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An Hour with Chekhov

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brothers, but soon learns that her virtuous spouse does not want to help the drunken relative and his sons. Life in the house of her husband seems dull and monotonous to Anna. The situation changes after a charity ball, where the wife of Modest Alexeyevich causes a sensation. Anna eagerly accepts courtship of the governor, and the wealthy landowner Artynov. At the end of the novella the young woman rides with a suitor in a carriage by her father's house, not realizing that furniture is being removed from the house.
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occurred. In the morning he goes to meet Bryzgalov to ask for forgiveness again. The general's words – "What nonsense ... I've already forgotten" (individual lines of the characters are reproduced in the intertitles) do not reduce the suffering of the clerk. After another attempt to explain the indeliberate nature of his act, Chervyakov hears: "Beat it!". Returning home, he lies down on the sofa and dies.
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policeman Eldyrin, who happen to be strolling through the area, to start looking for the dog's owner. Attitude to it ranges from anger to tenderness which varies depending on the assumptions heard in the crowd regarding the identity of the owner. After a report that the dog belongs to the brother of General Zhigalov, Ochumelov declares the artisan as the guilty party.
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heroine of is created by highlighting small details, and the system of relationships between the characters is revealed with the help of repeated minutiae (slippers which are constantly worn by the husband; eternal detachment in Anna Petrovna's eyes during conversations with Modest Alexeyevich). Film historian
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In the story "The Death of a Government Clerk", much of which was shot in the realistic tradition, in the finale the director suddenly uses elements of fantasy – they are found in the episode when the General towering over from the colossal table looks down at the small huddled officer; Bryzgalov at
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when analyzing Protazanov's creation, noted that in the first novella of the film one of the means of expression is "montage featuring a series of isolated individuals": The camera pulls out from a crowd of people to the dazed bride at the time of the wedding, then to the confused brothers, and then
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Film critic Sergey Lavrentyev on the contrary highlights the beginning of "Chameleon": an image of a provincial town wearied from the heat with sleepy inhabitants and a slow rhythm of life largely explains the behavior of artisan Khryukin, who selects a small dog as an object of entertainment. But
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Chervyakov (Ivan Moskvin), who, when sneezing during a theatrical performance sprays General Bryzgalov (Vladimir Ershov), who is sitting in front of him. He apologizes to the "victim" during the play and then in the intermission, Chervyakov is upset all night because of the embarrassment which has
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The first novella of the anthology – "Anna on the Neck" – is the story of Anna Petrovna (Maria Strelkova), who has at a young age become the wife of middle-aged venerable official Modest Alexeyevich (Michael Tarhanov). By marrying, the heroine hopes to be able to financially support her father and
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The audience gradually sinks into a state similar to the one which the villagers doltish from the heat inhabit, and one comes to the conclusion that for a literalist film adaptation (that is to say, an illustration) sound is the basic requirement. It is necessary to deliver the great texts – what
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offered the film director to adapt several short-stories of the writer; he was granted the right to choose the works himself. The short stories which were included into the anthology were united by the theme of Russian servility and readiness to obey superiors and to recognize any person invested
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According to film critic Sergei Lavrentyev, the three novellas included in the anthology exhibit a cluster of fundamental directorial techniques used in cinematic interpretation of literary works. Accordingly, "Anna on the Neck" uses textbook methods of silent film in which the character of the
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The action of the third story – "Chameleon" takes place in summer on the market. After drinking vodka, artisan Khriukin (Vladimir Popov) tries to play with a small dog. The game ends with him getting his finger bit. The commotion raised by the victim, makes the police inspector Ochumelov and
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with power as the supreme authority. Common motifs present in three different stories, gave the name of the picture – "Ranks and People". As an epigraph, creators of the film used a phrase from the notebooks of Chekhov: "Russia – land of the bureaucrat".
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Therefore, in some places they had to make changes to the fabric of the stories: the dialogue has been partially replaced with action; the genre of "Death of a Government Clerk" was subject to a transformation (a humorous short story turned into a
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When working on the script, Yakov Protazanov and Oleg Leonidov took into account that the author's tone, artistic details and lines of Chekhov's characters can not be transferred to film using silent film technology:
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Protazanov, according to film critic Nikolai Lebedev, respectfully treated Chekhov's work. On the eve of the 25th anniversary of the death of Anton Pavlovich, administration of the studio
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the scenes with the search for the owner and the inspector Ochumelov whose mood changes by the minute are less cinematic and more theatrical:
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The second part of the anthology – "Death of a Government Clerk" – is an episode from the life of a
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this point resembles a giant, Chervyakov (whose imagination spawns the vision) – a "bug".
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Ivan Moskvin played two roles in the film; Chervyakov and Ochumelov.
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This article related to a Soviet film of the 1920s is a
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Sergei Aleksandrovich Lavrentiev (1989). "Π§ΠΈΠ½Ρ‹ ΠΈ люди".
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Shcherbakov as Anna's father 1: 707:Russian black-and-white films 677:Russian-language comedy films 399:"ΠŸΡ€ΠΎΡ‚Π°Π·Π°Π½ΠΎΠ². Π’Π΅Π»ΠΈΠΊΠΈΠΉ "Π½Π΅ΠΌΠΎΠΉ"" 340:as Cherviakov, the bureaucrat 722:1920s Russian-language films 712:Films based on short fiction 702:Soviet black-and-white films 605:. You can help Knowledge by 552:. You can help Knowledge by 318:Andrey Petrovsky as Governor 172: 763: 588: 535: 356:Vladimir Popov as Khriukin 161: 28: 385:George Allen & Unwin 747:1920s Soviet film stubs 742:1920s comedy film stubs 687:Russian anthology films 312:as Modest Alekseievitch 682:Soviet anthology films 296: 275: 254: 177: 273: 737:Russian silent films 672:Russian comedy films 524:An Hour with Chekhov 436:. Vol. 17. М.: 430:Π§Π΅Ρ…ΠΎΠ² А. П. (1980). 210:county court bailiff 148:An Hour with Chekhov 91:Konstantin Kuznetsov 24:An Hour with Chekhov 732:Soviet silent films 727:Silent comedy films 667:Soviet comedy films 501:on 21 December 2016 180:) is a 1929 Soviet 717:1920s Soviet films 417:Vechernyaya Moskva 276: 257:Artistic qualities 662:1929 comedy films 614: 613: 561: 560: 310:Mikhail Tarkhanov 293:Sergey Lavrentyev 170: 144: 143: 68:Mikhail Tarkhanov 754: 635: 628: 621: 597: 590: 582: 575: 568: 544: 537: 511: 510: 508: 506: 488: 479: 478: 470: 459: 458: 457:. М.: Iskusstvo. 448: 442: 441: 427: 421: 420: 409: 403: 402: 401:. Novaya Gazeta. 395: 389: 388: 371: 325:Viktor Stanitsyn 304:Anna on the Neck 294: 252: 186:Yakov Protazanov 178:Ranks and People 175: 165: 163: 156: 111: 109: 78:Viktor Stanitsyn 73:Andrey Petrovsky 71:Mariya Strelkova 59:Yakov Protazanov 42:Yakov Protazanov 33: 21: 762: 761: 757: 756: 755: 753: 752: 751: 642: 641: 640: 639: 587: 586: 533: 520: 515: 514: 504: 502: 490: 489: 482: 472: 471: 462: 450: 449: 445: 429: 428: 424: 411: 410: 406: 397: 396: 392: 373: 372: 368: 363: 350: 334: 306: 301: 295: 292: 259: 253: 251:Nikolai Lebedev 250: 223: 202: 152: 121: 114: 107: 105: 98: 80: 76: 74: 72: 70: 58: 56: 44: 17: 12: 11: 5: 760: 758: 750: 749: 744: 739: 734: 729: 724: 719: 714: 709: 704: 699: 694: 689: 684: 679: 674: 669: 664: 659: 654: 644: 643: 638: 637: 630: 623: 615: 612: 611: 598: 585: 584: 577: 570: 562: 559: 558: 545: 519: 518:External links 516: 513: 512: 480: 475:Iskusstvo Kino 460: 443: 422: 404: 390: 387:. p. 270. 365: 364: 362: 359: 358: 357: 354: 349: 346: 345: 344: 341: 333: 330: 329: 328: 322: 319: 316: 313: 305: 302: 300: 297: 290: 258: 255: 248: 227:Mezhrabpomfilm 222: 219: 201: 198: 190:Mikhail Doller 182:anthology film 142: 141: 138: 134: 133: 130: 126: 125: 122: 119: 116: 115: 113: 112: 101: 99: 96: 93: 92: 89: 88:Cinematography 85: 84: 75:N. 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Index


Yakov Protazanov
Mikhail Doller
Mikhail Tarkhanov
Viktor Stanitsyn
Ivan Moskvin
β€ΉSee Tfdβ€Ί
Russian
romanized
anthology film
Yakov Protazanov
Mikhail Doller
Anton Chekhov
county court bailiff
Mezhrabpomfilm
tragicomic
grotesque
Neya Zorkaya

Mikhail Tarkhanov
Viktor Stanitsyn
Ivan Moskvin
Jay Leyda
Kino: A History of the Russian and Soviet Film
George Allen & Unwin
"ΠŸΡ€ΠΎΡ‚Π°Π·Π°Π½ΠΎΠ². Π’Π΅Π»ΠΈΠΊΠΈΠΉ "Π½Π΅ΠΌΠΎΠΉ""
"ΠœΠ°ΡΡ‚Π΅Ρ€ экранизаций: 7 Π·Π½Π°ΠΌΠ΅Π½ΠΈΡ‚Ρ‹Ρ… Ρ„ΠΈΠ»ΡŒΠΌΠΎΠ² Π―ΠΊΠΎΠ²Π° ΠŸΡ€ΠΎΡ‚Π°Π·Π°Π½ΠΎΠ²Π°"
Vechernyaya Moskva
Π§Π΅Ρ…ΠΎΠ² А. П. ПолноС собраниС сочинСний ΠΈ писСм: Π’ 30 Ρ‚ΠΎΠΌΠ°Ρ… – Записная ΠΊΠ½ΠΈΠΆΠΊΠ° I
Nauka

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