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Aldegonde. The piano music written for her own performance is virtuosic, incorporating new keyboard techniques and sonorities, along with a number of innovations usually associated with later pianist-composers such as Czerny and Liszt. Her manuscripts are in a private French collection and in the
American Philosophical Society library in Philadelphia.
204:. When the sonatas were published in 1769, the reference to the pianoforte was replaced by "harpsichord" and many dynamic markings were removed because the harpsichord was still the dominant keyboard instrument, and the publisher had to adapt the sonatas for commercial reasons. Charles Burney wrote of her,
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Her parents were Marie-Élisabeth, (née Martin) (1723-1785) and Louis-Claude Boyvin d'Hardancourt (c. 1710–1756), a royal tax clerk. In
October 1763 Anne Louise married tax clerk Jacques Brillon de Jouy (1722-1787), 22 years her elder. They had two daughters, Cunégonde and Aldegonde. Cunégonde went on
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She is one of the greatest lady-players on the harpsichord in Europe. This lady (...) plays the most difficult pieces with great precision, taste and feeling (...). She likewise composes, and she was so obliging as to play several of her own pieces both on the harpsichord and pianoforte accompanied
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Every
Wednesday and Saturday Anne Louise held a salon at her house in the country in Passy, which became a permanent fixture. Foreign musicians passing through Paris performed with her. In doing so, she acquired an excellent reputation as a musician and composer, despite not performing publicly or
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Her compositions number almost 90. Most are instrumental chamber music, including solo and accompanied keyboard sonatas; sonatas for cello, violin or harp; trios for two harpsichords and piano; and vocal music. She wrote music to perform herself and with the two
Brillon daughters, Cunégonde and
398:
Rudolf Rasch, "Description of the
Sources", in Luigi Boccherini, Sei sonate per tastiera e violino, ed. Rudolf Rasch (Bologna: Ut Orpheus Edizioni, 2009), xciii. Translated in Rebecca Cypess, Women and Musical Salons in the Enlightenment (Chicago and London: University of Chicago Press, 2022),
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arrived in Paris in 1777 as ambassador from the
American colonies, he lived near the Brillon residence and was a welcome guest at her distinguished salon, which he described as 'my Opera', where there are 'little Concerts' with music and singing. After his return to America in 1785, he and Mme
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Madame, I have never before composed for the keyboard; I heard you play on that instrument, and then I wrote these sonatas; the homage that I offer you through them is, simultaneously, a fitting tribute, and one of reconnaissance; you have inspired them, and you embellish
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Charles Burney, The
Present State of Music in France and Italy: Or, the Journal of a Tour through those Countries, Undertaken to Collect Materials for A General History of Music, 2nd ed. (London: T. Becket and Co., J. Robson, and G. Robinson, 1773),
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369:"In the Salon of Madame Brillon: Music and Friendship in Benjamin Franklin's Paris", The Raritan Players, directed by Rebecca Cypess. Acis Productions APL40158 (2021).
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and played and composed for the harpsichord and the piano. She learned to play the harpsichord as a child.
366:"The Piano Sonatas Rediscovered", Nicolas Horvath, piano. Naxos: Grand Piano GP872-73 (2020). 2-CD album.
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Madame
Brillon de Jouy et son salon : Une musicienne des Lumières, intime de Benjamin Franklin,
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having any of her compositions published. Several composers dedicated sonatas to her, including
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Premier recueil d'Ĺ“uvres pour clavecin ou pianoforte avec 15 sonates pour pianoforte et violon
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Trio pour trois clavecins en ut-mineur (ou pour piano anglais, piano allemand et clavecin)
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107:; 13 December 1744 – 5 December 1824) was a French musician and composer. Born in
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Chicago and London: University of
Chicago Press, 2022. 368 p. ISBN 9780226817910.
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with the violin by M. Pagin, who is reckoned in France the best scholar of
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The piano was a relatively new instrument when
Boccherini wrote his
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Quatuor pour clavecin, deux violons et contrebasse en mi mineur
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Trio pour pianoforte, violon et violoncelle en sol mineur
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191:. The set was dedicated to Anne Louise Brillon:
325:in the 2024 Apple original television series,
355:Women and Musical Salons in the Enlightenment
342:Paris, Éditions du Petit Page, 2014, 306 p. (
180:Brillon maintained an active correspondence.
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223:) to celebrate an American victory in the
189:Six Sonatas for Pianoforte and Violin op 5
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425:"Benjamin Franklin and 'The Stol'n Kiss'"
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235:88 pieces have been listed to date.
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