465:
315:
245:
183:
63:
22:
386:
949:
Several other such workshops are underway. National seminar âRoopantarâ (Literature to Cinema) organized in Nadiad was the outcome of the âRoopantarâ series in the journal
Pratyaksha. Delivered the key-note address at the Nadiad conference. Was invited to Asmita Parva-14 (14 â 18 April 2011) at Mahua
809:
Essays and poems published in numerous other catalogues, journals and dailies (English, Gujarati, Malayalam, etc.) including the
Cinemaya, Osianâs Cinemaya, Art India, Lensight, the journal of the Film & Television Institute of India, Danish Film Institute Journal, Farbas Trimasik, Etad, Tathapi,
447:
He worked as consultant content developer for the
National Museum of Indian Cinema set up by the National Council of Science Museums in Mumbai. He was actively involved with Indiaâs film society movement and was secretary of Screen Unit, and Regional Secretary of Federation of Film Societiesâ Western
969:
2012: One of the active members of the organizing group on âClassic
Incantations: The German Film Orchestra Babelberg performs A.R. Rahman,â a massive musical that showcased over a hundred orchestral musicians from the German Film Orchestra Babelsberg and KM Music Conservatory, Chennai and travelled
452:
and now in
Bangalore), Shai Heredia in an interview with Amrit Gangar, draws the history of Screen Unit and the film society movement in India over the years; he is credited to have been one of the pioneers in ushering in the serious film appreciation in Mumbai. He has also been holding film
836:
Tribute to Mani Kaul, 12th Osianâs Cine-Fan Film
Festival, 2012, New Delhi. For the first time the practitioners (camerapersons, soundpersons, editors and production persons) came together to discuss aesthetics and the philosophy of Mani Kaulâs
883:
India
Express: Presented an Indian film program in aesthetical context at the exhibition of Indian popular art at the Helsinki City Art Museum, Finland. Also helped organize a workshop by the Bollywood billboard painters during the
870:
INDIA: Bollywood and Living Gods: Worked with the Museum of Far
Eastern Antiquities, Stockholm, Sweden in putting together visual material pertaining to popular Hindi cinema within the exhibition (September 2007 â March 2008)
709:
Essays, Poems contributed to Books, Catalogues and
Journals: English, Gujarati, Kachchhi, Marathi, Bengali, Malayalam, Tamil, French, Spanish, Finnish, Danish, Norwegian, German, Swish, Swedish, Russian, Persian (Tr.)
1120:
Conceived, developed and set up a comprehensive easy-to-retrieve database of the Films
Divisionâs library of documentary films, etc. from 1948 to 1993, about 9000 documentary, short and animation films (with Subhash
896:
Kala Ghoda Artfest: Curated film programs continuously for four years until 1998. Was commissioning editor for several short films on Kala Ghoda area made by different professional and amateur filmmakers, Mumbai,
500:
Amrit Gangar has been responsible for coining, developing and theorizing his new theoretical concept of 'Cinema of Prayoga' or 'Cinema Prayoga' that aims at substituting and expanding the generally accepted
1136:
Harbour Line Stories, Etc., for Cell â Initiators of Incidents, Rotterdam, the Netherlands. About the city of Mumbai â including some historic episodes, e.g. explosion in a steamer in 1944 in Bombay harbour.
874:
Cinema of Prayoga (the term he coined to substitute the Anglo-American Experimental or Avantgarde Film.) Tate Modern, London presented this program along with a seminar in which he also spoke, 2006.
867:
Bollywood Film Posters: Worked with the Norwegian Film Institute, Oslo, Norway in putting together hand painted billboards and writing a lead article for its exhibition, continuing from August 2007.
675:
Also published Ritwik Ghatak: A Return to the Epic, the first major book in English on Ritwik Ghatak by Ashish Rajadhyaksha on behalf of Screen Unit, Bombay,1982
880:
Kali: A program of Indian cutting edge short films about Kali presented at Gallery Espace Croise, Roubaix, France. It was part of the bigger event about Mumbai / India in Lille, France,2007.
1427:
1139:
Temples in Trains, produced and directed, a documentary about Mumbaiâs local trains and commuters ingeniously create temples inside compartments and sing songs every morning. (contd.)
852:
Saat Sarjak. Saat Samvad (Seven Creators. Seven Dialogues), a seven-month-long (monthly) program on Cinema of Prayoga, National Centre for the Performing Arts (NCPA), Mumbai, 2008.
278:
858:
Arts Reverie, Ahmedabad: Fanaâa, 2007 â Sufi Soul: A Bouquet of International Short Films; Sufi Films, Ahmedabad Art Festival, 2012 (shown at the National Institute of Design).
877:
Devi Diva - Images of woman in Indian cinema, a short compilation of film excerpts, with Berenice Ellena, during an exhibition at Musee des Arts Asiatiques, Nice, France, 2006.
484:, short films and video installations by artists from Europe and Scandinavia. For the past several years, he has been engaged with his new theoretical-philosophical concept
946:
Over the years, conducted film appreciation and film and literature related workshops in Surat, Palanpur, Bharuch, Ahmedabad, Gandhinagar, Sadra, Bombay and other places.
1148:
Representation of Bombay in Films: An hour-long compilation of films recording and representing the city of Bombay, for the Urban Research & Development Institute.
1428:"Shakespeare- The Local Perceptions - Film Workshop By Amrit Gangar at Little Theatre, Nariman Point, Mumbai on 10 Jan, 2010 | Buy tickets online for Special Cinemas"
697:
The Unposted Letter, A collection of articles by and on Shri Goverdhan Panchal, an expert on Sanskrit Theatre, Architecture, Ed. Hasmukh Baradi, TMC, Ahmedabad, 2014.
950:
by Morari Bapu to present a talk on film kala nu anubhavan with reference to cinematographic experience. The program was televised internationally on Astha channel.
887:
Bollywood in Switzerland: Presented a film program in historical context and helped the exhibition organized by the Museum of Design in Zurich, Switzerland, 2001.
427:
1989: The International Federation of Film Clubs honored him with a plaque in Germany for his persistent and imaginative work in the Indian film society movement.
840:
Hosted and curated (along with Neville Tuli) Deewar: Celebrating 100 Years of Cinematic Heritage of India, 12th Osianâs Cine-Fan Film Festival, 2012, New Delhi.
517:'. Since his first public presentation of 'Cinema of Prayoga' at the Experimenta, Mumbai in 2005, he has been presenting it at various venues and fora in
893:
Experimenta 2005: First time presented his new theoretical concept of Cinema of Prayoga, at this first of its kind cutting edge film festival in Mumbai.
91:
71:
1355:
415:
1456:
918:
Indian Cinema: One Hundred Years of Fortitude, as part of the Key-Note Address, International Seminar on Cinema, St. Xavier's College, Mumbai, 2013.
1282:
654:, ARTiT (Japanâs first bilingual art quarterly), special number on Indian contemporary art, co-ordination and co-editing with Johan Pijnappel, 2007.
543:
1733:
998:
806:
Voices of Emergency: An All India Anthology of Protest Poetry of the 1975-77 Emergency, Ed. John Oliver Perry, Popular Prakashan, Bombay, 1983.
657:
Jainism: Walking into Eternity, Eds.Birthe Molhave, Amrit Gangar, Kuntal Gangar and Kristian Molhave (Danish), 2001, Systime, Aarhus, Denmark.
453:
appreciation workshops all over Gujarat and at various educational and institutional spaces in India. Gangar has been working in the field of
208:
1090:
Shri Rajmohan Gandhiâs Asia Plateau, Panchgani, Maharashtra â lectured on Indian cinema to students from various North American universities.
1011:
903:
Curatorial Advisor, National Curatorial Program initiated by the India Foundation for the Arts and the Katha Centre for Film Studies, Mumbai.
1435:
651:
900:
Mumbai International Film Festival of Documentary, Short & Animation Films (MIFF). Curated retrospective programs from 1990 until 1996.
694:
Unveiling Desire: Fallen Women in Literature, Culture, and Films of the East, Eds. Devaleena Das and Colette Morrow, Rutgers â Forthcoming
731:
Revisioning Mumbai: Conceiving a Manifesto for Sustainable Development, Eds. Vimal Shah, Pankaj Joshi, The Asiatic Society, Mumbai, 2010.
425:
2002: Cinematographersâ Combine honored him with a trophy (miniature Mitchel camera) for his writing and curatorial work for the cinema.
1145:
Bandra in Bollywood. Compiling film excerpts from films that show Bandra as location as a historic document â for the Bandra Festival.
264:
197:
1678:
361:
296:
226:
164:
49:
1117:
Was responsible for discovering and restoring the historic and rare documentary Indiaâs Struggle for National Shipping by Paul Zils
755:
India Express: Sacred and Popular, Eds. Erja Pusa, et al., Helsinki City Art Museum, Helsinki, Finland. (Finnish, Swedish, English)
681:
Edited the main and retrospective catalogues of the Mumbai International Festival for Documentary, Short and Animation Films from
1582:
1307:
1533:
864:
Katha Centre for Film Studies, Mumbai: Chalchitra Chawlchitra: Conceived and curated a program of films around Mumbaiâs chawls.
1142:
Kandivli: A River Saga, produced and directed this 6-minute film about how a pure-water river has turned into a filthy nullah.
1054:
1990-1995: Various national committees of the Mumbai International Film Festival for Documentary, Short & Animation Films.
970:
across five Indian metros. It was exclusively presented by Lapp Group; conceived and coordinated by Goethe Institute, Mumbai.
749:
Vishva na Yadgar Pravachano, Ed. Suresh Dalal, Mahesh Dave, Image Publications Pvt. Ltd., Mumbai, Ahmedabad, 2008. (Gujarati)
1606:
846:
Chelsea College of Art & Design, University of the Arts London, Moving Image Art and Global Media Spectacle, June 2011.
145:
35:
574:
Sohrab Modi: The Great Mughal of Historicals (in the series, the Legends of Indian Cinema), Wisdom Tree, New Delhi, 2008.
117:
95:
87:
1728:
1283:"Amrit Gangar discusses nuances of adapting theatre to cinema | Latest News & Updates at Daily News & Analysis"
767:
Enduring Legacy: Parsis of the 20th Century (in 4 parts), Ed. Nawaz B. Mody, K.R. Cama Oriental Institute, Mumbai 2005.
327:
1690:
1215:
1133:
Mumbai and the Informal City, presented at the International Conference of Architects and Town Planners, Mumbai, 2010.
830:
Kshaya of Akasa is also the Kshyaya of Chetana: Some Reflections on the shrinking of Sky in Cinema, Pondicherry, 2016.
743:
INDIA: Cine de autor, documental independiente y ideocreacion (1899-2008, La Casa Encendida, Madrid, 2008. (Spanish) .
274:
76:
722:
Swarnim Gujaratno Swapnadrashta: Veer Narmad, Ed. Jagdish Gurjar, Veer Narmad South Gujarat University, Surat, 2011.
685:
1990 uptil1998, as also of the Childrenâs Film Festival of India, and of the National Film Development Corporation.
124:
921:
Cinematographic Symbiosis: Germany and India, Excellence on Tour, DWIH, Kolkata, 2014, Ahmedabad 2013, Mumbai 2013.
547:
1403:
260:
255:
80:
936:
The Moving Image Looped to be Mukt! â the Cinema of Prayoga conscience, the University of the Arts, London, 2011.
666:
The Rigour of Austerity: Robert Bresson and Luis Buñuel, 1989, Federation of Film Societies of India, Mumbai. Ed.
1264:
752:
Masala: Bollywood â sa furnkar det, Ed.Katarina Przybtl, Ostasiatiska Museet, Stockholm, Sweden, 2008. (Swedish)
1738:
1240:"Q & A: AMRIT GANGAR. PRAYOGA, POSSIBILITIES OF CINEMA, CONVERSATIONS AND CONTEMPLATIONS « desistfilm"
1087:
Royal College of Art, Copenhagen, Denmark; Yale University, New Haven, USA; Columbia University, New York, USA.
1081:
1074:
632:
131:
1557:
1654:
981:
761:
Bollywood in Switzerland, Ed. Alexandra Schneider, The Museum of Design, Zurich, Switzerland, 2005. (German)
464:
716:
Routledge Handbook of Indian Cinema, Eds. K. Moti Gokulsing and Wimal Dissanayake, Routledge, London, 2013.
1723:
1464:
1239:
821:
1457:"Indian Aesthetics, Criticism and Theory, Community Engagement Courses, Workshops, Seminars and Lectures"
1021:
660:
Indian Cinema: A Visual Voyage (with Virchand Dharamsey), 1998, Publication Division, New Delhi. (contd.)
113:
740:
Girls and Girlshood at Threshold of Youth & Gender, Ed. Vibhuti Patel, The Women Press, Delhi, 2009.
1509:
954:
Conducted several Indian film workshops in different gymnasiums (schools) and institutions in Denmark.
915:
Indian Cinema: One Hundred Years of Fortitude, Whistling Woods International Film School, Mumbai, 2013.
193:
993:
Nomination on several film festival juries and selection committees in India and abroad. Select list:
542:
Roopantar, adaptations from literature to cinema, Arunodaya Prakashan, Ahmedabad â in Gujarati, 2014.
204:
1107:
Several conferences and seminars in India and abroad, including in Australia, Sri Lanka, Iran, etc.
1068:
1004:
930:
Cinema of Prayoga: Contemplating a Cinematographic Moment, York University, Toronto, Canada, 2013.
600:
seven Parichay Pustika (Introductory Booklets), Parichay Trust, Mumbai - in Gujarati (2000-2013)
102:
980:
2007: A trophy from Naval Dockyard Mumbai for discovering and preserving the documentary film â
800:
Germany in Upheaval: A Series of Documentary Films, Goethe Institute, Mumbai, 1999 (long essay)
558:
526:
506:
413:
2007: A trophy from Naval Dockyard Mumbai for discovering and preserving the documentary film
336:
41:
773:
Ardhi Sadi ni Vachanyatra, Ed. Mahendra Meghani, Lok Milap Trust, Bhavnagar, 2006. (Gujarati)
933:
Cinema of Prayoga, No Cultural Boundaries, York University and SAVAC, Toronto, Canada, 2013.
782:
Frames of Mind: Reflections on Indian Cinema, Ed. Aruna Vasudev, ICCR, UBS, New Delhi, 1995.
734:
Asian Film Journeys, Eds. Rashmi Doraiswamy, Latika Padgaonkar, Wisdom Tree, New Delhi 2010.
713:
Buddhadeb Dasgupta: Poet of Celluloid, Federation of Film Societies of India, Kolkata, 2014.
584:
924:
Cinematographic Symbiosis: Germany and India, Indo-German Chamber of Commerce, Mumbai 2013.
1631:"Archives for film » Co-create Now - for Indians and Danes who co-create and explore"
638:
624:
138:
1682:
788:
Bombay and Mumbai: The City in Transition, Eds. Sujata Patel and Jim Masselos, OUP, 2003.
725:
The Chawls of Mumbai: Galleries of Life, Ed. Neera Adarkar, imprint One, New Delhi, 2011.
672:
Ritwik Ghatak: Arguments / Stories (with Ashish Rajadhyaksha), 1984, Screen Unit, Mumbai.
779:
International Film, an Iranian Film Quarterly, Ed.Houshang Golmakani Tehran, Iran, 2001.
314:
906:
125th Birth Anniversary of Charlie Chaplin and the Chaplin Town, Adipur, Kachchh, 2014.
890:
Dogma film program for the International Film Festival of Kerala in Trivandrum, Kerala.
833:
Cinema of Prayoga, Danish Film Institute, Copenhagen: Indian Film Program, March 2012 .
594:
514:
1717:
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703:
502:
454:
1331:
580:
477:
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Georges Pompidou Centre, Paris, June 2011 Kalabhavana, Santiniketan, August 2011.
810:
Pratyaksha, Sameepe, Mumbai Samachar, Janmabhoomi Pravasi, Nav Gujarat Times, etc.
912:
Indian Cinema: One Hundred Years of Fortitude, Hyderabad Literary Festival, 2014.
855:
National Centre for the Performing Arts, Mumbai: Short Films about Sufism (2006).
843:
Cinema of Prayoga, Conference at the Viswabharati University, Santiniketan, 2011.
785:
Bombay: Mosaic of Modern Culture, Eds. Alice Thorner and Sujata Patel, OUP, 1995.
719:
Moving Image Review & Art Journal (MIRAJ), London, Ed. Catherine Elwes, 2012.
550:: The Music that Still Rings at Dawn, Every Dawn, Goethe Institute, Mumbai, 2013.
797:
Images of India in European Cinema, Goethe Institute, Mumbai, 2000. (long essay)
728:
Focus: Design & Informal Cities, Indian Architect and Builder, Mumbai, 2010.
610:
590:
554:
530:
481:
441:
244:
927:
Cinematographic Symbiosis: Germany and India, Max Mueller Bhavan, Mumbai, 2013.
1039:
2007: Member, International Jury, International Short Film Fest, Tehran, Iran.
700:
Kalaveethi, Eds. Ajaysingh Chouhan, et al., Pranav Prakashan, Ahmedabad, 2013.
522:
1356:"Sohrab Modi: The Great Mughal of Historicals (The Legends of Indian Cinema)"
1027:
2010: Chairperson, Int. Jury of the International Film Festival of Ahmedabad.
407:
2007: University of Mumbai, a silver plaque for his contribution to the book
605:
565:
510:
791:
Indomania, Ed. Dominique Paini, Cinematheque Francais, Paris, 1996.(French)
513:
of Indian philosophy and cultural imagination, including the perception of
1485:
1042:
2006: Chairperson, Int. Jury, International Short Film Fest, Tehran, Iran.
1030:
2009: Member, International Jury, Oberhausen Short Film Festival, Germany.
663:
Edited the National Film Development Corporationâs monthly bulletin, 1995.
385:
1093:
Asmita Parva â 14, Mahua, Gujarat, a presentation on anubhÄvan of cinema.
794:
Figures, Facts, Feeling: A Direct Diasporic Dialogue, Parthiv Shah, 2000.
764:
The Best of Speaking Tree, Vols. 1 and 4, The Times of India, 2004, 2007.
537:
Authorship: Books â English, and other Indian languages (Original or Tr.)
1167:"Film Societies: When Godard Rode the 17:05 Borivli Local | Experimenta"
815:
Conceptualization and Curatorship of Programs (Select): India and Abroad
1045:
2005: Member, Indian Documentary Producersâ Association, National Jury.
1036:
2007: Member, Indian Documentary Producersâ Association, National Jury.
909:
Five Devdas Films and One Novella, National Book Fair, Ahmedabad, 2014.
706:: A Return to the Epic, Ashish Rajadhyaksha, Screen Unit, Mumbai, 1982.
533:, Kabir Mohanty and Arghya Basu fall within the ambit of this concept.
469:
1057:
1989: Member, National Short Film Jury, National Film Festival, India.
1033:
2008: Member National Jury, Indian Documentary Producersâ Association.
803:
DEFA: Documentary Films, Goethe Institute, Mumbai, 1998. (long essay).
776:
Film & Philosophy, Ed. K. Gopinathan, University of Calicut, 2003.
758:
Song for an Ancient Land, Kabir Mohanty, Gallery SKE, Bangalore, 2006.
436:
is an Indian film scholar, historian, critic, curator and writer from
1702:
1630:
1191:
861:
Katha Centre for Film Studies, Mumbai: Curatorial Workshops-numerous.
577:
Paul Zils and the Indian Documentary, Goethe Institute, Mumbai, 2003.
458:
449:
437:
746:
Espace Croise 1994â2006, cahier # 2, Roubaix, France, 2008. (French)
509:' while celebrating the cinematographic idiom deeply located in the
571:
Cinema. Culture. Capital. Context: India, Monfakira, Kolkata, 2010.
737:
the kernel is a fact, Kabir Mohanty, Gallery SKE, Bangalore, 2010.
678:
Gujarati Cinema: At 1982 (with Manilal Gala), Screen Unit, Mumbai.
646:
Editorship, Co-Editorship: Books â English, Gujarati, Danish (Tr.)
564:
Mumbai 24 x 7, essays on the city of Mumbai, Arunodaya Prakashan,
518:
463:
422:
2005: Taramati Visanji Award for contribution to art and culture.
1017:
2017 Member, National, Indian Documentary Producersâ Association.
597:: A Journey from Munich to Malad, 2001, Goethe Institute, Mumbai.
629:
Rashtriya Film Sangrahalaya (The National Film Archive of India)
1048:
2005: Member, International Jury, Three-Continent Film Festival
621:
Bharat na Uttam Balchitro (The Best of Indian Childrenâs Films)
587:), Lokvangmaya Griha, Mumbai, 2002. (Tr. from original English)
1166:
615:
Bharatiya Cinema ma Navo Juval (The New Wave in Indian Cinema)
476:
He has been part of production and creative teams of numerous
308:
238:
176:
101:
from the article and its talk page, especially if potentially
56:
15:
849:
Centre Pompidou, Paris: Indian Experimental Films, June 2011.
770:
The Best of Speaking Tree, Vol. 4, The Times of India, 2007.
652:
Art in India: A mighty river of the unique and the universal
1404:"[ Nostalghia.com | Bibliographies :: Books ]"
1332:"Gurgaon International Film and Literature Festival giflif"
669:
Andrei Tarkovsky: A Homage, 1987, Screen Unit, Mumbai. Ed.
1336:
Gurgaon International Film and Literature Festival giflif
468:
Gangar at Satyajit Ray Film and Television Institute in
1216:"Amrit Gangar explains the concept 'Cinema of Prayoga'"
332:
270:
618:
Yadgar Dastaveji Chitro (Memorable Documentary Films)
1077:
The Rigour of Austerity, Junoon, Kitabkhana, Mumbai.
403:
399:
Film scholar, historian, critic, curator and writer
395:
376:
827:Film Programs, Tapi Festival, Surat, India, 2014.
259:, potentially preventing the article from being
1051:2008: Member, Advisory Committee, NCPA, Mumbai.
1096:Goethe Institute (Max Mueller Bhavan), Mumbai.
963:Goethe Institute, Max Mueller Bhavan, Mumbai.
8:
1607:"Mumbai - Event Calendar - Goethe-Institut"
637:Bharatiya Cinema ni Shatabdi (100 Years of
211:of quality, and to make it neutral in tone.
50:Learn how and when to remove these messages
1534:"Mumbai - Event Archive - Goethe-Institut"
1308:"Mumbai - Event Archive - Goethe-Institut"
409:Photobiography of the University of Mumbai
384:
373:
279:reliable, independent, third-party sources
94:about living persons that is unsourced or
1099:University of the Arts London, June 2011.
553:Cinema Vimarsh, Gujarat Sahitya Akademi,
448:Region. Curator of Experimenta (first in
362:Learn how and when to remove this message
297:Learn how and when to remove this message
227:Learn how and when to remove this message
165:Learn how and when to remove this message
273:by replacing them with more appropriate
1158:
999:16th Mumbai International Film Festival
256:too closely associated with the subject
1010:2017 Selection, International Cinema,
982:Indiaâs Struggle for National Shipping
416:India's Struggle for National Shipping
1583:"Kolkata - Archive - Goethe-Institut"
941:Film Workshops in India and Elsewhere
457:in various capacities for over three
7:
1263:Srinivasan, Srikanth (2 June 2012).
1080:Studentsâ Centre, Zagreb, Croatia â
989:Film Festival Juries and Committees
1679:"Goa Arts & Literary Festival"
966:Cultural Centre of Russia, Mumbai.
14:
1062:Academic - Lectures / Conferences
326:to comply with Knowledge (XXG)'s
31:This article has multiple issues.
496:Cinema of Prayoga: A New Concept
313:
254:may rely excessively on sources
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20:
1067:John Abraham Memorial Lecture,
39:or discuss these issues on the
1734:21st-century Indian historians
1084:and Indian Experimental Films.
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1558:"Cinema Prayoga-Amrit Gangar"
1192:"AMRIT GANGAR | Experimenta"
72:biography of a living person
1655:"A Struggle in Restoration"
99:must be removed immediately
1755:
383:
633:National School of Drama
339:may contain suggestions.
324:may need to be rewritten
583:Ani Tyanche Chitrapat (
1112:Archiving / Databasing
822:Kochi-Muziris Biennale
473:
192:may be written from a
86:Please help by adding
1691:"The Hindu newspaper"
568:â in Gujarati, 2 011.
521:and abroad. Films by
503:Euro-American-centric
467:
198:neutral point of view
1014:, Trivandrum, Kerala
689:Part of Publications
92:Contentious material
1729:Indian film critics
1265:"Cinema of Prayoga"
1069:SiGNS Film Festival
1005:SiGNS Film Festival
820:Cinema of Prayoga,
194:fan's point of view
1697:. 27 January 2014.
1659:The Indian Express
1432:www.buzzintown.com
1408:people.ucalgary.ca
1075:Cinema of Prayoga:
1003:2017 Chairperson,
997:2020 Jury member,
958:Program Consultant
474:
1128:Film Directorship
1082:Cinema of Prayoga
527:Ashish Avikunthak
515:'time' and 'space
507:Experimental Film
486:Cinema of Prayoga
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1564:. 10 June 2009
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1486:"GIFLIF 2015"
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1360:Exotic India
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884:exhibition.
611:Sohrab Modi
591:Franz Osten
555:Gandhinagar
531:Vipin Vijay
482:documentary
442:Maharashtra
205:clean it up
1718:Categories
1665:2015-10-14
1640:2015-10-14
1616:2015-10-14
1592:2015-10-14
1568:2015-10-14
1543:2015-10-14
1519:2015-10-14
1514:veethi.com
1495:2015-10-14
1471:2015-10-14
1442:2015-10-14
1413:2015-10-14
1389:2015-10-14
1365:2015-10-14
1341:2015-10-14
1317:2015-10-14
1293:2017-11-09
1249:2015-10-14
1225:2015-10-14
1201:2015-10-14
1177:2015-10-14
1153:References
523:Amit Dutta
505:term the '
271:improve it
261:verifiable
125:newspapers
36:improve it
1695:The Hindu
1269:The Hindu
606:Bimal Roy
566:Ahmedabad
511:polyphony
444:, India.
337:talk page
275:citations
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1121:Chheda).
871:concept.
710:(Select)
593:and the
559:Gujarati
287:May 2019
217:May 2019
155:May 2019
103:libelous
585:Marathi
561:, 2012.
478:feature
472:, 2016.
470:Kolkata
459:decades
265:neutral
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139:scholar
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