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dashed down to the rocks below. Mairi sees Alpine watching over the still form of her lover and seeks help, whereupon Bates recovers. The other smugglers are smoked out of the cave. At the end Mairi reconciles Alpine with Bates, and everyone lives happily ever after. The scene where the two men are fighting on a cliff top, before Bates is exchanged for a dummy and thrown over the edge, is a nice example of early special effects, and the film stands in comparison with most of the professionally made films at that time. It was a considerable achievement for a photographer and cast without any film experience. As a portrait photographer, it would have seemed logical for
Paterson to feature a substantial amount of facial close-ups in the film, a trait of the silent movies where close-ups were used to display emotion, but there are none in the film at all. Leading man Tom Snowie, a cabinet maker also heavily involved in the local dramatic scene, eventually went on to play Rob Roy for many years. Tall, of fine physique and commanding presence, Snowie made an imposing Rob Roy in his Highland garb. He was later a manager of the old Central Hall Picture House but never mentioned his participation in the film during his lifetime.
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Glasgow, to secure a portrait by his always individual hand." One particular technique
Paterson used to great effect was virtually new at the time - the soft focus lens, coupled with subtle lighting effects. The soft focus effect is used in glamour photography because the effect eliminates blemishes and, in general, produces a dream-like image. Many think of these lenses as merely a way to 'erase wrinkles,' and although very flattering for portraiture, during the late 19th and early 20th centuries, soft focus lenses were popular for a number of subjects. A group that called themselves 'Pictorialists' used them on a wide range of subject matter. They were contemporaries of the Impressionist movement, and the soft focus lenses created a similar feeling in photographs. Paterson married Jean MacKenzie MacLennan in the Station Hotel, Inverness, in March 1901 and they had three children, a daughter Constance and twin boys Hector and Hamish. Paterson outlived his wife by six months and died on the afternoon of 15 December 1948, aged 72 years, at his home Tigh-an-Uillt in Culduthel Road, Inverness. The studio business was carried on by his son Hector G.N. Paterson until his own retirement in 1980.
482:, once again featuring Tom Snowie, Donald Dallas and Paterson, with Carrie Cruickshank as Diana Vernon. One reviewer wrote "Inverness has seen many fine performances of this production, but we doubt if there has been such a satisfying one, or if it has been presented so completely as it was last night...Mr Tom Snowie, who is thoroughly familiar with the part of Rob Roy, gave a strong and forcible impersonation of that character, and Mr Donald Dallas as Dougal always delighted the audience with his pungent manner of expression and fearless and defiant gestures...Much credit is due to the producer, Mr Andrew Paterson, and the stage manager, Mr Tom Snowie, for the success of the performance."
395:, playing Diana Vernon. In 1920 she married a Canadian barrister, Winfred Withrow and emigrated to Nova Scotia. She is remembered there as a vital, enthusiastic woman, with a passion for all things Scottish, and described as "the spirit and life of the Celtic Society," encouraging people to learn Scottish dances and songs. She also stayed involved with local amateur dramatics. Paterson later made two short documentary films of Scottish scenery on behalf of the old Highland Railway Company, taken from the footplate of one of their railway engines. Unfortunately, he made no further films because he was not that impressed by the new moving picture technique.
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photographic business at 32 Church Street. Between 1900 and 1902 he was located at 3 New Market Entry, and in 1903 the studio moved to 15 Academy Street (later numbered as 19 Academy Street in 1905), where it would remain until 1980. Paterson had a fine conception of the art of photography, keeping himself up to date with its scientific progress; the specimens he produced won much praise at exhibitions not only in the
Highlands and the south but also abroad, where he was awarded many distinctions. He built up a fine collection of photographic studies of people distinguished in literature, politics, theatre, science and industry.
368:, his silent, black and white film, runs just over 17 minutes and is the dramatised account of Mairi, a young girl in love with a Revenue Officer, who is caught up in a fight to catch smugglers. It is one of the few purely indigenous fiction films of the time and while presenting well the beaches and cliffs of North Kessock, the romance and smuggling story is inconsequential. In 1953 the film was re-edited by James Nairn, who added a written introduction, intertitles and credits. This is the version that has since been preserved, and it was shown again in June 1983 and November 2012 at the
424:, who had fought with the 4th (Dundee) Battalion, The Black Watch Regiment during the war, to paint two war pictures, one of the 4th Seaforths and the other of the 6th Camerons at the Battle of Loos. In 1954 his daughter gifted the paintings on permanent loan to the Cameron Highlanders for the Depot at Inverness. They can now both be seen on display at The Highlanders' Museum in Fort George. At the beginning of the Second World War, Paterson was instrumental in the re-formation of the Camerons' Comforts Fund.
233:, MP, were on display in the pictorial section at the Foundation Exhibition of the Scottish National Gallery and Museum of Photography in Edinburgh, where Paterson was congratulated on the excellence of his work. He built up a remarkably fine collection of photographic studies of people distinguished in all walks of life, and when the first Scottish PEN Conference was held in Edinburgh in 1927, it featured his gallery of famous literary personages, including
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Photographic
Society London, Paris 1902, Paris 1903, Brussels, Glasgow, Dundee, Bolton, Croydon, Southampton, Southsea, Frome, Hove, Wigan (two awards), Newbury, Nottingham, Scottish National Edinburgh 1908, Scottish National Glasgow 1911, Edinburgh Photographic Society 1920. The award from the Edinburgh Photographic Society was for the portrait of James Barron, proprietor of
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In the late 1990s the archive resurfaced but it was broken up in 2001, with many scenic and military images being dispersed to other collections. The remaining bulk of the archive, consisting mostly of the portrait legacy of Andrew
Paterson, was once again saved from destruction by Adrian Harvey and
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in June 1983, his son Hector G.N. Paterson said: "The story of Mairi was written by my father and my mother in 1912 and filmed on the rocks and shore of North
Kessock, on the Moray Firth. My father bought a cine camera from Gaumont Graphic, and after a short period he decided he was wasting his time
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where the family stayed each summer, so locations were chosen close by in order to facilitate transport of the camera, equipment and cast. Locations include the shoreline east of the present
Kessock Bridge at Kilmuir, below Croft Downie (ex-Craigton Cottage), and possibly an exterior scene filmed at
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Between 1897 and 1980 the Andrew
Paterson Studio accumulated well over 100,000 glass plate and film negatives, but they disappeared from the scene after Hector Paterson, who was initially going to destroy them, sold the archive to the German photographer Andreas von Einsiedel, who required two vans
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Andrew
Paterson was the founder of the Camerons' Comforts Fund during the First World War. It was on his initiative that the fund was set up, and personally undertook the task of packing parcels, night after night until the early hours of the morning, for the men serving in the different Battalions
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The story involves
Highland whisky smuggler Lovat MacDonald, whose daughter Mairi is in love with Revenue Officer Bates. Alpine, one of the smugglers, is also in love with Mairi and swears revenge. The Revenue Officers follow the smugglers to their cave hideout, and a fight ensues in which Bates is
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was a silent black and white film, which ran just over 17 minutes. It was first shown to the public in the Central Hall Picture House, Academy Street, Inverness, on 29 June 1913. Andrew Paterson was the founder of the Camerons' Comforts Fund during the First World War. It was on his initiative that
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After the war he continued to take an interest in the welfare of the men who had served with the Camerons and was one of two trustees charged with the administration of the residue of the Fund. Because of his input, many deserving old Camerons whose claims were outside the scope of Regimental and
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for many years in several Andrew Paterson-produced versions of the play, and the cast usually included several notable local characters. Alexander Dallas's performance as Baillie Nicol Jarvie was often acknowledged as a highlight, as was that of Donald Dallas (also a Mairi participant) as Dougal
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noted that "his portraits...have been regarded as setting new standards of excellence in the expression of character. He was one of those who helped to elevate portrait photography into an art form equalling that of an oil painting." His highest honours for portraiture included The Salon, Royal
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in order to collaborate with their own regular staff and "provide that inspirational note that keeps the newspaper picture pages continually fresh and interesting." It also offered "to make arrangements with prominent citizens who would like to take advantage of Mr Andrew Paterson's presence in
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Believed to be one of the earliest narrative films made in Scotland, and almost certainly the first to be made in the Highlands, Andrew Paterson used the natural setting of the coast at North Kessock to make a silent movie involving smugglers, which premiered in the Central Hall Picture House,
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Andrew Paterson became an internationally famous, multi-award-winning portrait photographer, whose services were sought over several decades by many leading political and commercial figures of the day. But like any business, it was 'bread-and-butter' work which kept the studio busy, including
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The performances, which raised money for various charities, were often held in the Central Hall Picture House, and many of the performers gathered in the Paterson studio to pose for publicity and promotional pictures. It was from this group of friends that he was able to cast his 1912 film,
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when Andrew was two years old. Paterson learned the art of taking photographs locally but gained further experience in Edinburgh before returning to Inverness, becoming apprenticed to photographers Emery & MacGillivray of Bridge Street. In 1897, at age 20, Andrew Paterson opened his own
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Stage productions by the Inverness Amateur Dramatic Society were a highlight of the cultural calendar in Inverness in the 1920s and 1930s, and Andrew Paterson interested himself in these locally produced theatricals, even ably playing the part of Captain Thornton in stage versions of
172:, which was the Official Organ of the Scottish Photographic Federation, utilised the talent of Andrew Paterson. Writing that his "name is known wherever the camera is regarded as a serious medium of expression in portraiture," Paterson was brought to the photographic studios of the
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Academy Street, Inverness, on 29 June 1913. In 1912 one of the Gaumont area salesmen selling photographic equipment persuaded Paterson to buy a cine camera. Paterson was much involved with amateur theatricals in Inverness at the time and decided to experiment with the new medium.
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at the Scottish National Salon was specially commended by the critics. A gelatine silver print of the portrait (signed and dated by Mackenzie in 1931), was bought by the National Portrait Gallery in London from Bonhams in March 2011 for £600. In January 1931 his portraits of
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in London, and details of his entries can be found in the catalogue records of the annual exhibitions of the Society (1870-1915). By 1912, Paterson was also experimenting with moving film, producing one of the earliest cinematic films in Scotland.
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in Inverness. It is possible this existing print is much shorter than the original. Paterson's synopsis has several scenes before the current print begins. Whether they were ever filmed or not, or have been lost or destroyed is unknown.
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to preserve the images, with the added intention of uploading them online for use by genealogists and family history researchers. Negatives, prints and other related ephemera were returned to the collection and made available online.
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was produced at the Theatre Royal Inverness in 1915, by a company of over 50 performers. He also acted in the production as Captain Thornton and was eventually responsible for several productions of this play over the years.
124:(29 September 1877 – 15 December 1948) was an internationally renowned and multi-award-winning Scottish portrait photographer whose services were sought over several decades by many leading political and commercial figures.
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going out and doing cine work, and he asked the Gaumont Graphic people to take the camera back, which they did with regret, but my father insisted that portrait photography for him was much more important."
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leading lady Evelyn Duguid as Diana Vernon (with her sister Jean as Helen MacGregor). It was presented at the Theatre Royal Inverness by a company of over 50 performers under the management of Paterson.
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the fund was set up, and personally undertook the task of packing parcels, night after night until the early hours of the morning, for the men serving in the different Battalions of
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to take them away. "The irony is that the only important Andrew Paterson work left in Scotland is that film which he made in 1912," wrote reporter Joe Mulholland in the
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Paterson won in total 23 awards and diplomas, both national and international, for his work and gave many exhibitions both at home and abroad. In 1935 the Glasgow
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Marriage Notice, The Inverness Courier, 12 March 1901. Birth Notice, The Inverness Courier, 28 March 1902. Birth Notice, The Inverness Courier, 12 August 1904.
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who had died the previous year. Paterson was the only Scottish photographer to gain such a distinction in the annual EPS open exhibition of 1920.
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416:. He also organised the Camerons' Fair, a remarkable effort which, with only six weeks' preparation, raised over £4,000 for the Fund.
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136:, Inverness on 29 September 1877. His father, James Paterson, was a ship's captain in the merchant marine who drowned in the
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British Legion funds were assisted in times of financial adversity. In 1918 Paterson commissioned his friend, the artist
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During the spring the storyline was written by Paterson and his wife Jenny. Paterson owned a holiday cottage in
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commissions for portraits of local family groups, weddings, babies, local businessmen, clergy and stage actors.
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From Limelight to Satellite: A Scottish Film Book, (Scottish Film Council 1990) edited by Eddie Dick pp. 34-35.
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Evelyn Duguid, who played the title role of Mairi in the film, also featured in the 1915 stage production of
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776:"Mud Creek: the History of the Town of Wolfville," (Wolfville Historical Society 1985), pp. 180, 184, 202.
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626:"Photographic Portraits – Famous Cameraman for Daily Record," Glasgow Evening News, Thursday 9 May 1935.
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Written, produced, directed and filmed by Andrew Paterson, the cast included local amateur thespians
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683:"The End of An Era – Andrew Paterson Studio Closes," Highland News, Thursday 24 April 1980.
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as Bates, Dan Munro, Jack Maguire, Dan Dallas, Alex Paterson, Hector McIver and Luis Lyon.
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726:"Andrew Paterson Website Launched," The North Magazine, Summer 2013, pp. 24-25.
747:"Inverness Silent Movie Landmark," The North Magazine, Spring 2013, pp. 48-49.
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and many others with worldwide reputations. Others that sat for him include
717:"Photographic Exhibition," The Inverness Courier, Tuesday 27 January 1931.
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Online searchable photographic archive of Andrew Paterson's life's work,
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Fergus Weir and put into deep storage until 2008, when they founded the
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766:"Mairi Makes Screen History," Glasgow Herald, 25 June 1983.
735:"Local Success," Highland Times, Thursday 26 February 1920.
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Exhibitions of the Royal Photographic Society 1870-1915,
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Some of his most famous sitters included Prime Ministers
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Catalog of Copyright Entries: Works of art .... Part 4
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Cratur. "A perpetual source of amusement," reported
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614:Obituary, The Inverness Courier, 17 December 1948.
828:"The Glasgow Herald - Google News Archive Search"
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873:http://www.scottishhighlanderphotoarchive.co.uk
853:http://www.scottishhighlanderphotoarchive.co.uk
694:"Compton Mackenzie - National Portrait Gallery"
816:. Library of Congress, Copyright Office. 1920.
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132:Andrew Paterson was born at 18 Shoe Lane in
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450:The film's leading man, Tom Snowie played
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588:"Mairi: The Romance of a Highland Maiden"
525:The Andrew Paterson Collection website,
446:Mairi: The Romance of a Highland Maiden.
548:"1899-1912 - Inverness Burgh Directory"
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366:Mairi: The Romance of a Highland Maiden
152:Mairi: The Romance of a Highland Maiden
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466:The 1915 production had also featured
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414:The Queen's Own Cameron Highlanders
158:The Queen's Own Cameron Highlanders
144:He was a frequent exhibitor at the
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503:Scottish Highlander Photo Archive
486:Scottish Highlander Photo Archive
16:Scottish photographer (1877–1948)
642:"Paterson's Inverness Portraits"
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592:National Library of Scotland
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459:of the 1922 performance of
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285:(premier of Queensland),
215:Sir William Russell Flint
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267:John Murray (theologian)
227:William Mackay Mackenzie
97:Jean MacKenzie MacLennan
407:Camerons' Comforts Fund
295:Sir David Young Cameron
898:Scottish photographers
573:http://erps.dmu.ac.uk/
209:, the Czech statesman
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903:People from Inverness
457:The Inverness Courier
340:The Inverness Courier
283:William Forgan Smith
431:theatre productions
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259:Sir John Barbirolli
235:George Bernard Shaw
109:.patersoncollection
81:Artist-photographer
72:Inverness, Scotland
53:Inverness, Scotland
370:Eden Court Theatre
287:Cunninghame Graham
247:Winston Churchill
243:Clementine Hozier
222:Compton Mackenzie
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893:1948 deaths
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796:25 February
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422:Joseph Gray
349:silent film
307:Hugh Dalton
211:Jan Masaryk
207:Anna Neagle
203:Noël Coward
138:Moray Firth
882:Categories
837:7 December
510:References
382:Tom Snowie
380:as Mairi,
315:Joe Corrie
251:Lord Lovat
78:Occupation
65:1948-12-15
46:1877-09-29
651:2 January
497:in 1983.
89:1897–1948
134:Merkinch
480:Rob Roy
461:Rob Roy
452:Rob Roy
438:Rob Roy
429:Rob Roy
393:Rob Roy
162:Rob Roy
102:Website
329:Awards
321:, and
94:Spouse
468:Mairi
347:Mairi
181:Works
839:2023
798:2018
705:2018
653:2016
646:Yudu
599:2018
559:2018
205:and
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59:Died
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113:.uk
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