338:), which I went to view thinking here might be the rudiments of a folk-film, if not a realized folk-film. The Dutch film Breakers possessed a dignity and seriousness of effort. But this film of amateurs with its ancient story of childhood love, the drunkard foe, the false accusation of murder, the crippled idiot's devotion and martyrdom was hilariously stupid. Nothing to redeem it, not even an honest intention. Yet for as little an expenditure these amateurs might have produced a document of some Flemish village which might have taught them just what material they possess.
25:
397:. However, the production process of the film was also problematic, due to the choice of amateur actors in the cast and their inflexible availabilities, which caused disagreements and replacements among the crew members. In addition, the post-production process lasted four years because of the lack of budget, causing the film to have its test screening in 1934.
205:, an American actress who starred in a number of silent films. Ruth Roland encouraged Anna Frijters to enter a screenplay competition arranged by Brewster Publications, where she won the second prize for her screenplay called Leentje van de zee (Peggy of the Sea). Her victory in this competition created largely critical receptions.
404:
as a result of its successful test screening. However, the process was interrupted by a massive fire that destroyed the entire studio. Only the
Zwijsen's musical score survived but the fire permanently marked the end of the Frijters' filmmaking career. Throughout history, De verloofde uit Canada was
226:
This success also paved the way for a wide range of offers coming from studios in the United States. She rejected all these offers because she wanted to follow her own path and pursue her filmmaking career with her husband François
Frijters. At the same time, she did not want the American studios to
285:
and joined the production. However, the couple went through some rough times completing the film. Due to budgetary problems and limited production facilities in the studio, the crew and cast consisted of amateurs who were only able complete the shooting outside of working hours. In addition, the
221:
And look, the puny entry from this tiny country attracted the attention of the jury. In the classic country of the Silent Art it was not considered as futile as some suggested over here. It even passed a second selection round and after the third... it remained intact and undamaged, claiming the
370:, which revolved around a working-class man who returned home from Canada and discovered that his fiancée Betty no longer loved him and was married to someone else. The main character was played by a comedian,
253:) The film tells the story of a young girl who survived a shipwreck and was adopted by a fisherman. The fisherman was later accused of murdering a young boy who tried to seduce the girl.
355:
Anna
Frijters was discouraged from maintaining her interest in filmmaking after the critical and commercial backlash of Leentje van de Zee, though her husband, François Frijters, made a
413:
It was later discovered that the only son of the
Frijters family, Roland, kept the copies of both films in his basement. These copies were later restored for their premiere at the
478:
After a successful screening, the film was ready to be scored, however, it was completely destroyed during the fire at the studio. Only the musical score survived.
186:
in the late 1920s. She was also known as one of the early female screenwriters, who played an important role in pioneering the development of scriptwriting in the
286:
filming was also postponed several times due to some other drawn-out problems such as the storm that damaged the building and the pregnancy of the lead actress
631:
414:
462:
Her screenplay won second prize at
Brewster Publications screenwriting contest in 1925, however, the film was a critical and commercial failure.
360:
616:
322:
that overshadowed the film's public interest as well as the mainly negative reviews written about the film itself. In
September 1929,
108:
46:
42:
89:
61:
261:
Anna and François
Frijters sold their house in order to make an investment for the film. The filming began in 1926 in
68:
35:
282:
363:(Inauguration of the Statue of Guido Gezelle) in 1930. However, Frijters wrote a short comedy screenplay called
75:
471:
365:
302:. Her efforts of distributing the film yielded results to a certain extent, having her film released by only
178:
290:. The production, as a result, lasted two years and had its premiere in the cinema of Antwerp Zoo in 1928.
210:
236:
57:
455:
245:
172:
534:
401:
183:
626:
621:
298:
Frijters decided to make the distribution on her own as she was rejected by the film distributors in
274:
536:
Eendagsvliegen: De
Vlaamse Fictiefilm in De Jaren 1920 (Mayflies: Flemish Fiction Film in the 1920s)
371:
323:
197:
Before beginning their filmmaking careers, Anna and François
Frijters were both diamond cutters in
310:. She used patriotic slogans as a way of advertising her film and gaining the support of locals.
270:
206:
262:
400:
As compared to the failure of her 1928 film, this film was given a green light to be scored by
390:
287:
170:; 1889–1966) was a Belgian screenwriter, producer, director and author, known for silent films
601:
405:
remembered as a creative experiment with its combination of animated and conventional images.
187:
303:
240:
82:
278:
201:
and passionate about making their own films. Moving to the United States, they met with
573:
610:
222:
laurel. The puny entry has become a screenplay approved by
American professionals.
326:
magazine shared a small review that intended to disgrace the content of the film.
202:
24:
319:
318:
The final result did not meet Frijters' expectations due to the arrival of
421:
in October 1986, with the participation of the cast of Leentje van de Zee
386:
356:
299:
266:
597:
394:
382:
307:
198:
164:
418:
235:
With the help of their friends, the couple built a studio called
561:. Brussels: Royal Belgian Film Archive. pp. 146, 157, 197.
381:
Filming began throughout 1929 and 1930 in various locations of
182:(1934) which she wrote, produced and directed with her husband
18:
277:
assisted Frijters behind the camera. At Roland's request,
539:. Roeselare: Kunsttijdschrift Vlaanderen. pp. 84–85.
330:
In Antwerp, the Flemish Cinema Club has produced a film
559:
Belgian Cinema = Le Cinéma Belge = De Belgische Film
281:, who was the make-up artist in the film, came from
150:
142:
130:
123:
49:. Unsourced material may be challenged and removed.
16:
Belgian screenwriter, producer, director and author
361:Inhuldiging van het standbeeld van Guido Gezelle
350:De verloofde uit Canada (The Fiancé from Canada)
328:
219:
393:, which is known as a prominent boulevard in
8:
343:Kenneth Macpherson, Close Up, September 1929
154:screenwriter, producer, director and author
120:
109:Learn how and when to remove this message
557:Thys, Marianne; Michelems, René (1999).
507:Women Screenwriters: International Guide
436:
490:
509:. Palgrave Macmilla. pp. 238–240.
269:and inside the Liberty movie theatre.
217:, and showed its reaction as follows:
231:Leentje van de zee (Peggy of the Sea)
7:
552:
550:
548:
546:
528:
526:
524:
522:
520:
518:
516:
500:
498:
496:
494:
415:Flanders International Film Festival
47:adding citations to reliable sources
632:20th-century Belgian screenwriters
505:Nelmes, Jill; Selbo, Jule (2015).
14:
23:
34:needs additional citations for
1:
572:Machpherson, Kenneth (1929).
243:, where they planned to film
574:"Phases of Cinema Unity III"
385:such as the World's Fair in
146:1966 (aged 76–77)
617:Belgian women screenwriters
648:
389:and the warehouse at the
213:, described her entry as
474:(The Fiancé from Canada)
368:(The Fiancé from Canada)
472:De verloofde uit Canada
366:De verloofde uit Canada
211:Motion Picture Magazine
179:De verloofde uit Canada
346:
227:influence her vision.
224:
188:Belgium film industry.
193:Early life and career
533:Geens, Paul (1988).
237:Little Roland Studio
43:improve this article
458:(Peggy of the Sea)
456:Leentje van de zee
332:Leentje van de Zee
246:Leentje van de zee
173:Leentje van de zee
482:
481:
402:J. Antoon Zwijsen
209:pointed out that
184:François Frijters
158:
157:
119:
118:
111:
93:
639:
582:
581:
569:
563:
562:
554:
541:
540:
530:
511:
510:
502:
437:
344:
336:Peggy of the Sea
304:sub-run theaters
251:Peggy of the Sea
121:
114:
107:
103:
100:
94:
92:
51:
27:
19:
647:
646:
642:
641:
640:
638:
637:
636:
607:
606:
594:
588:
586:
585:
571:
570:
566:
556:
555:
544:
532:
531:
514:
504:
503:
492:
487:
435:
430:
411:
379:
353:
345:
342:
316:
296:
275:Antoine Laureys
259:
239:in a suburb of
233:
195:
137:
136:
126:
115:
104:
98:
95:
58:"Anna Frijters"
52:
50:
40:
28:
17:
12:
11:
5:
645:
643:
635:
634:
629:
624:
619:
609:
608:
605:
604:
593:
592:External links
590:
584:
583:
564:
542:
512:
489:
488:
486:
483:
480:
479:
476:
468:
464:
463:
460:
452:
448:
447:
444:
441:
434:
431:
429:
426:
410:
407:
378:
375:
372:Lowieke Staal.
352:
347:
340:
315:
312:
295:
292:
258:
255:
232:
229:
194:
191:
156:
155:
152:
148:
147:
144:
140:
139:
134:
132:
128:
127:
124:
117:
116:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
644:
633:
630:
628:
625:
623:
620:
618:
615:
614:
612:
603:
599:
598:Anna Frijters
596:
595:
591:
589:
579:
575:
568:
565:
560:
553:
551:
549:
547:
543:
538:
537:
529:
527:
525:
523:
521:
519:
517:
513:
508:
501:
499:
497:
495:
491:
484:
477:
475:
473:
469:
466:
465:
461:
459:
457:
453:
450:
449:
445:
442:
439:
438:
432:
427:
425:
424:
420:
416:
408:
406:
403:
398:
396:
392:
388:
384:
376:
374:
373:
369:
367:
362:
358:
351:
348:
339:
337:
333:
327:
325:
321:
313:
311:
309:
305:
301:
293:
291:
289:
284:
280:
276:
272:
268:
264:
256:
254:
252:
248:
247:
242:
238:
230:
228:
223:
218:
216:
212:
208:
204:
200:
192:
190:
189:
185:
181:
180:
175:
174:
169:
166:
162:
161:Anna Frijters
153:
151:Occupation(s)
149:
145:
141:
133:
129:
125:Anna Frijters
122:
113:
110:
102:
99:December 2016
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
587:
577:
567:
558:
535:
506:
470:
454:
422:
412:
399:
380:
364:
359:film called
354:
349:
335:
331:
329:
317:
297:
294:Distribution
260:
250:
244:
234:
225:
220:
214:
196:
177:
171:
167:
160:
159:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
627:1966 deaths
622:1889 births
428:Filmography
409:Lost copies
271:Victor Beng
203:Ruth Roland
176:(1928) and
135:Anna Veldrs
611:Categories
485:References
377:Production
320:sound film
279:Max Factor
263:St. Anneke
257:Production
207:Jule Selbo
69:newspapers
391:Keyserlei
314:Reception
288:Ive Bramé
283:Hollywood
578:Close Up
387:Borsbeek
357:Newsreel
341:—
324:Close Up
300:Brussels
267:De Panne
580:. Pool.
395:Antwerp
383:Belgium
308:Belgium
241:Antwerp
199:Antwerp
168:Velders
83:scholar
446:Notes
433:Writer
85:
78:
71:
64:
56:
443:Film
440:Year
90:JSTOR
76:books
602:IMDb
467:1934
451:1928
419:Gent
273:and
215:puny
143:Died
138:1889
131:Born
62:news
600:at
417:in
306:in
165:née
45:by
613::
576:.
545:^
515:^
493:^
265:,
423:.
334:(
249:(
163:(
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
