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452:, P 172 was composed in 1931. It differs from the previous two suites in that it is arranged for strings only and somewhat melancholy in overall mood. (A note by the composer in the printed score states that the work may also be performed by a string quartet, completely omitting the double-bass part.) It is based on lute songs by Besard, a piece for
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The orchestration calls for an average-sized orchestra of 3 flutes (3rd doubling piccolo), 2 oboes, English horn, 2 clarinets in A/Bâ™, 2 bassoons, 3 horns in D (doubling 2 horns in E/F), 2 trumpets in A/D (doubling trumpet in C), 3 trombones, 3 timpani, celesta, harpsichord 4-hands, harp and
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There have been many recordings of the suites in their entirety, and individually, with Suite No. 3 most frequently appearing alone. Recordings include:
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first two suites were freely transcribed by the composer for piano (2 and 4 hands). In 2016, Dennis Janzer transcribed the set for the
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489:(Sec. XVI) – Andante cantabile – Allegretto – Vivace – Slow with great expression – Allegro vivace – Vivacissimo – Andante cantabile)
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The orchestration calls for 2 flutes, 2 oboes, English horn, 2 bassoons, 2 horns in F, trumpet in D, harp, harpsichord and strings.
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released a recording of the original lute songs and dances on which
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145:. In addition to being a renowned composer and conductor, Respighi was also a notable
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periods led him to compose works inspired by the music of these periods.
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Divertimento for chamber orchestra after keyboard pieces by
Couperin
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351:, P 138 was composed in 1923. It was based on pieces for lute,
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Campanae parisienses (anonymous) & Aria (attributed to
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Laura soave: balletto con gagliarda, saltarello e canario (
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Passo mezzo e mascherada (anonymous, end of 16th century)
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P 109 was composed in 1917. It was based on
Renaissance
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You may hear
Respighi's "Ancient Airs and Dances" with
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49:. Unsourced material may be challenged and removed.
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134:) is a set of three orchestral suites by Italian
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318:Villanella (anonymous, end of 16th century)
16:Three orchestral suites by Ottorino Respighi
816:Antiche danze et arie per liuto, Suite No.3
812:Antiche danze et arie per liuto, Suite No.2
808:Antiche danze et arie per liuto, Suite No.1
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820:International Music Score Library Project
109:Learn how and when to remove this message
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1583:Arrangements of classical compositions
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283:) and additional anonymous composers.
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485:Arie di corte (Jean-Baptiste Besard:
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464:and additional anonymous composers.
47:adding citations to reliable sources
1573:Compositions for symphony orchestra
1346:Concerto in E-flat (Dumbarton Oaks)
717:Academy of St. Martin-in-the-Fields
255:Problems playing these files? See
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1578:Compositions for string orchestra
1548:Compositions by Ottorino Respighi
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1:
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503:(Fine sec. XVI) – Andantino)
473:(Fine sec. XVI) – Andantino)
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517:(1692) – Maestoso – Vivace)
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1413:Piano Sonata No. 3 (Enescu)
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1403:Piano Sonata No. 1 (Enescu)
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236:4. Passo mezzo e mascherada
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747:Knapp, David (2017).
660:(1 & 3 only) (DG)
469:Italiana (Anonymous:
460:, and lute pieces by
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1358:Harpsichord Concerto
1307:Antiche arie e danze
1285:Germaine Tailleferre
872:List of compositions
668:Francesco La Vecchia
426:Bernardo Gianoncelli
398:Jean-Baptiste Besard
369:Bernardo Gianoncelli
365:Jean-Baptiste Besard
132:Antiche arie e danze
43:improve this article
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1438:The Rake's Progress
1321:Le baiser de la fée
981:Concerto gregoriano
903:La campana sommersa
701:Herbert von Karajan
575:Here on archive.org
1474:Symphony of Psalms
1290:Heitor Villa-Lobos
1161:Neoclassical music
712:I Solisti Italiani
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32:This article
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41:Please help
36:verification
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1522:Neotonality
1495:Gli uccelli
1390:Oedipus rex
1200:Louis Durey
1180:BĂ©la BartĂłk
973:Concertante
648:Sinfonia 21
602:Seiji Ozawa
515:Passacaglia
450:Suite No. 3
349:Suite No. 2
304:Gagliarda (
279:(father of
265:Suite No. 1
151:Renaissance
1542:Categories
1431:Pulcinella
1270:Erik Satie
1061:Rossiniana
1008:Orchestral
734:References
632:Hugh Wolff
546:Recordings
271:pieces by
257:media help
69:newspapers
1168:Composers
1068:The Birds
910:La fiamma
791:201728845
775:0027-4380
654:(Chandos)
594:(Mercury)
501:Siciliana
441:strings.
308:, 1550s)
1120:Category
945:Semirâma
917:Lucrezia
889:Belfagor
783:44735124
729:(Nimbus)
707:I Musici
683:In 1987
634:(Teldec)
624:(Telarc)
571:in 1976
471:Italiana
428:, 1650)
353:archlute
292:, 1599)
136:composer
1397:Orpheus
1078:Chamber
1032:Suite 3
1027:Suite 2
1022:Suite 1
955:Ballets
938:Re Enzo
644:(Omega)
155:Baroque
128:Italian
83:scholar
1314:Apollo
881:Operas
789:
781:
773:
610:, Sir
355:, and
85:
78:
71:
64:
56:
1378:Mavra
1094:Piano
787:S2CID
779:JSTOR
755:Notes
679:(BIS)
614:(EMI)
540:organ
90:JSTOR
76:books
771:ISSN
703:(DG)
604:(DG)
534:The
357:viol
269:lute
153:and
143:lute
62:news
763:doi
456:by
359:by
45:by
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814:,
810:,
785:.
777:.
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759:73
757:.
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725:,
699:,
675:,
666:,
650:,
640:,
630:,
620:,
600:,
590:,
542:.
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400:)
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375:.
367:,
363:,
275:,
130::
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1146:t
1139:v
848:e
841:t
834:v
793:.
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259:.
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66:·
39:.
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