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Ancient Airs and Dances

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507: 493: 478: 432: 418: 404: 389: 332: 322: 312: 297: 521: 169: 1116: 560: 25: 452:, P 172 was composed in 1931. It differs from the previous two suites in that it is arranged for strings only and somewhat melancholy in overall mood. (A note by the composer in the printed score states that the work may also be performed by a string quartet, completely omitting the double-bass part.) It is based on lute songs by Besard, a piece for 440:
The orchestration calls for an average-sized orchestra of 3 flutes (3rd doubling piccolo), 2 oboes, English horn, 2 clarinets in A/Bâ™­, 2 bassoons, 3 horns in D (doubling 2 horns in E/F), 2 trumpets in A/D (doubling trumpet in C), 3 trombones, 3 timpani, celesta, harpsichord 4-hands, harp and
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There have been many recordings of the suites in their entirety, and individually, with Suite No. 3 most frequently appearing alone. Recordings include:
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first two suites were freely transcribed by the composer for piano (2 and 4 hands). In 2016, Dennis Janzer transcribed the set for the
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The orchestration calls for 2 flutes, 2 oboes, English horn, 2 bassoons, 2 horns in F, trumpet in D, harp, harpsichord and strings.
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released a recording of the original lute songs and dances on which Respighi based the suites.
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periods led him to compose works inspired by the music of these periods.
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Divertimento for chamber orchestra after keyboard pieces by Couperin
824: 371:, and an anonymous composer. It also includes an aria attributed to 1377: 356: 268: 142: 1133: 828: 351:, P 138 was composed in 1923. It was based on pieces for lute, 18: 167: 410:
Campanae parisienses (anonymous) & Aria (attributed to
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Laura soave: balletto con gagliarda, saltarello e canario (
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Passo mezzo e mascherada (anonymous, end of 16th century)
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P 109 was composed in 1917. It was based on Renaissance
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You may hear Respighi's "Ancient Airs and Dances" with
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Unsourced material may be challenged and removed. 1481:Tanzsuite aus KlavierstĂĽcken von François Couperin 748: 134:) is a set of three orchestral suites by Italian 141:, freely transcribed from original pieces for 1145: 840: 8: 318:Villanella (anonymous, end of 16th century) 16:Three orchestral suites by Ottorino Respighi 816:Antiche danze et arie per liuto, Suite No.3 812:Antiche danze et arie per liuto, Suite No.2 808:Antiche danze et arie per liuto, Suite No.1 1152: 1138: 1130: 847: 833: 825: 820:International Music Score Library Project 109:Learn how and when to remove this message 1031: 1026: 1021: 739: 1583:Arrangements of classical compositions 549: 283:) and additional anonymous composers. 254: 485:Arie di corte (Jean-Baptiste Besard: 7: 464:and additional anonymous composers. 47:adding citations to reliable sources 1573:Compositions for symphony orchestra 1346:Concerto in E-flat (Dumbarton Oaks) 717:Academy of St. Martin-in-the-Fields 255:Problems playing these files? 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"Ancient Airs and Dances"
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Italian
composer
Ottorino Respighi
lute
musicologist
Renaissance
Baroque
1. Balletto, "Il Conte Orlando"
2. Gagliarda
3. Villanella
4. Passo mezzo e mascherada
media help
lute
Simone Molinaro
Vincenzo Galilei
Galileo Galilei
Simone Molinaro

Vincenzo Galilei

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