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He has contributed liner notes, essays, video interviews, and release consulting to projects for record labels including
Abstract Logix, Blue Note, Favored Nations, Grass-Tops, Lazy Bones Recordings, Magna Carta, Panegyric, and 7d Media, as well as artists such as Pierre Bensusan,
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vendor policies. He is the author of a presentation titled "The
Economic Reality of Streaming for Musicians" that examines the history of streaming, the artist royalty rates involved, and their negative impact on artists' livelihoods.
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The eBook edition achieved a #1 placement on iTunesâ Arts & Entertainment and Music charts. The book features interviews with 24 musicians, including
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content is used as part of the UCLA School of Music's course curriculum. He has conducted interviews with more than 450 musicians since 1992.
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and master ownership clauses, and is an advocate of artists retaining the entirety of copyright in their own works.
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the
Internet's first online music magazine, initially launched in 1994. Prasadâs writing has appeared in
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Prasadâs work has been excerpted in more than 30 music-related books, including
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He was voted one of the six most influential music journalists of all time by
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Prasad is an outspoken critic of many music industry practices, most notably
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Guitar Player, Bass Player, Frets, JazzTimes, Relix, All About Jazz,
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Prasad has also criticized recording contracts, in particular
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and the
Canadian Broadcasting Corporation (CBC). In addition,
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The
Economic Reality of Streaming for Musicians presentation
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overview of Anil Prasad's streaming industry criticisms
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On Some
Faraway Beach: The Life and Times of Brian Eno
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is a music journalist and music industry commentator.
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43:but its sources remain unclear because it lacks
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404:Radio New Zealand interview with Anil Prasad
296:In a Silent Way: A Portrait of Joe Zawinul
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409:Buffalo News interview with Anil Prasad
452:most influential music journalist list
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318:So What: The Life of Miles Davis
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399:NPR Documentary on Anil Prasad
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302:In The Court of King Crimson
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472:American music critics
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299:by Brian Glasser,
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170:Anil Prasad
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378:on Twitter
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