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to sculpture in the public realm led to his appointment as lead artist in a series of large scale projects in both urban and rural contexts. Working as lead artist at the
Horsebridge Development in Whitstable from 2001 to 2003, during which time he made 'History Wall'. A steel mesh housing filled with carefully layered and tightly packed materials selected from the demolition of the town centre.
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Simultaneous to his work in the public realm Sabin continued a rigorous studio practice; "deep and enduring interest in the fundamentals of how it can be used, pieced together and negotiated. This interest is employed to make work which is formally, intellectually and often physically challenging."
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as part of the 'Century of the Body' Exhibition and subsequently to
Culturgest, Lisbon. The installation was composed of thousands of chains hung from the ceiling to the floor to make numerous interlinked enclosures or cells, their floating walls anodized with figurative images and abstract shapes
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At the end of 1997 Sabin turned his attentions away from gallery based exhibitions towards the public realm. Between 1997 and 2000 Sabin devised the 'C-bin' project collaborating with fellow sculptor Stefan
Shankland to realise it around the coastline of Europe. The success of this as an approach
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in East London (1990). The works were constructed from hard masses of expanded polyeurathane, fibreglass and steel covered with camouflage nylon and studded with lustre-glazed ceramic buttons. On the walls hung ten large steel framed grids of black and white glazed tiles. The installation later
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Between 2002 and 2005 Sabin was lead artist on the River Wandle Cycle Route realizing amongst other works 'Square Bridge' and 'Round Bridge' at
Ravensbury Park. In 2005 he was commissioned by Bracknell Forest Council to make The Calibrated Ramp and as a result was appointed lead artist for ‘Art
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and Georg Herold. 'The Open Sea' was a vast structure with a layered interior and penetrated by patterns and sculptural forms. "Considered as a structure, comparison can be made with the architecture at the edge of the sea such as boardwalks and the traditional
English Pier, and also with the
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2002–5 Lead Artist, River Wandle Cycle Route, London. Works include 'The Square and Round
Bridges' and the 'Viewing Platform' at the confluence of the Wandle and Graveney. Supported by RSA Art for Architecture Award SEEDA, Arts Council England, Bridgehouse
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In 1997 Sabin made the final part of his trilogy of installation, 'The Open Sea', was commissioned by the Henry Moore
Sculpture Studio in Halifax as part of a programme of sculpture residencies that included over a 10-year period projects by
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and the Henry Moore Trust. First exhibited at BAC it went on to form part of the inaugural exhibition of
European sculpture at The Henry Moore Institute, 'Cell, Cella, Celda' in 1993 alongside Vittorio Messina,
445:'Coldstones Cut' situated at Coldstones Quarry on Greenhow Hill is one of the highest quarries in England. Construction commenced on site in March 2010 and the sculpture was officially opened by Dr.
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Jes Fernie. He was included in 'Other
Criteria' (2004) at Henry Moore Institute taking stock of one hundred years of British sculpture' and in 'Over Under' (2007) at Canary Wharf with
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2000 The 'C-bin' project, Picardie, France
Supported by Conseil Regionale de Picardie, DRAC de Picardie, Aceil Ecole Superieur d'Arta Design d'Amien, British Council
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2001–3 Lead Artist, Horsebridge Development, Whitstable. Supported by Arts & Business, Arts Council South East, Arts Council England Personal Development Award
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changes Bracknell’ in 2006. Later in 2006 he was commission by Hanson Heidelberg to make 'The Coldstones Cut', which was completed in 2010 and won Sabin the
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as "the giant of the Dales and the best public artwork of the year". In 2011 he was commissioned by the Royal Borough of Kensington and Chelsea to replace
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1995 'British Sculpture Kunstbunker', Munich with two other artists. Supported by the British Council. British Abstract Sculpture, Flowers East, London
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1994 'Material Evidence', Cubitt St Gallery, London and Norwich Art Gallery, Norwich. Supported by the Henry Moore Trust
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1992 The Sea of Sun, BAC Gallery, London. Supported by the Association of Business Sponsorship for the Arts, Henry Moore Trust
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and Alison Wilding. Exhibiting twice (1989 and 1990) with solo shows at Salama-Caro Gallery, Cork Street.
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459:'Two Piece Reclining Figure no.1' on the site of the former Chelsea School of Art in Manresa Rd, Chelsea.
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2007 ‘Over Under’, Jubilee Park, Canary Wharf, with Phyllida Barlow, Franz West and Keith Wilson
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1989 'New British Sculpture', Harry Zellweger, Basel. Supported by the British Council
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1999 'The C-bin', Middelkerke Monumental, Belgium. Supported by the British Council
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A pioneering experimental object maker until 1989, his debut exhibition was with his partner,
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2006–10 ‘The Coldstones Cut’, Coldstones Quarry, Yorkshire. An installation for Hanson PLC
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1997 'British Sculpture', La Nuova Pesa Gallery, Rome. Supported by the British Council
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Public Works, Andrew Sabin & Stefan Shankland, The University of the Art, CCC, 2006
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2004 Other Criteria: Sculpture in 20th Century Britain, Henry Moore Institute
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2003–6 'The Calibrated Ramp' for Kings Oak Developers and Bracknell Forest B.C.
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1999 The Sea of Sun, Culturgest, Lisbon. Supported by the British Council
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1997 The Open Sea, The Henry Moore Sculpture Studio, Dean Clough, Halifax
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Wilson, Andrew, Andrew Sabin: The Sea of Sun, Forum International, January issue
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809:"CELL, CELLA, CELDA", Exhib. Cat. Henry Moore Institute UnTelevision Issue 1.1I
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2012 ‘Painting and Sculpture’ – Henry Moore Court, Manresa Rd, London
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Art & Design Profile, Installation Art No.30 – Text by Andrew Sabin
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Macritchie, Lynn, "Classical in question", Financial Times, 14 December
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2000 'The Bottle Tower', Ecos Centre, Ballymena, Northern Ireland
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and Casting an Eye, Cornerhouse Gallery Manchester (1987) alongside
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Wilson, Andrew, London Winter Round-up, Art Monthly, February issue
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Andrew Sabin, An Installation of New Works, Chisenhale Gallery 1990
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Sculpture in the 20th century Britain, Henry Moore Institute, 2003
340:(born 1958, London, England) is a British sculptor. He studied at
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Sabin lives and works in Camden alongside his wife, the sculptor
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for 2011. Located in the Yorkshire Dales above Pateley Bridge.
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449:, director of Tate Britain on 16 September 2010. Described by
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Hall, James, "Unchained Reactions", The Independent, 5 January
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from the article and its talk page, especially if potentially
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The Open Sea, Andrew Sabin, Henry Moore Sculpture Trust 1997
344:(1979–1983) where he worked as a senior lecturer until 2006.
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formed an important element in New Light on Sculpture 1991,
865:"The giant of the Dales is best public artwork of the year"
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Hall, James, Pick of the Year, Arts Review, January issue
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fantastic structures of the fairground". Robert Hopper
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Hall, James, British Art Now, ARTNews, September issue
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Lambirth, Andrew, Contemporary Visual Arts, June issue
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and Edward Allington. The installation toured to the
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Hatton, Brian, "Hybrid Architectures and Microscapes"
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Andrew Sabin Sculpture 1986–1989 Salma – Caro Gallery
333:'Open Sea', Andrew Sabin, Henry Moore Institute, 1997
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Sabin produced his first major installation for the
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Hopper, Robert, Art and Architecture, October issue
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1987 'Casting an Eye', The Cornerhouse, Manchester
692:Holman, Martin, "Sculpture along the Wandle Trail"
660:Cell: Cella: Celda, The Henry Moore Institute 1994
502:2005 Lead artist, ‘Art changes Bracknell’
839:"Marsh Award for Excellence in Public Sculpture"
726:Mullins, Charlotte, Blueprint, July/August issue
686:Fernie, Jes, "Sculpture in 20th Century Britain"
635:Cass Sculpture Foundation, Sculpture at Goodwood
545:, Switzerland. Supported by the British Council
515:2001 'Spring Vale' commission, Bilston
440:Marsh Award for Excellence in Public Sculpture
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757:Hilton, Tim, Independent on Sunday, 13 August
558:, London. Supported by the Henry Moore Trust
387:'The Sea of Sun' was commissioned in 1992 by
317:, London (supported by the Henry Moore Trust)
8:
512:2001 Abbey Road commission, Barrow
53:Learn how and when to remove these messages
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669:Second Sight, Henry Moore Foundation, 2000
144:about living persons that is unsourced or
771:Dorment, Richard, Daily Telegraph, 18 May
740:Flubacher, Christophe, L'Hebdo – Lausanne
295:Learn how and when to remove this message
277:Learn how and when to remove this message
215:Learn how and when to remove this message
325:'The Coldstones Cut', Andrew Sabin, 2010
240:This article includes a list of general
90:of all important aspects of the article.
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657:Sea of Sun, Battersea Arts Centre, 1992
788:McCrone, John, "The Mapping of Memory"
720:Hall, James, Artforum, September issue
606:1987 'Whitechapel Open',
554:1990 Andrew Sabin at the
86:Please consider expanding the lead to
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380:Liverpool alongside artists such as
689:Kingston, Angela, "The Horsebridge"
743:Jost Martin-Imbach, Der Bund, Bern
561:1989 Salama-Caro Gallery, London
551:1990 Salama-Caro Gallery, London
246:it lacks sufficient corresponding
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1131:20th-century British male artists
1121:Alumni of Chelsea College of Arts
34:This article has multiple issues.
593:1991 'New Light on Sculpture',
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774:Hall, James, Guardian, 8 August
78:may be too short to adequately
42:or discuss these issues on the
1116:21st-century British sculptors
1106:20th-century British sculptors
537:1995 The Sea of Sun,
88:provide an accessible overview
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638:Various private collections.
586:1993 'Cell, Cella, Celda',
474:, and their three children.
122:biography of a living person
16:British sculptor (born 1958)
149:must be removed immediately
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566:Selected group exhibitions
526:Selected solo exhibitions
812:Audio Arts, Volume No. 3
841:. Marsh Christian Trust
261:more precise citations.
1111:British male sculptors
913:Publicartonline.org.uk
898:Grizedalesculpture.org
631:Leeds City Art Gallery
342:Chelsea College of Art
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136:Please help by adding
964:New British Sculpture
863:(22 September 2011).
626:Henry Moore Institute
588:Henry Moore Institute
389:Battersea Arts Centre
332:
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313:Andrew Sabin at the
142:Contentious material
908:Stefanshankland.com
893:Thecoldstonecut.org
608:Whitechapel Gallery
358:Whitechapel Gallery
1059:Art & Language
1013:Shirazeh Houshiary
861:Wainwright, Martin
597:Gallery, Liverpool
556:Chisenhale Gallery
384:and Ron Haseldon.
373:Chisenhale Gallery
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315:Chisenhale Gallery
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872:. Retrieved
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621:Arts Council
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452:The Guardian
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131:verification
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75:lead section
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36:Please help
33:
1126:1958 births
1023:Julian Opie
983:Stephen Cox
615:Collections
483:2012–14
457:Henry Moore
362:Julian Opie
259:introducing
1095:Categories
1052:Influences
988:Tony Cragg
825:References
643:Catalogues
472:Laura Ford
382:Tony Cragg
354:Laura Ford
242:references
175:newspapers
39:improve it
1073:Galleries
1028:Boyd Webb
918:Vimeo.com
127:citations
80:summarize
45:talk page
610:, London
543:Lausanne
402:Lausanne
153:libelous
971:Artists
874:2 March
845:2 April
590:, Leeds
255:improve
189:scholar
244:, but
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506:Trust
196:JSTOR
182:books
120:This
876:2013
847:2019
781:1993
764:1994
750:1995
733:1996
713:1997
699:1998
679:2003
595:Tate
378:Tate
168:news
129:for
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