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245:, “The work was based on Steckel’s memories of men exposing themselves on the subway when she was a young woman riding from her parents’ home in Brooklyn to school in Manhattan. Here, her exposure lays claim to the men’s implicit assertion of power as it reactivates the trauma of witnessing their acts, which she refers to in a line of a limerick she wrote: ‘Those sexual shocks every day / Turned me into a difficult lay.’” All of Steckel’s pieces are imbued with a feminist and sexual energy, as “Subway” and her “Giant Woman” series are.
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The political content of her art was not limited to feminism, extending to larger issues of justice, and she explained that "When you come from a culture that has been the underdog in a very brutal way, you tend to speak out against injustice." Her immigrant parents were not religiously observant, but Jewish culture was part of her childhood experience, and the content of her adult art contains these cultural references. In
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She created a series of artworks concerning erections, in defense of which she said, “If the erect penis is not wholesome enough to go into museums, it should not be considered wholesome enough to go into women. And if it’s wholesome enough to go into women, it’s wholesome enough to go into museums.”
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Steckel began showing her work in both solo and group exhibitions beginning in the late 1960s. Her first publicly recognized work, a photomontage series titled "Mom Art" in 1963, included critiques of racism, war, and sexual inequalities. In her "Giant Woman" series of works, Steckel painted
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in 1972. The exhibition was controversial because
Steckel's work was sexually explicit and some local authorities called for the closure of the show, or at least to move it to a "more appropriate venue", such as the men or women's restroom. She later explained that the Giant Women Series
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and worked on a
Norwegian freighter that traveled to South America for two months. She also worked as a dancing instructor, where she won a competition and was crowned the "Mambo Queen of Southern California". She then went back to New York to study at
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immigrants Dora and Hyman Arkin. She had an abusive mother and a father who struggled with a gambling problem. She left home after an early graduation from the High School of Music & Art in
Manhattan (now
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the Hudson River is filled with gefilte fish and Hitler "is depicted as a patriarchal menace with his throat being sliced by a nude female figure wielding an ax between her legs."
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with sexual imagery. She was also the founder of the arts organization "The Fight
Censorship Group", whose other members included
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Richard Meyer, "Hard
Targets: Male Bodies, Feminist Art and the Force of Censorship," in Cornelia Butler and Lisa G. Mark, eds.,
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theme that women had "outgrown their roles" in society as previously defined. In 1972, her work was exhibited at the
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Levin, Gail (2007). "Censorship, Politics, and Sexual
Imagery in the work of Jewish-American Feminist Artists".
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series a mother feeds her muscle-man son sperm and tells him to "Eat your power honey before it grows cold."
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649:. Brooklyn Museum - Elizabeth A. Sackler Center for Feminist Art: Feminist Art Base: Anita Steckel
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Middleman, Rachel (2013). "Anita
Steckel's Feminist Montage: Merging Politics, Art, and Life".
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87:(February 24, 1930 – March 16, 2012) was an American feminist artist known for paintings and
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photomontages were a response to what she felt, that "men seemed to own the city." In
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oversized nude women onto photographs of city scenes, an idea associated with a
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She also made a piece titled “Subway” in 1973 which, to quote
Richard Meyer of
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Middleman, Rachel. "Anita
Steckel: The Feminist Art of Sexual Politics."
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In 2001, Steckel's work was exhibited at the
Mitchell Algus Gallery.
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in New York alongside pieces by the influential feminist artists
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Nashim: A Journal of Jewish Women's Studies & Gender Issues
173:. In 1970, Steckel moved to the Westbeth Artists' Housing in
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Steckel came to public attention after her solo exhibition,
606:. Los Angeles: The Museum of Contemporary Art, 2007. Print.
350:"Anita Steckel, artist who created erotic works dies at 82"
169:. She worked and lived most of her time in a studio in
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Heresies: A Feminist Publication on Art and Politics
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Fiorello H. LaGuardia High School of Music & Art
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465:"Of Peonies & Penises: Anita Steckel's Legacy"
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779:Elizabeth A. Sackler Center for Feminist Art
435:"The Art Students League | Instructors"
957:Why Have There Been No Great Women Artists?
757:New York School of Applied Design for Women
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437:. theartstudentsleague.org. Archived from
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618:"Anita Steckel: Self-Images and Montages"
745:American Association of University Women
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604:Wack!: Art and the Feminist Revolution
269:. Cambridge, MA and London: MIT Press.
904:WACK! Art and the Feminist Revolution
751:National Association of Women Artists
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493:32:1 (Winter/Spring 2014), pp. 22-25.
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267:WACK! Art and the Feminist Revolution
165:She also taught for several years at
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219:The Sexual Politics of Feminist Art
167:The Art Students League of New York
835:Women's Art Resources of Minnesota
265:Mark, Lisa Gabrielle, ed. (2007).
51:Manhattan, New York, United States
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1167:Feminist movements and ideologies
547:. oneartworld.com. Archived from
375:Amateau, Albert (April 5, 2012).
39:Brooklyn, New York, United States
809:New York Feminist Art Institute
668:Anita Steckel Papers, 1940-2012
159:Art Students League of New York
61:Art Students League of New York
1156:Women in the art history field
840:Woman's Building (Los Angeles)
577:. October 2009. Archived from
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1226:20th-century American artists
1216:American contemporary artists
1211:People from Greenwich Village
824:Washington Women's Art Center
189:"Feminist Party" poster. 1971
864:Exhibitions or installations
78:Pollock Krasner Grant (2005)
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989:Women Artists in Revolution
829:Women Artists in Revolution
662:The Estate of Anita Steckel
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519:"Anita Steckel - New York"
223:Rockland Community College
85:Anita Slavin Arkin Steckel
1201:American feminist artists
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70:Painting and Photomontage
1236:American women academics
1151:List of feminist artists
949:The Feminist Art Journal
616:Goddard, Donald (2001).
471:. Jewish Women's Archive
463:Raub, Deborah Fineblum.
127:Early life and education
1206:Jewish American artists
855:Women's Studio Workshop
850:Women's Interart Center
767:Venues or organizations
200:Women's Interart Center
994:Women's Caucus for Art
915:Films or documentaries
789:Feminist Art Coalition
622:The New York Art World
545:Mitchell Algus Gallery
414:Brooklyn Museum of Art
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923:!Women Art Revolution
724:Feminist art movement
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541:"Anita Steckel 2006"
507:. February 14, 1972.
236:Skylines of New York
228:The New York Skyline
131:Steckel was born in
1055:Helen Frankenthaler
799:Lesbian Art Project
317:Woman's Art Journal
175:Manhattan, New York
1120:Carolee Schneemann
880:Three Weeks in May
407:"Anita Steckel CV"
354:The New York Times
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133:Brooklyn, New York
119:, Anne Sharpe and
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1045:Mary Beth Edelson
1040:Elaine de Kooning
888:The Sister Chapel
581:on 9 January 2013
521:. Aud Art Gallery
505:New York Magazine
491:Women in the Arts
243:Artforum magazine
171:Greenwich Village
155:Alfred University
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36:February 24, 1930
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1080:Jane Kaufman
1065:Nancy Graves
1060:Mary Garrard
1035:Judy Chicago
1030:Norma Broude
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933:Publications
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719:Feminist art
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381:The Villager
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204:Judy Chicago
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1191:2012 deaths
1186:1930 births
1130:Alma Thomas
1085:Lee Krasner
1075:Lila Katzen
1050:Suzi Ferrer
999:Where We At
952:(1972–1977)
944:(1977–1992)
891:(1974–1978)
121:Joan Semmel
33:Anita Arkin
1180:Categories
1135:June Wayne
872:Womanhouse
738:Precursors
653:12 January
627:12 January
585:12 January
555:26 October
525:12 January
475:12 January
419:26 October
386:26 October
252:References
221:, held at
1070:Eva Hesse
57:Education
1105:Yoko Ono
959:" (1971)
360:16 April
329:24395331
974:subRosa
181:Artwork
967:Groups
907:(2007)
899:(1979)
883:(1977)
875:(1972)
759:(1892)
753:(1889)
747:(1881)
327:
153:, and
75:Awards
1144:Lists
831:(WAR)
410:(PDF)
325:JSTOR
161:with
135:, to
655:2013
629:2013
587:2013
557:2012
527:2013
477:2013
447:2015
421:2012
388:2012
362:2012
210:and
45:Died
29:Born
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