87:, Seoul, after she moved into the city by herself. Perhaps for this reason, her early works often feature specific geographical names related to Seoul, such as “ahyeon-dong sandongne” (hilly village in Ahyeong-dong) and “cheongnyangni guldari” (the underpass in Cheongnyangni), suggesting that the root of her poetic sensibility was formed from her memories of wandering without roots.
72:, South Korea. Due to poverty, she attended vocational high school rather than regular high school. During high school days, she was an active member of the school's literature club, but upon graduation, she had to work as an office clerk for a major company. Then in her late 20s, she attended college by taking evening classes, majoring in creative writing at
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is also featured in the second collection. For instance, she creates poetic tension by placing confusion into meaning when she separates the word “ibyeol” (이별 separation) into two words “i byeol” (이 별 this star) by inserting a space in the middle. Her second collection also includes meta-poems that
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reflections of her young adulthood dominated by poverty and extreme loneliness. Such poetic themes, when met with her unique wordplay, create a buoyant vibe. She creates new meanings by replacing the originally associated
Chinese characters of Korean words with new characters, for example, using
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In addition, the vignettes of the 1970s, illustrated by poetic phrases “bikini otjang” (portable wardrobe), “sundaegukbap” (blood sausage and rice soup), “beongaetan” (starter briquette), “yeontangaseu jungdok” (briquette gas poisoning), and “heonchaekbang” (used bookstore) are considered the
83:(Bear Bear; 2006), is mainly about her own experiences and daily life. Poems “Oktapbang” (옥탑방 The Rooftop Room) and “Telegraph Lies” (거짓말을 타전하다) reflect upon her own experience of living in a shabby rooftop room in
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134:(Love Will Be Repaired Someday; 2014), wordplay is still a dominant feature while its poems revolve around her own experiences based on her love of life and people.
76:. Working by day and writing poems by night, she debuted in 2001 as poet by publishing “Gomgom” (곰곰 Bear Bear), “Hasisi” (하시시 Hashish) and other poems.
122:(Reconstructing Separation; 2009), expresses a much broader perspective, even though both collections handle similar subject matters and content. Her
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381:"Manhae Literature Prize Goes to Kang Man-gil, Park Hyeong-gyu, Sin Hong-beom and Sin Dong-yup Prize for Literature to An Heon-mi"
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constantly throw doubts and question the very moment, the very space, and the very act of writing her own poems.
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107:(食事), while also slightly modifying the sounds and meanings of words, for instance, using
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An Heon-mi and Nam-hun Son. “Possibilities of What’s Poetic: Its
Ambiguous Appeal.” In
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Munhakdongne New Writer Award (2001) for “Gomgom” and four other poems
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343:"Love lies in Life's Tug of War Where the Cheerful and Lively Follow Tear"
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http://news.khan.co.kr/kh_news/khan_art_view.html?art_id=200601301655401
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258:"Poet An Heon-mi: The Balance of an Orphan and a Lonely Female Priest"
230:"Jo Yong-ho's Poetry on the Road [24]: An Hyum-mi's Gomgom"
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In contrast to her first poetry collection, An's second book,
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Lee, Sang-ju. “An Heon-mi
Publishes First Poetry Collection
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Munhakdongne. “Complete List of New Writer Award
Winners.”
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Seoul
National University of Science and Technology alumni
281:"The 100 Popular Poems [91]: Telegraph Lies"
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Seoul
National University of Science and Technology
45:; born 1972) is a South Korean poet. She won the
172:(Love Will Be Repaired Someday), Changbi, 2014.
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159:(Reconstructing Separation), Changbi, 2009.
130:Similarly, in An's third poetry collection,
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361:https://www.munhak.com/community/award3.asp
56:in 2010 for her second poetry collection,
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146:(Bear Bear), Random House, 2006.
279:Jeong Kkeut-byeol (2008-04-23).
268:from the original on 2016-01-01.
424:21st-century South Korean poets
379:Jeong Cheol-hun (2010-07-21).
341:Lee Gyeong-gwan (2014-09-29).
193:Shin Dong-yup Literature Prize
79:An’s first poetry collection,
47:Shin Dong-yup Literature Prize
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262:Munhwawepjin Chaeneoryeseu
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256:Kim Do-eon (2014-12-16).
228:Jo Yong-ho (2010-02-12).
429:South Korean women poets
329:Impossible Conversations
331:. Busan: Sanjini, 2011.
23:, the family name is
314:, January 30, 2006.
204:Ibyeorui jaeguseong
58:Ibyeorui jaeguseong
366:2019-04-09 at the
347:Gyeongbukdominilbo
312:Kyunghyang Shinmun
138:Poetry collections
16:South Korean poet
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170:사랑은 어느날 수리된다
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414:1972 births
389:(in Korean)
386:Kukmin Ilbo
289:(in Korean)
238:(in Korean)
202:(2010) for
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113:jjaratustra
111:instead of
109:jjagatustra
85:Ahyeon-dong
50: [
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21:Korean name
408:Categories
393:2020-09-20
293:2020-09-20
242:2020-09-20
235:Segye Ilbo
210:References
33:An Heon-mi
99:(陸橋) and
64:Biography
364:Archived
266:Archived
124:wordplay
19:In this
157:이별의 재구성
120:이별의 재구성
70:Taebaek
308:Gomgom
184:Awards
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97:yukgyo
93:yukgyo
37:Korean
200:]
105:siksa
101:siksa
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174:ISBN
161:ISBN
148:ISBN
310:.”
42:안현미
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218:^
198:ko
144:곰곰
81:곰곰
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52:ko
26:An
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