409:) among others. The album title, meaning âteller of fablesâ, speaks to Anaâs love of story-telling, with the songs both drawing on the lives of âimagined othersâ as well as plumbing the depths of her own emotional experiences. âGhostsâ, for instance, describes Anaâs witnessing of her teenage brotherâs descent into psychosis over the course of a sweltering London summer: âYou were dumbstruck by the ghosts / who waltzed your body down the hallâ; âRed Balloonâ describes the dizzying, disorienting pull of a forbidden yet magnetic attraction replete with off-kilter drums, soaring violins and the tender swells of Adrian Leverâs guitar pedals; and âEarly Frostâ, a duet with Alan Hampton, tells the story of a couple living a seemingly picture-perfect life â marriage, a house, a perfectly tended garden â but âlike a hidden fault on an iced-up lake / itâs the smallest things that can make it breakâ. The album was released to positive reviews; it was selected as a New and Notable release by
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in the ground myself, and writing this music was a small pocket of air, my chance to breathe again". Compositionally, the piece follows the arc of a âquestâ â a folk tale that begins with a search for a tangible or symbolic goal and ends with a triumphant return home. Silvera writes, "on reflection, I see my quest was to fathom this experience and - though it no longer existed in the familial sense of the word - to find my own way back home". âSkeleton Songâ, an Inuit-myth inspired tune about a woman who is sung back to life, is a paean to the female figures surrounding
Silvera who "painstakingly pieced me together again". The final song, âCatherine Wheelsâ celebrates "the kind of earth-bound, steadfast love" that allowed Silvera to finally reckon with her past and come to terms with the present.
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Silvera and the group devised sketches of lyrics and tunes for the show, sometimes drawing on traditional music from their homelands, but most of the time creating original songs which related to different aspects of their past and present lives. Silvera then worked this into a fully composed 35 minute piece entitled "Lost and Found", which the group performed at the
Roundhouse Studio Theatre on 2 September 2016. The piece was reprised in 2017 as part of
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venue, as a choral piece to be performed with
Roundhouse Experimental Choir. The piece was written as a response to the recent death of Silvera's brother, Daniel, in a psychiatric care home. Silvera says, "I wrote âOraclesâ in a state of absolute urgency and emergency â it felt like I had been buried
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described the piece (alongside
Oracles) as "two stunning folkloric sages" and wrote "Silvera's voice, which has a Björk-like spontaneity - an ability to be gritty and fragile one minute, warm, rich and ripe the next - bounced beautifully off the chamber ensemble (cello, violin, piano and percussion)
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Following the success of "Oracles" at the
Roundhouse, Silvera was commissioned as part of the venue's REVERB festival to compose an original work for the Estonian Television Girls Choir, conducted by Aarne Saluveer. The piece, entitled "Step Onto The Ground, Dear Brother" (in Estonian, "Tule Maale,
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In 2018, Silvera collaborated again with dramaturge
Christine Bacon on her new work, "What Do I Know?", a new performance piece by ice&fire human rights theatre company looking at the effects of the current war in Yemen, taking inspiration from the poetry of Amina Atiq and the reflections and
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organisation. The mission was to work with the group, alongside dramaturge
Christine Bacon to create a musical and spoken word piece about the experiences of the group members, all of whom were torture survivors from different countries including Burundi, Uganda and Iran. Over a period of months,
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Silvera's solo music can be characterized as folk in style, but draws on diverse genres including jazz, pop and contemporary classical. As a composer, she has been commissioned to write work for ballet, choir, instrumental ensemble and theatre including for
Concerto Caledonia, Estonian Television
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wrote: "its through-composed score by Ana
Silvera, who also takes a performing role as a singer is attractively varied, constantly engaging". Silvera also spoke about her own direct experiences with the psychiatric system in a Royal Opera House podcast entitled "Can the arts help people better
434:(bass), Bjarke Falgren (strings), Jacob Smedegaard (drums), Signe Trylle (vox) and British musician Adrian Lever (Bulgarian tambura). It is available as a digital download and 500 limited edition CDs were also released. The EP was released on Mirabeau Recordings, Silvera's own imprint.
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alongside choreographer
Ludovic Ondiviela and film maker Kate Church, entitled "Cassandra". It premiered on 30 October 2014 at the Linbury Theatre, Royal Opera House and starred soloist Olivia Cowley as the main character, replacing principal ballerina
221:. She has released modern interpretations of Ladino music under the name Yja as part of a duo with cellist Francesca Ter-Berg. As of 2020, Silvera holds both British and Portuguese nationality, due to right of return laws.
334:). The album was well-received: Arwa Haider of METRO wrote, "there's both a lavish, vivid imagination and an intense intimacy at play in the music of Ana Silvera... altogether these are haunting, grown-up fairytales" and
1364:"The Language of Leaving - The Verb: Ian McMillan explores the language of leaving, resettling and exile with songwriter Ana Silvera and poets John McAuliffe, Igor Klikovac, Mina Gorji and André Naffis-Sahely"
446:. The resulting three-song piece, featuring kora player Sefo Kanuteh, is composed of three movements: 'Departing', 'Awaiting', 'Mourning'. The piece was released on Mirabeau Recordings, Silvera's own imprint.
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described The Aviary as a collection of "dark and delicious torchsongs" and featured track 10, 'Coronation Dance' on their covermount CD. The Aviary was released as a CD and digital download on KMC Records.
589:.The resulting piece was entitled 'Greenwich Pier'. She also performed on Youssef's composition, 'Syrian Dreams' and Moody's composition, 'Dark Days'. All three songs were broadcast on BBC Radio 3's
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realities of Khaled Ahmed, a young, self-taught English teacher living in Yemen. Silvera created soundscapes and music for the piece. It premiered at Liverpool Arab Arts Festival in the Music Room,
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who was injured shortly before the show. It was described as "a haunting and ethereal theatrical experience depicted with beautiful sensitivity the onset of psychotic illness in a young woman" by
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Armas Veli") draws on Estonian folklore and ancient Finno-Ugric texts, and was performed at the Roundhouse and at the Sage Gateshead as a co-headline with Imogen Heap and the
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In 2021, Silvera was commissioned to compose a score of re-arranged folk and original music for the theatre adaptation of The Times best-selling book of the same name by
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Silvera was commissioned by arts organisation Arts La'Olam to compose a piece reflecting on the Mourner's Kaddish, as part of a COVID-19 legacy commission funded by
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To date, as a solo artist Silvera has released two studio albums, "The Aviary" (2012), "The Fabulist" (2022) and a live album, "Oracles" (2018), which was listed on
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Critics Pick List, and three EPs: "Arcana - A Winter EP" (2017), "Light, Console Me" (2020), which features Gambian kora player Sefo Kanuteh, and "Gift" (2021).
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In 2015, Silvera recorded her seven part song-cycle in a series of live recordings over three nights. The performance featuring noted musicians such as pianist
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1138:"Saturday Review: Apostasy, Exit The King, Olivia Laing, Memory Palace, Pride and Prejudice box set - Alex Preston's comments on extended podcast edition"
817:, recorded with qanun player Maya Youssef and cellist Laura Moody, appears on this compilation. Released as vinyl (Gearbox Records) and digital download.
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and poets André Nafis-Sahely, Mina Gorji, John McAuliffe and Igor Klikovac. 'Exile' was subsequently selected for play on BBC Radio 4's
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who described it as '"extraordinary... Silvera has an uncanny ability to combine discomfort with beauty, strangeness with simplicity".
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Editorial who said: "hushed and riveting, the new LP from Ana Silvera centers her expressive voice against quietly glowing guitarsâ and
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The Fabulistâ was recorded with producer and multi-instrumentalist Gerry Diver and features collaborators such as double bassist
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510:. The piece was divided into four parts: 'Mystery', 'War', 'Death' and 'Love' with electronic soundscapes created by composer
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wrote: " 'Greenwich Pier' a wonderful piece of modern folk... its deftness and surety of touch means itâs damned pleasing".
454:"Gift" is a three-song release of songs composed or arranged on harmonium. The EP features a re-recorded version of 'Exile'
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Critics Pick List (selected by journalist Charlotte Richardson Andrews) the same year, and was praised by writer
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as being "some of the most beautiful music Iâve ever heard...intelligent, lyrically complex and interesting".
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In 2017, Silvera released a collection of original and traditional winter songs featuring Danish musicians
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795:(single) - as duo Yja with cellist Francesca Ter-Berg, this traditional Ladino song was also featured
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1000:"Becoming Portuguese: How Brexit and 500 years of Jewish history changed one British's singer's life"
975:"Jewish Chronicle Interview with Ana Silvera and Francesca Ter-Berg as Contemporary Ladino Duo 'Yja'"
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who escaped Iberia as refugees during the religious conquests of the 1500s, and later settled in the
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as part of accompanying vocal quartet with Josephine Stephenson, Kate Huggett, Lucy Parnell
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Oracles was originally commissioned by Marcus Davey, the artistic director of London's
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1439:"Review: The Offing, Live Theatre, Newcastle upon Tyne â 'alluring and sharply witty'"
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273:. Silvera was subsequently awarded a scholarship to study voice and piano at junior
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to work with six members of the Write to Life group that is part of the UK-wide
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and concertina player Rob Harbron. The show premiered in October 2021 at the
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She has performed and recorded with a number of notable artists including
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Silvera was commissioned to compose a new work for herself, qanun player
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Her lyrics often draw inspiration from literature, poetry and folklore.
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is an English singer-songwriter, multi-instrumentalist and composer.
1339:"Late Junction Sessions: Unpopular Music Review from Richard Foster"
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understand mental illness?" alongside psychiatrist Dr Mark Salter.
401:(Phronesis, Planet B) and LA-based singer-songwriter Alan Hampton (
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1414:"Culture Liverpool article about the Liverpool Arab Arts Festival"
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NE1 3DQ, Live Theatre Broad Chare Quayside Newcastle upon Tyne.
1163:"RGM INTRODUCING â WE INTERVIEW LONDON ARTIST ANA SILVERA | RGM"
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756:(Mirabeau Recordings) - limited edition CD and digital release
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In 2016, Silvera was invited by BAFTA award-winning filmmaker
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and cellist/vocalist Laura Moody, to be recorded at the BBC's
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1389:"Freedom from Torture webpage on Lost and Found production"
1314:"Can the arts help people better understand mental illness"
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In February 2020, Silvera was asked to compose a song for
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Silvera's recordings have, as of 2018, been added to the
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sessions. In a review of the release, Richard Foster of
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in 2020. This song is inspired by Iranian-American poet
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763:(Karamel Music Collective) - CD and digital release
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1214:"La O'lam #betweenspaces Commission Announcement"
749:(Gearbox Records) - vinyl, CD and digital release
546:to create, compose and perform in a new work for
603:to be included on a compilation of the best of
310:, was in March 2012.The Aviary was produced by
728:(Mirabeau Recordings) - CD and digital release
898:"Ana Silvera website describing ETGC project"
8:
1488:: CS1 maint: numeric names: authors list (
1117:"Discogs link to Now Hear This! April 2012"
577:Late Junction Sessions - BBC Radio 3 (2014)
209:She is also an interpreter of traditional
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497:Step Onto The Ground, Dear Brother (2012)
811:Unpopular Music - Late Junction Sessions
542:Silvera was commissioned in 2013 by the
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822:Purcell's Revenge...Sweeter than Roses?
742:(Mirabeau Recordings) - digital release
735:(Mirabeau Recordings) - digital release
506:. The performance was live streamed by
326:) and violinist/arranger Maxim Moston (
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277:where she studied under David Joyner.
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1289:"Cassandra at the Royal Opera House"
1046:"Camden Live profile of Ana Silvera"
923:"Sound & Moving Image Catalogue"
702:. The recordings featured violinist
213:song and traces her lineage back to
1239:"Ana Silvera Oracles Press release"
1189:"Folk Radio Review of The Fabulist"
948:"The Guardian Critics Pick of 2018"
1557:21st-century British women singers
1517:Ana Silvera Spotify Artist Profile
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1096:"quoted on Green Note venue site"
1542:British women singer-songwriters
1507:Official website of Ana Silvera
1562:Judaeo-Spanish-language singers
538:Cassandra - Royal Ballet (2014)
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617:The Verb - BBC Radio 3 (2020)
688:Royal Liverpool Philharmonic
675:Victoria & Albert Museum
1021:"BPA Agents Artist Profile"
828:) - CD and digital download
426:Arcana - A Winter EP (2017)
345:Oracles - live album (2018)
306:Ana Silvera's debut album,
282:South Hampstead High School
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1512:Ana Silvera Bandcamp Page
813:(album) - Silvera's song,
1243:Prescriptionmusicpruk.com
860:(Live at Asylum Chapel) (
824:with Concerto Caledonia (
328:Antony & the Johnsons
286:University College London
275:Guildhall School of Music
107:http://www.anasilvera.com
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781:cover) - digital release
673:and performed in at the
514:. She also duetted with
438:Light, Console Me (2020)
247:production conducted by
84:piano, guitar, harmonium
1075:Anasilvera.bandcamp.com
529:and the glassy choir".
458:a song commissioned by
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1418:Cultureliverpool.co.uk
1393:Freedomfromtorture.org
708:Stephen Joseph Theatre
266:Die Frau ohne Schatten
245:English National Opera
198:and British composers
40:Background information
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284:and is an alumnus of
235:Engelbert Humperdinck
1547:British folk singers
804:Album collaborations
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666:Freedom from Torture
444:Arts Council England
367:Josephine Stephenson
365:and singer/composer
318:) and Brad Albetta (
188:Josephine Stephenson
1193:www.folkradio.co.uk
1050:www.camden-live.com
840:Emily Hall Songbook
799:and Chris Vatalaro.
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393:The Fabulist (2022)
229:Silvera grew up in
833:As featured artist
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587:Maida Vale Studios
553:Lauren Cuthbertson
877:Bedroom Community
740:Light, Console Me
572:Radio commissions
544:Royal Opera House
357:) double bassist
320:Martha Wainwright
302:The Aviary (2012)
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714:Discography
623:BBC Radio 3
610:The Quietus
516:Imogen Heap
479:Choral work
474:Commissions
460:BBC Radio 3
450:Gift (2021)
407:Andrew Bird
403:Fiona Apple
381:BBC Radio 4
257:BBC Radio 3
156:Imogen Heap
118:Ana Silvera
61:Occupations
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1293:Roh.org.uk
1223:9 February
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927:Sami.bl.uk
907:9 February
884:References
761:The Aviary
694:The Offing
490:Roundhouse
312:Ray Singer
308:The Aviary
249:Mark Elder
231:Crouch End
225:Early life
200:Emily Hall
70:songwriter
1443:The Stage
1368:Bbc.co.uk
1298:20 August
1167:rgm.press
1142:Bbc.co.uk
979:Thejc.com
793:La Serena
700:Ben Myers
363:Phronesis
263:' opera,
164:Jim Moray
1484:cite web
866:Daughter
627:The Verb
464:The Verb
421:Solo EPs
411:Bandcamp
337:The Word
292:Releases
192:Daughter
180:Yo Zushi
73:composer
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1398:20 July
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651:Theatre
558:The BMJ
269:at the
138:at the
103:Website
1474:5 June
1448:5 June
1198:5 June
1173:5 June
533:Ballet
297:Albums
243:in an
237:opera
211:Ladino
67:Singer
53:Genres
871:2016
856:2018
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