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125:, first appeared in 1826, and was published, presumably monthly, for the next 12 years; 144 issues survive. He also published many individual pieces. The Stellovsky-Gutheil editions alone contain 75 numbers, of which most consist of several compositions. In all Sychra published more than 1,000 pieces for the seven-string guitar, and left many in manuscript, including complete arrangements for two guitars of
227:(1999a). "The Golden Age of the Russian Guitar: Repertoire, Performance Practice, and Social Function of the Russian Seven-String Guitar Music, 1800–1850 (Ph.D. Dissertation, Department of Music, Duke University)" (Document). Ann Arbor, MI: UMI Dissertation Services (UMI Number: 9928880). pp. xviii, 584.
80:, and also as its inventor, disputed though that may be. He was a major force in the development of Russian guitar music and one of its most prolific composers, as well as an important teacher who trained a number of students.
175:, but are also musically innovative. Much of Sychra's guitar music, especially the teaching pieces and studies, reproduces harp sonorities on the guitar, perhaps as a result of his early career as a harpist. His
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as a mediocre composer. Among these compositions, however, are many that require the highest level of virtuoso technique, and which not only employ techniques not known in the
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Sychra wrote a large number of pieces for amateurs, including studies, folk song settings, operatic transcriptions and arrangements of
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Interest in Sychra's composition and guitar technique has received renewed attention following the revival of his work by Dr.
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as containing 50 pieces in each of its six issues. A further journal appeared in 1824. The most important of his journals,
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of that year, he moved to St
Petersburg, where he remained for the rest of his life. In 1802 Sychra published the
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early in 1801, and became the dominant figure in the field, gaining a huge following. In 1812, perhaps because of
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ancestry. Sychra holds a prominent position within Russia, where he is often referred to as the patriarch of the
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in St
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317:(Theoretical and practical school for the seven-stringed guitar)
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255:Полное собрание сочинений для семиструнной гитары
111:in Moscow, and in 1813 published a new journal,
257:. Кривой Рог: «Издательский дом». p. 828.
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301:International Music Score Library Project
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243:The Golden Age of Russian Guitar, Vol. 2
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181:Praktičeskie pravila igrat' na gitare
109:Journal pour la guitare à sept cordes
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234:The Golden Age of the Russian Guitar
194:) and subsequent recordings (e.g., (
245:(CD). Dorian Recordings. DOR-93203.
236:(CD). Dorian Recordings. DOR-93170.
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253:(2006). Украинец, В. П. (ed.).
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297:Free scores by Andrei Sychra
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241:Oleg Timofeyev (2000).
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281:(also in
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