176:, produced a definitive study of the bilingual vase form. She closely observed certain details, drawing styles, themes, compositions, and preferences in order to establish artistic personalities, a chronology of the vases, and the relationship of the scenes to one another. Her conclusions demonstrated that the Lysippides Painter and the Andokides Painter were distinct, that shared details among the paintings were the result of collaboration, and that the black-figure images were a self-contained corpus that was not produced by the painter of the red-figure scenes. Elizabeth Simpson in her article "The Andokides Painter and Greek Carpentry" further settled the debate by demonstrating a key difference between the painters of the red-figure and black-figure images on vase Munich 2301. In each, the hero Herakles is shown reclining on a Greek couch or
180:. How the couch is depicted reveals an essential difference between the renderings. In the red-figure painting, details of the couch indicate the Andokides Painter had a thorough working knowledge of carpentry practices: tenons and rails are accurately depicted, conforming to woodworking practices and known ancient forms. The black-figure scene, however, lacks the same precision and accuracy. Rails and tenons are depicted in inappropriate locations, resulting in a construction that would not have been structurally sound. A small table also included in the scene shows the same disparities. This discrepancy clearly indicates two artistic personalities at work: one who had an understanding of carpentry and furniture construction, and one who did not.
144:. The frieze of the Treasury shows certain stylistic and compositional innovations, such as the introduction of three-quarter views and foreshortening, which parallel developments in the new red-figure painting, most especially in images by the Andokides Painter. Additionally, certain subjects depicted on the Treasury, like the struggle for the Delphic tripod, are not generally found in Attic painting until the Andokides Painter's red-figure scenes. The relationship between the Treasury and the Andokides Painter's work is so strong, that some scholars have posited the vase painter was somehow involved in the frieze's production, perhaps as a colorist.
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157:, who suggested that the paintings were realized by two separate hands. Beazley changed his mind over the matter several times during his career, specifically in relation to works he attributed to the Andokides Painter. He eventually came to the conclusion that two artists were involved in production of the vases, the Andokides Painter painted the red-figure pictures and another artist, who he named the
128:. John Boardman sees connections to Ionian art in the painter's work, suggesting that he may have been an immigrant from East Greece. Dietrich von Bothmer also notes that the earliest instances of the use of a white ground in vase painting occur in the Andokides Painter's scenes, perhaps indicating that he should be credited additionally with inventing the white ground technique.
79:, whose signature appears on several of the vases bearing the painter's work. He is often credited with being the originator of the red-figure vase painting technique. To be sure, he is certainly one of the earliest painters to work in the style. In total, fourteen amphorae and two cups are attributed to his hand. Six of the amphorae are "
123:
Several details regarding the artistic biography of the
Andokides Painter have been suggested through connoisseurial studies of his work. As mentioned, he is widely thought to be the creator of the red-figure painting technique. It is likely, however, that he also worked in black-figure painting, and
152:
The
Andokides Painter has always featured prominently in scholarly debates over the attribution of bilingual vases. The dispute centers on the question of authorship of the black-figure paintings: whether each scene was produced by a different artist, or if the same hand painted both scenes in both
74:
vase painter, active from approximately 530 to 515 BC. His work is unsigned and his true name unknown. He was identified as a unique artistic personality through stylistic traits found in common among several paintings. This corpus was then attributed by John D. Beazley to the
Andokides Painter, a
161:, produced the black-figure pictures. Many scholars, however, have resisted this conclusion and question whether the Andokides Painter and the Lysippides Painter are in fact one and the same.
136:
The invention of the red-figure technique occurred sometime around 525 BC. The evidence for this date lies in the connections between the
Andokides Painter's work and a datable monument: the
376:
116:
714:. New York: Garland Publishing. pp. 10–12, 15–16, 19, 29, 43–44, 59–67, 70, 76–83, 88–89, 92–101, 106–113, 120–131, 137–140, 142–148, 153–181, 186–191, 250–253.
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Simpson, Elizabeth (2002). Clark, Andrew J.; Gaunt, Jasper (eds.). "The
Andokides Painter and Greek Carpentry".
725:
Simpson, Elizabeth (2002). Clark, Andrew J.; Gaunt, Jasper (eds.). "The
Andokides Painter and Greek Carpentry".
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Simpson, Elizabeth. Clark, Andrew J.; Gaunt, Jasper (eds.). "The
Andokides Painter and Greek Carpentry".
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The uncertainty surrounding the issue was convincingly dispelled, however, through studies undertaken by
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his style suggests a link, possibly in the role of student, to the great black-figure painter
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Edited by Andrew J. Clark and Jasper Gaunt, 303–16. Amsterdam: Allard
Pierson Museum, 2002.
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von
Bothmer, Dietrich (1966). "The Andokides Potter and the Andokides Painter".
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Bothmer, Dietrich. "Andokides the Potter and Andokides the Painter." T
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Simpson, Simpson (2002). "The Andokides Painter and Greek Carpentry".
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Griechiche Vasenmalerei: Auswahl hervorragender Vasenbilder
597:
The History of Greek Vases: Potters, Painters and Pictures
799:
he History of Greek Vases: Potters, Painters and Pictures
581:(2nd ed.). Oxford: Clarendon Press. pp. 2–4.
669:. Vol. I. Munich: F. Bruckmann A.-G. p. 17.
654:. Ithaca, NY: Cornell University Press. p. 300.
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684:(2nd ed.). Oxford: Clarendon Press. p. 2.
103:Herakles and Athena. Side A of an Attic red-figure
813:The Art and Culture of Early Greece, 1100–480 B.C.
652:The Art and Culture of Early Greece, 1100-480 B.C
599:. London: Thames & Hudson. pp. 82, 271.
148:Bilingual vases and the debate over attribution
792:Athenian Red Figure Vases: The Archaic Period.
611:"The Andokides Painter (Biographical Details)"
107:amphora painted by Andokides, c. 520 BC, from
856:
565:Athenian Red Figure Vases: The Archaic Period
153:techniques. The question was first raised by
8:
729:. Amsterdam: Allard Pierson Museum: 303–316.
665:Furtwängler, Adolf; Reichhold, Karl (1904).
822:"The Andokides Painter and Greek Carpentry"
815:Ithaca, NY: Cornell University Press, 2009.
567:. London: Thames & Hudson, 1975. p. 15.
1736:
1309:
863:
849:
841:
828:Essays in Honor of Dietrich von Bothmer.
806:Attic Bilingual Vases and Their Painters
774:. Amsterdam: Allard Pierson Museum: 315.
759:. Amsterdam: Allard Pierson Museum: 314.
712:Attic Bilingual Vases and Their Painters
697:Attic Bilingual Vases and Their Painters
414:
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320:
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174:Attic Bilingual Vases and Their Painters
98:
29:
772:Essays in Honor of Dietrich von Bothmer
757:Essays in Honor of Dietrich von Bothmer
742:Essays in Honor of Dietrich von Bothmer
727:Essays in Honor of Dietrich von Bothmer
633:The Metropolitan Museum of Art Bulletin
556:
835:he Metropolitan Museum of Art Bulletin
787:2nd ed. Oxford: Clarendon Press, 1963.
808:. New York: Garland Publishing, 1978.
7:
801:. London: Thames & Hudson, 2001.
626:
624:
590:
588:
132:The emergence of red-figure painting
1481:Painter of the Berlin Dancing Girl
1029:Class of Cabinet des Médailles 218
794:London: Thames & Hudson, 1975.
25:
498:
465:
430:
388:
381:
292:
285:
172:. Beth Cohen in her publication
785:Attic Red-Figure Vase-Painters.
699:. New York: Garland Publishing.
1827:Anonymous artists of antiquity
1716:Painter of the Vatican Mourner
682:Attic Red-Figure Vase-Painters
579:Attic Red-Figure Vase-Painters
1:
83:", meaning they display both
75:name derived from the potter
27:Ancient Athenian vase painter
369:Staatliche Antikensammlungen
220:
215:
210:
205:
200:
190:
1822:Ancient Greek vase painters
872:Ancient Greek vase painters
650:Hurwit, Jeffrey M. (2009).
545:List of Greek vase painters
356:B: Herakles and Nemean Lion
1843:
113:Staatliche Antikensammlung
680:Beazley, John D. (1968).
577:Beazley, John D. (1963).
939:Painter of Acropolis 606
1174:Painter of Nicosia Olpe
595:Boardman, John (2001).
1194:Painter of Palermo 489
1149:Painter of Munich 1410
994:Painter of Berlin 1686
989:Painter of Berlin A 34
120:
64:
1817:6th-century BC deaths
1404:Group of Rhodes 12264
1189:Oxford Palmette Class
406:A: Herakles feasting
276:Bologna, Museo Civico
102:
33:
1721:Villa Giulia Painter
820:Simpson, Elizabeth.
818:Simpson, Elizabeth.
710:Cohen, Beth (1978).
695:Cohen, Beth (1978).
408:B: Herakles feasting
306:A: Herakles and the
1701:Triptolemos Painter
1621:Penthesilea Painter
1576:Kleophrades Painter
1556:Ilioupersis Painter
984:Bellerophon Painter
811:Hurwit, Jeffrey M.
1706:Underworld Painter
1651:Providence Painter
1641:Pistoxenos Painter
1626:Persephone Painter
1546:Hasselmann Painter
1531:Eucharides Painter
1134:Lysippides Painter
1099:Horse-bird Painter
1094:Heidelberg Painter
1069:Euphiletos Painter
1019:Cerameicus Painter
1014:Castellani Painter
921:Polyphemos Painter
837:25 (1966): 201–12.
615:The British Museum
452:; B: Bathing women
159:Lysippides Painter
121:
65:
55:, c. 530 BC, from
1804:
1803:
1800:
1799:
1691:Tarquinia Painter
1686:Tarporley Painter
1681:Snub-nose Painter
1611:Oreithyia Painter
1516:Dokimasia Painter
1491:Bryn Mawr Painter
1471:Baltimore Painter
1446:Andokides painter
1412:
1411:
1363:Cavalcade Painter
1239:Princeton Painter
1184:Northampton Group
1179:Nikoxenos Painter
1159:Naucratis Painter
1114:Kassandra Painter
1104:Hypobibazon Class
1059:Edinburgh Painter
974:Antimenes Painter
964:Arkesilas Painter
797:Boardman, John. T
783:Beazley, John D.
536:
535:
507:H. 57.2 cm;
474:H. 58.20 cm;
170:Elizabeth Simpson
155:Adolf Furtwängler
138:Siphnian Treasury
45:. Side A from an
18:Andokides painter
16:(Redirected from
1834:
1737:
1696:Tithonos Painter
1671:Sisyphus Painter
1661:Shuvalov Painter
1636:Pisticci Painter
1596:Meleager Painter
1571:Kleophon Painter
1451:Antiphon Painter
1436:Altamura Painter
1426:Achilles Painter
1381:Acheloos Painter
1355:Gorgoneion Group
1310:
1304:Xenokles Painter
1289:Three Line Group
1279:Taleides Painter
1044:Diosphos Painter
1039:Daybreak Painter
1034:Columbus Painter
954:Anagyrus Painter
916:Mesogeia Painter
911:Honolulu Painter
906:Analatos Painter
865:
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485:A: Herakles and
476:D. 37.50 cm
469:
437:H: 40.5 cm
434:
395:H. 53.5 cm
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245:H. 58.2 cm.
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1726:Wedding Painter
1711:Varrese Painter
1591:Meidias Painter
1586:Marsyas Painter
1536:Foundry Painter
1526:Eretria Painter
1496:Chrysis Painter
1408:
1390:
1367:
1349:
1331:
1308:
1284:Theseus Painter
1259:Rycroft Painter
1219:Piraeus Painter
1214:Phrynos Painter
1199:Panther Painter
1049:Dodwell Painter
1024:Chimera Painter
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508:
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397:D. 22.5 cm
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338:H. 54.6 cm
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231:Antikensammlung
186:
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70:was an ancient
28:
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1633:
1631:Phiale Painter
1628:
1623:
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1603:
1601:Niobid Painter
1598:
1593:
1588:
1583:
1578:
1573:
1568:
1563:
1558:
1553:
1548:
1543:
1541:Harrow Painter
1538:
1533:
1528:
1523:
1518:
1513:
1508:
1506:Darius Painter
1503:
1501:Codrus Painter
1498:
1493:
1488:
1486:Brygos Painter
1483:
1478:
1476:Berlin Painter
1473:
1468:
1463:
1458:
1453:
1448:
1443:
1441:Amykos Painter
1438:
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1428:
1422:
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1396:Little Masters
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1386:Chiusi Painter
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1299:Tydeus Painter
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1294:Tityos Painter
1291:
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1264:Sappho Painter
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1236:
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1209:Pholoe Painter
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1204:Perizoma Group
1201:
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1186:
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1169:Nessos Painter
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1144:Mastos Painter
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1139:Madrid Painter
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1089:Haimon Painter
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1084:Gorgon Painter
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1079:Goltyr Painter
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1036:
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1016:
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986:
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979:Beldam Painter
976:
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969:Athena Painter
966:
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949:Amasis Painter
946:
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1511:Dinos Painter
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1437:
1434:
1432:
1429:
1427:
1424:
1423:
1421:
1419:
1415:
1405:
1402:
1401:
1399:
1397:
1393:
1387:
1384:
1382:
1379:
1378:
1376:
1374:
1373:Leagros Group
1370:
1364:
1361:
1360:
1358:
1356:
1352:
1346:
1343:
1342:
1340:
1338:
1334:
1328:
1325:
1323:
1320:
1319:
1317:
1315:
1311:
1305:
1302:
1300:
1297:
1295:
1292:
1290:
1287:
1285:
1282:
1280:
1277:
1275:
1274:Swing Painter
1272:
1270:
1267:
1265:
1262:
1260:
1257:
1255:
1254:Rider Painter
1252:
1250:
1249:Ptoon Painter
1247:
1245:
1242:
1240:
1237:
1235:
1234:Priam Painter
1232:
1230:
1227:
1225:
1224:Polos Painter
1222:
1220:
1217:
1215:
1212:
1210:
1207:
1205:
1202:
1200:
1197:
1195:
1192:
1190:
1187:
1185:
1182:
1180:
1177:
1175:
1172:
1170:
1167:
1165:
1162:
1160:
1157:
1155:
1152:
1150:
1147:
1145:
1142:
1140:
1137:
1135:
1132:
1130:
1127:
1125:
1122:
1120:
1117:
1115:
1112:
1110:
1109:Kabiria Group
1107:
1105:
1102:
1100:
1097:
1095:
1092:
1090:
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1070:
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1045:
1042:
1040:
1037:
1035:
1032:
1030:
1027:
1025:
1022:
1020:
1017:
1015:
1012:
1010:
1007:
1005:
1002:
1000:
997:
995:
992:
990:
987:
985:
982:
980:
977:
975:
972:
970:
967:
965:
962:
960:
957:
955:
952:
950:
947:
945:
942:
940:
937:
936:
934:
932:
928:
922:
919:
917:
914:
912:
909:
907:
904:
903:
901:
899:
898:Orientalizing
895:
889:
886:
885:
883:
881:
877:
873:
866:
861:
859:
854:
852:
847:
846:
843:
836:
832:
829:
823:
817:
814:
810:
807:
804:Cohen, Beth.
803:
800:
796:
793:
789:
786:
782:
781:
773:
766:
763:
758:
751:
748:
743:
736:
733:
728:
721:
718:
713:
706:
703:
698:
691:
688:
683:
676:
673:
668:
661:
658:
653:
646:
643:
638:
634:
627:
625:
621:
616:
612:
606:
603:
598:
591:
589:
585:
580:
573:
570:
566:
560:
557:
550:
546:
543:
542:
538:
532:
529:
527:
521:
517:
514:
511:
506:
504:
501:
497:
494:
493:
490:
488:
484:
481:
478:
473:
471:
468:
464:
461:
460:
457:
454:
451:
447:
444:
441:
436:
433:
429:
427:
424:
423:
420:
419:
413:
410:
405:
402:
400:Belly Amphora
399:
394:
391:
387:
384:
380:
378:
375:
374:
371:
370:
364:
361:
358:
354:
350:
346:
343:
341:Belly Amphora
340:
337:
335:
333:
330:
329:
326:
325:
319:
316:
314:
309:
305:
303:
300:
298:
295:
291:
288:
284:
281:
280:
277:
273:
270:
267:
265:
260:
256:
253:
250:
248:Belly Amphora
247:
244:
242:
240:
237:
236:
233:
232:
226:
223:
222:Museum Record
218:
213:
208:
203:
198:
193:
189:
183:
181:
179:
175:
171:
167:
162:
160:
156:
147:
145:
143:
139:
131:
129:
127:
118:
114:
110:
106:
101:
94:
92:
90:
86:
82:
78:
73:
69:
62:
58:
54:
51:
48:
44:
40:
36:
32:
19:
1656:Reed Painter
1561:Jena Painter
1461:Aristophanes
1445:
1314:Comast Group
1229:Pontic Group
1124:Lion Painter
1074:Gela Painter
1054:Duel Painter
1004:Burgon Group
931:Black-figure
834:
827:
812:
805:
798:
791:
784:
771:
765:
756:
750:
741:
735:
726:
720:
711:
705:
696:
690:
681:
675:
666:
660:
651:
645:
636:
632:
614:
605:
596:
578:
572:
564:
559:
415:
366:
321:
275:
228:
221:
216:
211:
206:
201:
196:
191:
177:
173:
163:
151:
135:
122:
89:black-figure
67:
66:
1792:Pan Painter
1566:Kerch style
1456:Apollodoros
999:BMN Painter
308:Nemean Lion
217:Description
1811:Categories
1784:Mannerists
1759:Euthymides
1754:Euphronios
1646:Polygnotos
1418:Red-figure
1327:KY Painter
1322:KX Painter
1064:Elbows Out
744:: 313–314.
551:References
515:525–520 BC
482:530–520 BC
445:530–520 BC
403:520–510 BC
202:Dimensions
166:Beth Cohen
115:, Munich,
85:red-figure
50:red-figure
1749:Epiktetos
1616:Pamphaios
1154:N Painter
1009:C Painter
880:Geometric
526:Citharode
344:c. 520 BC
264:Wrestlers
251:c. 525 BC
117:inv. 2301
105:bilingual
95:Biography
81:bilingual
77:Andokides
68:Andokides
1769:Phintias
1731:YZ Group
1606:Onesimos
1551:Hermonax
1269:Sophilos
1164:Nearchos
1119:Kleitias
944:Affecter
539:See also
522:battle;
487:Kerberos
367:Munich,
349:Achilles
322:London,
313:Dionysos
257:and the
255:Herakles
229:Berlin,
91:scenes.
72:Athenian
35:Hoplites
1774:Smikros
1676:Skythes
1345:Exekias
1337:Group E
959:Anakles
531:Perseus
520:Hoplite
512:Amphora
479:Amphora
456:Perseus
450:Amazons
442:Amphora
416:Paris,
301:Amphora
269:Perseus
126:Exekias
53:amphora
1581:Makron
1521:Douris
1466:Asteas
639:: 210.
418:Louvre
360:Record
238:F 2159
197:Images
142:Delphi
61:Louvre
43:Hermes
39:Athena
1764:Oltos
1431:Aison
1244:Psiax
1129:Lydos
462:F 204
425:F 203
331:B 193
184:Works
178:kline
109:Vulci
57:Vulci
47:Attic
37:with
377:2301
353:Ajax
351:and
212:Date
207:Type
192:Name
168:and
87:and
41:and
826:In
524:B:
518:A:
448:A:
347:A:
311:B:
282:---
140:at
1813::
637:25
635:.
623:^
613:.
587:^
495:G1
111:.
59:.
864:e
857:t
850:v
824:.
617:.
261:;
119:.
20:)
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