981:, pianist, Pavlova with the Russian ballet. For the last, the expenses were $ 5,500.00 ($ 169,556 in 2023 dollars) for two nights, and the receipts $ 7,500.00 ($ 231,212 in 2023 dollars), netting a clear gain of $ 2,000.00 ($ 61,657 in 2023 dollars); her other evenings were proportionately successful financially. The advance sales were greater than any other city in the United States. At the Pavlova concert, when Gooding engaged, at the last hour, the Russian dancer for two nights, the New York managers became dubious and anxiously rushed four special advance agents to assist her. On seeing the bookings for both nights, they quietly slipped back to New York fully convinced of her ability to attract audiences in St. Louis, which had always, heretofore, been called "the worst show town" in the country.
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1307:. These claims were later found to be false, as there is no evidence to suggest that this was her wish at all. The only documentary evidence that suggests that such a move would be possible is in the will of Pavlova's husband, who stipulated that, if Russian authorities agreed to such a move and treated her remains with proper reverence, then the crematorium caretakers should agree to it. Despite this clause, the will does not contain a formal request or plans for a posthumous journey to Russia.
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542:... leave acrobatics to others. It is positively more than I can bear to see the pressure such steps put on your delicate muscles and the severe arch of your foot. I beg you to never again try to imitate those who are physically stronger than you. You must realize that your daintiness and fragility are your greatest assets. You should always do the kind of dancing which brings out your own rare qualities instead of trying to win praise by mere acrobatic tricks.
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605:. Kschessinska, not wanting to be upstaged, was certain Pavlova would fail in the role, as she was considered technically inferior because of her small ankles and lithe legs. Instead, audiences became enchanted with Pavlova and her frail, ethereal look, which fitted the role perfectly, particularly in the scene
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The most recent attempt to move
Pavlova's remains to Russia came in 2001. Golders Green Crematorium had made arrangements for them to be flown to Russia for interment on 14 March 2001, in a ceremony to be attended by various Russian dignitaries. This plan was later abandoned after Russian authorities
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Victor Dandré wrote that
Pavlova died a half hour past midnight on Friday, 23 January 1931, with her maid Marguerite Létienne, Zalevsky and himself at her bedside. Her last words were "get my 'Swan' costume ready". Dandré and Létienne dressed her body in her favorite beige lace dress and placed her
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1540:. In Pavlova's case, this was extremely difficult, as the shape of her feet required her to balance her weight on her big toes. Her solution became, over time, the precursor of the modern pointe shoe, as pointe work became less painful and easier for curved feet. According to
350:. Undeterred, she trained to improve her technique. She practiced repeatedly after learning a step. She said: "No one can arrive from being talented alone. God gives talent, work transforms talent into genius." She took extra lessons from the noted teachers of the day—
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where her father, Matvey
Pavlovich Pavlov, served. Some sources say that her parents married just before her birth, others—years later. Her mother, Lyubov Feodorovna Pavlova, came from peasants and worked as a laundress at the house of a Russian-Jewish banker,
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After the first Paris season of
Ballets Russes, Pavlova left it to form her own company. It performed throughout the world, with a repertory primarily of abridgements of Petipa's works and pieces choreographed specially for her. Going independent was
768:"a very enterprising and daring act. She toured on her own... for twenty years until her death. She traveled everywhere in the world that travel was possible, and introduced the ballet to millions who had never seen any form of Western dancing."
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Pavlova also performed many 'ethnic' dances, some of which she learned from local teachers during her travels. In addition to the dances of her native Russia, she performed
Mexican, Japanese and East Indian dances. Supported by her interest,
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in 1929. On the way back on board ship, Nordi married
Pavlova's British musical director, Walford Hyden. Nordi kept Pavlova's flame burning in London, well into the 1970s, where she tutored hundreds of pupils including many ballet stars.
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Fifteen girls were adopted into a home
Pavlova purchased near Paris at Saint-Cloud, overseen by the Comtesse de Guerne and supported by her performances and funds solicited by Pavlova, including many small donations from members of the
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in New York City. Members of her company were largely
English girls with Russianized names. In 1918–1919, her company toured throughout South America, during which time Pavlova exerted an influence on the young American ballerina
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In accordance with old ballet tradition, on the day she was to have next performed, the show went on, as scheduled, with a single spotlight circling an empty stage where
Pavlova would have been. Memorial services were held in the
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in the middle of the Ivy House pond, a blue plaque on the front of Ivy House, a statuette sitting with the urn that holds her ashes in
Golders Green Crematorium and the gilded statue atop the Victoria Palace Theatre. When the
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by adding a piece of hard leather on the soles for support and flattening the box of the shoe. At the time, many considered this "cheating", for a ballerina of the era was taught that she, not her shoes, must hold her weight
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wrote on 16 April 1911: "Mr. Lavery's portrait of the Russian dancer Anna Pavlova, caught in a moment of graceful, weightless movement ... Her miraculous, feather-like flight, which seems to defy the law of gravitation".
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and required an operation. She was also told that she would never be able to dance again if she went ahead with it. She refused to have the surgery, saying "If I can't dance, then I'd rather be dead". She died of
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in a coffin with a sprig of lilac. At 7 am, a Russian Orthodox priest arrived to say prayers over her body. At 7:30 am, her coffin was taken to the mortuary chapel attaching the Catholic hospital in The Hague.
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training were difficult. Her severely arched feet, thin ankles and long limbs clashed with the small, compact body favoured for the ballerina of the time. Her fellow students taunted her with such nicknames as
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427:'s strict academicism, the public was taken aback by Pavlova's style, a combination of a gift that paid little heed to academic rules: she frequently performed with bent knees, bad turnout, misplaced
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In 1980, Igor Carl Faberge licensed a collection of 8-inch full-lead crystal wine glasses to commemorate the centenary of Pavlova's birth. The glasses were crafted in Japan under the supervision of
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During her final year at the Imperial Ballet School, Pavlova performed many roles with the principal company. She graduated in 1899 at age 18, chosen to enter the Imperial Ballet a rank ahead of
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3093:"National Gallery of Australia, referring to: Lavery, John, Anna Pavlova 1911, Painting oil on canvas, Glasgow Museums: Kelvingrove Art Gallery and Museum, presented by Nicol P. Brown in 1924"
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In 1928, Anna Pavlova engaged St. Petersburg conductor Efrem Kurtz to accompany her dancing, which he did until her death in 1931. During the last five years of her life, one of her soloists,
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marks it as a site of significant historical interest being Pavlova's home. While in London, Pavlova was influential in the development of British ballet, most notably inspiring the career of
1544:'s biography, Pavlova did not like the way her invention looked in photographs, so she would remove it or have the photographs altered so that it appeared she was using a normal pointe shoe.
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There are at least five memorials to Pavlova in London, England: a contemporary sculpture by Tom Merrifield of Pavlova as the Dragonfly in the grounds of Ivy House, a sculpture by Scot
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Oleg Kerensky quotes Vladmir Polyakov—the son of Lazar Polyakov who claims that Anna was an illegitimate daughter of his father (Oleg Kerensky. Anna Pavlova. N-Y., Dutton Publ., 1973.
1968:
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for her, as well as many supplemental variations. She was much celebrated by the fanatical balletomanes of Tsarist Saint Petersburg, her legions of fans calling themselves the
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during his time as managing director of the Boston Grand Opera Company from 1914 to 1917 and was featured there with her Russian Ballet Company during that period.
260:, for some time. When Anna rose to fame, Polyakov's son Vladimir claimed that she was an illegitimate daughter of his father; others speculated Matvey came from
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319:. Because of her youth and sickly appearance, she was rejected, but, at age 10, in 1891, she was accepted. She appeared for the first time on stage in Petipa's
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in London, England, opened in 1911, a gilded statue of Pavlova had been installed above the cupola of the theatre. This was taken down for its safety during
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1020:, author's foreword) They had secretly married in 1914 after first meeting in 1904 (some sources say 1900). He died on 5 February 1944 and was cremated at
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dedicated to Pavlova), yet both legends find no historical proof. Anna Matveyevna changed her patronymic to Pavlovna when she started performing on stage.
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1439:, for which she was showered with hats by her adoring Mexican audiences. Afterward, in 1924, the Jarabe Tapatío was proclaimed Mexico's national dance.
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1244:, Pavlova became very ill and iller upon arrival. She sent to Paris for her personal physician, Zalewski, to attend her. She was told that she had
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2375:. Russian Ballet Theatre at the Beginning of the XX Century. Dancers // A. P. Pavlova, birth certificate. – Leningrad: Iskusstvo, p. 229
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in 1890. The lavish spectacle made an impression on Pavlova. When she was nine, her mother took her to audition for the renowned
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Pavlova rose through the ranks quickly, becoming a favorite of the old maestro Petipa. From him she learned the title role in
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and, with her own company, being the first ballerina to tour the world, including South America, India, Mexico and Australia.
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that includes not only the notated ballets but rehearsal scores as used by the company at the turn of the 20th century.
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that features a solo harp. This variation is still performed in modern times in the Mariinsky Ballet's staging of the
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Dandré wrote of Pavlova's many charity dance performances and charitable efforts to support Russian orphans in post-
285:. A ten-year-old A Pavlova (kneeling on left, holding birdcage) appeared in her first ever ballet performance. 1891.
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856:(London Borough of Barnet), has a story, framed on its walls, describing a visit by Pavlova and her dance company.
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Photographic postcard of Anna Pavlova as the Princess Aspicia in Alexander Gorsky's version of the Petipa/Pugni
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during a performance; her shoulder straps fell, exposing her breasts and Pavlova helped embarrass her to tears.
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At the turn of the 20th century, the Imperial Ballet began a project that notated much of its repertory in the
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Between 1912 and 1926, Pavlova made almost annual tours of the United States, traveling from coast to coast.
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1483:. A frosted image of Pavlova appears in the stem of each glass. Originally each set contained 12 glasses.
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Pavlova's ashes have been a source of much controversy, following attempts by Valentina Zhilenkova and
940:"A generation of dancers turned to the art because of her. She roused America as no one had done since
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504:. Her enthusiasm often led her astray: once during a performance as the River Thames in Petipa's
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2284:"The Three Graces: Anna Pavlova, Tamara Karsavina, Olga Spessivtzeva: The Legends and the Truth"
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withdrew permission for the move. It was later revealed that neither Pavlova's family nor the
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In 1914, Pavlova performed in St. Louis, Missouri, after being engaged at the last minute by
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2767:"Dansomanie :: Voir le sujet - Timely recollections of Anna Pavlova, by her associates"
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and are now part of the cache of materials relating to the Imperial Ballet known as the
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3182:(in German). Berlin: Botanic Garden and Botanical Museum, Freie Universität Berlin.
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2431:. Against the Current. Memoirs of Ballet Master. – Leningrad: Iskusstvo, pp. 384–385
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had sanctioned the move and that they had agreed the remains should stay in London.
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and was lost. In 2006, a replica of the original statue was restored in its place.
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in 1926 to join her company and accompanied her on her second Australian tour to
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village where her grandmother looked after her. Pavlova's passion for the art of
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Special Collections and Archives, The UC Irvine Libraries, Irvine, California.
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2601:[Anna Pavlova: Biography] (in Russian). RIA Novosti. 12 February 2016
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of the Imperial Theaters. Once, during class, she attempted Legnani's famous
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Pavlova appears as a character, played by Maria Tallchief, in the 1952 film
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Pavlova appears as a character in the fourth episode of the British series
1395:(1904–1988), who as a boy of 13, saw her dance in the Municipal Theater in
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Students of the Imperial Ballet School, St. Petersburg, in Marius Petipa's
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393:. She made her official début at the Mariinsky Theatre in Pavel Gerdt's
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was pregnant in 1901, she coached Pavlova in the role of Nikiya in
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3014:(2004). "Ashton, Sir Frederick William Mallandaine (1904–1988)".
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This article incorporates text from this source, which is in the
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Ruth Page's Obituary in The New York Times 9 April 1991. p. D19.
1472:. This was named so, because "the movement of the type species,
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657:. She also choreographed several solos herself, one of which is
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a biographical essay by Joellen A. Meglin on danceheritage.org"
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Pavlova's feet were extremely arched, so she strengthened her
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401:). Her performance drew praise from the critics, particularly
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435:. Such a style, in many ways, harked back to the time of the
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31 January] 1881 – 23 January 1931) was a Russian
3118:"Russian ballerina Anna Pavlova - paintings and postcards"
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2340:(18th ed.). Cambridge University Press. p. 369.
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Pavlova is perhaps most renowned for creating the role of
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Emigrants from the Russian Empire to the United Kingdom
3252:. London: USA Arno Press NYC, reprint (published 1979).
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2675:"Ballerinas & Meringues: Pavlova 2012 @ Ivy House"
1567:, who utilized these documents to stage such works as
1523:(2013), played by real-life ballerina Natalia Kremen.
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in London. She was cremated and her ashes placed in a
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took off when her mother took her to a performance of
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and the Vic-Wells Ballet of London (precursor of the
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The ashes of Pavlova, above those of Victor Dandré,
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1676:Pavlova's repertoire includes the following roles:
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2985:"Anger as Pavlova's ashes leave London for Moscow"
2539:Ruth Page - Early Architect of the American Ballet
1295:to have them flown to Moscow for interment in the
810:, England, settling, in 1912, at the Ivy House on
233:, but is most recognized for creating the role of
3342:Anna Pavlova in Australia – 1926, 1929 Tours
3363:&btnG=Search+Images Pictures of Anna Pavlova
3302:] (in Russian). 'Skifiya' Publishing house.
1047:During her life, she had many pets, including a
780:In 1916, she produced a 50-minute adaptation of
708:'s avant-garde score, and the role was given to
3171:Eine Enzyklopädie zu eponymischen Pflanzennamen
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2361:Anna Pavlova's tours of Australia 1926 and 1929
1409:Pavlova's dances inspired many artworks of the
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3068:"The surprising truth about pavlova's origins"
514:led her to lose her balance and fall into the
293:, regularly felt ill and was soon sent to the
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2646:"London Jewish Cultural Centre – Now Booking"
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1625:for Pavlova's performance in Petipa's ballet
1486:Pavlova's life was depicted in the 1983 film
8:
3046:Boylen, Jeremy (reporter) (20 August 2004).
3020:(online ed.). Oxford University Press.
2306:Random House Webster's Unabridged Dictionary
712:. All her life, she preferred the melodious
641:. The ballet, created in 1905, is danced to
2574:"archives.nypl.org -- Ruth Page collection"
953:Pavlova was introduced to audiences in the
694:. Originally, she was to dance the lead in
382:of the Saint Petersburg Imperial Theatres.
2958:"BBC News, Pavlova's ashes stay in London"
2681:, 15 June 2012. Retrieved 21 October 2019.
2453:McDonough, Yona Zeldis (3 November 2016).
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1024:and his ashes placed below those of Anna.
576:in 1906 after a resounding performance in
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3144:"Pavlova Butcher, 1952 :: Algaebase"
2455:"Yes, These Famous Ballerinas Are Jewish"
1554:Stepanov method of choreographic notation
1435:when Pavlova created a staged version in
1211:Learn how and when to remove this message
1149:Learn how and when to remove this message
3329:Guide to the Collection on Anna Pavlova.
3271:Bernatas, E. E.; Vlasova, T. V. (2006).
2440:
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2337:Cambridge English Pronouncing Dictionary
441:
247:Anna Matveyevna Pavlova was born in the
3387:Anna Pavlova on Encyclopædia Britannica
3382:Heroine Worship: Anna Pavlova, The Swan
3277:(in Russian). St Petersburg: Art Deco.
3053:, Australian Broadcasting Corporation.
3017:Oxford Dictionary of National Biography
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806:After leaving Russia, Pavlova moved to
621:Anna Pavlova in the Fokine/Saint-Saëns
3262:: CS1 maint: ref duplicates default (
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3372:Creative Quotations from Anna Pavlova
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826:. The house was featured in the film
737:for the Bolshoi Theatre. Moscow, 1908
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3351:– programs and ephemera held by the
3176:Encyclopedia of eponymic plant names
1087:adding citations to reliable sources
221:. She was a principal artist of the
1044:, who made her an honorary member.
909:Anna Pavlova Dancing The Dying Swan
446:Caricature of Pavlova as Nikiya in
3451:Ballerinas from the Russian Empire
2983:Gentleman, Amelia (7 March 2001).
2599:"Биография балерины Анны Павловой"
1905:"Anna Pavlova as a Bacchante", by
1506:Pavlova appears as a character in
792:In 1915, she appeared in the film
637:, a solo choreographed for her by
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2621:"Blue plaque, Hendon Corporation"
2408:. – Moscow: Algorithm, pp. 5, 36
460:The Russian Ballet In Caricatures
439:and the great ballerinas of old.
27:Russian ballet dancer (1881–1931)
2845:
2829:Notable women of St. Louis, 1914
2178:
2147:
2097:
2053:
2041:
2011:
1999:
1983:
1978:, rooftop statue of Anna Pavlova
1967:
1945:
1929:
1913:
1898:
1644:
1165:
1063:
3250:Anna Pavlova: In Art & Life
2832:. St. Louis, Woodward. p.
1920:Stained glass window entitled "
1864:Princess Aspicia, River Thames
1391:Pavlova inspired choreographer
1240:While travelling from Paris to
1074:needs additional citations for
264:(there is a monument in one of
177:
2692:"Ten Dancer Statues Of London"
2073:List of Russian ballet dancers
988:Anna Pavlova signed sketch by
741:
1:
3367:National Library of Australia
3353:National Library of Australia
3300:Theatre – a Window to Wonders
3230:Pavlova, Portrait of a Dancer
2650:London Jewish Cultural Centre
1615:
1014:Anna Pavlova: In Art and Life
834:London Jewish Cultural Centre
690:, Pavlova worked briefly for
466:Pavlova performed in various
86:
46:Eastern Slavic naming customs
39:Anna Pavlova (disambiguation)
3365:– digitised and held by the
3034:UK public library membership
2006:Anna Pavlova in Paris, 1920s
1476:, is positively balletic".
716:of the old maestros such as
3426:20th-century ballet dancers
2932:"Written by Victor D'Andre"
2865:"Pavlova, Anna (1881–1931)"
2479:Bernatas & Vlasova 2006
1961:Museum of Fine Arts, Boston
1191:the claims made and adding
848:) located on the border of
846:https://thegatearkley.co.uk
664:Pavlova had a rivalry with
650:The Carnival of the Animals
3492:
2739:Early Ballet in Queensland
1468:, belonging to the family
1042:Camp Fire Girls of America
1005:Pavlova dancing, mid-1910s
686:In the first years of the
313:Imperial Maryinsky Theater
305:'s original production of
44:In this name that follows
43:
36:
29:
3446:Golders Green Crematorium
3168:Burkhardt, Lotte (2022).
2259:
2236:
1283:Golders Green Crematorium
1266:Golders Green Crematorium
1022:Golders Green Crematorium
844:. The Gate public house (
607:The Kingdom of the Shades
337:Young Pavlova's years of
194:Lyubov Feodorovna Pavlova
78:
3466:Russian prima ballerinas
3461:Mariinsky Ballet dancers
3292:Andreeva, Julia (2019).
2726:Retrieved 27 March 2011.
1344:The Dumb Girl of Portici
795:The Dumb Girl of Portici
742:Pavlova's ballet company
668:. According to the film
627:, Saint Petersburg, 1905
532:Prima ballerina assoluta
213:; 12 February [
30:Not to be confused with
3012:Walker, Kathrine Sorley
2625:Farm4.static.flickr.com
2513:Ballet and Modern Dance
2373:Vera Krasovskaya (1972)
2246:[ˈanːəˈpavləvə]
1976:Victoria Palace Theatre
1497:McDonnell Douglas MD-11
1275:Russian Orthodox Church
866:Victoria Palace Theatre
431:and incorrectly placed
249:Preobrazhensky Regiment
223:Imperial Russian Ballet
211:Anna Matveyevna Pavlova
197:Matvey Pavlovich Pavlov
101:Anna Matveyevna Pavlova
3431:Ballets Russes dancers
3295:Театр – волшебное окно
3026:10.1093/ref:odnb/39922
2934:. London. 9 June 1931.
2826:Johnson, Anne (1914).
2794:(1963), p.151 (quote).
2722:13 August 2011 at the
2494:(1963), p.149 (quote).
2406:My Wife – Anna Pavlova
2404:Victor Dandré (2016).
2260:Анна Матвеевна Павлова
1859:The Pharaoh's Daughter
1793:Les Dryades prétendues
1548:Choreographic notation
1445:Million Dollar Mermaid
1388:
1386:Central Bank of Russia
1269:
1237:
1037:
1006:
993:
946:
928:
910:
770:
764:
738:
734:The Pharaoh's Daughter
674:, Karsavina recalls a
628:
582:. Petipa revised many
554:The Pharaoh's Daughter
552:, Princess Aspicia in
544:
507:The Pharaoh's Daughter
463:
395:Les Dryades prétendues
333:Imperial Ballet School
317:Imperial Ballet School
286:
2807:. Columbia University
2805:"Max Rabinoff Papers"
2792:The Book of the Dance
2741:, John Oxley Library"
2492:The Book of the Dance
2282:Lifar, Serge (1959).
2237:Анна Павловна Павлова
1633:grand pas classique.
1499:of the Dutch airline
1453:Roger William Butcher
1380:
1263:
1231:
1004:
987:
938:
916:
908:
766:
758:
730:
671:A Portrait of Giselle
620:
597:Mathilde Kschessinska
510:her energetic double
445:
278:
207:Anna Pavlovna Pavlova
3441:Deaths from pleurisy
3358:Film of Anna Pavlova
3323:Archival collections
3051:George Negus Tonight
2771:Forum-dansomanie.net
2745:Blogs.slq.qld.gov.au
1658:adding missing items
1610:and the full-length
1464:which is a genus of
1406:is named after her.
1297:Novodevichy Cemetery
1232:Pavlova arriving in
1083:improve this article
832:. It used to be the
676:wardrobe malfunction
468:classical variations
372:classe de perfection
37:For other uses, see
3347:5 June 2011 at the
3188:10.3372/epolist2022
2918:, pp. 329–349.
2903:, pp. 251–259.
2747:. 26 September 2016
2334:(eds.). "Pavlova".
1992:La Fille mal gardée
1959:for Anna Pavlova),
1955:(Costume Design by
1877:The Sleeping Beauty
1601:Sergeyev Collection
1573:The Sleeping Beauty
926:Library of Congress
861:George Henry Paulin
824:George Henry Paulin
782:The Sleeping Beauty
655:Camille Saint-Saëns
595:When the ballerina
520:The Sleeping Beauty
501:The Sleeping Beauty
482:in such ballets as
352:Christian Johansson
308:The Sleeping Beauty
3476:Vaganova graduates
2717:City-of-London.com
2656:on 6 December 2000
2511:Au, Susan (2012).
1656:; you can help by
1597:Harvard University
1589:Paris Opéra Ballet
1558:revolution of 1917
1512:Flight of the Swan
1510:'s novel of 2001,
1389:
1382:Commemorative coin
1313:Russian Government
1270:
1238:
1176:possibly contains
1007:
994:
929:
911:
881:Paris Opera Ballet
765:
759:Signed drawing by
739:
714:"musique dansante"
629:
464:
403:Nikolai Bezobrazov
287:
3309:978-5-00025-170-6
3197:978-3-946292-41-8
3148:www.algaebase.org
3066:Saurine, Angela.
3032:(Subscription or
2578:Archives.nypl.org
2522:978-0-500-20411-5
2414:978-5-906880-01-7
2347:978-0-521-15255-6
1936:Malvina Hoffman,
1922:El Jarabe Tapatio
1889:
1888:
1799:Saint Petersburg
1730:Saint Petersburg
1674:
1673:
1606:The notations of
1565:Nicholas Sergeyev
1481:The Franklin Mint
1370:
1369:
1229:
1221:
1220:
1213:
1178:original research
1159:
1158:
1151:
1133:
971:Hattie B. Gooding
932:The United States
906:
747:Touring the world
570:première danseuse
556:, Queen Nisia in
423:At the height of
348:La petite sauvage
204:
203:
155:Years active
16:(Redirected from
3483:
3436:Prima ballerinas
3377:Andros on Ballet
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2869:Encyclopedia.com
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2698:. 20 August 2012
2688:
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2665:
2663:
2661:
2652:. Archived from
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2490:Agnes de Mille,
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1617:
1417:. The critic of
1393:Frederick Ashton
1323:
1230:
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1209:
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1202:
1196:
1193:inline citations
1169:
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1140:
1134:
1132:
1091:
1067:
1059:
990:Manuel Rosenberg
907:
761:Manuel Rosenberg
710:Tamara Karsavina
692:Sergei Diaghilev
666:Tamara Karsavina
564:. She was named
450:by the brothers
399:The False Dryads
368:Cecchetti method
364:Enrico Cecchetti
339:classical ballet
322:Un conte de fées
282:Un conte de fées
262:Crimean Karaites
253:Saint Petersburg
231:Sergei Diaghilev
181:
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115:Saint Petersburg
111:12 February 1881
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3349:Wayback Machine
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3232:. Viking, 1984.
3226:Fonteyn, Margot
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3124:. 9 August 2014
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2068:List of dancers
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2016:
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1907:Sir John Lavery
1903:
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1809:Le Roi Candaule
1670:
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1645:
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1627:Le Roi candaule
1618:
1550:
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1404:Pavlova dessert
1375:
1358:The Dying Swan
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820:Hampstead Heath
804:
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706:Igor Stravinsky
684:
615:
574:prima ballerina
558:Le Roi Candaule
528:Pierina Legnani
491:Le Roi Candaule
458:for their book
437:romantic ballet
421:
416:
411:
387:corps de ballet
380:Prima ballerina
376:Ekaterina Vazem
335:
291:premature child
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219:prima ballerina
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180: 1914)
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3318:External links
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2964:. 8 March 2001
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1569:The Nutcracker
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1429:Jarabe Tapatío
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2441:Andreeva 2019
2437:
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2428:
2427:Michel Fokine
2422:
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2390:0-525-17658-6
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2320:Jones, Daniel
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2014:
2009:
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1997:
1993:
1986:
1981:
1977:
1970:
1965:
1962:
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1954:
1953:The Butterfly
1948:
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1655:
1652:This list is
1650:
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1509:
1508:Rosario Ferre
1504:
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1493:
1491:
1490:
1484:
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1477:
1475:
1471:
1467:
1463:
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1458:
1457:circumscribed
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1186:
1180:
1179:
1174:This section
1172:
1163:
1162:
1153:
1150:
1142:
1131:
1128:
1124:
1121:
1117:
1114:
1110:
1107:
1103:
1100: –
1099:
1095:
1094:Find sources:
1088:
1084:
1078:
1077:
1072:This section
1070:
1066:
1061:
1060:
1054:
1052:
1050:
1045:
1043:
1036:
1032:
1030:
1025:
1023:
1019:
1015:
1011:
1010:Victor Dandré
1003:
997:Personal life
996:
991:
986:
982:
980:
979:Josef Hofmann
976:
972:
964:
963:
962:
960:
956:
955:United States
948:
947:
945:
943:
937:
931:
927:
923:
919:
918:Arnold Genthe
915:
897:
894:
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886:
882:
878:
873:
871:
867:
862:
857:
855:
851:
847:
843:
839:
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831:
830:
825:
821:
817:
816:Golders Green
813:
809:
801:
799:
797:
796:
790:
788:
783:
778:
776:
769:
762:
757:
753:
746:
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735:
729:
725:
723:
722:Ludwig Minkus
719:
715:
711:
707:
703:
702:
697:
693:
689:
681:
679:
677:
673:
672:
667:
662:
660:
659:The Dragonfly
656:
652:
651:
646:
645:
640:
639:Michel Fokine
636:
635:
626:
625:
619:
613:Michel Fokine
612:
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469:
461:
457:
453:
452:Nikolai Legat
449:
444:
440:
438:
434:
430:
426:
419:Marius Petipa
418:
413:
408:
406:
404:
400:
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388:
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377:
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369:
365:
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360:Nikolai Legat
357:
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328:
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323:
318:
314:
310:
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303:Marius Petipa
300:
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192:
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170:
169:Victor Dandré
165:
161:
157:
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150:
147:
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139:, Netherlands
138:
128:
124:
120:
116:
99:
95:
82:
77:
70:
67:
63:
59:
56: and the
55:
51:
47:
40:
33:
32:Anna Pavlovna
19:
3397:Anna Pavlova
3392:Anna Pavlova
3299:
3294:
3274:Anna Pavlova
3273:
3249:
3229:
3221:
3209:. Retrieved
3175:
3170:
3163:
3151:. Retrieved
3147:
3138:
3126:. Retrieved
3121:
3112:
3100:. Retrieved
3096:
3087:
3075:. Retrieved
3071:
3061:
3050:
3042:
3015:
3006:
2994:. Retrieved
2990:The Guardian
2988:
2978:
2966:. Retrieved
2961:
2952:
2940:
2896:
2884:
2872:. Retrieved
2868:
2859:
2837:. Retrieved
2828:
2821:
2809:. Retrieved
2799:
2791:
2786:
2774:. Retrieved
2770:
2761:
2749:. Retrieved
2744:
2738:
2731:
2712:
2700:. Retrieved
2695:
2686:
2670:
2658:. Retrieved
2654:the original
2640:
2628:. Retrieved
2624:
2615:
2603:. Retrieved
2593:
2581:. Retrieved
2577:
2568:
2559:
2547:. Retrieved
2538:
2531:
2512:
2491:
2486:
2474:
2462:. Retrieved
2458:
2448:
2436:
2425:
2421:
2405:
2380:
2372:
2368:
2363:, Nla.gov.au
2356:
2335:
2332:Esling, John
2328:Setter, Jane
2324:Roach, Peter
2314:
2304:
2296:
2287:
2277:
2254:
2092:
2018:Pavlova in "
1990:Pavlova in "
1952:
1937:
1875:
1857:
1839:
1824:
1813:Queen Nisia
1808:
1792:
1777:
1760:
1741:
1720:
1704:A Fairy Tale
1702:
1675:
1662:
1630:
1626:
1611:
1607:
1605:
1593:Royal Ballet
1584:
1580:
1576:
1572:
1568:
1561:
1551:
1537:
1530:
1527:Pointe shoes
1520:Mr Selfridge
1518:
1516:
1511:
1505:
1494:
1489:Anna Pavlova
1487:
1485:
1478:
1473:
1459:
1450:
1443:
1441:
1437:pointe shoes
1426:
1420:The Observer
1418:
1408:
1401:
1390:
1309:
1305:Soviet Union
1293:Yury Luzhkov
1290:Moscow mayor
1287:
1271:
1255:
1239:
1207:
1198:
1175:
1145:
1136:
1126:
1119:
1112:
1105:
1093:
1081:Please help
1076:verification
1073:
1046:
1038:
1034:
1026:
1013:
1008:
975:Louise Homer
968:
959:Max Rabinoff
952:
939:
935:
922:Anna Pavlova
921:
874:
870:World War II
858:
829:Anna Pavlova
827:
805:
793:
791:
781:
779:
775:Uday Shankar
771:
767:
750:
732:
718:Cesare Pugni
713:
701:The Firebird
699:
685:
669:
663:
658:
648:
642:
632:
630:
622:
606:
600:
594:
589:
583:
577:
573:
572:in 1905 and
569:
565:
561:
557:
553:
547:
545:
541:
531:
523:
519:
511:
505:
499:
495:
489:
483:
479:pas de trois
477:
471:
465:
459:
456:Sergei Legat
447:
432:
429:port de bras
428:
422:
398:
394:
390:
386:
384:
379:
371:
347:
343:
336:
327:A Fairy Tale
326:
320:
306:
288:
280:
246:
234:
210:
206:
205:
131:(1931-01-23)
73:Anna Pavlova
66:
61:
53:
3421:1931 deaths
3416:1881 births
3128:14 December
3102:14 December
2996:12 November
2968:12 November
2945:Dandré 1932
2916:Dandré 1932
2901:Dandré 1932
2889:Dandré 1932
2874:14 December
2776:14 December
2702:12 November
2630:14 December
2583:14 December
2464:12 November
1727:Dying Swan
1619: 1901
1533:pointe shoe
1470:Pavlovaceae
1415:John Lavery
1319:Filmography
1279:columbarium
1049:Siamese cat
1029:World War I
1018:Dandré 1932
838:blue plaque
818:, north of
602:La Bayadère
512:pique turns
473:pas de deux
448:La Bayadère
356:Pavel Gerdt
90: 1905
58:family name
18:Ana Pavlova
3410:Categories
3211:27 January
3153:20 October
3097:Nga.gov.au
3072:BBC Travel
3036:required.)
2811:21 October
2790:de Mille,
2751:2 February
2605:7 December
2549:21 October
2270:References
1957:Léon Bakst
1825:Marcobomba
1778:La Camargo
1654:incomplete
1637:Repertoire
1365:Short film
1185:improve it
1109:newspapers
877:Cleo Nordi
854:Totteridge
590:Pavlovatzi
496:Marcobomba
485:La Camargo
362:—and from
266:Yevpatoria
251:hospital,
243:Early life
145:Occupation
107:1881-02-12
50:patronymic
3258:cite book
3206:246307410
3122:Allrus.me
2839:17 August
2301:"Pavlova"
2258:Russian:
2060:Biography
1691:Location
1665:June 2019
1577:Swan Lake
1562:régisseur
1538:en pointe
1455:in 1952,
1451:Botanist
1246:pneumonia
1242:The Hague
1234:The Hague
1201:June 2022
1189:verifying
1139:June 2022
965:St. Louis
787:Ruth Page
585:grand pas
568:in 1902,
524:en pointe
378:, former
344:The broom
158:1899–1931
149:Ballerina
137:The Hague
85:Pavlova,
3345:Archived
3248:(1932).
3077:18 March
3055:Archived
2962:BBC News
2720:Archived
2322:(2011).
2028:See also
1974:London,
1846:Paquita
1688:Role(s)
1587:for the
1585:Coppélia
1413:painter
1399:, Peru.
1348:Fenella
1268:, London
1251:pleurisy
924:, 1915,
889:Brisbane
885:Adelaide
836:, but a
644:Le cygne
566:danseuse
536:fouettés
391:coryphée
225:and the
54:Pavlovna
3239:Sources
3048:Pavlova
2034:Portals
1994:", 1912
1938:Pavlova
1892:Gallery
1841:Paquita
1762:Giselle
1744:(Dukas)
1742:La Péri
1685:Ballet
1631:Paquita
1612:Paquita
1608:Giselle
1583:and of
1581:Giselle
1461:Pavlova
1303:of the
1236:in 1927
1183:Please
1123:scholar
942:Elssler
802:England
579:Giselle
562:Giselle
549:Paquita
311:at the
270:kenesas
188:Parents
182:
174:
62:Pavlova
3306:
3281:
3204:
3194:
3178:]
3030:
2519:
2459:Lilith
2429:(1981)
2412:
2388:
2344:
2231:-lə-və
2229:PA(H)V
2048:Russia
1751:Paris
1694:Notes
1433:Mexico
1373:Legacy
1329:Title
1125:
1118:
1111:
1104:
1096:
1031:Paris
949:Boston
893:Sydney
850:Arkley
808:London
462:. 1903
425:Petipa
409:Career
299:ballet
295:Ligovo
209:(born
163:Spouse
48:, the
3336:Other
3298:[
3202:S2CID
3180:(pdf)
3174:[
2660:5 May
2544:(PDF)
2176:also
2167:pahv-
2145:also
2084:Notes
1748:Peri
1737:1921
1717:1905
1699:1891
1682:Date
1466:algae
1411:Irish
1361:Swan
1355:1925
1340:1916
1335:Note
1332:Role
1326:Year
1130:JSTOR
1116:books
1055:Death
647:from
433:tours
389:as a
176:(
172:
3401:IMDb
3304:ISBN
3279:ISBN
3264:link
3213:2022
3192:ISBN
3155:2021
3130:2021
3104:2021
3079:2024
2998:2019
2970:2019
2876:2021
2841:2017
2813:2019
2778:2021
2753:2019
2704:2019
2662:2012
2632:2021
2607:2020
2585:2021
2551:2019
2517:ISBN
2466:2019
2410:ISBN
2386:ISBN
2342:ISBN
2242:IPA:
2132:pav-
1575:and
1427:The
1402:The
1397:Lima
1301:fall
1102:news
992:1922
891:and
852:and
763:1924
720:and
560:and
498:and
476:and
454:and
346:and
215:O.S.
126:Died
97:Born
3399:at
3184:doi
3022:doi
2136:-və
2134:LOH
1660:.
1501:KLM
1281:at
1187:by
1085:by
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
