sangeetacharya Usha Ranjan Mukherjee,
534:
use of ruba'idar tarana (considered similar to chhota khyal)
795:'Kaise Kate Rajni' (raga Bageshree, with Protima Banerjee)
1782:"Sangeet Natak Akademi Awards - Hindustani Music - Vocal"
201:
Amir Khan was born in a family of musicians in Kalanaur,
1812:
Padma Bhushan Award for Amir Khan on GoogleBooks website
421:
and tabla for accompaniment. Sometimes he had a subdued
1054:
Hijaz Bhairav (a.k.a. Basant Mukhari) - five versions
425:
accompaniment, but he almost never used the sarangi.
1752:"Beatstreet (The Legend Lives on...Ustad Amir Khan)"
525:
actual bandish as sung may or may not include antara
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696:Tanandara – Tanke Aandar Aa (Come inside the body)
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835:Title song 'Jhanak Jhanak Payal Baje' (raga Adana)
585:, Amarjeet Kaur, Bhimsen Sharma, Gajendra Bakshi,
1758:. Chennai, India. 3 November 2008. Archived from
1363:(in Hindi). Pandit Amarnath Memorial Foundation.
1316:Dr. Ibrahim Ali's analysis of Amir Khan's gayaki
473:improvisation mostly in lower and middle octaves
771:'Aaj Gaawat Man Mero Jhoomke' (raga Desi, with
764:'Langar Kankariya Ji Na Maro' (raga Todi, with
1807:
1805:
1803:
801:'Dheemta Dheemta Derena' (tarana in raga Megh)
370:. He helped popularize the tarana, as well as
2927:Recipients of the Sangeet Natak Akademi Award
1841:
1450:
1448:
1337:Pandit Nikhil Banerjee's article on Amir Khan
1321:Tribute from the ITC Sangeet Research Academy
485:judicious use of pause between improvisations
288:(singing style), influenced by the styles of
8:
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1416:
1414:
1412:
1410:
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1258:
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1177:Ram Kalyan (a.k.a. Priya Kalyan or Anarkali)
778:'Ghanana Ghanana Ghana Garjo Re' (raga Megh)
488:bol alap and sargam using merukhand patterns
476:tendency towards serious and expansive ragas
1489:Wade, Bonnie C.; Kaur, Inderjit N. (2018).
1423:Misra, Susheela (1981). "Ustad Amir Khan".
818:'Daya Kar He Giridhar Gopal' (raga Multani)
672:Na Dir Dani - You are the Complete Wisdom.
1848:
1834:
1826:
1548:
1546:
1544:
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798:'Piya Ke Aavan Ki' (thumri in raga Khamaj)
31:
20:
2827:Thenpattinam Ponnusamy Meenakshi Sundaran
1634:"Stirring Compassion of Cosmic Vibration"
1242:Swar Vilas from Sur Singar Sansad in 1971
1197:Shuddh Sarang (with drut section in Suha)
1671:(2). University of Texas Press: 89–109.
1284:Amir Khan recordings on www.sarangi.info
693:Dartan – Tanke Aandar (inside the body)
690:Dara – Andar Aa (get in or come inside)
2932:Recipients of the Padma Bhushan in arts
1784:. Sangeet Natak Akademi. Archived from
1509:10.1093/gmo/9781561592630.article.48875
1484:
1482:
1457:"Ustad Ameer Khan: The Man and his Art"
1404:
1252:
466:Characteristics of his style include:
180:
2655:Ronald Carlton Vivian Piadade Noronha
1627:
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1384:. Penguin Books India. pp. 95–.
1297:Biographical documentary on Amir Khan
413:(basic tabla strokes that define the
189:tradition. He was the founder of the
7:
1720:Jitendra Pratap (25 November 2005).
1604:ITC Sangeet Research Academy website
1555:"Immortal maestro (Ustad Amir Khan)"
1461:Journal of the Sangeet Natak Akademi
1378:Kumāraprasāda Mukhopādhyāẏa (2006).
883:'Jogiya Mere Ghar Aaye' (raga Lalit)
1962:Anant alias Annasaheb Sahasrabuddhe
675:Tom - I am yours, I belong to you.
409:, and generally preferred a simple
393:is essential to mastering singing.
1600:"Amir Khan - Tribute to a Maestro"
1475:– via Indian Culture Portal.
1441:– via Indian Culture Portal.
1381:The Lost World of Hindustani Music
14:
1426:Great masters of Hindustani music
1266:instead reports Khan was born in
947:Amirkhani (similar to Vachaspati)
1728:. Chennai, India. Archived from
1561:. Chennai, India. Archived from
1553:Banerjee, Meena (4 March 2010).
1429:. Hem Publishers. Archived from
956:Bageshree Kanada - five versions
1632:Chawla, Bindu (26 April 2007).
687:Dar – Bheetar, Aandar (inside)
652:Research in the field of Tarana
519:careful enunciation of text of
2292:Bhalchandra Nilkanth Purandare
699:Tom – Main Tum Hun (I am you)
663:Tanan Dar Aa - Enter my body.
573:Khansahib's disciples include
428:While he could do traditional
205:. His father, Shahmir Khan, a
1:
2922:Road incident deaths in India
2726:Krishnaswami Srinivas Sanjivi
2239:Lakhumal Hiranand Hiranandani
2143:Venkatarama Ramalingam Pillai
1892:T. S. Avinashilingam Chettiar
1455:Saxena, Sushil Kumar (1974).
1217:Yaman Kalyan - three versions
1168:Ramdasi Malhar - two versions
924:Public and private recordings
507:) in all parts of performance
342:with various ornamentations,
316:with the ornate vividness of
217:, served at the court of the
2554:Toppur Seethapathy Sadasivan
1859:award recipients (1970–1979)
1264:ITC Sangeet Research Academy
1194:Shuddh Kalyan - two versions
1084:Kausi Kanada - four versions
1066:Jansanmohini - five versions
750:'Tori Jai Jai Kartar' (raga
2942:Singers from Madhya Pradesh
2937:20th-century Indian singers
2912:20th-century Indian Muslims
2372:Chandrika Prasad Srivastava
1228:Sangeet Natak Akademi Award
1036:Gujari Todi - four versions
1011:Chandramadhu - two versions
975:Basant Bahar - two versions
642:Sangeet Natak Akademi Award
432:(rhythmic play), including
154:Sangeet Natak Akademi Award
2968:
2952:Musicians from West Bengal
2947:20th-century Khyal singers
2802:Balasubramaniam Ramamurthi
2691:Laxmanshastri Balaji Joshi
2564:Hasmukh Dhirajlal Sankalia
2418:Harindranath Chattopadhyay
2287:Dattatraya Yeshwant Phadke
2204:Gulestan Rustom Billimoria
2158:Pandurang Vasudeo Sukhatme
1304:, produced in 1970 by the
1233:Presidential Award in 1971
1142:Nat Bhairav - two versions
640:Amir Khan was awarded the
446:-dominated style, and his
2835:
2731:Devulapalli Krishnasastri
2458:Krishnarao Shankar Pandit
1952:Vivekananda Mukhopadhyaya
1014:Charukeshi - two versions
556:Jhanak Jhanak Payal Baaje
396:Khansahib often used the
354:structure, and finally a
276:he moved back to Bombay.
197:Early life and background
158:Presidential Award (1971)
151:
30:
16:Indian singer (1912-1974)
2645:Balai Chand Mukhopadhyay
2630:Darab Jehangir Jussawala
2332:Khusro Faramurz Rustamji
2209:Kunhiraman Palat Candeth
2123:Kalindi Charan Panigrahi
2118:Bishnupada Mukhopadhyaya
2108:Shantilal Jamnadas Mehta
2028:Kandathil Mammen Cherian
1972:Viswanatha Satyanarayana
1912:Narayan Sadoba Kajrolkar
1722:"Pleasing only in parts"
825:Jhanak Jhanak Payal Baje
491:using sargam in taan-ang
332:(very slow tempo) using
2837:# Posthumous conferral
2696:Naoroji Pirojsha Godrej
2468:Vennelakanti Raghavayya
2307:Mohinder Singh Randhawa
2214:Ram Narayan Chakravarti
2148:Vulimiri Ramalingaswami
2138:Krishnarao Phulambrikar
1501:Oxford University Press
1463:(31): 8. Archived from
1306:Films Division of India
1222:Awards and recognitions
1023:Deshkar - four versions
761:'Sargam' (raga Darbari)
497:sparing application of
377:in the Dari variant of
362:(medium or fast tempo)
2741:E. C. George Sudarshan
2681:Harivansh Rai Bachchan
2640:Vasudev Vishnu Mirashi
2579:Arunachala Sreenivasan
2509:Dhirendra Nath Ganguly
2428:M. A. Muthiah Chettiar
2297:Tapishwar Narain Raina
2053:Musiri Subramania Iyer
103:Indian classical music
40:Background information
2917:Musicians from Indore
2721:Udupi Ramachandra Rao
2534:Jayant Pandurang Naik
2423:Banarsidas Chaturvedi
2317:M. B. Ramachandra Rao
2282:Vinayakrao Patwardhan
2229:Minoo Merwan Engineer
2199:Gopal Gurunath Bewoor
2173:Parmeshwari Lal Verma
2168:Bhagwati Charan Verma
1139:Nand - three versions
1093:Komal Rishabh Asavari
617:, Rasiklal Andharia,
587:Hridaynath Mangeshkar
566:for a documentary on
2701:Zehra Ali Yavar Jung
2620:Pratul Chandra Gupta
2615:Madhav Sadashiv Gore
2605:Dilbagh Singh Athwal
2387:Bal Dattatreya Tilak
2249:Sourendra Nath Kohli
1942:Mahesh Prasad Mehray
1817:19 June 2021 at the
1732:on 21 September 2006
754:; alternate version
669:Tu Dani - You know.
603:Gokulotsavji Maharaj
564:Rahiye Ab Aisi Jagah
453:Bade Ghulam Ali Khan
215:Bhendibazaar gharana
187:Hindustani classical
182:[əˈmiːrxaːn]
2797:K. S. Narayanaswamy
2650:Kirpal Singh Narang
2635:Pancheti Koteswaram
2362:Birendranath Sircar
2272:N. G. Krishna Murti
2234:Inderjit Singh Gill
2189:Jagjit Singh Aurora
2063:Mungtu Ram Jaipuria
1957:Krishnaswami Ramiah
1937:Bhagwantrao Mandloi
1788:on 17 February 2012
1756:The Hindu newspaper
1726:The Hindu newspaper
1644:on 3 September 2018
1559:The Hindu newspaper
1289:19 May 2009 at the
503:use of kan swaras (
494:using softer gamaks
247:Amir Khan moved to
2907:Hindustani singers
2762:Prithvi Singh Azad
2706:Mallikarjun Mansur
2676:Malcolm Adiseshiah
2392:Syed Husain Zaheer
2337:Shantilal C. Sheth
2259:Nilakanta Krishnan
2244:L. A. Krishna Iyer
2219:Yashodhara Dasappa
2163:Pichu Sambamoorthi
2153:Suresh Chandra Roy
2093:Nisar Hussain Khan
2008:N. Ramaswami Ayyar
1977:Ahmed Jan Thirakwa
1897:Lala Hansraj Gupta
1638:The Times Of India
1496:Grove Music Online
1326:Forgotten Patterns
842:Goonj Uthi Shehnai
666:O Dani - He knows
631:Imdadkhani gharana
479:emphasis on melody
274:partition of India
125:classical vocalist
2884:
2883:
2807:Perugu Siva Reddy
2584:Raman Viswanathan
2377:M. S. Swaminathan
2327:Sujoy Bhushan Roy
2128:Manibhai J. Patel
2098:Guru Kunchu Kurup
2058:Palghat Mani Iyer
2023:Jaishankar Bhojak
1887:Amiya Chakravarty
1877:Hirabai Barodekar
1610:on 20 August 2018
1391:978-0-14-306199-1
1370:978-81-7525-934-8
1262:A tribute by the
890:78 rpm recordings
828:(music director:
811:(music director:
788:(music director:
752:Puriya Dhanashree
743:(music director:
621:, Shanti Sharma,
605:, Mahendra Toke,
330:ati-vilambit laya
328:(progression) in
290:Abdul Waheed Khan
223:Bahadurshah Zafar
167:
166:
135:1934 – 1974
2959:
2787:Kailas Nath Kaul
2736:C. Sivaramamurti
2610:Asima Chatterjee
2529:Mogubai Kurdikar
2519:V. S. Huzurbazar
2504:Ram Kumar Caroli
2347:Khem Karan Singh
2312:Adya Rangacharya
2267:Pran Nath Luthra
2224:Hari Chand Dewan
2113:Ved Rattan Mohan
2068:Veni Shankar Jha
2043:Abasaheb Garware
1932:Syed Abdul Latif
1850:
1843:
1836:
1827:
1821:
1809:
1798:
1797:
1795:
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1640:. Archived from
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1606:. Archived from
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1183:- three versions
1156:- three versions
1145:Pancham Malkauns
1119:- three versions
1110:- three versions
1101:- seven versions
1072:- three versions
1042:- three versions
993:- three versions
944:- three versions
932:- three versions
785:Kshudhita Pashan
678:Yala - Ya Allah
644:in 1967 and the
615:Ajoy Chakrabarty
591:Kankana Banerjee
482:clarity of notes
368:ruba'idar tarana
272:, but after the
257:Chakradhar Singh
184:
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78:13 February 1974
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2772:Kumar Gandharva
2745:
2716:Bhogilal Pandya
2686:Nabakanta Barua
2664:
2588:
2574:Khushwant Singh
2559:Sukhlal Sanghvi
2549:John Richardson
2482:
2396:
2367:Papanasam Sivan
2194:Madhavrao Bagal
2177:
2133:D. K. Pattammal
2073:Jainendra Kumar
2048:Gangubai Hangal
2033:Ramrao Deshmukh
2018:Gokulbhai Bhatt
1996:
1967:Surrendar Saini
1902:Ratan Lal Joshi
1860:
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1824:
1819:Wayback Machine
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34:
29:
22:
19:
2792:Yusuf Husain
2600:Begum Akhtar
2539:Habib Rahman
2478:K. Sukumaran
2473:Raja Ramanna
2448:Vinoo Mankad
2433:M. F. Husain
2352:Sartaj Singh
2342:Baldev Singh
2103:R. K. Laxman
2087:
1947:Sombhu Mitra
1922:P. K. Kelkar
1790:. Retrieved
1786:the original
1776:
1764:. Retrieved
1760:the original
1755:
1746:
1734:. Retrieved
1730:the original
1725:
1715:
1703:. Retrieved
1693:
1668:
1664:
1658:
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1642:the original
1637:
1612:. Retrieved
1608:the original
1603:
1567:. Retrieved
1563:the original
1558:
1529:. Retrieved
1524:the original
1494:
1491:"Khan, Amir"
1469:. Retrieved
1465:the original
1460:
1435:. Retrieved
1431:the original
1425:
1380:
1359:
1348:Bibliography
1203:Suha Sughrai
1008:Chandrakauns
942:Ahir Bhairav
916:Suha Sughrai
878:
873:Chandrakauns
840:
830:Vasant Desai
823:
806:
783:
738:
723:
719:Shahbaz Khan
715:Vilayat Khan
712:
704:
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537:
513:rare use of
505:acciaccatura
465:
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397:
395:
388:
382:
375:compositions
364:chhota khyal
359:
355:
347:
343:
337:
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329:
325:
322:
303:
293:
285:
283:
246:
231:
200:
173:
171:
131:Years active
80:(1974-02-13)
18:
2902:1974 deaths
2897:1912 births
2544:B. N. Reddy
2494:Alice Boner
2357:Sagat Singh
2254:Jai Krishna
1982:N. M. Wagle
1766:31 December
1736:31 December
1665:Asian Music
1614:31 December
1569:31 December
1311:Discography
1129:Miya Malhar
1113:Maru Kalyan
1075:Kafi Kanada
1063:Jaijaiwanti
1040:Hansadhwani
1032:Gaud Sarang
1027:Gaud Malhar
919:Todi tarana
898:Hansadhwani
740:Baiju Bawra
728:Discography
635:Sultan Khan
611:Rashid Khan
607:Prabha Atre
544:Baiju Bawra
89:West Bengal
65:August 1912
2891:Categories
2408:Om P. Bahl
2302:Bharat Ram
2078:Raj Kapoor
2013:Suraj Bhan
1400:References
1104:Madhukauns
1051:Hem Kalyan
985:Bhimpalasi
356:madhyalaya
178:pronounced
123:Hindustani
119:Occupation
67:Kalanaur,
61:1912-08-00
2876:2020–2029
2871:2010–2019
2866:2000–2009
2861:1990–1999
2856:1980–1989
2851:1970–1979
2846:1960–1969
2841:1954–1959
2322:A. S. Rao
2277:T. A. Pai
2088:Amir Khan
1792:1 January
1705:20 August
1648:1 January
1163:Rageshree
1045:Harikauns
1002:Bhavkauns
951:Bageshree
870:Bageshree
648:in 1971.
434:bol-baant
423:harmonium
372:khyalnuma
360:drut laya
348:bol-taans
234:merukhand
174:Amir Khan
25:Amir Khan
2782:Jagmohan
2711:Yash Pal
1815:Archived
1357:(2008).
1287:Archived
1108:Malkauns
1079:Kalavati
979:Bhatiyar
852:Bhatiyar
579:A. Kanan
575:Amarnath
448:layakari
430:layakari
334:bol-alap
298:tempo),
295:vilambit
270:Calcutta
152:Awards:
85:Calcutta
50:Sur Rang
2413:Chembai
1992:Yashpal
1531:17 June
1471:18 June
1437:18 June
1302:YouTube
1239:in 1971
1230:in 1967
1181:Shahana
1172:Ramkali
1134:Multani
1018:Darbari
965:Bairagi
913:Shahana
907:Patdeep
904:Multani
864:Multani
855:Ramkali
813:Naushad
808:Shabaab
745:Naushad
550:Shabaab
521:bandish
419:tanpura
403:Jhoomra
379:Persian
339:sargams
314:dhrupad
238:mehfils
219:Holkars
207:sarangi
1685:834468
1683:
1515:
1388:
1367:
1268:Indore
1154:Puriya
1149:Poorvi
930:Abhogi
879:Ragini
733:Movies
658:Tarana
633:, and
629:, the
568:Ghalib
561:ghazal
457:darbar
407:Ektaal
326:badhat
308:) and
286:gayaki
262:thumri
249:Bombay
172:Ustad
163:(1971)
156:(1967)
140:Labels
112:Tarana
99:Genres
1681:JSTOR
1247:Notes
1213:Yaman
1190:Shree
1117:Marwa
1099:Lalit
1088:Kedar
991:Bihag
971:Barwa
960:Bahar
936:Adana
895:Adana
867:Yaman
540:films
515:tihai
499:murki
439:swara
411:theka
399:taals
390:gamak
366:or a
344:taans
318:khyal
305:taans
266:Delhi
242:tabla
211:veena
203:India
108:Khyal
93:India
2750:1977
2669:1976
2593:1975
2487:1974
2401:1973
2182:1972
2001:1971
1865:1970
1794:2024
1768:2023
1738:2023
1707:2018
1650:2023
1616:2023
1571:2023
1533:2021
1513:ISBN
1473:2021
1439:2021
1386:ISBN
1365:ISBN
1207:Todi
1200:Suha
1123:Megh
901:Kafi
858:Desi
756:here
553:and
444:alap
415:taal
405:and
384:alap
352:raga
346:and
268:and
209:and
75:Died
55:Born
1673:doi
1505:doi
1300:on
1070:Jog
1048:Hem
358:or
2893::
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