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414:('Caravaggio's Cecco'), a notable Italian follower of Caravaggio who emerged in the decade after the master's death. While this remains controversial, there is more widespread support for Pappi's further proposal that Cecco del Caravaggio should be identified as an artist known as Francesco Boneri. Cecco Boneri, if this is his name, appears in many of Caravaggio's paintings, as the juvenile angel supporting Christ in
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410:, an English visitor to Rome about 1649/51, recorded the Cupid as being "ye body and face of his (Caravaggio's) own boy or servant that (sic) laid with him". The Italian art historian Giani Pappi has put forward the theory that this Cecco may be identical with
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lent
Caravaggio the wings as props to be used in the painting, and this allows fairly precise dating of 1602–03. It was an immediate success in the circles of Rome's intellectual and cultural elite. A poet immediately wrote three
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as "A life-size Cupid after a boy of about twelve... has large brown eagle's wings, drawn so correctly and with such strong coloring, clarity and relief that it all comes to life."
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JĂĽrgen MĂĽller, Der Maler als
Pasquino – Spott, Kritik und Subversion. Eine neue Deutung von Caravaggios Amor vincitore, in: Uwe Israel, Marius Kraus u. Ludovica Sasso (Eds.):
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in the left corner. Its style was thoroughly derivative of
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and the real. Despite the clear indications of
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The subject of Cupid was common for the age. Caravaggio's depiction of Cupid is unusually realistic – where other depictions, such as the contemporary
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Agonale
Invektivität: Konstellationen und Dynamiken der Herabsetzung im italienischen und deutschen Humanismus
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showed Divine Love separating a juvenile Cupid on the ground in the lower right corner (profane love) from a
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687:, Heidelberg 2021 (Das Mittelalter. Perspektiven mediävistischer Forschung. Beihefte, Band 17), S. 143–190.
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The picture remained in the
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533:"The History of Cupid in Art: How the God of Love Has Inspired Artists for Centuries"
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Inevitably, much scholarly and non-scholarly ink has been spilled over the alleged
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282:. Giustiniani is said to have prized it above all other works in his collection.
213:("Love Conquers All") in Latin, known in English by a variety of names including
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in 1815 for the Berlin
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156 cm Ă— 113 cm (61 in Ă— 44 in)
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lighting and the photographic clarity, is the mingling of the
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Madonna of Loreto (Madonna dei
Pellegrini, Pilgrims' Madonna)
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in which it was first coupled with the
Virgilian phrase
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The Conversion of Saint Paul on the Road to Damascus
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60:. Unsourced material may be challenged and removed.
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571:"Masterpiece Story: Caravaggio, Amor Vincit Omnia"
442:(ca. 1610 – the head is Caravaggio's), and as the
439:David with the Head of Goliath (Caravaggio, Rome)
1425:Nativity with Saint Francis and Saint Lawrence
420:(1600–1601), possibly as the angel offering a
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243:is a painting by the Italian Baroque artist
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367:. 1602–1603 Oil on canvas. 179 x 118 cm.
120:Learn how and when to remove this message
1433:Salome with the Head of John the Baptist
1332:Salome with the Head of John the Baptist
1551:Paintings in the Gemäldegalerie, Berlin
1364:The Beheading of Saint John the Baptist
624:The Metropolitan Museum of Art (1985).
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446:now in the Capitoline Gallery in Rome.
1143:The Calling of Saints Peter and Andrew
346:wrote his life of Caravaggio in 1672.
276:Omnia Vincit Amor et nos cedamus amori
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1536:Mythological paintings by Caravaggio
334:about it, and another wrote a Latin
58:adding citations to reliable sources
389:Divine Love Conquering Earthly Love
365:Divine Love Conquering Earthly Love
69:"Amor Vincit Omnia" Caravaggio
1475:Paintings attributed to Caravaggio
880:Saint Francis of Assisi in Ecstasy
703:, Phaidon, London/New York, 1998.
493:, for a similar painting entitled
436:(1603), as an adolescent David in
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1491:Caravaggio, il pittore maledetto
1356:Portrait of Fra Antonio Martelli
1103:The Inspiration of Saint Matthew
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471:Frederick William III of Prussia
369:Galleria Nazionale d'Arte Antica
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1284:The Crucifixion of Saint Andrew
1111:The Incredulity of Saint Thomas
501:List of paintings by Caravaggio
477:today, and is displayed in the
45:needs additional citations for
1457:David with the Head of Goliath
1292:David with the Head of Goliath
1063:The Crucifixion of Saint Peter
1047:The Martyrdom of Saint Matthew
427:The Martyrdom of Saint Matthew
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1449:The Martyrdom of Saint Ursula
1175:Christ on the Mount of Olives
952:Saint Catherine of Alexandria
920:Rest on the Flight into Egypt
750:Amor Victorious by Caravaggio
280:Marchese Vincenzo Giustiniani
1055:The Conversion of Saint Paul
1039:The Calling of Saint Matthew
984:Portrait of Maffeo Barberini
417:The Conversion of Saint Paul
1260:Saint Francis in Meditation
1247:(Madrid; c. 1605–1609)
1095:Saint Matthew and the Angel
1000:Judith Beheading Holofernes
662:Staatliche Museen zu Berlin
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1556:Musical instruments in art
1417:Adoration of the Shepherds
1316:The Flagellation of Christ
1191:Saint Jerome in Meditation
944:Jupiter, Neptune and Pluto
827:Boy with a Basket of Fruit
976:Martha and Mary Magdalene
963:(Princeton; c. 1598)
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1401:The Burial of Saint Lucy
1308:The Crowning with Thorns
1276:The Seven Works of Mercy
1252:Mary Magdalen in Ecstasy
1159:The Crowning with Thorns
1127:The Entombment of Christ
835:Boy Bitten by a Crayfish
379:was completed, Cardinal
1207:Portrait of Pope Paul V
1167:The Death of the Virgin
1135:Saint Francis in Prayer
719:M:The Caravaggio Enigma
547:"The Genius of Victory"
375:In 1602, shortly after
344:Giovanni Pietro Bellori
1409:The Raising of Lazarus
1335:(London; c. 1607)
960:The Sacrifice of Isaac
888:Boy Bitten by a Lizard
724:Duffy & Snellgrove
610:Quoted in Peter Robb,
597:Quoted in Peter Robb,
491:Master of the Gamblers
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433:The Sacrifice of Isaac
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296:Battistello Caracciolo
27:Painting by Caravaggio
1441:Denial of Saint Peter
1300:Madonna of the Rosary
1215:Still Life with Fruit
1186:(Genoa; c. 1605)
628:The Age of Caravaggio
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381:Benedetto Giustiniani
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1340:Saint Jerome Writing
1324:Christ at the Column
1202:(Rome; c. 1605)
1199:Saint Jerome Writing
1119:The Taking of Christ
838:(c. 1593; lost)
752:at Wikimedia Commons
497:("Victorious Cupid")
475:Berlin State Museums
453:The same subject by
412:Cecco del Caravaggio
54:improve this article
1514:Caravaggio's Shadow
1480:Utrecht Caravaggism
1146:(c. 1603–1606)
864:Del Monte paintings
699:Catherine Puglisi,
535:. 14 February 2018.
402:Sandrart described
1566:Paintings of Cupid
912:Penitent Magdalene
843:The Fortune Teller
819:Young Sick Bacchus
467:Féréol Bonnemaison
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455:Jan van den Hoecke
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327:Orazio Gentileschi
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1098:(1602; destroyed)
1008:David and Goliath
811:Boy Peeling Fruit
796:List of paintings
748:Media related to
658:"Amor als Sieger"
495:Omnia Vincit Amor
385:Giovanni Baglione
361:Giovanni Baglione
353:of the painting.
340:Omnia Vincit Amor
251:Amor Vincit Omnia
210:Amor Vincit Omnia
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1268:Supper at Emmaus
1236:Naples and Malta
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968:John the Baptist
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52:Please help
47:verification
44:
1508:(2007 film)
1500:(1986 film)
1351:(1607–1608)
1050:(1599–1600)
1042:(1599–1600)
1029:Most famous
459:Paul de Vos
377:Amor Vincit
314:now in the
304:allegorical
300:chiaroscuro
1530:Categories
1506:Caravaggio
1498:Caravaggio
787:Caravaggio
714:Peter Robb
701:Caravaggio
694:References
667:2024-04-19
643:0870993801
557:2024-03-19
520:Caravaggio
286:Background
245:Caravaggio
185:Dimensions
161:Caravaggio
110:April 2022
80:newspapers
1383:1608–1610
1244:Ecce Homo
1234:1606–1608
1183:Ecce Homo
1027:1600–1606
1016:Narcissus
862:1595–1599
803:1593–1594
614:, p. 195.
518:Puglisi,
351:eroticism
332:madrigals
170:1601–1602
140:Italian:
1561:Nude art
601:, p. 194
485:See also
320:Florence
271:Eclogues
193:Location
1468:Related
904:Bacchus
461:, 1640s
393:Lucifer
371:, Rome.
336:epigram
312:Victory
94:scholar
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266:Virgil
257:, the
253:shows
201:Berlin
175:Medium
157:Artist
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507:Notes
262:Cupid
259:Roman
237:, or
101:JSTOR
87:books
728:ISBN
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638:ISBN
457:and
404:Amor
397:Amor
255:Amor
167:Year
73:news
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