516:. Coming after two tracks whose protagonists experienced solitude as being imposed on them by external circumstances, Fossati meant this song to be a hymn to solitude as a choice that can save one's soul from the worst human failings, solitude as a counterbalance to living in the world, a solitude that gives space for better understanding, learning and reflection about the world, a solitude that counters the tendencies towards violence that result from people banding together and identifying as a group, both at the local/social level and at the level of political states. De André's and Fossati's vocals complement each other throughout the track, finishing and continuing each other's vocal lines; although they never met each other during the recording of the album, they did perform the song as a duet during the subsequent live tour.
567:, focusing on the hardships of their work. Its title derives from a phenomenon, often happening on the Ligurian coast, where anchovies, pursued by bluefish, run by the thousands toward the surface, and, in doing so, defend themselves by gathering up into a glittering ball. The lyrics to the song are about another kind of solitude, due in this case to poverty. The hard-working fisherman is in competition with a tuna for the anchovies he fishes for, and faces an uncertain market demand onshore for his catch even then. He can only dream of catching a golden fish that would improve his circumstances and allow him to marry. Musically, the song is a moderately-paced
632:, but musically stronger than the usual examples of the genre. Its subject matter is, yet again, sailors - here described as a race of their own, proudly standing above a generalized, faceless "majority" and obstinately going their own way, against the tide of the mainstream culture; De André would include in this special "mix" all marginalized people - the poor, social outcasts, rebels of many stripes and, indeed, sailors. The song is inspired by and partly based on poems within short stories by
259:
625:"Ho visto Nina volare" is a sensitive, sweet ballad about a distant past. It is based on the recollections of Giovanna "Nina" Manfieri, a childhood friend of De André's who she first met in 1942, when both of them were two, and with whom she spent her entire childhood. The lyrics, written from a child's point of view, are about the singer's longing to grow up and become independent from his elders, while simultaneously being fearful of the unknown.
586:. De André describes them as having no real animosity between each other and desperately making attempts to reconcile, or maybe just to come to terms with the situation - even if they know that all of their attempts will eventually come to either a bloodshed or to nothing at all because of a century-old grudge, so strong and powerful that no-one is able to dissipate it. This is narrated by De André in a deliberately resigned style over a slow,
246:, working on almost-complete lyrics by De AndrĂ©, to which Fossati added a few lines. He is featured as a guest singer on the title track and on "Ă cĂșmba" (which features De AndrĂ© and Fossati respectively as "the suitor" and "the father"). Fossati also guested in some of De AndrĂ©'s live shows from the era, where he was introduced by the latter as "a great guy with two huge defects: he's a friend of mine, and a
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rhythm, punctuated by acoustic guitars and accordions. It is spatially and temporally set during the
October 8, 1970 flood in Genoa, and its lyrics, freely based on newspaper accounts from the era, are about a man who is trying to organize a clandestine meeting with his mistress (a married woman);
621:
rhyme from the 1800s, and it is entirely sung in
Genoese by De AndrĂ© (as "the father"), Fossati (as "the suitor") and a female choir, representing the townspeople. The lyrics are an excited dialogue between the two males, arguing over the elder man's daughter - the "cĂșmba" of the title, literally
644:
by De André, who condensed several passages from poems by Mutis into a consistent whole; the singer also recorded a
Colombian Spanish demo of the song, which was given to Mutis from De André as a gift and never officially released in full (an excerpt from it is featured in the second DVD in the
640:". (Mutis later became De André's friend.) The lines "for the one who travels in a stubborn and opposite direction, / with his special mark of special desperation" sum up the entire album's poetical stance, as well as much of De AndrÚ's work. The lyrics to the song were originally written in
387:
The album, released after six years of studies, shows marked influences of Latin-American music, as well as
Eastern-European and Mediterranean ones (the latter deriving from the original project, which De André had begun with
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and their daughter Luvi De André on vocals. Percussionist
Giuseppe "Naco" Bonaccorso, who is also prominently featured, was tragically killed in a car accident in June 1996, shortly after completing his parts on the album.
462:, then goes on to narrate a series of mostly true events. However, the last verse of the song features a "happy ending", with Princesa feeling contented about being in a stable relationship with a wealthy lawyer from
338:, were also released on vinyl for the first time). Because of the physical space occupied by the various tracks on the two sides of the record, the tracklist on the vinyl version is different from the CD (as above):
466:, which does not match real life at all: Farias never fully completed her male-to-female transition, and committed suicide in 1999. After the last verse, the coda of the song features a long list of words in
560:, her first producer, were inspired by her moody looks - she dressed almost exclusively in black during her early career - and by the dark-sounding lyrics to her first compositions.
411:, which focused on his earlier work. The tour went on until 13 August 1998, when De André was forced to interrupt it because of his failing health. Two shows in the tour, held at
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fisher ("Le acciughe fanno il pallone"), the man in love ("Dolcenera"). The title itself, though generally translated as "Saved souls", etymologically means "Solitary spirits".
330:, which includes all of De André's studio albums and all of the extant live recordings from his eight concert tours (many of which, although previously issued on CD as part of
653:. The lyrics to the album version are literally translated from the original Spanish lyrics. After De André finishes singing, the song concludes with a 90-second orchestral
450:, is carried forward by De André's fast delivery of witty, pointed lyrics, which are partly based on, and feature a number of excerpts from, Brazilian transsexual model
242:
about De André's life and works, Fossati stated that he and De André composed all the music for the album by actually playing together in the latter's country house in
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295:
All songs written by
Fabrizio De André and Ivano Fossati, except for the original Spanish lyrics to "Smisurata preghiera", written (as "Desmedida plegaria") by
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602:), vaguely sounding like Sardinian but not belonging to that language. A faithful English-language cover of the song was released in 2000 by the American
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carriage which is separated from the rest of the tram because of the flood, and the planned meeting never happens. The lyrics also feature lines sung in
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criminal
Maurizio Jannelli), also titled "Princesa" after a nickname of hers. The song narrates her youth and her failed early attempts at
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in a quasi-operatic style, whose lyrics, a metaphorical expression of a quest for freedom, were written by De André and translated into
392:). Most of the lyrics deal with the theme of solitude and diversity, often considered as a positive, free state of life: the Brazilian
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571:; the musical tag at the end, though, is a wonderful example of the multicultural influences on the album - a middle-Eastern
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Starting from late 1997, De André undertook an extensive tour of Italy to promote both this album and the later collection
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Subtitled "A forza di essere vento" ("By virtue of being wind"), "Khorakhané" is a soft, slow-paced song named after the
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DVD, the singer dedicates the song to
Bacalov, who is in the audience, and publicly thanks him for his vocal coaching.
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featuring a single metal string over an emptied gourd. The singer marks the end of every verse with nonsense words ('
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was the only album in De André's discography not to have a vinyl edition when originally released - it was issued on
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series). He was taught the correct South
American pronunciation by noted Italian-Argentinian film score composer
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According to the liner notes on the CD booklet, De André and
Fossati's vocal parts were recorded separately.
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807:, Luvi De André, Silvia Paggi, Beppe Gemelli, Robson R. Primo (Agata), Roberto Esteråo (Roberta) - Vocals
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and consisting in a concise recapitulation of their history. It features a poetical ending sung by
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The album features De André's full backing band from his live shows at the time, which includes
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including faithful English translation of lyrics, by Dennis Criteser, to all songs by De André.
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All tracks were arranged by Piero Milesi, who also wrote the orchestral arrangements.
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582:"Disamistade", as the title says , deals with a feud between two families in rural
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1260:"Fabizio de Andre e Ivano Fossati - A Cimma (Con testo in italiano e genovese)"
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The whole of "Ă cĂșmba" (music and lyrics) is based on a traditional Genoese
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809:(Note: the last two names in the list belong to Brazilian transsexuals.)
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318:. It was released on vinyl only in 2018, as the third-to-last issue of
552:(a.k.a. Emanuela Trane) chose her stage name after this song; she and
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and a more contemporary-sounding arrangement in comparison to other
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playing over an African-inspired bed of rhythm, along with a Cuban
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translatable as "the dove" and meant as a yet-unmarried girl.
454:'s 1995 autobiography (co-written with journalist and former
512:-oriented tracks on the album, is a thoughtful ballad about
519:"Dolcenera" is a musical counterpart to "à duménega" from
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by Roma poet and writer Giorgio Bezzecchi, a friend of his.
1112:
can also be heard among the other percussion instruments.)
1561:
Fabrizio De André in Concerto - arrangiamenti PFM vol. 2
1122:
Dori Ghezzi, Luvi De André, Silvia Paggi - Female vocals
628:"Smisurata preghiera" , the album closer, is built as a
238:. In a 2011 interview within the DVD documentary series
429:- the very last filmed testimony of his live activity.
1820:"Carlo Martello ritorna dalla battaglia di Poitiers"
921:
Tiziano Crotti and Paolo Iafelice - Field recordings
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Neusinha Escorel, Patricia Figueredo, Rosa Emilia -
531:: a sprung, slightly irregular but metrically clear
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1553:Fabrizio De André in Concerto - arrangiamenti PFM
1325:Told by Nina Manfieri in the third volume of the
1870:"Un matto (Dietro ogni scemo c'Ăš un villaggio)"
563:"Le acciughe fanno il pallone" is a song about
442:-led folk song whose rhythm, halfway between a
1154:Francesco Saverio Porciello - Classical guitar
474:background, representing Princesa's childhood.
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419:on February 13 and 14, 1998, were filmed for
231:in 1996. It was written together with fellow
8:
1371:All personnel credits taken from CD booklet.
1082:Fabrizio De André - Vocals, classical guitar
1034:Fabrizio De André - Vocals, classical guitar
931:Fabrizio De André - Vocals, classical guitar
184:
638:The Adventures and Misadventures of Maqroll
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981:Dori Ghezzi, Luvi De André - Female vocals
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29:
20:
18:1996 studio album by Fabrizio De André
1306:A photo of the phenomenon is featured on
1200:Riccardo Tesi - Diatonic button accordion
1948:Non al denaro non all'amore né al cielo
1470:Non al denaro non all'amore né al cielo
1219:
636:- especially from his 1993 collection "
1179:Naco - Djembé, talking drum and shaker
828:"Khorakhané (A forza di essere vento)"
1923:Ăia da respiĂą - Genova canta De AndrĂ©
279:"Le acciughe fanno il pallone" (4:47)
165:
7:
1182:Alberto Tafuri - Piano and keyboards
1018:Michela Calabrese D'Agostino - Flute
902:Alberto Tafuri - Piano and keyboards
820:Tiziano Crotti and Paolo Iafelice -
544:, which express the man's thoughts.
1691:In direzione ostinata e contraria 2
1594:Fabrizio De André e PFM in concerto
1203:"Il Quartettone" - String orchestra
1119:Michele Ascolese - Classical guitar
1069:"Il Quartettone" - String orchestra
1157:Piero Milesi - Piano and keyboards
328:Fabrizio De André Vinyl Collection
14:
1698:Effedia: Sulla mia cattiva strada
1685:In direzione ostinata e contraria
1581:Ed avevamo gli occhi troppo belli
610:, who included it on their album
186:
1773:"La canzone dell'amore perduto"
423:and released on DVD in 2004, as
262:"DISAMISTADE": graffiti in Turin
205:
200:
195:
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185:
1163:Massimo Spinosa - Audio editing
1011:- Classical guitar, keyboards,
969:Michela Calabrese D'Agostino -
221:is the final album released by
1938:Non piĂč i cadaveri dei soldati
1381:Biography of Naco (in Italian)
986:"Le acciughe fanno il pallone"
452:Fernanda Farias de Albuquerque
359:"Le acciughe fanno il pallone"
1:
1864:"Nuvole barocche" (re-issue)
1185:Pier Michelatti - Bass guitar
1151:Pier Michelatti - Bass guitar
1116:Pier Michelatti - Bass guitar
1005:Pier Michelatti - Bass guitar
948:Pier Michelatti - Bass guitar
899:Pier Michelatti - Bass guitar
536:however, she gets stuck in a
426:Fabrizio De André in Concerto
288:"Ho visto Nina volare" (3:58)
1858:"La stagione del tuo amore"
1852:"La stagione del tuo amore"
1314:Fabrizio De André in English
1281:Fabrizio De André in English
1206:Carlo De Martini - Conductor
1132:Fabrizio De André - Vocals,
1072:Carlo De Martini - Conductor
994:Naco - Darbuka, conga, udu,
396:immigrant ("Princesa"), the
291:"Smisurata preghiera" (7:08)
1085:Ivano Fossati - Duet vocals
966:Mario Arcari - English horn
869:Dori Ghezzi - Female vocals
500:"Anime salve", a duet with
2017:
1888:"Il pescatore" (re-issue)
1826:"La canzone di Marinella"
1761:"Per i tuoi larghi occhi"
1247:Poesia in forma di canzone
1173:Fabrizio De André - Vocals
991:Fabrizio De André - Vocals
975:Giancarlo Porro - Clarinet
896:, spring, conga and shaker
833:Fabrizio De André - Vocals
1160:Alberto Morelli - Bansuri
1088:Ellade Bandini - Drum kit
934:Ellade Bandini - Drum kit
889:Ellade Bandini - Drum kit
847:Diatonic button accordion
678:specialist Mario Arcari,
504:which includes prominent
400:("KhorakhanĂš"), the poor
173:
170:
128:
28:
2001:Fabrizio De André albums
1814:"La canzone di Barbara"
1056:Piero Milesi - Keyboards
1968:De André canta De André
1796:"Preghiera in Gennaio"
1731:"La ballata del MichĂš"
1661:La canzone di Marinella
1620:La canzone di Marinella
1612:Tutto Fabrizio De André
1176:Elio Rivagli - Drum kit
299:and Fabrizio De André.
1958:Duemila papaveri rossi
1895:"Una storia sbagliata"
1755:"Valzer per un amore"
1667:Mi innamoravo di tutto
1478:Storia di un impiegato
1446:Tutti morimmo a stento
1127:"Ho visto Nina volare"
1053:Silvio Righini - Cello
978:Silvio Righini - Cello
879:Fabrizio De André and
842:SĂ ndor Kuti - Cimbalom
689:, as well as his wife
525:and "Don RaffaĂš" from
409:Mi innamoravo di tutto
350:"Ho visto Nina volare"
263:
1928:Faber - Amico fragile
1838:"Leggenda di Natale"
1749:"La guerra di Piero"
1588:In concerto volume II
1358:As shown in the 2004
1226:Prunes, Mariano.
1168:"Smisurata preghiera"
1108:(Note: An uncredited
682:Michele Ascolese and
612:Train Leaves at Eight
378:"Smisurata preghiera"
261:
1933:Mille papaveri rossi
1882:"la cattiva strada"
1345:DVD series, vol. 2:
1245:DVD series, vol. 8:
781:Vladimir Denissénkov
479:Muslim Romani people
468:Brazilian Portuguese
460:gender transitioning
282:"Disamistade" (5:13)
273:"Anime salve" (5:52)
161:Professional ratings
1767:"La cittĂ vecchia"
1679:Peccati di gioventĂč
1106:, conga and shaker
863:Carlo De Martini -
857:"Il Quartettone" -
836:Michele Ascolese -
758:Michele Ascolese -
320:Corriere della Sera
270:"Khorakhané" (5:32)
162:
1953:PFM canta De André
1725:"Nuvole barocche"
1191:- Classical guitar
1098:, caxixi, djembé,
1059:Alberto Morelli -
1009:Cristiano De André
915:Massimo Spinosa -
789:Giancarlo Porro -
752:Pier Michelatti -
548:singer-songwriter
438:"Princesa" is an
276:"Dolcenera" (4:59)
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54:September 19, 1996
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1943:2004 CrĂȘuza de mĂ€
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1139:Ellade Bandini -
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600:ndea-oh, 'ndea-oh
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267:"Princesa" (4:52)
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285:"Ă cĂșmba" (4:03)
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1125:
1124:
1123:
1120:
1117:
1114:
1089:
1086:
1083:
1078:
1075:
1074:
1073:
1070:
1067:
1057:
1054:
1051:
1045:
1035:
1030:
1027:
1026:
1025:
1019:
1016:
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1003:
1002:and wood block
992:
987:
984:
983:
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979:
976:
973:
967:
964:
955:
949:
946:
935:
932:
927:
924:
923:
922:
919:
913:
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855:
849:
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840:
834:
829:
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818:
811:
802:
793:
787:
778:
774:SĂ ndor Kuti -
772:
762:
756:
750:
716:
710:Ellade Bandini
707:
699:
696:
687:Ellade Bandini
671:
668:
667:
666:
661:, arranged by
626:
623:
615:
608:The Walkabouts
580:
561:
517:
498:
475:
434:
431:
384:
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365:
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286:
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280:
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255:
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212:
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176:
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126:
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94:
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76:
72:
71:
62:
56:
55:
52:
48:
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42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
2013:
2002:
1999:
1997:
1994:
1993:
1991:
1976:
1975:
1971:
1969:
1966:
1964:
1963:Fabrizio 2009
1961:
1959:
1956:
1954:
1951:
1949:
1946:
1944:
1941:
1939:
1936:
1934:
1931:
1929:
1926:
1924:
1921:
1919:
1918:Canti randagi
1916:
1915:
1913:
1909:
1896:
1893:
1887:
1881:
1875:
1869:
1863:
1857:
1851:
1846:
1843:
1837:
1832:"Il gorilla"
1831:
1825:
1819:
1813:
1808:"Caro amore"
1807:
1801:
1795:
1794:
1792:
1788:
1778:
1772:
1766:
1760:
1754:
1748:
1742:
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1625:
1622:
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1614:
1613:
1609:
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1606:
1602:
1595:
1592:
1589:
1586:
1583:
1582:
1578:
1575:
1572:
1569:
1568:1991 concerti
1566:
1563:
1562:
1558:
1555:
1554:
1550:
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1543:
1536:
1535:
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1459:
1456:
1455:
1451:
1448:
1447:
1443:
1440:
1439:
1435:
1434:
1432:
1430:Studio albums
1428:
1424:
1417:
1412:
1410:
1405:
1403:
1398:
1397:
1394:
1390:
1382:
1377:
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1199:
1197:
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1062:
1058:
1055:
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1046:
1044:
1040:
1036:
1033:
1032:
1029:"Disamistade"
1028:
1024:
1020:
1017:
1014:
1010:
1007:
1004:
1001:
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993:
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989:
985:
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947:
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936:
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929:
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918:
917:Audio editing
914:
912:
908:
904:
901:
898:
895:
891:
888:
886:
882:
881:Ivano Fossati
878:
877:
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850:
848:
844:
841:
839:
835:
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831:
827:
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547:
543:
539:
534:
530:
529:
524:
523:
518:
515:
511:
507:
503:
502:Ivano Fossati
499:
496:
492:
488:
484:
480:
476:
473:
469:
465:
461:
457:
453:
449:
445:
441:
437:
436:
432:
430:
428:
427:
422:
418:
414:
410:
405:
403:
399:
398:Romani people
395:
391:
382:
377:
375:"Disamistade"
374:
371:
368:
367:
363:
358:
355:
353:"Anime salve"
352:
349:
346:
345:
341:
339:
337:
333:
329:
325:
321:
317:
313:
309:
303:Vinyl version
302:
300:
298:
290:
287:
284:
281:
278:
275:
272:
269:
266:
265:
260:
254:Track listing
253:
251:
249:
245:
241:
237:
236:Ivano Fossati
234:
230:
227:
224:
220:
219:
183:
181:
178:
177:
169:
166:Review scores
164:
150:
146:
145:
141:
137:
136:
132:
131:
127:
123:
119:
116:
111:
109:
105:
102:
98:
95:
93:
89:
77:
73:
70:
66:
63:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
1973:
1967:
1962:
1957:
1952:
1947:
1942:
1937:
1932:
1927:
1922:
1917:
1696:
1690:
1684:
1678:
1672:
1666:
1660:
1654:
1646:
1643:
1635:
1632:
1626:
1618:
1610:
1593:
1587:
1579:
1573:
1567:
1560:
1552:
1533:
1532:
1524:
1518:CrĂȘuza de mĂ€
1516:
1508:
1500:
1492:
1484:
1476:
1468:
1460:
1452:
1444:
1436:
1388:
1376:
1367:
1359:
1354:
1346:
1343:Dentro Faber
1342:
1338:
1330:
1327:Dentro Faber
1326:
1321:
1313:
1309:
1302:
1293:
1279:
1274:
1263:
1254:
1246:
1243:Dentro Faber
1242:
1238:
1222:
1209:
1141:Tom-tom drum
996:talking drum
911:English horn
796:Piero Milesi
706:- Main vocal
676:ethnic music
673:
663:Piero Milesi
651:Luis Bacalov
647:Dentro Faber
646:
634:Ălvaro Mutis
611:
599:
579:in the bass.
554:Lucio Fabbri
526:
522:CrĂȘuza de mĂ€
520:
495:Sinte Romani
456:Red Brigades
424:
408:
406:
390:Mauro Pagani
386:
369:"Khorakhané"
335:
327:
307:
306:
297:Ălvaro Mutis
294:
250:supporter."
240:Dentro Faber
239:
217:
216:
215:
143:
142:
133:
115:Piero Milesi
39:Studio album
15:
1996:1996 albums
1604:Anthologies
1574:In concerto
1545:Live albums
1534:Anime salve
1360:In Concerto
1310:Anime salve
1228:Anime salve
1061:Tlapitzalli
926:"Dolcenera"
874:Anime salve
805:Dori Ghezzi
754:Bass guitar
691:Dori Ghezzi
596:musical bow
491:Dori Ghezzi
394:transsexual
356:"Dolcenera"
324:De Agostini
308:Anime salve
218:Anime salve
144:Anime salve
24:Anime salve
1990:Categories
1974:Sogno n° 1
1876:"Suzanne"
1790:Post-Karim
1779:"Geordie"
1655:Il viaggio
1347:Gli Ultimi
1214:References
1136:and caxixi
1043:tambourine
1015:and shaker
945:and shaker
885:Vocal duet
720:Wood block
698:"Princesa"
630:sea shanty
604:indie folk
533:tarantella
487:Montenegro
472:percussion
347:"Princesa"
336:I concerti
332:Sony Music
124:chronology
1673:Da Genova
1526:Le nuvole
1196:Launeddas
1134:castanets
1110:vibraslap
1077:"Ă cĂșmba"
953:Accordion
907:Launeddas
865:Conductor
853:Keyboards
680:guitarist
670:Personnel
659:free time
565:fishermen
550:Dolcenera
528:Le nuvole
440:accordion
433:The songs
372:"Ă cĂșmba"
248:Sampdoria
135:Le nuvole
1911:Tributes
1331:Le donne
1312:page on
1232:AllMusic
1102:gasket,
1039:Berimbau
943:berimbau
791:Clarinet
776:Cimbalom
766:Mandolin
714:Drum kit
592:berimbau
584:Sardinia
514:solitude
510:acoustic
383:Overview
316:cassette
244:Sardinia
180:Allmusic
108:Producer
51:Released
41: by
1709:Singles
1631:(1968)
1494:Vol. 8°
1486:Canzoni
1454:Vol. 3°
1438:Vol. 1°
1265:YouTube
1147:Rattles
1145:Naco -
1091:Naco -
1065:bansuri
1037:Naco -
1023:Shehnai
937:Naco -
894:Darbuka
892:Naco -
770:mandola
724:zabumba
718:Naco -
684:drummer
573:shehnai
546:Apulian
444:milonga
402:anchovy
223:Italian
148:(1996)
139:(1990)
97:Ricordi
1898:(1980)
1890:(1978)
1884:(1974)
1878:(1972)
1872:(1971)
1866:(1971)
1860:(1970)
1854:(1970)
1848:(1970)
1840:(1969)
1834:(1969)
1828:(1968)
1822:(1968)
1816:(1968)
1810:(1967)
1804:(1967)
1798:(1967)
1781:(1966)
1775:(1966)
1769:(1965)
1763:(1965)
1757:(1965)
1751:(1964)
1745:(1963)
1739:(1963)
1733:(1961)
1727:(1961)
1719:period
1701:(2008)
1693:(2006)
1687:(2005)
1681:(2000)
1675:(1999)
1669:(1997)
1657:(1991)
1651:(1986)
1640:(1976)
1623:(1968)
1615:(1966)
1596:(2007)
1590:(2001)
1584:(2001)
1576:(1999)
1570:(1991)
1564:(1980)
1556:(1979)
1537:(1996)
1529:(1990)
1521:(1984)
1513:(1981)
1505:(1978)
1502:Rimini
1497:(1975)
1489:(1974)
1481:(1973)
1473:(1971)
1465:(1970)
1457:(1968)
1449:(1968)
1441:(1967)
1013:violin
1000:caxixi
817:vocals
815:Spoken
740:djembe
736:spring
728:shaker
577:tumbao
506:synths
483:Bosnia
364:Side B
342:Side A
233:Genoan
174:Rating
171:Source
75:Length
1717:Karim
1278:From
971:Flute
800:Cello
785:Bayan
748:conga
744:bongo
606:band
588:dirge
569:samba
556:from
464:Milan
92:Label
69:world
60:Genre
1308:the
1286:blog
1284:, a
1104:gong
1093:Rake
1063:and
1041:and
909:and
768:and
746:and
655:coda
594:, a
538:tram
485:and
448:fado
417:Rome
322:and
314:and
65:Folk
1230:at
1049:Jug
939:Udu
738:,
722:,
657:in
558:PFM
481:of
421:RAI
415:in
326:'s
101:BMG
67:,
1992::
1262:.
998:,
960:-
941:,
883:-
798:-
783:-
742:,
734:,
730:,
726:,
712:-
312:CD
84:25
80:46
1415:e
1408:t
1401:v
1349:.
1333:.
1268:.
1249:.
665:.
614:.
82::
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