503:, a series of sculptures made of dark linden wood, with hints of gold and bronze on the front. The wood is shaped into a curve and carved on the front in a complex pattern of cavities. The drawings are made from a three-dimensional scan of slices of black bread which yields a symmetrical pattern that is carved into the wood by a machine. The wood surface is then treated with acids and gold paint to create an aged look. The
20:
415:(2006) a solo showing at Stella Art Gallery, Moscow. This work was a series of 11 bronze sculptures of tanks representing the countries: Brazil, Britain, Germany, Israel, Italy, Russia, USA, France, South Africa and Japan. The prototype for all the tanks was the Russian Black Eagle tank. The aim was to give beauty to an object whose design was exclusively functional. It was represented at
388:(2005). Osmolovsky put double-sided transparent tape on the wall in the shape of words composed horizontally. Dust accumulating on these words, making them readable. There were phrases and quotes from political and social issues, accompanied by an installation of flags, boxes, tubes, posters, and photographs. The work was recreated in 2005 for the group show,
409:(2006), solo exhibition at Contemporary City Foundation, Moscow. Osmolovsky presented a series of sculptures both hanging on the wall and placed on the floor, in a shape resembling large oranges with artificial colors and also the blue and gold colours of Orthodox churches.
65:
In the mid nineties, there was a common element of male nudity and sexualized violence in the work of Moscow artists, including that of
Osmolovsky. Osmolovsky was the leader of the anti-postmodernist movement, revolutionary Rival Programme NETSEZUDIK".
280:(1998) in Gertsen and Nikitskaya street, Moscow (near the Kremlin). Cardboard boxes, slogans, objects and reproductions of paintings blocked the road in a tribute to the French students‘ riots of 1968 on the occasion of their thirtieth anniversary.
162:, Centre of Contemporary Art, Moscow group presentations. Osmolovsky presented a series of 12 photographs in baroque frames depicting faces of artists who scream accompanied by the sound of each scream. Part of the work is housed in the
507:
sculptures recall
Russian icons (in the wooden materials and the golden sheen), and slices of typical Russian bread. Osmolovsky often put these sculptures in wall compositions, reminding the audience of the typical iconostasis of the
42:), is a Russian visual artist, performer, theorist, editor and teacher. He resides in Moscow where he sculpts wood. Osmolovsky grounds his art in theory and supports his work with self-published writings in
310:(2001) for Workshop Art Moscow, Central House of Artists, Moscow. Osmolovsky presented objects such as flags and books, symbols such as the 5-pointed star and texts, some hardwood floors ripped and worked.
138:: "The leopards burst into the temple and break the holy vessels". For Osmolovsky, the vessels represent the tradition of Russian art and conceptualism which he considers outdated and boring.
81:
In 2000, Osmolovsky talked about a new era of
Russian art, full of fun, irresponsibility and superficiality. Viktor Misiano, curator of contemporary art, (born 1957, Moscow) in the text
274:
at the
Kunstlerhaus Bethanien. Included seminars on political and social issues related to the German Socialist Party (PDS) with a display of posters with slogans and iconic graphics.
77:"The future of contemporary art is in the will to utopia, in the breakthrough into reality through a membrane of quotations, it is in sincerity and pathos."
806:
98:
Osmolovsky began his career in performance art with works representing protest, for example, against government institutions and the judiciary.
327:), 50th Venice Biennale (2003). Osmolovsky presented an 84 x 60 cm poster as part of a series of 139 posters commissioned for the section,
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At the start of his career, the most important issues for
Osmolovsky were those of power and revolution. Osmolovsky opposed the school of
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85:, explained the cause and consistency of Osmolovsky's transition from performance art and political protest to abstract and formal art.
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537:, a wood carving at the third Moscow Biennale, GARAGE Center for Contemporary Culture, Moscow and the PERMM, Perm, Eastern Russia.
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The
Calvert Journal, a guide to creative Russia, online magazine. 15 August 2013. Accessed 29 April 2014.
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monument in Moscow, symbolizing the transition from socialism to capitalism as a crawl in the mud); and
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543:(2010), curated by Francesco Bonami and Irene Calderoni at Fondazione Sandretto Re Rebaudengo, Turin.
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magazine. People with body parts painted red or black made gestures such as the victory sign.
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733:"Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s."
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661:"The Experimental Group: Ilya Kabakov, Moscow Conceptualism, Soviet Avant-Gardes."
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a solo exhibition (1996) presented after
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121:, Regina Art Gallery, Moscow ("a parody of the human chain at the White House").
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594:, Bergamo. It was his first solo exhibition in a private gallery in Europe.
217:: "If I have seen further, it is by standing on the shoulders of giants."
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Osmolovsky A. "Rejection of museums!" Taylor and
Francis 2004, volume 3.
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depicting extreme individualism and aggression of post-Soviet Russia.
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Monument to the brilliant and victorious
General of NATO Dr. Freud
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at Regina
Gallery, Moscow. The title was taken from an article by
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703:"Russian Postmodernism: New Perspectives on Post-Soviet Culture."
368:(2004), a sculpture series in wood and enamel for the exhibition
113:, (performers crawled on the road from the metro Mayakovskaya to
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III, Ljubljana, Slovenia. A sculpture made from artillery parts.
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753:"Anatoly Osmolovsky’s radical artwork goes on show in Venice."
257:, a photographic work in which he reinterpreted the handshake.
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A performance by Osmolovsky and three others protesting the
232:, depicting the chaos of the fall of the Soviet Union, and
206:, a reference to the island of the giants in the novel by
600:, Venice Biennale, Tre Oci arts centre, Giudecca, Venice.
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Scholarly Work. History and Theory of Contemporary Art
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Materia prima. Russkoe Bednoe. L’arte povera in Russia
249:, Cultural Association Arte Nova, Pescara, curated by
435:, Newton Building, Miami, (2000), a group exhibition.
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Multiplicity Culture. Art routes in a changing world
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454:, Centre for Contemporary Art, Luigi Pecci, Prato.
182:, a publishing project for Osmolovsky's magazine,
283:Played as a military officer in the Baskova film
343:, posted along the outer walls of the Arsenale.
109:) (1990 and 1992). EAT performances included,
50:(2010) magazines and by teaching art history.
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640:"History Becomes Form: Moscow Conceptualism."
549:(2011), curated by Marat Guelman, Pac, Milan.
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478:, Moscow Museum of Contemporary Art, Moscow.
472:, Moscow Museum of Contemporary Art, Moscow.
180:Nezesudik. Revolutionary Competitive Program
466:, Winzavod Contemporary Art Centre, Moscow.
196:government. Depicted on the first cover of
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370:The Way Political Positions Turn into Form
682:"Critical Theory in Russia and the West."
228:. The work consisted of two photographs:
83:Reflexive fetishism in Anatoly Osmolovsky
541:Modernikon, Contemporary Art from Russia
663:University of Chicago Press, 2010 p248
610:
470:History of Russian Video Art - Volume I
169:4th International Biennial of Istanbul.
152:After Post-Modernism you can only shout
429:, Bilbao, (2006), a group exhibition.
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735:The Museum of Modern Art, 2002 p330
224:in the Pavilion Aperto, curated by
588:Cadavre Exquisi and Dodici Suicidi
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382:, Warsaw, (2004) a group showing.
433:Modus R: Russian Formalism Today
247:Caravanserai of Contemporary Art
73:in post-Soviet Russia, he said,
731:Hoptman L. J. and Pospiszyl T.
253:, (1995). Osmolovsky presented
969:Albina Mokryakova (2019, 2021)
565:New Museum of Contemporary Art
407:Nathalie Sarrante Golden Fruit
372:at Stella Art Gallery, Moscow.
132:Leopards burst into the temple
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977:Media Art Project of the Year
448:, artist of the year, Moscow.
419:XII, Kassel, Germany in 2007.
158:, Folklore Museum, Rome, and
1079:Russian contemporary artists
516:sculptures in the solo show
1084:Russian performance artists
107:Art Territory Expropriation
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886:Andrey Kuzkin (2016, 2021)
705:Berghahn Books, 1999 p460
680:Renfrew A. and Tihanov G.
484:, State Tretyakov Gallery.
458:Who's Got the Big Picture?
317:, Sao Paulo, Brazil, 2002.
204:Travel to Brobdingneg Land
1053:Alexander Borovsky (2017)
984:Vladislav Mamyshev-Monroe
769:Anatoly Osmolovsky Studio
1056:Andrey Khlobystin (2019)
775:Thomas Brambilla Gallery
701:Epstein M. and Genis A.
592:Thomas Brambilla gallery
575:Thomas Brambilla Gallery
512:. In 2008, he exhibited
490:, Benaki Museum, Athens.
427:Guggenheim Museum Bilbao
261:Situative Action for PDS
251:Giacinto Di Pietrantonio
111:Silent parade (Crawling)
1047:Podoroga Valeriy (2015)
510:Russian Orthodox Church
376:Za Czerwonym Horyzontem
883:Filippov Andrey (2015)
836:Alexey Belyaev-Gintovt
621:Autonomedia, 2003 p60
573:(2012) group showing,
265:Kunstlerhaus Bethanien
24:
1059:Roman Osminkin (2021)
1050:Victor Misiano (2016)
1018:People's Choice Award
966:Sasha Pirogova (2017)
946:Evgeny Granilshchikov
684:Routledge, 2009 p177
598:Parallel Convergences
452:Progressive Nostalgia
119:The days of knowledge
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226:Achille Bonito Oliva
60:Moscow conceptualism
1099:Artists from Moscow
889:ZIP Grouping (2017)
823:Project of the Year
642:MIT Press, 2013 p8
555:(2011), curated by
315:Bienal de Sao Paulo
190:Shame on October 7.
160:Liaisons Dangereaux
142:Ideological carrier
830:Anatoly Osmolovsky
771:, official website
557:Massimiliano Gioni
341:Rirkrit Tiravanija
337:Hans-Ulrich Obrist
325:Everywhere is life
285:The Green Elephant
211:Gulliver's Travels
28:Anatoly Osmolovsky
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1025:Peter Goloschapov
1008:Anastasia Ryabova
963:Super Taus (2016)
878:Pavel Pepperstein
848:Alexander Brodsky
488:Moscow On Geekdom
460:, MuHKA, Antwerp.
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567:, New York.
529:2009 - 2012
348:2004 - 2005
308:Inpozitsiya
292:2000 - 2003
268: [
255:No means No
241:1995 - 1999
234:Odd man out
46:(1993) and
1073:Categories
711:1571810285
690:1135254966
669:0226389413
648:0262525089
627:1570271429
605:References
577:, Bergamo.
571:Blind hole
464:I Believe!
396:, Antwerp.
115:Mayakovsky
34:1969-07-01
638:Groys B.
518:New Works
417:Documenta
302:Manifesta
278:Barricade
166:, Moscow.
146:Flash Art
30:(Moscow,
990:PG Group
553:Ostalgia
413:Hardware
54:Concepts
423:Russia!
362:Details
194:Yeltsin
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