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from 2006, which depicts the lettering truth and its reflection in three dimensions. If one does not know that the word is mirrored at the center line, one cannot decipher it and, like children or illiterates, is thrown back on incomprehensible signs. Furthermore, the title of the work plays with the
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The separation between geometries and bodies, figuration and abstraction is completely dissolved in the emerging figurations of black round fabric snakes with partially skin-colored overlays. Like slightly schematized human bodies, they are familiar to us, until a small change of perspective abruptly
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in Mexico City in the late 1990. In 2000, she moved to
Switzerland and studied art at the Bern University of the Arts and linguistics at the University of Bern. After that, she devoted herself entirely to art. In 2007, she won the City of Zurich's studio scholarship for China and worked in Kunming
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A political reading is proposed by Thomas
Haemmerli, who recalls the dismembered bodies present in the media of Mexico in the context of the civil war: The title I thought it was impossible then referred to cruelties that people do to each other - a diagnosis that applies today not only in Mexico,
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In the locksmith and carpentry shop of her father, a small manufacturer, she discovered her love of craftsmanship and designed furniture. After training as a caterer, she ran a restaurant, then studied history at the
Escuela Nacionál de Antropologia e Historia. She was so inspired by the work of
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Another recurring motif is anthropomorphic sculptures, which she first shows in 2004 with the work Joe, about which Pablo Müller writes: Two angled rolls of leather lying on top of each other are reminiscent of human limbs in their form and materiality. In this way, a performative quality of
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Hélio
Oiticicas, Roldán often uses natural materials from Latin America such as coconuts, palm trees, banana flowers or jade. Many works oscillate between the austerity of European modernism and the softer forms of Latin American modernism, as seen in the work of the Mexican architect
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Ana Roldán's media are performances, sculptures, videos, collages, installations, photography and group exhibitions that she curates. Represented by galleries in
Switzerland, Madrid, Mexico and in Colombia and the USA, it is just as present in Latin America as in Europe. Following
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2012 Beni
Bischof, Manuel Burgener, Athene Galiciadis, Ana Roldán. Marianne Wagner. In: Madeleine Schuppli Catalouge: "La jeunesse est un art", Jubiläum Manor Kunstpreis, Aargauer Kunsthaus, Aarau ISBN
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findet, to whom Roldán refers on various occasions. Thus, the rectangles of modernity become crooked and crooked which Ana Roldán's work for Rio de
Janeiro Colección de Especímenes de un Nuevo Mundo
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edited by
Kunstverein Solothurn, mit Texten von Fabienne Bideaud, Hélène Joye-Cagnard, Catherine Kohler, Sylvia Mutti, Marina Porobic und Roswitha Schild, Solothurn 2010.
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Roldán's repertoire includes concrete objects that become abstract, often minimalist art. She folds state flags to create more complex abstract color images.
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Existiert die
Schweiz? Lagebericht zur Schweizer Kunstszene der Gegenwart mit einem Ausflug zu Athene Galiciadis, David Renggli und Ana Roldán.
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Fanni Fetzer in: Gipfeltreffen. Junge
Bildhauerei aus der Schweiz und aus Deutschland, Ausstellungskatalog, Kunst im Tunnel, Düsseldorf.
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Roldán's interest in linguistics and the philosophy of language repeatedly leads to corresponding works. Exemplary is the sculpture
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reconstructs with the poor natural material bamboo. And instead of primary colors, she uses the palette of Brazil's skin tones.
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2016: New Buenos Aires, Corner College, Zürich, curated by Damian Christinger, Dimitrina Sevova, co-curated by Silvan Kälin.
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2008: Construction concerned with the relationship between dissimilar emotional values in a composition with black and white
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Ana Roldán, Vanilla Overseas, 2016, Silk, 100 × 100 cm. (Installation view at Corner College, Zürich, Switzerland)
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claim to truth that words claim for themselves. In a site-specific installation for the headquarters of reinsurer
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2010: Distant Memories, curated by Hélène Joye-Cagnard und Catherine Kohler, Kunstmuseum Solothurn, Solothurn.
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2012: Surplus Authors mit Falke Pisano, curated by Defne Ayas and Philippe Pirotte, Witte de With, Rotterdam.
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with an Essay of Burkhard Meltzer. Pro Helvetia / Edizioni Periferia, Luzern 2009, ISBN 978-3-907474-58-7 (
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texts by Eveline Suter and Michael Pfister. Kunsthaus Langenthal, Langenthal 2011, ISBN 978-3-905817-33-1
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2014: Blackboard – White Page, Kantonsschule Oerlikon, Zürich, curated by Maud Châtelet und Ana Roldán.
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338:, Thomas Haemmerli, Sitki Kosemen, curated by Magda Guruli, Georgian National Galery, Tbilisi, Georgia
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2008: Mão Dupla/Stopover, curated by Evangelina Seiler and Sarah Zürcher, SESC Pinheiros, São Paulo.
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2010: Cococompositions, Dolores, Ellen de Brunije Projects, Amsterdam, curated by Karin Hasselberg
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1256:"INSTALLATION IMAGES: I WAS A WALL, AND MY BREASTS WERE LIKE FORTRESS TOWERS - Adams and Ollman"
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2017: Competition art on building for the island Rheinau - Structural engineering office of the
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2010: Formal reiterations and the end of the world, with Athene Galiciadis, Garash, Mexiko-City.
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2015: The Lulennial: A Slight Gestuary, curated by Fabiola Iza & Chris Sharp, Mexiko-Stadt.
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2017: I was a wall, and my breasts were like fortress towers, Adam and Ollman, Portland, USA.
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2017: Espejo negro, elefante blanco, curated by Fabiola Iza, Quarto de Maquinas, Mexiko-City.
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2009: Turn on, Tune in, Drop Out, 798 Beijing Biennale, curated by Nicoykatiushka, Beijing.
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2011: Forms of contemplation, ideal forms in compositions, Badischer Kunstverein, Karlsruhe
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1359:"ARTISTERIUM IV, Tbilisi Annual Contemporary Art Exhibition and Art Events "Free Fall""
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2015: Solo Projects: Focus Latinoamérica, with Instituto de Visión, Bogotá, Arco Madrid
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Interview von Rahel Beyerle mit Ana Roldán, 26. Dezember 2014, SIK-ISEA, Zürich, 2014.
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Andrea Hinteregger De Mayo, Turner, 2020 Madrid & Mexico, ISBN 978-84-17866-03-7.
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2012: La jeunesse est un art – Jubiläum Manor art price, Aargauer Kunsthaus, Aarau
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Ana Roldán 2012 in madrid in front of a projection in her exhibition Espejo Negro.
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Andrea Hinteregger De Mayo / Turner Libros, 2019 Madrid, ISBN 978-84-17866-03-7
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2008: Observations on Modernity and Form, Statements / „Kunst“, Zurich art fair
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145:, the terms Risk and Life become abstract chair backs. And in her multi-part
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Mexican performance artist Elvira Santamaría, that she began performing as a
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2008: Acting Joe, George und Mr. Seek, with Falke Pisano, Wartesaal, Zürich.
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2013: Drunk, High and Exhilaration, Florian Christopher, a show room, Zurich
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After long stays in São Paulo and Mexico City Ana Roldán lives in Zurich.
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Video "Identity objects - Artist Ana Roldán", Swissinfo 22. December 2008
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1305:""The Lulennial: A Slight Gestuary" at Lulu (Contemporary Art Daily)"
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2007: Comical, Magical, Musical, Black Box, Marks Blond Project, Bern
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Instituto de visión, Ana Roldáns Galerie in Bogotá and New York City
498:, 2011, Editions Ready to Print, digital publication, Issue #11/2011
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2005: The mountain and the ground, Kunst in St. Peter und Paul, Bern
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Hans Rudolf Reust says about a continuation of Joe, namely the work
1057:"Ana Roldán "Different Orders": Barragan meets Best Magaud in Bern"
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2013: LUPA, curated by Abaseh Mirvali für Art Rio, Rio de Janeiro.
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2005: Kill the beast, Yellow Submarine – Marks Blond Projekt bei
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2009: Words to be looked at, objects to be read, Kunsthalle Arbon
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2023: Tell Me What Red Is..., Instituto de Visión, New York City
504:, herausgegeben von Maud Châtelet und Ana Roldán, Zürich, 2014.
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2012: Popo de Paris, curated by Beatriz Lopez for Sultana Paris
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2019: Material Art Fair, Mexico, Solo Booth Instituto de Visión
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2008: The Actor, Art Palace, World Trade Center Beijing, China
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2018: Physical Structures, Instituto de Visión/Frieze, London
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2009: Picking holy words from the perfect ghost, homage to
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2009: The Conspiracy/Die Verschwörung, with Falke Pisano
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2019: Portadores de Sentido, Museo Amparo, Puebla, Mexiko
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2011: Blank Back Mirror, Kunsthaus Langenthal, Langenthal
1561:"Kunst und Design: Eidgenössischer Wettbewerb für Kunst"
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Ana Roldán, Truth, 2006, Wood, Lacquer, 105 × 56 × 36 cm
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2015: Take Position: Bodies and Plants, annex14, Zurich
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Ana Roldán, Joe, 2008, Leather, Wood, 29 × 100 × 45 cm
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but globally in a world that has gone off the rails.
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2019: Fifth Ural Biennial, kuratiert von Xiaoyu Weng
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2020: Material Art Fair Mexico, Instituto de Visión
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2006: God is red/Gott ist rot, Amberg-Marti, Zurich
438:2007: Studio scholarship of the city of Zurich in
1563:(in German). Bundesamt für Kultur. Archived from
925:(in German). Kunsthaus Langenthal. pp. 2ff.
651:"Installation with Banana flower and glass table"
625:"Primitive Arrangements decorated with Gold Leaf"
163:2024: Dibujando un Círculo, Fomato Cómodo, Madrid
435:2007: Work contribution of the Canton of Zurich
261:2004: The letter «O», Gallery Kunstkeller, Bern
233:2008: Dance steps, Garash gallery, Mexiko-Stadt
530:, Hans Rudolf Reust in: Kunstbulletin 3, 2015.
283:golden sphere, 2015, cemetery Eichbühl, Zurich
224:2009: As „the Myth of the hole“, annex14, Bern
567:Formato Comodo, Ana Roldáns Galerie in Madrid
267:2001: Silver gelatine, Gallery Kabinett, Bern
8:
1236:"Roldan on the Website of the Museum Amparo"
451:2003: Corti Aeschliman Stiftung, scholarship
1115:. Ellen de Bruijne Projects. Archived from
175:2019: Clear Opacity, Formato Cómodo, Madrid
1059:. Blog Centre for the Aesthetic Revolution
366:2004: Es war einmal,Kunstmuseum Thun, Thun
196:2012: Espejo Negro, Formato Cómodo, Madrid
172:2019: Physical Structures, annex14, Zurich
1470:"Kunstmuseum Thun Projektraum Ana Roldán"
264:2002: All is like all, Stadtgalerie, Bern
1139:"Ana Roldán - As "The myth of the hole""
600:"Seit die Krise da ist, läuft es besser"
462:Ana Roldán. Collection Cahier d'Artistes
122:tips them over into abstract lineatures.
591:
1334:"Media Release La jeunesse est un art"
862:"RISK/LIFE - Installation at Swiss Re"
562:annex14, Ana Roldáns Galerie in Zurich
524:, 2015 London, ISBN 978-0-500970-64-5.
248:2005: Début, Marks Blond project, Bern
811:"Ana Roldán - Die Moderne in Vanille"
347:2009: Made in China, Kunstmuseum Bern
202:2011: Different Orders, annex14, Bern
7:
572:SIK-Art Lexikon-Entry von Ana Roldán
528:Ana Roldán – Die Moderne in Vanille
111:sculpture is hinted at in the works
1472:. Kunstmuseum Thun. Archived from
1001:"Take Position: Bodies and Plants"
472:Matices del arte en América Latina
14:
1429:. Kunsthalle Bern. Archived from
1211:"Roldan on fifth.uralbiennale.ru"
1031:"Ana Roldán, "Blank Back Mirror""
947:"Ana Roldán Dibujando un Círulo"
703:"Installation in Rio de Janeiro"
369:2004: Identität, Kunstraum Baden
331:2011: Môtiers – Art en plein air
1109:"Ana Roldán – Cococompositions"
1079:"Ana Roldán - Different Orders"
837:"Cahier d'Artiste - Ana Roldán"
422:2010: Work contribution of the
245:2006: Fable, Espace Libre, Biel
835:Ana Roldán; Burkhart Meltzer.
758:Jolles, Claudia (March 2015).
429:2009: Work scholarship of the
1:
534:Nuances of Latin American Art
424:Canton of Zurich, Switzerland
417:Canton of Zurich, Switzerland
292:& Andrea Sparta, annex 14
272:Group exhibitions (selection)
158:Single exhibition (selection)
1594:Mexican contemporary artists
1309:www.contemporaryartdaily.com
676:Alice, Henkes (2011-09-09).
490:Ana Roldán. Different Orders
169:2022: Air, annex, 14, Zürich
1604:Mexican performance artists
1175:(in German). Archived from
431:City of Zurich, Switzerland
385:2011: How to do Shakespeare
117:I thought it was impossible
1630:
1614:Swiss contemporary artists
1599:Swiss installation artists
766:(in German). Kunstbulletin
496:Ana Roldán. Cocompositions
288:2024: Sound of Signs with
239:2006: Truth, annex14, Bern
1589:Swiss performance artists
334:2011: “Free Fall I” with
184:2016: No, annex14, Zurich
1488:"Identität im Kunstraum"
1055:Pablo León de la Barra.
923:Der Ozean in der Muschel
426:. for Blank Black Mirror
255:, Häuser und wir, Zurich
1445:"Kunstbulletin 12/2008"
786:"Kunstbulletin 12/2008"
515:contemporary art mexico
502:Blackboard – White Page
379:2016: Bones and Bananas
1285:www.corner-college.com
921:Suter, Evelin (2011).
892:"Bestiary Chapter One"
729:"Latin American Flags"
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53:Ana Roldán grew up in
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1387:"Formal Reiterations"
999:Wiesendanger, Sarah.
547:Website of Ana Roldán
448:2005: Swiss Art Award
445:2006: Swiss Art Award
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397:2001: Silver Gelatine
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1339:. Aargauer Kunsthaus
1179:on 22 February 2015.
1169:"Ana Roldán - Truth"
951:www.formatoomodo.net
678:"Fabelhafte Strenge"
16:Mexican-Swiss artist
1393:on 1 February 2015.
1149:on 20 February 2015
1089:on 20 February 2015
1011:on 10 February 2015
522:Thames & Hudson
518:Hossein Amirsadeghi
902:on 1 February 2015
872:on 1 February 2015
739:on 14 October 2012
709:on 1 February 2015
657:on 1 February 2015
631:on 14 October 2012
511:978-3-906016-05-4.
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60:performance artist
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1515:Bones and Bananas
1407:. Art Museum Bern
1191:"Sounds of Signs"
970:Amberg, Annette.
932:978-3-905817-33-1
394:2002: Fortschritt
281:Enjoy the silence
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1427:"The Conspiracy"
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760:"Editorial"
713:17 February
684:(in German)
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635:17 February
606:(in German)
402:Recognition
391:2003: Flags
153:Exhibitions
32:Mexiko-City
30:(* 1977 in
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1546:2023-05-07
1541:auf vimeo"
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1517:auf vimeo"
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1492:artlog.net
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1337:(PDF; 1MB)
1319:2016-06-06
1290:2016-06-06
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688:2023-05-07
610:2023-05-05
587:References
577:Ana Roldán
28:Ana Roldán
253:Mark Divo
1063:23 March
604:Der Bund
147:bestiary
143:Swiss Re
119:(2015):
1173:annex14
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1005:annex14
442:, China
440:Kunming
36:mexican
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