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1106:(plus one with both Boddy and turntablist Nigel Mullaney), three with American experimental guitarist Tim Motzer, two with American ambient electronic composer Robert Rich and two with Zero Ohms (wind/wind-synth instrumentalist Richard Roberts). He has also worked and recorded with German “doombient” musician Stephen Parsick (of ).
925:) was the first band which Reuter joined on his professional emergence in 1996. It remains one of his main creative outlets to this day. For most of its career centrozoon has been a duo of Reuter and Wöstheinrich, with current third man and multi-instrumentalist/sound-designer Tobias Reber joining in 2008. (The band also included
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Guitars currently manufacture three instruments – the U8 and U8 Deluxe Touch Guitar (both 8-string instruments) and the U10 Touch Guitar(a 10-string instrument with a split sound output). The AU8 (a semi-acoustic hollow-body version, aimed at reproducing the sound of a tapped acoustic guitar) followed in 2015.
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In 2021, Reuter created another new group, Anchor and Burden (named after his 2021 solo album and apparently sharing some conceptual links). With
Bernhard Wöstheinrich in the line-up, Reuter acknowledged that Anchor and Burden was in some respects an extension of centrozoon: it also featured Reuter's
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In addition to his work on the art-pop phase of centrozoon (featuring Tim
Bowness), Reuter has been a long-term collaborator with producer, songwriter and art-pop musician Lee Fletcher, having met him on a Guitar Craft course in the mid-1990s. Reuter is a featured instrumental performer and general
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Despite making a name for himself as a leading player of, successively, the
Chapman Stick and the Warr Guitar, Reuter eventually admitted to dissatisfaction with both instruments. Deciding to design his own variant on the touch-style guitar, he set up the company Touch Guitars in 2007, intending to
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with Ashok Pathak and developed his existing interest in permutation-based compositional principles. In 1996 (while still part-way through his degree course and his Guitar Craft studies) Reuter performed his first complete concert of entirely self-written compositions, and embarked on a career as a
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In 2006, Reuter set up three interrelated businesses with his centrozoon partner
Bernhard Wöstheinrich. One of these was the media company Iapetus Media, the second was the artist-owned production company Unsung Productions, and the third was the affiliated record label Unsung Records (which would
797:. While at university, Reuter pursued further musical education. Between 1993 and 1996 he studied free improvisation with Gerd Lisken and became a member of Lisken's Chaos Orchester Bielefeld. During 1995 he studied contemporary classical music with Belgian composer and touch guitar (Stick) player
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The first of these instruments, the U8 Deluxe Touch Guitar, was built by
American luthier Ed Reynolds (who also acted as consultant for the project and built ten of the subsequent production models). The prototype was completed in June 2008 and soon became Reuter's own instrument of choice. Touch
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of the piece (featuring his own processed and overdubbed touch guitar plus string quartet, recorder, electric organ, synthesizer, glockenspiel and electronics. In 2013, the work was expanded to a full orchestral arrangement in collaboration with
American conductor and composer Thomas A. Blomster.
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The majority of Reuter's solo releases under his own name have consisted of ambient textured music (with hidden processes) recorded using heavily effected touch guitar, Warr Guitar or
Chapman Stick, plus laptop. Reuter began recording and releasing this type of music in 1998 - beginning with the
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Reuter resumed jazz work when he joined the spontaneous electro-acoustic improvisation band
Syntony in 2009 (in which he worked with saxophonist Florian Bramböck, trumpeter Luca Calabrese, drummer Georg Tausch and bass guitarist/electronics player Yoshi Hampl). The band released the
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for a period between 2002 and 2005). The project's music has touched on ambient electronica, free-form experimentalism, sung art pop, progressive rock and electronic dance music. To date, Reuter has released eight albums with centrozoon, plus a number of live and archive releases.
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circa 1997. In 2008, he began using his own self-designed range of 8- and 10-string Touch
Guitars. A technically skilled player, Reuter performs using a variety of approaches from unprocessed sound and standard technique through to extreme processed textural sounds and drones.
786:. Learning to play both the 10-string and 12-string models of the instrument required a disciplined approach to study and practice, which Reuter adopted and turned to his advantage. At around the same time, he began to develop a serious interest in textural
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This version (performed by the
Colorado Chamber Orchestra) was premiered in Denver, Colorado in April 2013 and has been released on record twice – first as a studio recording in 2014, then as a live recording in 2016. Reviewing the studio recording in
614:, Reuter has produced records by numerous musicians and released several solo recordings as both performer and composer. He is also part of an artist-owned production consortium which encompasses Iapetus Media, Unsung Productions and Unsung Records.
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is an instrumental art rock/contemporary classical chamber ensemble with whom Reuter was active for four years (and for which he remains an associate member) Between 1996 and 2000, Reuter played concerts with the group and recorded two albums,
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for tuned/untuned percussion ensemble, bass clarinet, synthesizer and electric guitar/bass/touch guitar (commissioned by Mannheimer Schlagwerk, premiered on May 23, 2017, in Mannheim, Germany and released as a live recording in October
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In the latter two projects Reuter performs many musical parts originally played by Robert Fripp. He has sometimes been hailed as Fripp's potential successor, despite always downplaying and rejecting this idea when questioned about it.
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In 2020, Reuter founded Markus Reuter OCULUS, an experimental electric jazz fusion sextet featuring five previous collaborators (David Cross, Fabio Trentini, Asaf Sirkis, Mark Wingfield and Robert Rich). The group released the
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Reuter began his work as a teacher in 1998, conducting touch guitar seminars in Spain, Belgium, and the USA. From this work he developed a set of systematic playing techniques and exercises called "The Family", inspired by
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for two flutes, violin, viola, cello, double bass, baritone saxophone, bass clarinet, electric organs, vibraphone, electric guitar, electric bass and drums (premiered in Oldenburg, Germany on 30 October 2016 by Oh Ton
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joined in 2010. Reuter continues to offer regular courses in both Europe and America, actively supporting students via continuous online education lessons on technique, composition and the "Modus Novus" music theory.
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Although he'd previously composed contemporary classical instrumental pieces as early as 1988 (compositions written for guitar orchestra when he was fifteen), Reuter's formal work as a classical composer began with
853:. For this work, he applied his ambient process music approach to chamber music in what he intends to be an increasing number of large-scale contemporary classical works for orchestras and chamber ensembles.
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like what Morton Feldman might have written had he advanced to a new stage... This, I am confident, is one of the most important orchestral works of our era.... a breakthrough in form and sound."
830:). Credited to "Markus Reuter featuring SONAR & Tobias Reber", it's effectively a Reuter solo album performed by him with a post-minimal Swiss electric guitar ensemble and added electronics.
566:) as well as a solo artist. Since 2011 Reuter has begun to establish himself as a contemporary classical composer, starting with the performance and recording of his large-scale orchestral piece
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Reuter views his ongoing work as an opportunity to educate himself through broad experience and experiment. He has cited the challenges brought to him by long-term musical partners (such as
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In 2005, Reuter founded the Touch Guitar Circle, offering expert teaching of touch-guitar playing methods plus a support network for players. Former King Crimson Warr Guitarist
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By his own admission, Reuter was not a particularly disciplined musician in his teens, initially relying on his innate musical talent. His approach changed when he took up the
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With Pollmann's aid and encouragement Reuter began composing in 1985 at the age of 11 or 12. He was inspired by a variety of influences - classic 1960s and 1970s pop music (
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Most of Reuter's performance work to date has evolved from exploring electric touch-style instruments and sound processing. Between 1993 and 1996, he predominantly played
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to form the six-piece Crimson ProjeKct and perform King Crimson material from the 1981 to 1995 period. Five of the ProjeKct's concerts have been released as live albums.
761:. Tutored by Tony Geballe (and by Fripp himself), he continued to study Guitar Craft until 1998, combining intensive music courses with explorations of the philosophy of
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Several of Reuter's students, including Alexander Dowerk and Erik Emil Eskildsen also play Touch Guitars and have released recordings of music made with the instrument.
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and his work in experimental ambient music) but as a keen and flexible collaborator by inclination, his work with other projects has also involved elements of
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apply his knowledge of touch-style playing techniques to the task of producing musical instruments entirely based in the tradition of guitar-building.
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and incorporating Estonian duo Fragile (Arvo Urb and Robert Jürjendal) plus Toyah bassist Chris Wong - who recorded a single eponymous album in 2010.
1197:(Adrian Benavides was also involved until 2012). Benjamin Schäfer has been the engineer for Unsung Productions since 2014, co-producing with Reuter.
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was described as "exceptional music for endlessly rewarding drift and ecstatic momentum... ensemble intricacy at its most musically stimulating" in
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Since 2015, Reuter has been an associate member of Dutch Rall's synthpop studio project Nocturne Blue, providing touch guitar solos and textures.
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Reuter has also released several albums under his own name but defined as a “collaborative” series featuring varied other artists. These include
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during the 1990s and 2000s before developing, adopting and marketing his own U8 and U10 Touch Guitar instruments. In collaboration with former
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fellow Touch Guitarist Alexander Dowerk (Zweiton, Van Halo) and drummer Shawn Crowder. The group released four albums during 2021 and 2022 (
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began in 1998 with his work with String Unit, an ambient world-jazz trio which also featured acoustic guitarist Dagobert Böhm and violinist
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styles depending on context. Since 2011, he has been actively developing a parallel and linked career as a contemporary classical composer.
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and pure improvisation. Over the course of a two-decade career, he has been a member of multiple bands, ensembles and projects (including
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trio (replacing Michael Bernier), with whom he has released eleven studio and live albums plus an EP. In 2011, Stick Men united with the
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album - and has released nine such albums to the present day (including three live recordings from the Crimson ProjeKCt Tour of 2014).
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Between 2002 and 2006 Reuter taught classes in "The Psychology of Creativity" at the University of Applied Sciences, Fulda, Germany.
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1181:, Yoshi Hampl, UMA, Tovah, The Season Standard, Skin Diary, Lake Cisco and The Redundant Rocker. He also served as producer for the
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and follows various improvisational approaches. Recently, he has been referring to his overall musical approach as "Modus Novus".
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746:. During his teens, Reuter studied music history, theory, and analysis with Karlheinz Straetmanns, a composer in the lineage of
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in early 1993, following discussions with Fripp and inspired by Reuter's own admiration for King Crimson's Stick player
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single (a Mike Oldfield cover under the name of Fletcher|Fletcher|Reuter) and playing on Fletcher's 2017 single
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and started to experiment with a form of "instant composition" using a system of out-of-synch looping devices.
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not only involved production (in collaboration with Pat Mastelotto) but also all of the album's arrangements.
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Reuter's work as recording artist, solo performer and collaborator spans (and frequently fuses) electrophonic
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release much of Reuter's subsequent work). Collaborators in Unsung/Iapetus work include Fabio Trentini and
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Reuter has recorded seven albums as an electrophonic duo with British synthesizer player/soundscaper
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Since 2002, Markus Reuter has developed his work as a record producer for other artists, including
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Markus Reuter began training as a musician in 1975 at the age of three. Initially he studied as a
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It may require cleanup to comply with Knowledge (XXG)'s content policies, particularly
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or has been extensively edited by the subject or by someone connected to the subject
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2263:(2004 - plays touch guitar on and co-wrote "The Me I Knew" and "I Once Loved You")
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1718:(2016 – version with bonus tracks released 2017. 5.1 and quad mix released 2019)
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In 1991, at the age of 18, Reuter began attending courses in Robert Fripp's
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musician (partly due to his involvement with multiple projects related to
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In 2005 Reuter began actively collaborating with King Crimson's drummer
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Since 2005, Reuter has been affiliated with several projects related to
1078:: 2017 saw the release of two jazz fusion albums from these sessions -
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Scott McGill, Percy Jones, Ritchie DeCarlo (2010 - plays touch guitar)
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2303:(2011 - plays touch guitar and loops on "Anamnesis" and "Possession")
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Reuter has gone on to compose and record further classical pieces:
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In terms of composition, Reuter has shown a particular interest in
1712:(stripped-down multitrack recordings for student playalongs, 2016)
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In 1993, Reuter began a six-year degree course in psychology at
775:- would have a profound effect on Reuter's own subsequent work.
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PANAMERICA (Disc 5): Soundscapes (Argentina, Mexico, Guatemala)
2543:'Markus Reuter: (R)Evolutionary Touch Guitarist' – article in
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During 2016 Reuter began collaborating with British guitarist
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from the article and its talk page, especially if potentially
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PANAMERICA (Disc 2): Suites (Argentina, Peru, Uruguay, Chile)
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Lee Fletcher (featuring Markus Reuter & Lisa Fletcher):
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Lee Fletcher (featuring Markus Reuter & Lisa Fletcher):
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The Sun is Just the Sun, But the Stars They Call the Heavens
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Thorsten Quaeschning with Markus Reuter and Shawn Crowder:
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Markus Reuter featuring Angelica Sanchez and Tony Geballe:
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Specifications for Touch Guitars on Touch Guitars homepage
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PANAMERICA (Disc 1): Improvs (Bolivia, Argentina, Brazil)
1220:). "The Family" was launched as a formal method in 2007.
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As well as further collaborations with artists including
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Markus Reuter featuring Fabio Trentini and Asaf Sirkis:
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Markus Reuter featuring Fabio Trentini and Asaf Sirkis:
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Initial studies, Guitar Craft and university (1975-1996)
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As a performer, Reuter is best known for his work as an
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Todmorden 513 (Concerto for Orchestra by Markus Reuter)
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Reuter was also a member of international art pop band
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In 2010 Reuter joined Mastelotto and Tony Levin in the
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From Worlds Unseen a Light Yet Streams a Sound Replete
973:. The duo released four albums under the band name of
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A major contributor to this article appears to have a
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Stefano Panunzi, "A Rose" (2009 - plays Warr guitar)
2033:(2017 - credited to "Ian Boddy & Markus Reuter")
2027:(2017 - credited to "Markus Reuter & Ian Boddy")
2021:(2013 - credited to "Ian Boddy & Markus Reuter")
2015:(2010 - credited to "Ian Boddy & Markus Reuter")
2009:(2009 - credited to "Markus Reuter & Ian Boddy")
2003:(2003 - credited to "Markus Reuter & Ian Boddy")
1997:(1999 - credited to "Ian Boddy & Markus Reuter")
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It may need editing to conform to Knowledge (XXG)'s
1678:
Supercollider, Disc 1: Collider (Best of 2010-2014)
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Sultry Kiss Down Under (Crimson ProjeKCt Tour 2014)
1113:(with bass clarinettist Stefan “Sha” Haslebacher);
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1774:PANAMERICA (Discs 3&4): Full Show (Costa Rica)
1684:Supercollider, Disc 2: Unleashed Live Improvs 2013
1336:(2016 - free download various project compilation)
1304:Sultry Kissing Lounge (Crimson ProjeKCt Tour 2014)
1300:(2011 - free download various project compilation)
1082:(credited to “Wingfield Reuter Stavi Sirkis”) and
822:In 2017, Reuter released a very different album -
1827:The Crimson ProjeKct - Official Bootleg Live 2012
1214:'s work on physical movement (in particular, the
579:, Reuter became known as a leading player of the
2769:"Pat Mastelotto / Tobias Ralph: ToPaRaMa (2014)"
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1125:and fellow Guitar Craft alumnus Tony Geballe).
981:album as "Pat Mastelotto & Markus Reuter".
87:policy. There may be relevant discussion on the
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2611:
2609:
2607:
1864:I Came For the Light and Stayed For the Shadows
1453:Mannheimer Schlagwerk featuring Markus Reuter:
1316:Quit Being So Gray (Crimson ProjeKCt Tour 2014)
742:) and contemporary crossover composers such as
703:(tutored by Ulrich Pollmann) and later took up
2083:Flood Expeditions: The Gatherings, 19 May 2018
1352:Containment (Official Bootleg Remastered 2017)
2133:Dagobert Böhm, Zoltan Lantos, Markus Reuter:
2071:Flood Expeditions: Farmington CT, 15 May 2018
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1024:Reuter's work on Tovah's 2008 art-pop album
1074:and Israeli rhythm section Yaron Stavi and
507:, 1972) is a German multi-instrumentalist,
53:Learn how and when to remove these messages
2077:Flood Expeditions: Streamside, 17 May 2018
1448:Todmorden 513 (World Premiere Performance)
917:(an improvised music project initiated by
313:
213:about living persons that is unsourced or
2563:Biography on Markus Reuter's Myspace page
2518:Markus Reuter official biography timeline
2182:Thorsten Quaeschning with Markus Reuter:
1348:(featuring SONAR and Tobias Reber) (2017)
1086:(credited to “Wingfield Reuter Sirkis”).
302:Learn how and when to remove this message
284:Learn how and when to remove this message
164:Learn how and when to remove this message
107:Learn how and when to remove this message
2674:Gapplegate Classical-Modern Music Review
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2571:
2038:Ian Boddy, Markus Reuter, Nigel Mullaney
1566:(ongoing multi-volume live series, 2017)
863:Gapplegate Classical-Modern Music Review
769:. Gurdjieff's work - in particular, the
2548:by Jeffrey L. Melton, October 19, 2010
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1455:Sun Trance (World-Premiere Performance)
856:In 2011 Reuter released a recording of
2632:'Fifteen Questions with Markus Reuter'
2618:Biography on 'Todmorden 513' microsite
2447:Curvature-Induced Symmetry... Breaking
2203:Markus Reuter & Stefano Castagna:
2669:Todmorden 513, Concerto for Orchestra
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2296:(2010 - arranger, plays touch guitar)
2280:(2008 - arranger, plays touch guitar)
2154:Stephen Parsick & Markus Reuter:
1744:Roppongi - Live in Tokyo 2017, Show 2
1734:Roppongi - Live in Tokyo 2017, Show 1
686:) as being a particular inspiration.
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1956:Markus Reuter featuring Tim Motzer:
1839:The Crimson ProjeKct - Live in Japan
1833:The Crimson ProjeKct - Live in Tokyo
2756:Erik Emil Eskildsen @ Touch Guitars
1944:”Markus Reuter featuring...” series
1700:Midori: Live In Tokyo – Second Show
1235:Instrument designer (Touch Guitars)
887:the electro-acoustic chamber piece
2898:21st-century German male musicians
2893:20th-century German male musicians
2196:Gary Husband & Markus Reuter:
1690:Midori: Live In Tokyo – First Show
1055:, under the name of Dagobert Böhm/
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2586:. RIFFS: Outsider. Archived from
1005:contributor to Fletcher's albums
865:, Grego Applegate Edwards hailed
718:in particular), classical music (
34:This article has multiple issues.
2828:21st-century classical composers
2767:Turner, Mark F. (20 June 2014).
2745:Alexander Dowerk @ Touch Guitars
2268:Telekineettinen Testilaboratorio
2226:The Cracks Within - FiWT Remixes
1462:String Quartet No. 1 ‘Heartland’
1035:Work within jazz and jazz fusion
1011:The Cracks Within - FiWT Remixes
690:Biography and career as musician
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144:. Please discuss further on the
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2863:German male classical composers
2655:Gapplegate Guitar and Bass Blog
2578:Prasad, Anil (1 October 2007).
2161:Wingfield Reuter Stavi Sirkis:
2051:Markus Reuter & Robert Rich
1418:Stream for Consciousness Vol. 3
1412:Stream for Consciousness Vol. 2
1406:Stream for Consciousness Vol. 1
1173:Record producer and label owner
836:Gapplegate Guitar and Bass Blog
42:or discuss these issues on the
2672:by Grego Applegate Edwards in
2653:by Grego Applegate Edwards in
2256:(2001 - credited as performer)
2090:Tim Motzer & Markus Reuter
1852:Circle Round the Synthetic Sun
1528:Never Trust the Things They Do
1:
2883:Stick Men (prog band) members
2833:21st-century German composers
2823:20th-century German musicians
2109:Markus Reuter & Zero Ohms
1949:Markus Reuter featuring Sha:
1280:The Longest in Terms of Being
958:King Crimson-related projects
675:) and his work with the band
2565:, retrieved October 30, 2008
1872:(ongoing covers album, 2017)
1730:(download compilation, 2017)
1446:Colorado Chamber Orchestra:
1439:Colorado Chamber Orchestra:
524:contemporary classical music
191:biography of a living person
2853:German electronic musicians
2315:(2014 - plays touch guitar)
2270:(2005 - plays touch guitar)
2065:Lift a Feather to the Flood
1870:Under Covers (just for fun)
1516:Never Trust the Way You Are
1510:The Scent of Crash and Burn
1013:, as well as recording the
905:Projects and collaborations
562:, The Crimson ProjeKct and
218:must be removed immediately
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2848:German classical composers
2350:(2008 - producer/arranger)
2231:Fletcher|Fletcher|Reuter:
1469:Recordings as group member
895:the electric chamber work
858:the small-ensemble version
842:Work as classical composer
2735:on Touch Guitars homepage
2219:Faith in Worthless Things
2175:Reuter Motzer Grohowski:
2168:Wingfield Reuter Sirkis:
1883:with Markus Reuter OCULUS
1841:(InsideOut Records, 2014)
1821:with The Crimson ProjeKCt
1007:Faith in Worthless Things
515:and instrument designer.
2903:RareNoiseRecords artists
2355:Squeeze Me Ahead Of Line
2254:Sounds for a Blue Planet
2228:(remix mini-album, 2013)
1939:Collaborative recordings
1596:with This Fragile Moment
1577:with Europa String Choir
1168:Other musical activities
1039:Reuter's exploration of
977:before releasing 2017's
626:, switching to 8-string
466:, Ronin Rhythm Records,
464:Discipline Global Mobile
2888:21st-century guitarists
2868:German record producers
2440:Dawn of the Foremothers
1835:(3-volume series, 2013)
1794:PANAMERICA Bonus Tracks
1619:(2005, remastered 2008)
1542:(5-volume series, 2007)
990:Adrian Belew Power Trio
806:professional musician.
2873:German male guitarists
2798:Markus Reuter homepage
2369:The Redundant Rocker,
2332:The Redundant Rocker,
2325:Show Of Exaggeration,
2212:Work with Lee Fletcher
2205:Sea of Hopeless Angels
2140:Markus Reuter & :
1932:Kosmonautik Pilgrimage
1896:with Anchor and Burden
1724:(promotional CD, 2017)
1162:Kosmonautik Pilgrimage
1098:Further collaborations
368:contemporary classical
205:Please help by adding
2878:People from Lippstadt
2838:Chapman Stick players
2692:(Facebook event page)
2650:Falling for Ascension
2392:Peak Of Eternal Light
2360:This Fragile Moment,
2353:The Season Standard,
2191:Behind Closed Doors 2
2184:Behind Closed Doors 1
1965:How Things Turned Out
1876:Outside the Transcend
1504:The Cult of: Bibbiboo
1346:Falling for Ascension
1119:How Things Turned Out
1000:Work within pop music
923:Bernhard Wöstheinrich
880:the solo piano piece
832:Falling for Ascension
824:Falling for Ascension
795:Universität Bielefeld
726:), progressive rock (
684:Bernhard Wöstheinrich
404:, instrument designer
142:neutral point of view
85:neutral point of view
2580:"Markus Reuter"
2461:The Failure of Words
2394:(2010 - co-producer)
2327:Show Of Exaggeration
2309:& Tobias Ralph:
2128:Other collaborations
1986:Markus Reuter &
1425:Classical recordings
1358:Live in Morelia 2016
577:touch guitar playing
211:Contentious material
2592:on 11 November 2013
2423:Same Time Next Life
2409:Permanent Transient
2363:This Fragile Moment
1680:(compilation, 2014)
1603:This Fragile Moment
1340:Live in Pomona 2016
1187:This Fragile Moment
1130:This Fragile Moment
1117:(with Motzer); and
943:Europa String Choir
938:Europa String Choir
564:Europa String Choir
2707:by John Kelman in
2523:2012-08-03 at the
2421:Adrian Benavides,
2299:Herd of Instinct,
2198:Music of our Times
2102:Space is the Place
1926:Feels Like Forever
1846:with Nocturne Blue
1710:Scored Play-Alongs
1558:The Room of Plenty
1158:Feels Like Forever
801:: he also studied
2858:German guitarists
2843:Crafty guitarists
2636:Fifteen Questions
2480:Frank Schätzing,
2247:Guest appearances
1889:Nothing is Sacred
1486:Sun Lounge Debris
1460:Matangi Quartet:
1394:Anchor and Burden
1388:Gratitude, Vol. 2
1382:Gratitude, Vol. 1
1185:-related project
1092:Nothing is Sacred
491:
490:
412:U8 Touch Guitar,
312:
311:
304:
294:
293:
286:
268:
194:needs additional
174:
173:
166:
137:with its subject.
117:
116:
109:
57:
2910:
2786:
2785:
2783:
2781:
2764:
2758:
2753:
2747:
2742:
2736:
2730:
2724:
2718:
2712:
2711:, 13 August 2007
2699:
2693:
2683:
2677:
2664:
2658:
2657:, 5 October 2017
2645:
2639:
2629:
2620:
2615:
2602:
2601:
2599:
2597:
2591:
2575:
2566:
2560:
2549:
2540:
2527:
2515:
2473:Stephan Thelen,
2320:Work as producer
2301:Herd Of Instinct
2142:Ceasing to Exist
2058:Eleven Questions
1492:The Divine Beast
1212:George Gurdjieff
1123:Angelica Sanchez
1059:/Markus Reuter.
763:George Gurdjieff
705:classical guitar
667:generative music
575:A specialist in
536:industrial music
487:
484:
468:MoonJune Records
458:Unsung Records,
447:
364:progressive rock
337:
334:3 September 1972
333:
331:
314:
307:
300:
289:
282:
278:
275:
269:
267:
226:
207:reliable sources
184:
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135:close connection
127:
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105:
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2700:
2696:
2686:Markus Reuter:
2684:
2680:
2665:
2661:
2646:
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2630:
2623:
2616:
2605:
2595:
2593:
2577:
2576:
2569:
2561:
2552:
2541:
2530:
2525:Wayback Machine
2516:
2495:
2491:
2402:Strange Darling
2322:
2249:
2214:
2163:The Stone House
2130:
2111:
2092:
2053:
2040:
2019:Colour Division
1995:Distant Rituals
1991:
1946:
1941:
1898:
1885:
1848:
1823:
1650:
1613:
1598:
1579:
1476:
1474:with centrozoon
1471:
1430:Markus Reuter:
1427:
1400:The Coming Dawn
1258:
1256:Solo recordings
1253:
1237:
1203:
1175:
1170:
1150:Furrowed Temple
1100:
1094:album in 2020.
1080:The Stone House
1067:album in 2010.
1037:
1002:
960:
940:
912:
907:
882:His Last Decade
844:
812:
697:
692:
620:
513:record producer
494:
481:
445:
422:laptop computer
402:record producer
335:
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227:
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16:German musician
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11:
5:
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2815:
2805:
2804:
2801:
2800:
2793:
2792:External links
2790:
2788:
2787:
2774:All About Jazz
2759:
2748:
2737:
2725:
2713:
2709:All About Jazz
2694:
2678:
2676:, 25 June 2014
2659:
2640:
2634:(interview on
2621:
2603:
2567:
2550:
2545:All About Jazz
2528:
2492:
2490:
2487:
2486:
2485:
2478:
2475:Fractal Guitar
2471:
2466:Gentle Knife,
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1858:The In-Between
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1199:
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1121:(with pianist
1099:
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1072:Mark Wingfield
1036:
1033:
1001:
998:
971:Pat Mastelotto
959:
956:
939:
936:
921:/synth player
911:
908:
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843:
840:
811:
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752:Paul Hindemith
748:Harald Genzmer
696:
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493:Musical artist
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215:poorly sourced
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2584:Guitar Player
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2430:Echosystem EP
2428:Specimen 13,
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2261:My Hotel Year
2259:Tim Bowness,
2258:
2255:
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2246:
2242:single (2017)
2241:
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2235:single (2013)
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2177:Shapeshifters
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1918:
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1914:Folded Temple
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1908:Clenched Brow
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1589:Marching Ants
1587:
1584:
1581:
1580:
1576:
1571:
1568:
1565:
1562:
1560:(live) (2014)
1559:
1556:
1554:(live) (2012)
1553:
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1434:
1433:Todmorden 513
1429:
1428:
1424:
1419:
1416:
1413:
1410:
1407:
1404:
1401:
1398:
1395:
1392:
1389:
1386:
1383:
1380:
1377:
1376:Monde, Vol. 3
1374:
1371:
1370:Monde, Vol. 2
1368:
1365:
1364:Monde, Vol. 1
1362:
1359:
1356:
1353:
1350:
1347:
1344:
1341:
1338:
1335:
1334:Fool of Music
1332:
1329:
1326:
1323:
1322:6 Reflections
1320:
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1217:Sacred Dances
1213:
1209:
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1190:
1188:
1184:
1183:Toyah Willcox
1180:
1172:
1167:
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1155:
1154:Molten Burden
1151:
1147:
1146:Clenched Brow
1143:
1137:
1135:
1134:Toyah Willcox
1132:- fronted by
1131:
1126:
1124:
1120:
1116:
1112:
1107:
1105:
1097:
1095:
1093:
1087:
1085:
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1077:
1073:
1068:
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1060:
1058:
1057:Zoltan Lantos
1054:
1050:
1049:Zoltán Lantos
1046:
1042:
1034:
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952:Marching Ants
949:
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904:
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868:
867:Todmorden 513
864:
859:
854:
852:
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850:Todmorden 513
841:
839:
837:
833:
829:
825:
820:
818:
809:
807:
804:
800:
799:Daniel Schell
796:
791:
789:
785:
781:
780:Chapman Stick
776:
774:
773:
772:Sacred Dances
768:
764:
760:
755:
753:
749:
745:
744:David Bedford
741:
737:
733:
729:
728:Mike Oldfield
725:
721:
717:
712:
710:
706:
702:
694:
689:
687:
685:
680:
678:
674:
673:
672:Todmorden 513
668:
664:
663:process music
659:
657:
653:
649:
645:
644:chamber music
641:
637:
632:
629:
625:
624:Chapman Stick
618:Musical style
617:
615:
613:
609:
605:
601:
596:
594:
590:
586:
585:Chapman Stick
582:
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573:
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569:Todmorden 513
565:
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541:
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497:Markus Reuter
486:
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431:
427:
423:
419:
418:Chapman Stick
415:
411:
409:Instrument(s)
407:
403:
399:
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394:Occupation(s)
392:
389:
385:
381:
377:
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369:
365:
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347:
344:
340:
336:(age 52)
326:
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318:Markus Reuter
315:
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288:
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238:
235: –
234:
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229:Find sources:
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78:
77:autobiography
73:This article
71:
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56:
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47:
46:
41:
40:
35:
30:
21:
20:
2778:. Retrieved
2772:
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2716:
2708:
2703:
2697:
2687:
2681:
2673:
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2594:. Retrieved
2589:the original
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2398:Chrysta Bell
2391:
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2378:Water Dealer
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1195:Lee Fletcher
1191:
1179:Chrysta Bell
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767:J.G. Bennett
759:Guitar Craft
756:
740:King Crimson
736:Robert Fripp
713:
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681:
670:
660:
654:and various
640:King Crimson
633:
621:
604:Lee Fletcher
597:
589:King Crimson
574:
567:
517:
496:
495:
483:markusreuter
460:Burning Shed
450:1996–present
446:Years active
298:
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217:
200:verification
193:
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37:
36:Please help
33:
2813:1972 births
2704:String Unit
2482:Taxi Galaxi
2452:Stick Men,
2390:Moonbound,
2290:Star of Ash
2274:Star of Ash
2240:The Chancer
2135:String Unit
1806:(featuring
1798:David Cross
1796:(featuring
1788:David Cross
1786:(featuring
1778:David Cross
1776:(featuring
1768:David Cross
1766:(featuring
1758:David Cross
1756:(featuring
1748:Mel Collins
1746:(featuring
1738:Mel Collins
1736:(featuring
1704:David Cross
1702:(featuring
1694:David Cross
1692:(featuring
1583:Lemon Crash
1540:Vacuum Love
1328:Mundo Nuevo
1292:Trepanation
1268:Containment
1251:Discography
1076:Asaf Sirkis
1053:String Unit
1045:jazz fusion
1019:The Chancer
948:Lemon Crash
931:Tim Bowness
919:fine artist
716:The Beatles
628:Warr Guitar
612:Robert Rich
600:Tim Bowness
581:Warr Guitar
544:jazz fusion
528:progressive
430:bass guitar
414:Warr Guitar
2807:Categories
2702:Review of
2667:Review of
2648:Review of
2489:References
2385:Skin Diary
2278:The Thread
2170:Lighthouse
2096:Descending
1958:Star's End
1672:Power Play
1611:with Tuner
1498:centrophil
1494:EP (2001)
1298:Kopfmensch
1115:Star’s End
1084:Lighthouse
915:centrozoon
910:centrozoon
897:Sun Trance
892:Ensemble).
788:loop music
784:Tony Levin
732:David Torn
552:centrozoon
540:world jazz
520:loop music
388:improvised
330:1972-09-03
244:newspapers
39:improve it
2688:Daimon Fu
2454:Prog Noir
2445:Pavlov3,
2414:Zweiton,
2149:Scavenger
2147:Syntony:
1988:Ian Boddy
1878:EP (2017)
1860:EP (2015)
1816:EP (2022)
1814:Tentacles
1728:KONNEKTED
1722:KOLLEKTED
1716:Prog Noir
1656:EP (2011)
1534:Lovefield
1512:EP (2003)
1500:EP (2002)
1274:Digitalis
1225:Trey Gunn
1104:Ian Boddy
1065:Scavenger
986:Stick Men
889:Daimon Fu
869:as "sound
828:post-rock
810:Solo work
608:Ian Boddy
593:Trey Gunn
556:Stick Men
548:pop songs
501:Lippstadt
434:keyboards
346:Lippstadt
196:citations
146:talk page
89:talk page
45:talk page
2733:AU8 page
2690:premiere
2638:website)
2596:25 March
2521:Archived
2334:Collider
2312:ToPaRaMa
2294:Lakhesis
2044:Triptych
1810:) (2021)
1800:) (2019)
1790:) (2019)
1780:) (2019)
1770:) (2019)
1760:) (2019)
1750:) (2017)
1740:) (2017)
1706:) (2015)
1696:) (2015)
1570:eisprung
724:Messiaen
709:mandolin
636:art rock
532:art rock
509:composer
438:mandolin
398:Musician
360:Art rock
274:May 2019
222:libelous
154:May 2019
97:May 2019
2780:21 June
2346:Tovah,
2233:Islands
2025:Memento
2013:Unwound
2007:Dervish
1979:Truce 2
1654:Absalom
1210:and by
1201:Teacher
1015:Islands
929:singer
701:pianist
591:member
505:Germany
478:Website
384:ambient
380:process
372:art pop
350:Germany
258:scholar
2484:(2019)
2477:(2018)
2470:(2017)
2463:(2017)
2459:Yang,
2456:(2016)
2449:(2015)
2442:(2013)
2436:Namgar
2432:(2012)
2425:(2012)
2418:(2012)
2411:(2011)
2387:(2010)
2380:(2009)
2373:(2009)
2366:(2009)
2357:(2008)
2343:(2008)
2336:(2005)
2329:(2003)
2266:Kuha,
2252:Dago,
2221:(2012)
2207:(2023)
2200:(2020)
2193:(2020)
2186:(2020)
2179:(2020)
2172:(2017)
2165:(2017)
2158:(2012)
2156:Lament
2151:(2010)
2144:(2007)
2137:(2000)
2123:(2015)
2117:(2011)
2104:(2016)
2098:(2010)
2085:(2018)
2079:(2018)
2073:(2018)
2067:(2017)
2061:(2007)
2046:(2001)
1981:(2022)
1974:(2020)
1967:(2016)
1960:(2011)
1953:(2011)
1934:(2023)
1928:(2022)
1922:(2022)
1916:(2021)
1910:(2021)
1904:(2021)
1891:(2020)
1866:(2016)
1854:(2015)
1829:(2012)
1686:(2014)
1674:(2013)
1668:(2013)
1662:(2012)
1643:(2017)
1637:(2009)
1631:(2008)
1625:(2007)
1606:(2010)
1591:(2004)
1585:(2000)
1572:(2020)
1548:(2012)
1536:(2007)
1530:(2006)
1524:(2006)
1518:(2005)
1506:(2002)
1488:(2001)
1464:(2019)
1457:(2017)
1450:(2016)
1443:(2014)
1436:(2011)
1420:(2023)
1414:(2023)
1408:(2023)
1402:(2022)
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1390:(2021)
1384:(2020)
1378:(2019)
1372:(2019)
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1360:(2017)
1354:(2017)
1342:(2016)
1330:(2015)
1324:(2014)
1318:(2014)
1312:(2014)
1306:(2014)
1294:(2006)
1288:(2003)
1282:(2001)
1276:(2001)
1270:(1998)
1264:(1998)
1262:Taster
927:No-Man
900:2017).
817:Taster
499:(born
455:Labels
426:guitar
356:Genres
342:Origin
260:
253:
246:
239:
231:
75:is an
2371:Heart
2339:UMA,
1972:Truce
1804:OWARI
1617:Totem
1546:Boner
1480:Blast
975:Tuner
871:(ing)
677:Tuner
560:Tuner
265:JSTOR
251:books
189:This
2782:2014
2723:>
2598:2012
2416:Form
2031:Stay
2001:Pure
1951:0000
1666:Deep
1660:Open
1641:Face
1635:ZWAR
1629:Müüt
1623:Pole
1552:Fire
1156:and
1111:0000
1043:and
1041:jazz
1009:and
979:Face
950:and
765:and
750:and
738:and
722:and
720:Bach
707:and
652:folk
648:jazz
610:and
583:and
530:and
485:.com
376:loop
324:Born
237:news
198:for
1564:217
656:pop
2809::
2771:.
2624:^
2606:^
2582:.
2570:^
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