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293:, as well as Celtic folk from the Chieftains and traditional music from eastern Europe, Africa and India. He subsequently attended the California Institute of the Arts to study African and Indian music full-time. After a year spent hitchhiking in 1982 he returned to California to undergo a luthier apprenticeship, enabling him to work as a journeyman instrument repairer. He also began to build his own instruments, one of which, a mbira, was later employed by
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270:, given a special merit award. While at the university he formed his own group, Zulife, and backed regular CBGB’s headliners Being Don And Nothingness. He has analogised the purpose of his songs as similar to that of ‘minstrels in medieval Europe, or the griots of West Africa’.
254:. Rinehart started his studies of the guitar at an early age, and at the age of 10 he was recruited by a substitute teacher at his elementary school to sing backing vocals for two pieces performed by
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Rinehart got a strong interest in a variety of cultures from growing up in a home filled with diverse musical sounds ranging from classical to pop music. His first album,
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on a television show. Afterwards, he learned the piano, and played in several rock bands during high school. He subsequently studied music and theatre at
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where he researched the relationship between rhythm, culture and perception. He graduated in 1992 with his thesis,
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Andy
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from the article and its talk page, especially if potentially
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