Anatol E. Baconsky - Knowledge (XXG)

1970:", while Călinescu, who recalls participating in such conversations, notes: "Baconsky an emphatic, lucid, irreconcilable anti-communism. Not even later did I meet many people who had a more emphasized contempt, mixed with an intense repulsion, for the representatives of the party ideology, either within the literary world or outside it." He believes Baconsky's stance from 1958 onwards makes him the period's "only dissident", although he also notes that the poet criticized the communist system only "orally". Cornel Ungureanu, who stresses the importance of both his move to Bucharest and the numerous visits abroad, adds: " was to walk down a road which most celebrity authors of the 1950s' 2776:("The Roles and Role of A. E. Baconsky in Romanian Culture"), is described by reviewers as one of the most complete. Bogdan Creţu comments that views of Baconsky are traditionally divided between two "extremist" positions: "he was either castigated for his sins of youth or mythicized and raised to a level that his work could not have honored." Like Crina Bud, he believes Baconsky to have been a "vanquisher from a moral point of view", adding that he earned "absolution" from the victims of communism: "the writer passed the 2237:, Socialist Realism and the first change in orientation). Braga however insists that the change between the final two phases is not radical, and that they are separated by a break rather than a tear. Braga also believes that, in his depictions of melancholy and disease, Baconsky again focuses on unease and "the denial of the irreplaceable" (while letting the reader know that such a denial is "useless and inefficient"). In a 1985 essay, poet and critic 2102:. Baconsky resisted such criticism, and, in one of his articles, openly stated that poets needed to return to a lyrical approach: "Ignoring the rich array of intimate feelings means mutilating the protagonist's personality, depicting him unilaterally, belittling the actual dimensions of his soul." Matei Călinescu argues that such a commitment to artistic purity was a sign of "what we could call the 'aesthetic resistance' to communism." 2114:, and the volumes which followed down to 1965, formed "the first page in a distinct chapter of our modern lyric poetry." Eugen Simion emphasized as the common trait of such poems: "a voluptuousness in things fading away, in the weariness provoked by the whispers of rain." In his definition, Baconsky had become "an aesthete of melancholy." 31: 1749:, Baconsky encouraged young authors to express themselves and created, what both Tomuţa and Creţu define as a "literary oasis". Tismăneanu however criticizes the writer and other leftists on the cultural scene for not reacting against the post-1956 repressive mood, and argues that their inaction helped ideologists 1982:

was published, was the capital moment in Baconsky's non-compliance with the ideological requirements, with "more than honorable behavior" defining the second part of his career. However, Cernat speculates, the theory regarding his alleged collaboration to Securitate may offer clue that Baconsky's new

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leadership, and argued that Baconsky personally had developed "a high-flown style, designed to hide his unfamiliarity with life and lack of ideas." Georgescu also claimed that Baconsky's travel accounts had failed to show "how people live, how this country looks today ", and that his poems displayed

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writers over several months, and, when he decided that the risk of repercussions was far too great, simply put an end to the prank. This he did by having Motoarcă decline all of Baconsky's suggestions with the claim that one "should not take lessons from a less gifted poet than himself." In parallel,

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Following his break with the regime, Baconsky's style underwent major changes. Tomuţa notes he became "a first-rate stylist", while Doinaş stresses his "discreet but tenacious self-edification", leading to "an ardent consciousness, albeit perhaps belatedly gained". The new direction, heralded during

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of reality. Baconsky thus depicts his journey as an "interior adventure". This type of discourse, Drace-Francis contends, was a hint to his readers that the regime would not allow him to recount every detail of his journey. The book nevertheless also doubles as Baconsky's extended critique of the

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notes, he had become one of the "writers and literary critics who had initially paid a toll to proletkultism, and now were silently parting with it, returning to literature, to actual criticism". This group, defined by Dimisianu as "the older allies of my generation", also includes Paraschivescu,

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According to Mircea Braga, one of his last interviews shows that, while still criticized for "aestheticism", Baconsky merged his lyricism with an interest in social matters. The statement reads: "The writer is not a politician in the common and consecrated sense of the word. He does however have

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Over the following decade, he focused mainly on reading his earlier volumes of poetry, on publishing works of criticism and travel writing, and on translating works by various authors. His new home became a gathering spot for young writers who did not approve of communism's cultural guidelines,

1560:, Baconsky explained: "I am especially interested in the matter of engineers who rose from the ranks of young workers. I want to follow transformation on all levels and create the figure of a young engineer in one of my poems." One of his best-known poems of the period has to do with the 2117:

Baconsky's poems of the period speak of himself being "torn" by the contradictions of destiny, submitted to the command of a nature whose geography, Braga notes, is "dead", seeking to undermine his own humanity so as to become the ideal creator. Also according to Mircea Braga, "the

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value"). Overall, Cornel Ungureanu comments, Baconsky's accounts of his western travels are marked by "dark visions of the world." Ungureanu sees this as a sign of Baconsky's having "descended into Hell". Cernat, who extends his critique of Baconsky's anti-capitalist attitude to

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offensive, built upon the confrontation between the life of lyrical characters with the destiny of ideal lives". The rejection of "decorative metaphors", Cernat notes, was a staple of Baconsky's work, and was explicitly stated in his post-1969 essays. Badea added that this

2378:-like corpus, with attributes defining for humanity's decrepitude, a surrogate, anti-utopian citadel, handled in accordance with the laws of decline which grind the elites as well as the masses, the things as well their reflection". A part of the eponymous poem reads: 1682:

literature of the day. Analyzing Baconsky's early political views, his biographer Crina Bud concludes that the poet was attracted into cooperation in order to make a living, and that, from the very start, he was playing a number of different and conflicting "roles".

2337:", advocating instead a return to established cultural values. According to Flămând's 1985 essay, Baconsky's rejection of "consumerism" and the West was decisive, and culminated in a virulent decision of what Baconsky is known to have called "the occidental 1965:

Progressively after the late 1950s, Baconsky entirely lost his confidence in communism—an attitude which culminated in his 1972 protest. His disappointment was especially known to his intimate circle. Based on this, Cernat defines the writer as an "informal

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secret police, and that his reports helped in the arrest of other writers. Crina Bud proposes that, if such accounts are true, Baconsky may have used the Securitate in order to silence those who competed with him for the approval of his teacher, philosopher

2514:, with a focus on "the glorious vestiges of the past", takes the reader on a "voluptuous time travel." In the critic's definition, Baconsky's Vienna encloses a secondary reality, that is "ideal", "aestheticized", "fictional" and "bookish". 947:("Beyond Winter"). According to Braga, it was the moment in which his poetry made decisive gains in originality, and the first stage in his renunciation of "Proletkult versification". It was followed by a collection of critical essays, 1805:

disavowed proletkult, criticizing its exponents for having authored a bland and distant form of literature (an accusation which Baconsky was regularly faced with from that moment on). Criticism was expressed early on by poet

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years: Mircea Braga called them "platitudes" and "at most, documents for a certain mindset and 'artistic' practice", noting that their own author had come to reject them in later years. He also cites fellow critic

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endorsed earlier pronouncements and added that, although Baconsky was a "talented poet", he found his contributions showed "a tendency to repeat oneself—for all the originality it covets". Literary historian

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writers of the 1930s, which transcended the norms imposed by traditional travel accounts in order to express "the inadequate representational possibilities of traditional forms" and to comment on the

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Together with other poets, he traveled again to Budapest, as part of a cultural exchange between Hungary and Romania, and, in 1974, was again on leave in Italy (invited by academics in the fields of

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proposed that, by that moment, Baconsky was finding his voice as a "rebellious author". According to Călinescu, the Baconsky of the late 1950s had "completely changed his orientation". Writing for

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A particular controversy involves allegations against the young Baconsky for the way in which he treated his colleagues. Many voices in the literary community have come to suspect that he was an

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By 1958, Baconsky became a target of criticism in the literary community. The reaction, Braga noted, was "vehement", and, in January 1959, got Baconsky dismissed from his position as editor of

2712:; Stoica told a similar story involving a painting that Baconsky had made, and which he had received as a gift. The writer's death, Cernat writes, was a "troubling coincidence" with that of 513:

was a sign of his belief that negation could only result in value if substantiated, as well as his theory that aesthetic revolt, after manifesting itself as a disease, was degenerating into

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His early works are seen by literary critic Sorin Tomuța as "an unfortunate debut with conjectural lyrics". Likened by Matei Călinescu to the debut writings of the younger communist author

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of communism". The "dandy" trait had also been noted by Eugen Simion. Simion, who recorded his impression of Baconsky, spoke of his "romantic beauty", "sartorial elegance", and a form of "

812:. A condemnation of the first- and second-generation proletkult writers, it saw Baconsky both as a critic and a target of criticism. His volume of reportage from the Bulgarian travel, 2549:". A characteristic of Baconsky's prose fiction is its resemblance to his poetry works, to the point where they were described by Crina Bud as "hybrid forms". In Bogdan Creţu's view, 1296:. The following year, he traveled to West Germany and again to Austria. Over the following three years, these visits were depicted by Baconsky in his permanent column at the journal 1801:

Despite initially complying with ideological requirements, Baconsky was often subject to criticism in the official press. This occurred frequently after 1953, when Soviet politico

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Baconsky was again a USR delegate in June 1956, when he presented the body with the first of his reports, dealing with the state of Romanian poetry. This congress, literary critic

1347: 400: 983:. In October of that year, the poet left Cluj and settled in Bucharest. According to Ungureanu, the capital was "hostile" to Baconsky, and the move was the equivalent of an " 209:

poet, essayist, translator, novelist, publisher, literary and art critic. Praised for his late approach to poetry and prose, which transgresses the genres and introduces an

2780:: he confessed." However, Cernat believes, Baconsky, like his fellow disillusioned communist Paler, refused to record his disappointment in writing other than allusively. 2579:

inspiration, and a further sign of the author "descending into Hell". Crina Bud links the anti-utopian quality to contemporary writings by, among others, Matei Călinescu (

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Anatol E. Baconsky's relationship with Paraschivescu was tense: in February 1951, at a USR meeting in Bucharest, he was one of those who criticized Baconsky's new take on

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notes, coincided with a period when writers sought a "regeneration", to correspond with the relaxation brought by the death of Stalin. Also that year, he published his

1412:), Austria, and ultimately West Berlin (where the academy organized a gala in his honor). In 1975, he printed his last anthumous work, an album-monograph dedicated to 629:. Among his early assignments there was his participation on the literary jury that granted the magazine's annual prize (alongside literary men such as Paraschivescu, 2534:, also argues that the author's "absolute freedom" of travel under a repressive regime indicates that his work was not perceived as a threat by the communist system. 4606: 4318: 2215:). The pieces show his enduring fascination with water environments, references to which, according to Braga, he used to illustrate the "all-encompassing dynamic." 1141:. The poet was elected to the Writers' Union Leadership Committee in February 1965. The same month, in this official capacity, he was allowed to travel outside the 641:). In one notable incident of 1950, the panel honored a high school student named Ion Motoarcă, without being aware that Motoarcă's communist poetry was in fact a 1089:("Cluj and Its Surroundings. A Concise Tourist Guide"). In 1964, having published a new collected volume of his poetry, Baconsky also completed a translation of 3695: 2716:: a former communist who, like Baconsky, had "radicalized" his vision and authored non-conformist pieces, Ivasiuc was himself a victim of the 1977 earthquake. 1401:. Cernat calls the volume "fundamental". All translations were done by Baconsky himself, whose effort was rewarded by the Writers' Union with its 1973 prize. 1234:(title in the original), he republished his earlier travel writings into the East with modifications, and added an account of his western travels, headlined 2603:

command, artistic submission, individual despair and withdrawal. The volume also offers a glimpse into the world of political imprisonment under communism.

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It was also at this stage that the poet began introducing references to remote or exotic locations in his works. His poems began to speak of mysterious

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authors who did not seek to make their poems interesting to the general public. The latter, Selejan proposes, may be a covert reference to and ironic

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The writer was already noted for being a man of refined tastes and for being interested by universal culture. Both Creţu and Cernat define him as "a

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which devastated Bucharest. At the time, Baconsky was preparing for a new trip abroad: complying with Communist Romania's restrictions on the use of

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Baconsky allowed his intellectual opposition to communism to merge with his activities as a cultural promoter. In addition to promoting the work of

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Mircea Braga writes that this and other late volumes, showing "a world born out of nightmares", are the product of several influences: alongside

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of Socialist Realist literature, authored as a prank by Baconsky's rival Doinaș. As was revealed decades later, Doinaș continued to ridicule the

2631:("Hymn to the Unknown within Me"), makes use of Baconsky's lyrical style and displays of culture, showing the poet meditating about the ancient 1230:("The Madmen's Equinox and Other Stories"). He revisited Italy and Austria, and, in 1968, traveled to West Germany. In his 1968 two-volume book 547:

journal, and married Clara Popa, a student at the University of Cluj's Faculty of Letters. In October, his poetry was published in a bilingual

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Anatol E. Baconsky was a noted presence in the literary community of his day, and is believed to have influenced poet, novelist and translator

4444: 1810:, who reproached him having published too little "when the people is asking us to participate with all forces in the struggle." Also in 1953, 4491: 1082:—"Poetry and Poets"—and featuring Baconsky's short essays as introductions for each of the authors). His work of the time also comprises the 3332: 380:(usually marked by the initial). His brother Leon was born in 1928, around the time when the Baconsky family was spending long intervals in 4631: 4546: 1919: 738: 3682: 3680:

Vademekum Contemporary History Romania. A Guide through Archives, Research Institutions, Libraries, Societies, Museums and Memorial Places

282:. In the mid-1950s, he grew disillusioned with communist guidelines—this attitude was notably manifested in his activity as editor of the 1983:

stance was itself orchestrated by the Party, in an attempt to offer him credibility and permit him to sabotage the literary environment.

1239: 1785:. During his early activities in Cluj, Baconsky is also alleged to have partaken in the marginalization of a less enthusiastic writer, 4581: 4576: 4551: 4521: 2561:

poems were noted for moving into the realm of prose. This transgression of limits summoned objections from prominent literary critic

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of the 1960s not only made such journeys possible, but actually allowed writers the freedom to go beyond stereotyped depictions of

4636: 4561: 4541: 4526: 3860: 801: 602:"). The new editor was by then involved in a number of disputes with other young authors, in particular those grouped around the 509:'s pupils as followers of a "rigid dogma". Literary critic and academic Diana Câmpan also that the split with Surrealism and the 1151: 4641: 3361: 2845:, where they also form a separate fund. Many of the books owned by Baconsky were donated by his brother Leon to the Library in 2017: 897: 591: 291: 888:

Beginning summer 1956, the communist regime clamped down on the cultural environment, its apprehension motivated by events in

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during one trip); he also attended the International Writers' Congress in Austria, and made additional visits to Belgium and

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writes that, over the following years, Baconsky showed himself to be a staunch critic of Surrealism, and quotes him defining

1922:(1953), and which Selejan believes may display irony toward "poetic militantism in the present tense", compares the fate of 889: 741:, and, after being killed by them, had been celebrated as a communist hero. He was in the process of publishing a series of 477:

newspaper. Beginning 1946, his work was given more exposure, and was published in local Transylvanian journals (such as the

4344: 3691: 4531: 4511: 2595:—"A Lucky Man"). Written from the perspective of a sculptor, who is probably a transposition of Baconsky himself, it is a 2365: 1661:, claimed that, in effect, Baconsky was writing with subversive undertones from the time of his debut—literary chronicler 878: 846: 745:

about the lives of Romanian workers, and, in 1952, stated that he intended to write poetry about life in the factories at

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intellectuals who remained associated with the regime throughout the 1950s (in his definition, the group also comprised

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By 1971, Baconsky was outraged by the Ceauşescu regime having curbed ideological relaxation and proclaimed a Romanian "

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describes the early 1950s Baconsky as "an exponent of socialist realism" and a "passionate supporter of the communist

1386: 1118: 426: 1163:. Owing to his new contacts abroad, Baconsky began publishing his work in international reviews, among them France's 804:. Back in Bucharest during March, he was present at a USR meeting indirectly provoked by the death of Soviet leader 2209: 2087: 1914:("Manifesto"), constitute a "dissonant note" when compared with other poems of the day, including those of Beniuc. 1042: 655: 540: 462: 113: 2525:(while it remained uncertain whether Communist Romania's dialog with the West would "dominate the construction of 2016:'s early years in office, his anthologies and essays helped reinstate works of literature who had been previously 2842: 1501:

as "conformist" (a word also used by Călinescu), while Paul Cernat circumscribes Baconsky to the "pure and tough

1485:, a style which is almost entirely absent from his published work, Baconsky embraced a style which reflected his 392:, where he attended the Alecu Russo Gymnasium and High School, publishing his first poems in the school magazine 323: 2545:

is a prosaic representative of its author's early commitment to aestheticism; according to Cernat, its tone is "

1827: 721: 494: 1650: 1160: 678: 669:, progressively changing its profile and shaping it into a literary and art magazine. Fellow poet and essayist 622: 370: 3677:, "Introduction. The Communist Regime and Its Legacy in Romania", in Stejărel Olaru, Georg Herbstritt (eds.), 2571:

is also read as his most subversive work, described by critics as a "counter-utopia". Ungureanu sees it as a "

1782: 1460:, he had just asked authorities to release the document, and was carrying it on his person. His last volumes, 2749:("9 for Eternity"), a volume dedicated to the literary men who had died during the earthquake, and edited by 4483: 2820: 2734: 2374: 2360: 2319: 2257:"), which Braga calls an "exceptional" sample of "feverish tensions, infinite searches , obscure impulses": 2212: 1843:

In parallel, Baconsky criticized other writers on similar grounds. He aimed such remarks at his fellow poet

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poet, translator, journalist, essayist, literary critic, art critic, short story writer, novelist, publisher

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Unusual episodes involving Baconsky's death were reported by two of his writer friends, Octavian Paler and

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as "a book of suffering, unique in our literature, a tragic perception of the disinherited, a nightmare of

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notes that, upon the end of the debates, the poet found himself was "blacklisted" by the official critics.

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published the report Baconsky sent to writers participating in the International Congress held in Austria.

1212: 3483: 2054: 1786: 1758: 1711: 1699: 1450: 1130: 909: 905: 443: 4454: 4047: 2808: 2311: 2000: 1778: 1658: 1498: 1247: 951:("Critical Colloquy"). In October–November, Baconsky was again a traveler to the Soviet Union, reaching 603: 214: 4038: 2537:

Baconsky's prose fiction is closely linked to the themes and style of his poetry. In Braga's view, the

2045: 1739: 1421: 730: 693: 4457:, "Paradoxes of Occidentalism: On Travel Literature in Ceauşescu's Romania", in Andrew Hammond (ed.), 4367: 3238: 2754: 1490: 1100: 824: 4616: 4611: 2829: 2796: 2792: 2189: 2013: 1513: 1398: 1332: 1309: 1288:, being released in Austria, West Germany and Switzerland. The Romanian writer attended the event in 1171: 1134: 1019: 925: 535:). In 1949, the year of his graduation, Baconsky was a regional delegate to the Writers' Congress in 431: 295: 206: 173: 3674: 2846: 611: 4556: 4439: 3869: 3337: 3042: 1848: 1695: 1667: 1336: 1321: 1285: 1022: 709: 697: 638: 330: 4388: 3853: 2708:—Paler recalled that the only book to have fallen out of his shelf during the 1977 earthquake was 2238: 2040:

with a vast and refined culture", while Creţu proposes that Baconsky and his generation colleague

2004:, but his efforts had been frustrated, and (according to Eugen Simion, their only effect was that 1844: 1832: 1662: 1199: 869:("Labors and Seasons or The Orbital Revolution"). In autumn, he left for the Soviet Union and the 770: 766: 634: 502: 4475: 4462: 2750: 2477: 2193: 1837: 1807: 1790: 1253:

In November, Anatol E. Baconsky was reelected to the Writers' Union Committee, and, in 1969, his

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In 1967, the writer completed work on his collection of old poetry and new pieces, also titled

4487: 4466: 4421: 4400: 4379: 4363: 4273: 4042: 3723: 3495: 2804: 2729: 2720: 2713: 2562: 2029: 1995: 1777:. The accusations are traced by Cernat to two separate sources: Baconsky's adversaries in the 1735: 1691: 1547: 1457: 1443: 1417: 1409: 1355: 1269: 1091: 564: 521: 470: 247: 226: 218: 189: 169: 2615:(who is described by Ungureanu as the writer's "friend and emulator"). Baconsky's poems were 4431: 3052: 2757:. Eleven years later, a selection of his art criticism essays was published under the title 2482: 2099: 1991: 1367: 1064: 1030: 929: 836: 356: 334: 252: 55: 2506:

avant-garde of Europe, whose discourse, Diana Câmpan notes, Baconsky depicted as a form of

1867:, one of the Socialist Realist poets most trusted by the regime. One of the stanzas reads: 1793:(in Sîrbu's memoirs, Baconsky is singled out as one of those who betrayed his confidence). 435: 4448: 4396: 4348: 3864: 3686: 3368: 3062: 2824: 2816: 2812: 2783:

Baconsky and his wife Clara were noted art collectors. They owned representative works of

2777: 2600: 2463: 2354: 2177: 2062: 1802: 1731: 1551: 1521:, who defines Baconsky's early productions as bearing "the strong imprint of journalism". 1363: 1075: 920:, particularly after the events in Hungary threatened to disrupt communism throughout the 917: 809: 800:

In January 1953, the 26-year-old poet left Romania on his first trip abroad, visiting the

774: 746: 351: 256: 50: 2450:. He is always dissatisfied with something or other, his position is that of a permanent 1750: 1432:

undertones meant that it could not be published at home. Instead, the text circulated in

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Dead Bodies"), which was granted the 1970 Award by the Writers' Union. Also in 1970, his

506: 473:. His first essay, which Baconsky considered his actual debut work, was published by the 439: 381: 1389:), as an important step in the history of Romanian translations. The book, based on the 2784: 2724: 2584: 2323: 2303: 2086:, was however much-criticized by the 1950s cultural establishment, who accused him of " 2070: 2058: 2021: 2009: 1987: 1967: 1811: 1727: 1723: 1719: 1715: 1654: 1533: 1518: 1429: 1301: 1246:("Lyrical Meridians")—Baconsky read his introductions to works by various writers, and 1146: 1138: 971:("The Flow of Memory"), seen by Braga as "essential in the development of his poetry." 913: 832: 782: 754: 734: 705: 389: 242: 151: 3857: 2318:

among "the best works written in this second half of the century", and compares its "

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renders this opinion, but expresses doubt, calling Țugui "dubious" and "in reality, a

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including Călinescu and other Bucharesters who had previously published their work in

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may be Romania's "best translators of poetry". By 1970, Baconsky's younger colleague

1556: 1525: 1509: 1359: 1277: 1208: 1059:, "The State of Contemporary Universal Poetry"). He also left on an extended tour of 1047: 999: 933: 908:, Baconsky was one of the writers informed of the decision taken by communist leader 805: 762: 758: 2184:

settings and the desolation of history, as well as of Romania's natural sights (the

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sympathies, and which is most often seen as the source of some of his poorest work.

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literary historian János Kohn among similar Romanian works of the period (including

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group, believes his older colleague had been "rewarded" the position by the ruling

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vision is questioned by Cernat. The critic indicates that, although sincere in its

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with the surrounding reality." Braga believes Baconsky's moral "rigor" to bear a "

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According to Badea, such experiments resulted in Baconsky's originality, "an anti-

2020:. Ungureanu thus notes that Baconsky reintroduced the Romanian public to works of 465:'s Faculty of Law, while attending lectures in Philosophy and Aesthetics given by 430:). The Baconskys left the region, and Anatol attended the Lahovary High School in 1155:, and also visited France and Italy. Upon his return in April, he passed through 4339: 4323: 3328: 2554: 2507: 2502: 2498: 2471: 2334: 2327: 2181: 2066: 2032:, and argues: "He is the first one (or among the first ones) to 'reconquer' the 2025: 1975: 1816: 1497:"; his stance in respect to the authorities was described by literary historian 1382: 1351: 1343: 1327: 874: 854: 816:("Bulgarian Itinerary"), saw print in 1954, together with the poetry collection 510: 458: 451: 404: 377: 315: 311: 283: 245:. He was also a critically acclaimed translator of foreign works, including the 808:, during which they were confronted with the new cultural guidelines stated by 3711: 2800: 2788: 2772:

Of the several books dedicated to his life and work, Crina Bud's 2006 volume,

2572: 2546: 2522: 2518: 2467: 2451: 2246: 2234: 2173: 1769: 1482: 1177: 1165: 1083: 960: 937: 525: 497:, but never saw print, owing to the institution's disestablishment by the new 490: 374: 362: 271: 165: 139: 3894:

Selejan, p.87, 162, 197–201, 206, 245–251, 253–254, 256–257, 263–265, 333–334

1211:. His own lyrics were published in a Hungarian translation, authored by poet 1074:

A year later, he published a translation of selected poems by Swedish author

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Romanian modernist poet, essayist, translator, novelist, publisher and critic

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Alas, the Thracians, how did they, throughout the ages, tailor their pants?

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resumed its earlier campaign against Caragiale). In the climate of relative

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By that stage, Baconsky also became noted for theorizing the rejection of "

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offered to host him for one year. He traveled outside the city: invited to

1010:("Travels in Europe and Asia"), comprising both new works and a reprint of 662: 333:, a literary historian and academic, and the father of writer and diplomat 30: 4404: 4022: 2517:

Drace-Francis also notes that the climate of relative liberalization and

2106: 2091: 2037: 1860: 1679: 1434: 1265: 1187: 1060: 1018:("Verses"), and authored a similarly titled translation from the Italian 870: 831:

in 1955, Baconsky submitted an essay reviewing and promoting the work of

599: 299: 234: 520:

Discarding Surrealism soon after, Baconsky moved to a poetic version of

4375: 3491: 2632: 2596: 2565:, who reportedly believed Baconsky's work to be largely without merit. 2538: 2447: 2338: 2201: 2197: 1378: 1193: 882: 548: 407:

in the war against the Soviet Union, and Bessarabia became part of the

366: 307: 103: 2583:, "The Life and Opinions of Zacharias Lichter") and Baconsky's friend 2353:

forming a setting of one poem), which he believed may have referenced

1137:'s arrival at the head of the Communist Party inaugurated a period of 1055:("A Hymn to Daybreak"), and presented a second Writers' Union report ( 2680: 2616: 2511: 2254: 2160: 1926:

soldiers with that of post-1945 youth, in meditative lyrics such as:

1856: 1676: 1494: 1439: 1289: 1014:. The following year, he reprinted some of his poems under the title 952: 642: 514: 493:, and a volume of his Surrealist poetry was supposed to be edited by 155: 143: 4459:

The Balkans and the West. Constructing the European Other, 1945–2003

2497:, Drace-Francis argues, Baconsky advanced a technique first used by 2233:, Baconsky entered what Braga calls a "forth artistic phase" (after 1974:

have walked down on: the one between fanatical exaltation and acute

1226:("The Flow of Memory"), and published his debut short story volume, 1078:, an anthology of his own translations from foreign writers (titled 1025:(reprinted 1968). These were followed in 1962 by his translation of 943:

Anatol E. Baconsky was again present in poetry with the 1957 volume

3858:"A. E. Baconsky: un destin contorsionat, oglindit în propria operă" 1694:" which, he argued, recalled that displayed by 19th century author 1449:

In March 1977, Baconsky and his wife Clara fell victims to the 7.2

2349:, Baconsky depicts his own version of a "crisis of the West" (the 1687: 1542: 1293: 984: 478: 4432:"A. E. Baconsky—despre contestarea avangardei şi poezia negaţiei" 2458:

sign", and to have been ultimately inspired by the philosophy of

2429:

of white, the jellyfish are invading history... animals and birds

1554:

factories. Discussing his projects for 1952 in an interview with

2733:, was published in Romanian (re-issued in English during 1982). 1109: 385: 4480:

Literatura în totalitarism. Vol. II: Bătălii pe frontul literar

2719:

In the months following Baconsky's death, his new monograph on

2415:

land... the agony of the bastardized nations suffocated in gold

924:, and at a time when the regime condemned advocates of change ( 489:("The Anthology of Spring"). He was at the time an adherent to 2641: 2380: 2259: 2132: 1928: 1918:, which may have been written in honor of the Romanian-hosted 1869: 1609: 1566: 2470:, it was also "compatible" with the mixture of communism and 2425:

dreaming of pillages and fires—enough of you! The fish-words,

820:("Songs of Day and Night", awarded the State Prize in 1955). 294:), his 1972 public reaction against the norms imposed by the 3362:"Păcatele tinereții. Ștefan Aug. Doinaș a.k.a. Ion Motoarcă" 1847:, which brought him additional criticism from Georgescu and 1203:. Following his return, Baconsky published his essay volume 3000:

Meridiane. Pagini despre literatura universală contemporană

2036:

for Romanian culture." Cernat portrays him as a "European

1512:, they became the topic of criticism from as early as the 594:). The following year, he printed another book of poetry, 306:("The Black Church"). Having spent much of final years in 2400:

albe, meduzele infestează istoria... animale și păsări de

1331:). The following year, invited to a meeting with the new 737:, a Soviet boy who had denounced his family for opposing 729:("Night Ablaze"). In 1952, he was working on translating 4319:"Muzeul Colecţiilor de Artă a fost redeschis publicului" 2481:), and thus similar with the philosophical discourse of 2392:şi purpură veche... mercenarul strein călărește seara pe 673:, who was acquainted with Baconsky and later joined the 543:(USR). Also in 1949, he joined the writing staff of the 274:

in the 1940s, Baconsky was a prominent supporter of the

2666:

Vai, tracii, cum își croiau, prin veacuri, pantalonii?

2294:

that you shall always have to carry on your shoulders.

2774:

Rolurile şi rolul lui A. E. Baconsky în cultura română

2688:

For I don't know, I don't know, I don't know who I am.

2396:

visând jaf şi incendii – destul vouă! Cuvintele-pești,

1851:. Several of Baconsky's poems, in particular the 1953 1820:, the main Communist Party organ, reacted against the 1207:

and a selection of poems translated from the American

617:

It was at that stage that he began collaborating with

4391:, preface and chronological table to A. E. Baconsky, 4351:

at the Călimăneşti Town Hall, retrieved July 19, 2008

2249:

dreams in the new 'electronic season' ". It includes

2073:, as well as Baconsky's former rival Paul Georgescu. 1051:. Also in 1962, Baconsky published the poetry volume 998:

In 1960, Baconsky published his translation of early

217:, he was also criticized for his early commitment to 3776:

Sorin Tomuța, biographical note to A. E. Baconsky, "

2390:

land... agonia ticăloșitelor neamuri sufocate în aur

753:("New Poetry in the P R R"), together with those of 621:, a newly founded magazine edited by communist poet 1671:as sinister as all the others." Literary historian 1377:("The Panorama of Universal Poetry"), was noted by 843:

who had been largely ignored by post-1948 critics (

446:(June 1945) and briefly worked at a factory in the 161: 127: 119: 109: 99: 91: 71: 37: 21: 2975:Cluj şi împrejurimile sale. Mic îndreptar turistic 2745:(1978). Also in 1978, his profile was included in 1702:sees Anatol E. Baconsky as one of the few genuine 1238:("False Travel Journal"). He also hosted a weekly 1087:Cluj şi împrejurimile sale. Mic îndreptar turistic 3384:Braga, p.XXXI–XXXII; Călinescu & Vianu, p.152 2833:. In 1982, the family donated these works to the 2306:'s melancholic poems, they host echoes from both 1955:Pass towards the stars like in some heavenly tale 1524:This series included controversial stanzas about 1264:s annual prize. He visited the Hungarian capital 1045:, and published over three years by the magazine 485:) before being featured in the collective volume 213:, original and progressively dark perspective to 2690:I just suppose I exist, by gazing at my necktie, 2146:Asemenea şerpilor să se-ntoarcă mereu după mine 1990:, Baconsky had sought to republish the works of 1546:). Other portions of his work were dedicated to 1446:, which broadcast clandestinely inside Romania. 1133:'s final years in power, and particularly after 539:, a conference which led to the creation of the 369:), he was the eldest son of Eftimie Baconsky, a 193:; June 16, 1925 – March 4, 1977), also known as 2629:A. E. Baconsky. Imn către necunoscutul din mine 2446:. He must not allow people to acquire cerebral 1272:. Late in 1969, he published the poetry volume 1103:in its original print, it carried the subtitle 867:Lucrări şi anotimpuri sau Mişcarea de revoluţie 434:(1944–1945). Eventually, the family settled in 2819:. Their collection also included 19th century 2627:("Alone among Poets"). Sorescu's poem, titled 2386: 2138: 1934: 1875: 1615: 1572: 1358:, he visited Denmark and Sweden (crossing the 1284:was translated into German by Austrian author 586:In 1950, Baconsky completed his first volume, 4372:Europa Centrală. Memorie, paradis, apocalipsă 4004: 4002: 3716:Routledge Encyclopedia of Translation Studies 3541:Braga, p.XXXIII; Călinescu & Vianu, p.152 3353: 3351: 3349: 3347: 2723:, centered on the artist's illustrations for 2694:And ask myself heartrendingly: the Thracians, 2433:flags transforming into hyenas and ravens... 2413:dance of the citadels, red crepuscule, abend- 2287:and are no longer able to keep count of them. 2285:of black horses, dead fields, living shadows, 1393:program, comprised works by 99 authors, from 904:eventually broke out. According to historian 8: 4272:, InterCONTEMPress, Bucharest, 1990, p.28. 3846: 3844: 3842: 3840: 3838: 3836: 3834: 3832: 3830: 3828: 3826: 3824: 3822: 3393:Braga, p.XXXII; Călinescu & Vianu, p.152 3234: 3232: 3230: 3228: 3226: 2094:", and argued that his work was a return to 1675:also proposed that Baconsky was, in effect, 1468:("Sebastian's Ship"), remained unpublished. 1424:). He had completed work on his only novel, 1339:in publicly questioning the new guidelines. 1300:. He also published his first volume on the 329:Anatol E. Baconsky was the elder brother of 3992: 3990: 3820: 3818: 3816: 3814: 3812: 3810: 3808: 3806: 3804: 3802: 3772: 3770: 3768: 3766: 3764: 3762: 3321: 3319: 3317: 3315: 3313: 3311: 3309: 3307: 3305: 3303: 3301: 3299: 3297: 3295: 3293: 3291: 3289: 3287: 3241:, postface to Babeți & Ungureanu, p.518 3224: 3222: 3220: 3218: 3216: 3214: 3212: 3210: 3208: 3206: 2673:Within me a Scythe is searching for himself 2144:Să regret rătăcirile singure — volutele lor 1953:I won't tell you that the casualties of war 259:and others, the author of world literature 225:. Much of his work belongs to the field of 4289: 4287: 4285: 4034: 4032: 3706: 3704: 3696:Stiftung für Aufarbeitung der SED-Diktatur 3447: 3445: 3443: 3415: 3413: 3411: 3409: 3407: 3405: 3403: 3401: 3399: 3285: 3283: 3281: 3279: 3277: 3275: 3273: 3271: 3269: 3267: 2900:, poems, 1957; retrospective edition, 1967 2553:, Baconsky's only novel, is written with " 2388:dans al cetăților, crepuscul roșu, abend- 2276:ce-ţi va fi dat s-o porţi mereu pe umeri. 2140:Astfel, întotdeauna să-mi fie dor de ceva, 1825:various ideological mistakes. Writing for 1152:Österreichische Gesellschaft für Literatur 29: 18: 3957:Selejan, p.199, 200–201, 245–251, 253–254 3780:. Viena", in Babeți & Ungureanu, p.84 3628: 3626: 2658:Căci nu știu, nu știu, nu știu cine's eu. 2159:Regretting the lonesome wanderings—their 1978:." According to Bogdan Creţu, 1967, when 1896:Nobody employs you, they throw you away, 975:Move to Bucharest and debut in publishing 661:However, in 1952, Paraschivescu left for 592:Editura de stat pentru literatură şi artă 290:(where he reacted against the prevailing 4213: 4211: 4142:Braga, p.XVI–XIX, XXI–XXII, XXVII–XXVIII 3479: 3477: 3475: 3095:Panorama poeziei universale contemporane 2404:steaguri se schimbă în hiene și corbi... 2155:Thus, may I always be missing something, 1898:Rotting alive as you are in your world. 1894:Have read you as you crept up somewhere, 1438:form, and was made into a series by the 1370:was published at home during that time. 1057:Situaţia poeziei universale contemporane 4243: 4241: 4239: 4237: 4227: 4225: 4223: 4129: 4127: 4108: 4106: 4104: 4102: 4100: 4098: 4079: 4077: 4075: 3743: 3741: 3739: 3737: 3735: 3661: 3659: 3657: 3655: 3653: 3651: 3649: 3647: 3607: 3605: 3603: 3601: 3599: 3597: 3595: 3593: 3574: 3572: 3570: 3568: 3566: 3564: 3562: 3560: 3558: 3556: 3528: 3526: 3524: 3522: 3520: 3518: 3516: 3257: 3255: 3253: 3251: 3249: 3247: 3106: 2660:Mă bănui doar a fi, privind cravata-mi, 2581:Viaţa şi opiniile lui Zacharias Lichter 2421:... the old mercenary rides evenings on 2283:Left alone, you dream among the torches 2164:Always turning after me, as if snakes 4607:Victims of the 1977 Vrancea earthquake 3881: 3879: 3792: 3790: 3788: 3786: 3163: 3161: 3159: 3157: 3155: 3153: 3151: 3114: 3112: 3110: 1591:The fight between classes is enhanced, 1033:(published in Romania under the title 665:, and Baconsky took over as editor of 4045:, "Dialog. Generaţie şi creaţie", in 3710:János Kohn, "Romanian tradition", in 3692:Romanian Institute for Recent History 3620:Braga, p.XXXV; Drace-Francis, p.72–73 3333:"Despre A.E. Baconsky, cu dus-întors" 3184: 3182: 2928:Echinoxul nebunilor şi alte povestiri 2841:. 21 other works were donated to the 2510:. In Tomuţa's view, the depiction of 2269:şi nu mai eşti în stare să le numeri. 2267:cai negri, câmpuri moarte, umbre vii, 2142:Să aştept, să caut, să am frământări, 1637:See in front on them black precipices 1550:policies, around subjects related to 1308:dedicated to and named after painter 1268:, invited by the local branch of the 1228:Echinoxul nebunilor şi alte povestiri 1129:Baconsky's situation improved during 188: 7: 4298:Colecţia Clara şi Anatol E. Baconsky 3698:, Berlin & Bucharest, 2004, p.31 2849:(which was consequently renamed the 2675:Having for a torch the great uneases 2664:Și mă întreb sfâșietor: oare tracii, 2474:introduced by the Ceauşescu regime ( 1957:And rest their eyes upon the flame. 1951:Dear friends I will not deceive you, 1920:World Festival of Youth and Students 1892:Morning. People on their way to work 1761:'s control over the Writers' Union. 1639:And in their eyes the glow of hatred 1373:His 1973 anthology of world poetry, 1250:stars read fragments of their work. 1149:: he was in Austria, invited by the 1041:("Meridians"), comprising essays on 688:s circle in the capital: Călinescu, 457:In November 1945, Baconsky moved to 4436:December 1 University of Alba Iulia 2952:, vol. II, posthumous edition, 1990 2692:The only certitude that has a knot, 2639:peoples. It begins with the lines: 2341:". Braga also writes that, in both 2290:And heads chopped off in olden days 2157:Waiting, searching, having unrests, 1940:Trec în stele ca-ntr-un basm ceresc 1657:, whose opinions diverged from the 1589:A night passes, another day passes, 967:shore. Late in the year, he issued 229:, recording his experiences in the 2649:Având drept torță marile neliniști 2292:return from some place as a burden 2265:Singur rămas visezi printre făclii 1877:Dimineaţă. Lumea-n drum spre muncă 1617:Astea le vedem noi — dar chiaburii 1536:against wealthy peasants known as 1348:Academy of Sciences and Humanities 575:, both words meaning "Together"). 524:, partly influenced by the Soviet 373:priest, whose name he used as his 267:on Romanian and foreign painters. 14: 4567:Romanian book publishers (people) 4303:National Museum of Art of Romania 3428:Călinescu & Vianu, p.151, 152 2942:, poems, posthumous edition, 1978 2656:Dar niciodată eu nu-i spun nimic. 2364:). Diana Câmpan noted the poems' 1938:Nu vă spun că morţii din războaie 1881:Nimeni nu te cheltuie, te-aruncă, 1574:Trece-o noapte şi mai trece-o zi, 1530:Romanian collectivization process 719:Baconsky also published poems in 590:("Poems", published by the USR's 4008:Călinescu & Vianu, p.152-153 3966:Selejan, p.198, 202–203, 288–290 2647:În mine-un scit se caută pe sine 1599:More and more vicious elements. 1472:Work, style and creative periods 1342:In February 1972, he settled in 894:anti-communist workers' protests 4627:20th-century Romanian novelists 4020:, "Arta marelui Mateiu...", in 2679:Where is the tide? Who are the 2444:the role of a spiritual ferment 2314:. Flămând ranks the posthumous 1641:Is stirring the cursed embers. 1623:Răscoleşte blestemaţii tăciuni. 1481:After his short affiliation to 1477:Communism and Socialist Realism 861:("Two Poems") book, comprising 388:shore. In 1936–1944, he was in 4597:Babeș-Bolyai University alumni 2686:But I never tell him anything. 2274:se-ntorc de undeva ca o povară 2180:landscapes, of ancient roads, 1942:Şi privesc cu ochii la văpaie. 1632:These are what we see—but the 625:, which, in 1954, was renamed 461:. He began his studies at the 314:, where he became a critic of 1: 4592:People from Chernivtsi Oblast 4051:Romanian edition, Summer 2008 3079:Mahabharata – Arderea zmeilor 2983:, vol. I, 1968; vol. II, 1969 2930:, short story anthology, 1967 2653:Unde e fluxul? Cine-s nohaii? 2557:-like purity". Likewise, the 1936:Dragi prieteni nu vă amăgesc, 847:Symbolist movement in Romania 802:People's Republic of Bulgaria 725:magazine, including the 1951 270:After a brief affiliation to 86:Socialist Republic of Romania 3419:Călinescu & Vianu, p.152 3341:, Nr. 352-353, December 2006 3049:, 1961; second edition, 1968 3002:, 1965; second edition, 1969 1883:Putrezit de viu în lumea ta. 1789:, who was later to become a 1580:Elemente tot mai duşmănoase. 1578:Iar chiaburii se arat-a a fi 1576:Se ascute lupta între clase, 1067:, spending much time in the 1029:, a novel by Spanish author 532:Socialist realism in Romania 403:in 1940, Romania joined the 4632:20th-century Romanian poets 4547:Romanian surrealist writers 4418:Amintiri în dialog. Memorii 4347:September 15, 2008, at the 3714:, Kirsten Malmkjær (eds.), 3488:Stalinism pentru eternitate 2969:Călătorii în Europa şi Asia 2765:was only printed after the 2662:Singura certitudine cu nod, 2651:Cine ești tu? Cine sunt eu? 2229:With the somber collection 1621:Şi în ochii lor văpaia urii 1597:have shown themselves to be 1375:Panorama poeziei universale 1366:. His volume on the art of 1113:"). His new poetry volume, 1008:Călătorii în Europa şi Asia 1006:) and the reportage volume 865:("This Summer's Song") and 427:Romania during World War II 4658: 3026:, posthumous edition, 1977 3024:Botticelli, Divina Comedie 2874:Copiii din Valea Arieşului 2851:Anatol E. Baconsky Library 2761:("Artistic Itineraries"). 2272:Şi capete tăiate-odinioară 1879:Te-a citit ivit pe undeva, 1564:, and includes the lines: 879:People's Republic of China 596:Copiii din Valea Arieșului 495:Editura Fundaţiilor Regale 190:[anaˈtolbaˈkonski] 4582:Romanian radio presenters 4577:Romanian magazine editors 4552:Socialist realism writers 4522:Romanian literary critics 4305:; retrieved July 19, 2008 2843:Museum of Art Collections 2807:, as well as drawings by 2791:, including paintings by 1619:Văd în faţă negre văgăuni 1161:Union of Yugoslav Writers 823:In 1998, literary critic 413:1944 Romanian coup d'état 28: 4622:20th-century translators 4537:Romanian fantasy writers 4420:, Polirom, Iaşi, 2005. 3722:, London, 2001, p.539. 2862:Poetry and prose fiction 2263: 1906:Selejan also notes that 1814:, literary columnist at 1651:Romanian Communist Party 1607:Other such lyrics read: 1236:Fals jurnal de călătorie 1159:, being welcomed by the 785:and twenty-four others. 679:Romanian Communist Party 623:Miron Radu Paraschivescu 442:, while Anatol took his 4637:Romanian male essayists 4562:Romanian art collectors 4542:Romanian travel writers 4527:Romanian male novelists 4451:, 2003, p. 101–104 2880:Cîntece de zi şi noapte 2821:Romanian Orthodox icons 2591:—"Life on a Platform"; 2361:The Decline of the West 1781:and Securitate general 1121:"), saw print in 1965. 1043:20th century literature 863:Cîntecul verii acesteia 818:Cîntece de zi şi noapte 739:Soviet collectivization 559:writers (it was titled 541:Romanian Writers' Union 396:during 1942. After the 186:Romanian pronunciation: 114:Babeș-Bolyai University 4642:20th-century essayists 3685:March 4, 2009, at the 3632:Drace-Francis, p.72–73 3494:, Iaşi, 2005, p.187. 3136:Braga, p.VII–VIII, XXX 2823:and early prints from 2677:Who are you? Who am I? 2671: 2645: 2411: 2387: 2384: 2324:existential philosophy 2281: 2153: 2139: 2136: 2130:("Hymn to Disquiet"): 2042:Ştefan Augustin Doinaş 1949: 1935: 1932: 1890: 1876: 1873: 1759:Gheorghe Gheorghiu-Dej 1630: 1616: 1613: 1587: 1573: 1570: 1131:Gheorghe Gheorghiu-Dej 910:Gheorghe Gheorghiu-Dej 608:Ștefan Augustin Doinaș 598:("The Children of the 280:cultural establishment 4602:Censorship in Romania 4048:Lettre Internationale 3550:Braga, p.XXXIII, XXXV 3037:Poeţi clasici coreeni 2940:Corabia lui Sebastian 2910:Imn către zorii de zi 2743:Corabia lui Sebastian 2559:Corabia lui Sebastian 2347:Corabia lui Sebastian 2316:Corabia lui Sebastian 2312:Postmodern literature 2224:Corabia lui Sebastian 2001:Craii de Curtea-Veche 1779:Sibiu Literary Circle 1745:During his period at 1466:Corabia lui Sebastian 1335:, he joined sculptor 1292:, before leaving for 1125:Early Ceauşescu years 1053:Imn către zorii de zi 1004:Poeţi clasici coreeni 751:Poezie nouă în R.P.R. 604:Sibiu Literary Circle 501:. Literary historian 499:communist authorities 423:influence to an end ( 4532:Romanian translators 4512:Romanian art critics 4486:, Bucharest, 2008. 4441:Philologica Yearbook 4399:, Bucharest, 1987. 4270:Singur printre poeți 4160:Braga, p.XI, XXXVIII 2625:Singur printre poeţi 2623:in his 1964 volume, 2357:'s similar verdict ( 2190:Carpathian Mountains 2034:Mitteleuropean space 1910:, like the war poem 1797:Break with communism 1753:and his subordinate 1399:William Butler Yeats 1172:Literatur und Kritik 926:Miron Constantinescu 487:Antologia primăverii 384:, a locality on the 365:(presently Konovka, 263:, and the editor of 4587:Romanian communists 4572:Romanian columnists 4507:Romanian male poets 4327:, December 27, 2003 4247:Drace-Francis, p.73 4205:Braga, p.XXIII–XXVI 4187:Braga, p.XXII–XXIII 4026:, December 29, 2001 3870:Convorbiri Literare 3756:Drace-Francis, p.72 3641:Braga, p.XXXV–XXXVI 3587:Braga, p.XXXIV–XXXV 3484:Vladimir Tismăneanu 3469:Selejan, p.159, 162 3338:Observator Cultural 3176:Braga, p.VIII, XXXI 3043:Salvatore Quasimodo 2839:Baconsky Collection 2769:toppled communism. 2759:Itinerarii plastice 2747:9 pentru eternitate 2543:Echinoxul nebunilor 2128:Imn către nelinişte 2055:Ovid Crohmălniceanu 1980:Echinoxul nebunilor 1787:Ion Dezideriu Sîrbu 1712:Ovid Crohmălniceanu 1700:Vladimir Tismăneanu 1322:cultural revolution 1286:Max Demeter Peyfuss 1282:Echinoxul nebunilor 1097:ancient Indian epic 1023:Salvatore Quasimodo 963:, and the northern 906:Vladimir Tismăneanu 654:, accusing him of " 401:occupied Bessarabia 318:, Baconsky died in 215:Romanian literature 4517:Romanian essayists 4463:Ashgate Publishing 4455:Alex Drace-Francis 4447:2016-03-03 at the 4341:File de istorie... 4317:Florena Dobrescu, 3930:Selejan, p.198–201 3863:2008-12-02 at the 3510:Braga, p.IX, XXXII 3460:Selejan, p.242–244 3367:2016-03-18 at the 2809:Constantin Jiquidi 2478:National communism 2427:dead on the waters 2423:the solitary hills 2192:) and scenes from 2077:Lyrical transition 1808:Veronica Porumbacu 1791:political prisoner 1499:Alex Drace-Francis 1454:Vrancea earthquake 1166:Cahiers de L'Herne 902:anti-Soviet revolt 779:Veronica Porumbacu 463:University of Cluj 361:village, northern 322:, a victim of the 182:Anatol E. Baconsky 66:Kingdom of Romania 23:Anatol E. Baconsky 4492:978-973-23-1961-1 4484:Cartea Românească 4465:, London, 2004. 4256:Câmpan, p.101-103 4121:Braga, p.XII–XIII 4039:Gabriel Dimisianu 3437:Selejan, p.15, 87 3145:Braga, p.XXX–XXXI 3097:, anthology, 1973 2857:Published volumes 2837:, which set up a 2830:A Rake's Progress 2805:Lucian Grigorescu 2797:Ștefan Dimitrescu 2735:Cartea Românească 2721:Sandro Botticelli 2714:Alexandru Ivasiuc 2702: 2701: 2589:Viaţa pe un peron 2563:Nicolae Manolescu 2439: 2438: 2394:colinele solitare 2300: 2299: 2213:Stephen the Great 2178:Northern European 2170: 2169: 2090:" and excessive " 2046:Gabriel Dimisianu 2030:Ingeborg Bachmann 2024:authors, such as 2014:Nicolae Ceauşescu 1963: 1962: 1904: 1903: 1740:Nicolae Tertulian 1736:Mihail Petroveanu 1647: 1646: 1605: 1604: 1548:industrialization 1514:Nicolae Ceaușescu 1444:Radio Free Europe 1422:Editura Meridiane 1418:Sandro Botticelli 1410:Romanic languages 1385:'s collection of 1356:Swedish Institute 1270:International PEN 1135:Nicolae Ceauşescu 1107:("Burning of the 1099:. Illustrated by 1037:), and the cycle 898:Communist Hungary 731:Stepan Schipachov 727:Noapte în flăcări 694:Gabriel Dimisianu 619:Almanahul Literar 522:Socialist Realism 471:Eugeniu Sperantia 417:Soviet occupation 415:and the start of 371:Romanian Orthodox 296:Nicolae Ceaușescu 227:travel literature 219:Socialist Realism 205:, was a Romanian 179: 178: 170:Socialist realism 162:Literary movement 4649: 4368:Cornel Ungureanu 4352: 4338: 4334: 4328: 4316: 4312: 4306: 4295: 4291: 4280: 4263: 4257: 4254: 4248: 4245: 4232: 4229: 4218: 4215: 4206: 4203: 4197: 4194: 4188: 4185: 4179: 4176: 4170: 4167: 4161: 4158: 4152: 4149: 4143: 4140: 4134: 4131: 4122: 4119: 4113: 4110: 4093: 4090: 4084: 4081: 4070: 4067: 4061: 4058: 4052: 4036: 4027: 4015: 4009: 4006: 3997: 3994: 3985: 3982: 3976: 3973: 3967: 3964: 3958: 3955: 3949: 3946: 3940: 3937: 3931: 3928: 3922: 3919: 3913: 3910: 3904: 3901: 3895: 3892: 3886: 3883: 3874: 3852: 3848: 3797: 3794: 3781: 3774: 3757: 3754: 3748: 3745: 3730: 3708: 3699: 3672: 3666: 3663: 3642: 3639: 3633: 3630: 3621: 3618: 3612: 3609: 3588: 3585: 3579: 3576: 3551: 3548: 3542: 3539: 3533: 3530: 3511: 3508: 3502: 3481: 3470: 3467: 3461: 3458: 3452: 3449: 3438: 3435: 3429: 3426: 3420: 3417: 3394: 3391: 3385: 3382: 3376: 3359: 3355: 3342: 3327: 3323: 3262: 3259: 3242: 3239:Cornel Ungureanu 3236: 3201: 3195: 3189: 3186: 3177: 3174: 3168: 3165: 3146: 3143: 3137: 3134: 3128: 3125: 3119: 3116: 2892:Dincolo de iarnă 2755:Gheorghe Tomozei 2642: 2489:Late prose works 2483:Constantin Noica 2406: 2381: 2260: 2210:Moldavian Prince 2194:Romanian history 2148: 2133: 2112:Dincolo de iarnă 2022:Central European 2012:coinciding with 1992:Mateiu Caragiale 1944: 1929: 1885: 1870: 1828:Viaţa Românească 1696:Gérard de Nerval 1625: 1610: 1582: 1567: 1491:Cornel Ungureanu 1391:Meridiane lirice 1263: 1248:Romanian theater 1244:Meridiane lirice 1242:program, titled 1119:The Prodigal Son 1101:Marcela Cordescu 1065:Northern Dobruja 945:Dincolo de iarnă 930:Mihail Davidoglu 890:Communist Poland 825:Cornel Ungureanu 722:Viaţa Românească 710:Nichita Stănescu 687: 545:Lupta Ardealului 360: 335:Teodor Baconschi 298:regime, and his 286:-based magazine 276:communist regime 192: 187: 78: 59: 47: 45: 33: 19: 4657: 4656: 4652: 4651: 4650: 4648: 4647: 4646: 4497: 4496: 4449:Wayback Machine 4410:Matei Călinescu 4397:Editura Minerva 4393:Fluxul memoriei 4378:, Iaşi, 1998. 4360: 4355: 4349:Wayback Machine 4336: 4335: 4331: 4314: 4313: 4309: 4293: 4292: 4283: 4264: 4260: 4255: 4251: 4246: 4235: 4230: 4221: 4216: 4209: 4204: 4200: 4195: 4191: 4186: 4182: 4177: 4173: 4168: 4164: 4159: 4155: 4150: 4146: 4141: 4137: 4132: 4125: 4120: 4116: 4111: 4096: 4091: 4087: 4082: 4073: 4068: 4064: 4059: 4055: 4037: 4030: 4016: 4012: 4007: 4000: 3995: 3988: 3983: 3979: 3974: 3970: 3965: 3961: 3956: 3952: 3947: 3943: 3938: 3934: 3929: 3925: 3920: 3916: 3911: 3907: 3902: 3898: 3893: 3889: 3884: 3877: 3865:Wayback Machine 3850: 3849: 3800: 3795: 3784: 3775: 3760: 3755: 3751: 3747:Braga, p.XXXVII 3746: 3733: 3709: 3702: 3687:Wayback Machine 3673: 3669: 3664: 3645: 3640: 3636: 3631: 3624: 3619: 3615: 3610: 3591: 3586: 3582: 3577: 3554: 3549: 3545: 3540: 3536: 3532:Braga, p.XXXIII 3531: 3514: 3509: 3505: 3482: 3473: 3468: 3464: 3459: 3455: 3450: 3441: 3436: 3432: 3427: 3423: 3418: 3397: 3392: 3388: 3383: 3379: 3369:Wayback Machine 3360:George Neagoe, 3357: 3356: 3345: 3325: 3324: 3265: 3260: 3245: 3237: 3204: 3196: 3192: 3187: 3180: 3175: 3171: 3166: 3149: 3144: 3140: 3135: 3131: 3126: 3122: 3117: 3108: 3104: 3073:Poeţi şi poezie 3063:Artur Lundkvist 3057:Marea călătorie 3033: 3006:Dimitrie Ghiaţă 2994:Colocviu critic 2990: 2963:Itinerar bulgar 2959: 2946:Biserica neagră 2898:Fluxul memoriei 2864: 2859: 2835:National Museum 2825:William Hogarth 2817:Nicolae Tonitza 2813:Theodor Pallady 2793:Dimitrie Ghiață 2787:, particularly 2767:1989 Revolution 2763:Biserica neagră 2698: 2695: 2693: 2691: 2689: 2687: 2685: 2684: 2678: 2676: 2674: 2668: 2665: 2663: 2661: 2659: 2657: 2655: 2654: 2652: 2650: 2648: 2609: 2569:Biserica neagră 2551:Biserica neagră 2491: 2464:anti-capitalist 2435: 2432: 2430: 2428: 2426: 2424: 2422: 2416: 2414: 2408: 2403: 2401: 2399: 2397: 2395: 2393: 2391: 2389: 2355:Oswald Spengler 2296: 2293: 2291: 2289: 2288: 2286: 2284: 2278: 2275: 2273: 2271: 2270: 2268: 2266: 2227: 2196:(involving the 2166: 2163: 2158: 2156: 2150: 2145: 2143: 2141: 2126:unease" is his 2079: 2063:Eugen Jebeleanu 1959: 1956: 1954: 1952: 1946: 1941: 1939: 1937: 1900: 1897: 1895: 1893: 1887: 1882: 1880: 1878: 1803:Georgy Malenkov 1799: 1783:Nicolae Pleşiţă 1732:Eugen Jebeleanu 1643: 1640: 1638: 1636: 1627: 1622: 1620: 1618: 1601: 1598: 1592: 1590: 1584: 1579: 1577: 1575: 1479: 1474: 1462:Biserica neagră 1426:Biserica neagră 1387:American poetry 1364:the Netherlands 1318: 1310:Dimitrie Ghiaţă 1261: 1224:Fluxul memoriei 1127: 1117:(Romanian for " 1105:Arderea zmeilor 1080:Poeţi şi poezie 1076:Artur Lundkvist 1035:Marea călătorie 1027:The Long Voyage 1012:Itinerar bulgar 977: 969:Fluxul memoriei 949:Colocviu critic 918:destalinization 912:not to endorse 892:, the scene of 814:Itinerar bulgar 810:Georgy Malenkov 798: 795:Fluxul memoriei 791:Itinerar bulgar 775:Eugen Jebeleanu 702:Mircea Ivănescu 685: 671:Matei Călinescu 584: 579:Early years at 483:Prietenii Artei 354: 348: 343: 324:1977 earthquake 304:Biserica neagră 278:who joined its 257:Artur Lundkvist 185: 110:Alma mater 80: 76: 53: 49: 43: 41: 24: 17: 12: 11: 5: 4655: 4653: 4645: 4644: 4639: 4634: 4629: 4624: 4619: 4614: 4609: 4604: 4599: 4594: 4589: 4584: 4579: 4574: 4569: 4564: 4559: 4554: 4549: 4544: 4539: 4534: 4529: 4524: 4519: 4514: 4509: 4499: 4498: 4495: 4494: 4473: 4452: 4430:Diana Câmpan, 4428: 4407: 4386: 4364:Adriana Babeți 4359: 4356: 4354: 4353: 4329: 4307: 4281: 4258: 4249: 4233: 4219: 4207: 4198: 4189: 4180: 4171: 4162: 4153: 4144: 4135: 4123: 4114: 4094: 4085: 4071: 4062: 4053: 4028: 4010: 3998: 3996:Selejan, p.289 3986: 3984:Selejan, p.203 3977: 3975:Selejan, p.290 3968: 3959: 3950: 3948:Selejan, p.251 3941: 3939:Selejan, p.206 3932: 3923: 3921:Selejan, p.198 3914: 3912:Selejan, p.197 3905: 3903:Selejan, p.162 3896: 3887: 3875: 3873:, October 2007 3798: 3782: 3758: 3749: 3731: 3700: 3675:Stejărel Olaru 3667: 3665:Braga, p.XXXVI 3643: 3634: 3622: 3613: 3589: 3580: 3578:Braga, p.XXXIV 3552: 3543: 3534: 3512: 3503: 3471: 3462: 3453: 3439: 3430: 3421: 3395: 3386: 3377: 3343: 3263: 3261:Braga, p.XXXII 3243: 3202: 3190: 3178: 3169: 3147: 3138: 3129: 3120: 3105: 3103: 3100: 3099: 3098: 3092: 3082: 3076: 3070: 3060: 3050: 3040: 3032: 3029: 3028: 3027: 3021: 3015: 3009: 3003: 2997: 2989: 2986: 2985: 2984: 2978: 2972: 2966: 2958: 2957:Travel writing 2955: 2954: 2953: 2943: 2937: 2934:Cadavre în vid 2931: 2925: 2922:Fiul risipitor 2919: 2913: 2907: 2901: 2895: 2889: 2883: 2877: 2871: 2863: 2860: 2858: 2855: 2725:Dante Aligheri 2700: 2699: 2669: 2608: 2605: 2585:Octavian Paler 2490: 2487: 2462:. The related 2437: 2436: 2409: 2368:imagery: "The 2343:Cadavre în vid 2304:George Bacovia 2298: 2297: 2279: 2243:Cadavre în vid 2231:Cadavre în vid 2226: 2220:Cadavre în vid 2217: 2168: 2167: 2151: 2078: 2075: 2071:Zaharia Stancu 2059:Geo Dumitrescu 2010:liberalization 1988:George Bacovia 1972:communist east 1968:anti-communist 1961: 1960: 1947: 1902: 1901: 1888: 1812:Paul Georgescu 1798: 1795: 1728:Gheorghe Haupt 1724:Paul Georgescu 1720:Petru Dumitriu 1716:Geo Dumitrescu 1645: 1644: 1628: 1603: 1602: 1585: 1540:(Romanian for 1534:class struggle 1519:Alexandru Piru 1505:" of the day. 1478: 1475: 1473: 1470: 1430:anti-communist 1420:(published by 1317: 1314: 1302:art of Romania 1274:Cadavre în vid 1240:National Radio 1213:Sándor Kányádi 1147:Western Europe 1139:liberalization 1126: 1123: 1115:Fiul risipitor 976: 973: 914:liberalization 833:George Bacovia 797: 787: 783:Alexandru Toma 735:Pavlik Morozov 733:'s poem about 706:Modest Morariu 612:Nicolae Balotă 583: 577: 432:Râmnicu Vâlcea 347: 344: 342: 339: 243:Central Europe 241:, and finally 195:A. E. Bakonsky 177: 176: 163: 159: 158: 152:travel writing 129: 125: 124: 121: 117: 116: 111: 107: 106: 101: 97: 96: 93: 89: 88: 79:(aged 51) 73: 69: 68: 39: 35: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 4654: 4643: 4640: 4638: 4635: 4633: 4630: 4628: 4625: 4623: 4620: 4618: 4615: 4613: 4610: 4608: 4605: 4603: 4600: 4598: 4595: 4593: 4590: 4588: 4585: 4583: 4580: 4578: 4575: 4573: 4570: 4568: 4565: 4563: 4560: 4558: 4555: 4553: 4550: 4548: 4545: 4543: 4540: 4538: 4535: 4533: 4530: 4528: 4525: 4523: 4520: 4518: 4515: 4513: 4510: 4508: 4505: 4504: 4502: 4493: 4489: 4485: 4481: 4477: 4474: 4472: 4471:0-7546-3234-2 4468: 4464: 4460: 4456: 4453: 4450: 4446: 4443: 4442: 4437: 4433: 4429: 4427: 4426:973-681-832-2 4423: 4419: 4415: 4411: 4408: 4406: 4402: 4398: 4394: 4390: 4387: 4385: 4384:973-683-131-0 4381: 4377: 4373: 4369: 4365: 4362: 4361: 4357: 4350: 4346: 4343: 4342: 4337:(in Romanian) 4333: 4330: 4326: 4325: 4320: 4315:(in Romanian) 4311: 4308: 4304: 4300: 4299: 4294:(in Romanian) 4290: 4288: 4286: 4282: 4279: 4278:973-559-000-9 4275: 4271: 4267: 4266:Marin Sorescu 4262: 4259: 4253: 4250: 4244: 4242: 4240: 4238: 4234: 4231:Braga, p.XXII 4228: 4226: 4224: 4220: 4217:Câmpan, p.103 4214: 4212: 4208: 4202: 4199: 4193: 4190: 4184: 4181: 4178:Braga, p.XIII 4175: 4172: 4166: 4163: 4157: 4154: 4148: 4145: 4139: 4136: 4130: 4128: 4124: 4118: 4115: 4109: 4107: 4105: 4103: 4101: 4099: 4095: 4089: 4086: 4080: 4078: 4076: 4072: 4069:Braga, p.IX-X 4066: 4063: 4057: 4054: 4050: 4049: 4044: 4040: 4035: 4033: 4029: 4025: 4024: 4019: 4014: 4011: 4005: 4003: 3999: 3993: 3991: 3987: 3981: 3978: 3972: 3969: 3963: 3960: 3954: 3951: 3945: 3942: 3936: 3933: 3927: 3924: 3918: 3915: 3909: 3906: 3900: 3897: 3891: 3888: 3882: 3880: 3876: 3872: 3871: 3866: 3862: 3859: 3855: 3851:(in Romanian) 3847: 3845: 3843: 3841: 3839: 3837: 3835: 3833: 3831: 3829: 3827: 3825: 3823: 3821: 3819: 3817: 3815: 3813: 3811: 3809: 3807: 3805: 3803: 3799: 3793: 3791: 3789: 3787: 3783: 3779: 3773: 3771: 3769: 3767: 3765: 3763: 3759: 3753: 3750: 3744: 3742: 3740: 3738: 3736: 3732: 3729: 3728:0-415-25517-1 3725: 3721: 3717: 3713: 3707: 3705: 3701: 3697: 3693: 3689: 3688: 3684: 3681: 3676: 3671: 3668: 3662: 3660: 3658: 3656: 3654: 3652: 3650: 3648: 3644: 3638: 3635: 3629: 3627: 3623: 3617: 3614: 3611:Braga, p.XXXV 3608: 3606: 3604: 3602: 3600: 3598: 3596: 3594: 3590: 3584: 3581: 3575: 3573: 3571: 3569: 3567: 3565: 3563: 3561: 3559: 3557: 3553: 3547: 3544: 3538: 3535: 3529: 3527: 3525: 3523: 3521: 3519: 3517: 3513: 3507: 3504: 3501: 3500:973-681-899-3 3497: 3493: 3489: 3485: 3480: 3478: 3476: 3472: 3466: 3463: 3457: 3454: 3451:Selejan, p.15 3448: 3446: 3444: 3440: 3434: 3431: 3425: 3422: 3416: 3414: 3412: 3410: 3408: 3406: 3404: 3402: 3400: 3396: 3390: 3387: 3381: 3378: 3375:, Nr. 66/2010 3374: 3370: 3366: 3363: 3358:(in Romanian) 3354: 3352: 3350: 3348: 3344: 3340: 3339: 3334: 3330: 3326:(in Romanian) 3322: 3320: 3318: 3316: 3314: 3312: 3310: 3308: 3306: 3304: 3302: 3300: 3298: 3296: 3294: 3292: 3290: 3288: 3286: 3284: 3282: 3280: 3278: 3276: 3274: 3272: 3270: 3268: 3264: 3258: 3256: 3254: 3252: 3250: 3248: 3244: 3240: 3235: 3233: 3231: 3229: 3227: 3225: 3223: 3221: 3219: 3217: 3215: 3213: 3211: 3209: 3207: 3203: 3200: 3194: 3191: 3188:Braga, p.VIII 3185: 3183: 3179: 3173: 3170: 3167:Braga, p.XXXI 3164: 3162: 3160: 3158: 3156: 3154: 3152: 3148: 3142: 3139: 3133: 3130: 3127:Câmpan, p.101 3124: 3121: 3115: 3113: 3111: 3107: 3101: 3096: 3093: 3090: 3086: 3085:Carl Sandburg 3083: 3080: 3077: 3074: 3071: 3068: 3064: 3061: 3058: 3054: 3053:Jorge Semprún 3051: 3048: 3044: 3041: 3038: 3035: 3034: 3030: 3025: 3022: 3019: 3016: 3013: 3012:Ion Ţuculescu 3010: 3007: 3004: 3001: 2998: 2995: 2992: 2991: 2987: 2982: 2979: 2976: 2973: 2970: 2967: 2964: 2961: 2960: 2956: 2951: 2947: 2944: 2941: 2938: 2936:, poems, 1969 2935: 2932: 2929: 2926: 2924:, poems, 1964 2923: 2920: 2918:, poems, 1964 2917: 2914: 2912:, poems, 1962 2911: 2908: 2906:, poems, 1961 2905: 2902: 2899: 2896: 2894:, poems, 1957 2893: 2890: 2888:, poems, 1956 2887: 2884: 2882:, poems, 1954 2881: 2878: 2876:, poems, 1951 2875: 2872: 2870:, poems, 1950 2869: 2866: 2865: 2861: 2856: 2854: 2852: 2848: 2844: 2840: 2836: 2832: 2831: 2826: 2822: 2818: 2814: 2810: 2806: 2802: 2798: 2794: 2790: 2786: 2781: 2779: 2775: 2770: 2768: 2764: 2760: 2756: 2752: 2748: 2744: 2741:(1977), then 2740: 2736: 2732: 2731: 2730:Divine Comedy 2726: 2722: 2717: 2715: 2711: 2707: 2697: 2682: 2670: 2667: 2644: 2643: 2640: 2638: 2634: 2630: 2626: 2622: 2621:Marin Sorescu 2618: 2614: 2606: 2604: 2602: 2598: 2594: 2593:Un om norocos 2590: 2586: 2582: 2578: 2574: 2570: 2566: 2564: 2560: 2556: 2552: 2548: 2544: 2540: 2535: 2533: 2528: 2524: 2520: 2515: 2513: 2509: 2504: 2500: 2496: 2488: 2486: 2484: 2480: 2479: 2473: 2469: 2465: 2461: 2457: 2456:Transylvanian 2453: 2449: 2445: 2434: 2420: 2419:Tyrian purple 2410: 2407: 2405: 2398:moarte pe ape 2383: 2382: 2379: 2377: 2376: 2372:is an eerie 2371: 2367: 2363: 2362: 2356: 2352: 2348: 2344: 2340: 2336: 2331: 2329: 2325: 2321: 2317: 2313: 2309: 2308:Expressionism 2305: 2295: 2280: 2277: 2262: 2261: 2258: 2256: 2252: 2248: 2244: 2240: 2236: 2232: 2225: 2221: 2218: 2216: 2214: 2211: 2207: 2203: 2199: 2195: 2191: 2187: 2183: 2179: 2175: 2165: 2162: 2152: 2149: 2147: 2135: 2134: 2131: 2129: 2125: 2121: 2115: 2113: 2108: 2103: 2101: 2097: 2093: 2089: 2085: 2076: 2074: 2072: 2068: 2064: 2060: 2056: 2052: 2047: 2043: 2039: 2035: 2031: 2027: 2023: 2019: 2015: 2011: 2007: 2003: 2002: 1997: 1993: 1989: 1984: 1981: 1977: 1976:misanthropies 1973: 1969: 1958: 1948: 1945: 1943: 1931: 1930: 1927: 1925: 1921: 1917: 1913: 1909: 1899: 1889: 1886: 1884: 1872: 1871: 1868: 1866: 1862: 1858: 1855:("Routine"), 1854: 1850: 1849:Mircea Gafiţa 1846: 1841: 1839: 1834: 1830: 1829: 1823: 1819: 1818: 1813: 1809: 1804: 1796: 1794: 1792: 1788: 1784: 1780: 1776: 1771: 1767: 1762: 1760: 1756: 1752: 1748: 1743: 1741: 1737: 1733: 1729: 1725: 1721: 1717: 1713: 1709: 1705: 1701: 1697: 1693: 1689: 1684: 1681: 1678: 1674: 1670: 1669: 1664: 1660: 1656: 1652: 1642: 1635: 1629: 1626: 1624: 1612: 1611: 1608: 1600: 1596: 1586: 1583: 1581: 1569: 1568: 1565: 1563: 1559: 1558: 1557:Contemporanul 1553: 1549: 1545: 1544: 1539: 1535: 1531: 1527: 1526:communization 1522: 1520: 1515: 1511: 1506: 1504: 1500: 1496: 1492: 1488: 1484: 1476: 1471: 1469: 1467: 1463: 1459: 1455: 1452: 1447: 1445: 1441: 1437: 1436: 1431: 1427: 1423: 1419: 1415: 1411: 1407: 1402: 1400: 1396: 1392: 1388: 1384: 1380: 1376: 1371: 1369: 1368:Ion Ţuculescu 1365: 1361: 1360:Arctic Circle 1357: 1353: 1349: 1345: 1340: 1338: 1337:George Apostu 1334: 1330: 1329: 1323: 1315: 1313: 1311: 1307: 1303: 1299: 1295: 1291: 1287: 1283: 1279: 1275: 1271: 1267: 1260: 1256: 1251: 1249: 1245: 1241: 1237: 1233: 1229: 1225: 1220: 1218: 1214: 1210: 1209:Carl Sandburg 1206: 1202: 1201: 1196: 1195: 1190: 1189: 1184: 1180: 1179: 1174: 1173: 1168: 1167: 1162: 1158: 1154: 1153: 1148: 1144: 1140: 1136: 1132: 1124: 1122: 1120: 1116: 1112: 1111: 1106: 1102: 1098: 1094: 1093: 1088: 1085: 1081: 1077: 1072: 1070: 1066: 1062: 1058: 1054: 1050: 1049: 1048:Contemporanul 1044: 1040: 1036: 1032: 1031:Jorge Semprún 1028: 1024: 1021: 1017: 1013: 1009: 1005: 1001: 1000:Korean poetry 996: 994: 988: 986: 982: 974: 972: 970: 966: 962: 958: 954: 950: 946: 941: 939: 935: 934:Alexandru Jar 931: 927: 923: 919: 915: 911: 907: 903: 899: 895: 891: 886: 884: 880: 876: 872: 868: 864: 860: 856: 851: 849: 848: 842: 838: 834: 830: 826: 821: 819: 815: 811: 807: 806:Joseph Stalin 803: 796: 792: 788: 786: 784: 780: 776: 772: 768: 764: 763:Mihu Dragomir 760: 756: 752: 748: 744: 740: 736: 732: 728: 724: 723: 717: 715: 711: 707: 703: 699: 698:Grigore Hagiu 695: 691: 684: 680: 676: 672: 668: 664: 659: 657: 653: 648: 644: 640: 639:Iosif Pervain 636: 632: 628: 624: 620: 615: 613: 609: 606:, among them 605: 601: 597: 593: 589: 582: 578: 576: 574: 570: 566: 562: 558: 554: 551:co-edited by 550: 546: 542: 538: 534: 533: 527: 523: 518: 516: 512: 508: 504: 500: 496: 492: 488: 484: 480: 476: 472: 468: 464: 460: 455: 453: 449: 448:Transylvanian 445: 444:baccalaureate 441: 437: 433: 429: 428: 422: 418: 414: 411:, before the 410: 409:Eastern Front 406: 402: 399: 395: 391: 387: 383: 379: 376: 372: 368: 364: 358: 353: 345: 340: 338: 336: 332: 331:Leon Baconsky 327: 325: 321: 317: 313: 309: 305: 301: 297: 293: 289: 285: 281: 277: 273: 268: 266: 262: 258: 254: 253:Jorge Semprún 251:and poems by 250: 249: 244: 240: 236: 232: 228: 224: 220: 216: 212: 211:aestheticized 208: 204: 200: 196: 191: 183: 175: 171: 167: 164: 160: 157: 153: 149: 145: 141: 137: 133: 130: 126: 122: 118: 115: 112: 108: 105: 102: 98: 94: 90: 87: 83: 75:March 4, 1977 74: 70: 67: 63: 57: 52: 48:June 16, 1925 40: 36: 32: 27: 20: 4479: 4458: 4440: 4417: 4392: 4389:Mircea Braga 4371: 4340: 4332: 4322: 4310: 4297: 4269: 4261: 4252: 4201: 4192: 4183: 4174: 4169:Braga, p.XVI 4165: 4156: 4151:Braga, p.XIX 4147: 4138: 4133:Braga, p.XIV 4117: 4092:Braga, p.XII 4088: 4065: 4056: 4046: 4021: 4018:Eugen Simion 4013: 3980: 3971: 3962: 3953: 3944: 3935: 3926: 3917: 3908: 3899: 3890: 3885:Braga, p.VII 3868: 3854:Bogdan Crețu 3777: 3752: 3715: 3678: 3670: 3637: 3616: 3583: 3546: 3537: 3506: 3487: 3465: 3456: 3433: 3424: 3389: 3380: 3372: 3336: 3198: 3193: 3172: 3141: 3132: 3123: 3118:Braga, p.XXX 3094: 3088: 3078: 3072: 3066: 3056: 3046: 3036: 3031:Translations 3023: 3017: 3011: 3005: 2999: 2993: 2980: 2974: 2968: 2962: 2949: 2948:, novel, in 2945: 2939: 2933: 2927: 2921: 2915: 2909: 2903: 2897: 2891: 2885: 2879: 2873: 2867: 2850: 2838: 2828: 2785:Romanian art 2782: 2773: 2771: 2762: 2758: 2746: 2742: 2738: 2728: 2718: 2709: 2706:Petre Stoica 2703: 2672: 2646: 2628: 2624: 2613:Petre Stoica 2610: 2601:totalitarian 2592: 2588: 2580: 2568: 2567: 2558: 2550: 2542: 2536: 2531: 2516: 2494: 2492: 2475: 2460:Lucian Blaga 2443: 2440: 2412: 2385: 2373: 2369: 2358: 2350: 2346: 2342: 2332: 2315: 2301: 2282: 2264: 2250: 2242: 2239:Dinu Flămând 2230: 2228: 2223: 2219: 2186:Danube Delta 2171: 2154: 2137: 2127: 2116: 2111: 2104: 2096:aestheticism 2083: 2082:his time at 2080: 2005: 1999: 1985: 1979: 1964: 1950: 1933: 1924:World War II 1915: 1911: 1907: 1905: 1891: 1874: 1865:Mihai Beniuc 1852: 1845:Eugen Frunză 1842: 1833:Eugen Campus 1826: 1821: 1815: 1800: 1775:Lucian Blaga 1763: 1755:Mihai Beniuc 1751:Leonte Răutu 1746: 1744: 1698:. Historian 1685: 1673:Eugen Simion 1666: 1663:Bogdan Creţu 1648: 1633: 1631: 1614: 1606: 1594: 1588: 1571: 1561: 1555: 1541: 1537: 1523: 1507: 1480: 1465: 1461: 1448: 1433: 1425: 1414:Quattrocento 1403: 1390: 1374: 1372: 1346:, after the 1341: 1325: 1319: 1297: 1281: 1278:Thermoformed 1273: 1258: 1257:was awarded 1254: 1252: 1243: 1235: 1231: 1227: 1223: 1221: 1216: 1204: 1200:Das Ensemble 1198: 1192: 1186: 1183:West Germany 1176: 1170: 1169:; Austria's 1164: 1150: 1143:Iron Curtain 1128: 1114: 1108: 1104: 1090: 1086: 1079: 1073: 1069:Danube Delta 1056: 1052: 1046: 1038: 1034: 1026: 1015: 1011: 1007: 1003: 997: 992: 989: 980: 978: 968: 948: 944: 942: 922:Eastern Bloc 887: 866: 862: 858: 852: 844: 828: 822: 817: 813: 799: 794: 790: 771:Ştefan Iureş 767:Eugen Frunză 750: 726: 720: 718: 714:Petre Stoica 690:Cezar Baltag 682: 674: 666: 660: 652:lyric poetry 646: 635:Dumitru Micu 626: 618: 616: 600:Arieș Valley 595: 587: 585: 580: 568: 560: 544: 529: 519: 507:André Breton 503:Mircea Braga 486: 482: 475:Tribuna Nouă 474: 467:Lucian Blaga 456: 440:Argeș County 424: 398:Soviet Union 393: 349: 328: 303: 287: 269: 246: 239:Soviet Union 231:Eastern Bloc 202: 198: 194: 181: 180: 136:lyric poetry 77:(1977-03-04) 62:Hotin County 4617:1977 deaths 4612:1925 births 4476:Ana Selejan 4112:Braga, p.XI 4060:Braga, p.VI 3796:Braga, p.IX 3329:Paul Cernat 2847:Călimăneşti 2778:fire ordeal 2751:Mircea Micu 2555:alexandrine 2547:apocalyptic 2541:collection 2508:desecration 2503:metaphysics 2499:avant-garde 2472:nationalism 2335:consumerism 2328:Emil Cioran 2251:Sonet negru 2247:teratologic 2067:Marin Preda 2026:Franz Kafka 1838:Ana Selejan 1757:to restore 1655:Pavel Țugui 1383:Ion Caraion 1352:Scandinavia 1344:West Berlin 1328:July Theses 1316:Final years 1215:. In 1966, 1092:Mahābhārata 900:, where an 875:North Korea 873:, visiting 855:Paul Cernat 755:Maria Banuş 528:tradition ( 511:avant-garde 421:Nazi German 405:Axis Powers 378:middle name 355: [ 316:consumerism 312:West Berlin 261:anthologies 248:Mahābhārata 100:Nationality 54: [ 4557:Sonneteers 4501:Categories 4358:References 4196:Braga, p.V 4083:Braga, p.X 3712:Mona Baker 3018:Botticelli 2886:Două poeme 2801:Iosif Iser 2737:reprinted 2575:" work of 2573:Kafkaesque 2523:capitalism 2468:patriotism 2452:antithesis 2431:of prey on 2241:discusses 2235:Surrealism 2124:onthologic 2107:metaphoric 1770:Securitate 1692:melancholy 1659:party line 1510:Dan Deşliu 1483:Surrealism 1178:Die Presse 1157:Yugoslavia 1084:guide book 938:Ion Vitner 859:Două poeme 759:Dan Deşliu 743:reportages 526:Proletkult 491:Surrealism 436:Ciomăgești 386:Prut River 375:patronymic 363:Bessarabia 346:Early life 292:censorship 272:Surrealism 265:monographs 166:Surrealism 140:free verse 92:Occupation 44:1925-06-16 4434:, in the 4414:Ion Vianu 4301:, at the 3720:Routledge 2988:Criticism 2577:absurdist 2527:epistemic 2375:Leviathan 2370:Abendland 2366:dystopian 2351:Abendland 2322:" to the 2208:, or the 2206:Thracians 2120:manifesto 2100:Symbolism 2051:Geo Bogza 1831:, critic 1766:informant 1708:Geo Bogza 1704:left-wing 1677:parodying 1653:activist 1503:Stalinism 1487:communist 1458:passports 1406:philology 1395:Endre Ady 1379:Hungarian 1333:President 1306:monograph 1205:Meridiane 1145:and into 1039:Meridiane 1020:modernist 965:Black Sea 957:Leningrad 841:pessimist 837:Symbolist 631:Emil Isac 573:Hungarian 557:Hungarian 537:Bucharest 382:Drepcăuți 341:Biography 320:Bucharest 223:communism 207:modernist 199:Baconschi 174:Modernism 148:reportage 123:1942–1977 82:Bucharest 4445:Archived 4405:25027073 4370:(eds.), 4345:Archived 4324:Adevărul 4043:B. Elvin 4023:Curentul 3861:Archived 3778:Remember 3683:Archived 3365:Archived 3197:Câmpan, 2981:Remember 2739:Remember 2710:Remember 2637:Thracian 2633:Scythian 2617:parodied 2532:Remember 2495:Remember 2417:and old 2402:pradă pe 2320:cynicism 2253:("Black 2204:and the 2188:and the 2182:medieval 2092:lyricism 2088:intimism 2038:humanist 2018:censored 2006:Scînteia 1996:Decadent 1994:and his 1916:Manifest 1912:Manifest 1861:pastiche 1857:satirize 1817:Scînteia 1768:for the 1680:agitprop 1668:politruk 1634:chiaburi 1595:chiaburi 1593:And the 1562:chiaburi 1538:chiaburi 1435:samizdat 1428:, whose 1416:painter 1266:Budapest 1255:Remember 1232:Remember 1217:Die Welt 1188:Die Welt 1061:Moldavia 959:and the 883:Siberian 871:Far East 656:intimism 565:Romanian 561:Împreună 553:Romanian 452:Cisnădie 450:town of 419:brought 390:Chișinău 350:Born in 300:samizdat 235:Far East 203:Baconski 132:dystopia 104:Romanian 4376:Polirom 3492:Polirom 3373:Cultura 3089:Versuri 3067:Versuri 3047:Versuri 2950:Scrieri 2916:Versuri 2904:Versuri 2597:parable 2539:fantasy 2519:détente 2448:obesity 2339:pharaoh 2202:Scythes 2198:Dacians 2161:volutes 1649:Former 1442:-based 1354:by the 1298:Magazin 1194:Akzente 1016:Versuri 885:areas. 549:almanac 481:-based 394:Mugurel 367:Ukraine 308:Austria 4490: 4469: 4424: 4403: 4382: 4276: 3726: 3498: 3199:passim 3091:, 1965 3081:, 1964 3075:, 1963 3069:, 1963 3059:, 1962 3039:, 1960 3020:, 1974 3014:, 1972 3008:, 1971 2996:, 1957 2977:, 1963 2971:, 1960 2965:, 1954 2868:Poezii 2789:modern 2681:Nogais 2607:Legacy 2512:Vienna 2255:Sonnet 2200:, the 2174:Baltic 2084:Steaua 1998:novel 1908:Rutină 1853:Rutină 1822:Steaua 1747:Steaua 1543:kulaks 1532:, and 1528:, the 1495:utopia 1440:Munich 1290:Vienna 1259:Steaua 1181:; and 993:Steaua 981:Steaua 961:Baltic 953:Moscow 896:, and 881:, and 877:, the 829:Steaua 683:Steaua 675:Steaua 667:Steaua 663:Braşov 647:Steaua 643:parody 637:, and 627:Steaua 588:Poezii 581:Steaua 569:Együtt 515:kitsch 302:novel 288:Steaua 233:, the 156:satire 144:sonnet 120:Period 4321:, in 3867:, in 3371:, in 3335:, in 3102:Notes 2493:With 1688:dandy 1294:Paris 1262:' 1095:, an 985:exile 789:From 686:' 479:Carei 359:] 128:Genre 58:] 4488:ISBN 4467:ISBN 4422:ISBN 4401:OCLC 4380:ISBN 4274:ISBN 3724:ISBN 3496:ISBN 2815:and 2803:and 2753:and 2635:and 2476:see 2359:see 2345:and 2310:and 2222:and 2176:and 2122:of 2098:and 2028:and 1738:and 1552:Brad 1464:and 1408:and 1326:see 1197:and 1175:and 1110:Zmei 1063:and 936:and 916:and 845:see 839:and 835:, a 747:Brad 712:and 610:and 567:and 555:and 530:see 469:and 459:Cluj 425:see 352:Cofa 310:and 284:Cluj 237:and 221:and 72:Died 51:Cofa 38:Born 4438:'s 2853:). 2827:'s 2727:'s 2619:by 2599:of 2326:of 1863:of 1742:). 1397:to 1324:" ( 1304:—a 1185:'s 987:". 940:). 850:). 793:to 658:". 571:in 563:in 201:or 4503:: 4482:, 4478:, 4461:, 4416:, 4412:, 4395:, 4374:, 4366:, 4284:^ 4268:, 4236:^ 4222:^ 4210:^ 4126:^ 4097:^ 4074:^ 4041:, 4031:^ 4001:^ 3989:^ 3878:^ 3856:, 3801:^ 3785:^ 3761:^ 3734:^ 3718:, 3703:^ 3694:, 3690:, 3646:^ 3625:^ 3592:^ 3555:^ 3515:^ 3490:, 3486:, 3474:^ 3442:^ 3398:^ 3346:^ 3331:, 3266:^ 3246:^ 3205:^ 3181:^ 3150:^ 3109:^ 3087:, 3065:, 3055:, 3045:, 2811:, 2799:, 2795:, 2485:. 2330:. 2069:, 2065:, 2061:, 2057:, 2053:, 1734:, 1730:, 1726:, 1722:, 1718:, 1714:, 1710:, 1451:Mw 1312:. 1276:(" 1191:, 1071:. 995:. 955:, 932:, 928:, 781:, 777:, 773:, 769:, 765:, 761:, 757:, 716:. 708:, 704:, 700:, 696:, 692:, 633:, 614:. 517:. 454:. 438:, 357:ro 337:. 326:. 255:, 197:, 172:, 168:, 154:, 150:, 146:, 142:, 138:, 134:, 84:, 64:, 60:, 56:ro 2683:? 2587:( 1002:( 184:( 46:) 42:(

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