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Anne LeBaron

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156: 1336:(2020). Ashley Wiest, Stephanie Aston, sopranos; Andy Dwan, baritone; Chris Stoutenborough, Jim Sullivan, clarinets; Julie Feves, Jon Stehney, bassoons; Anne LeBaron, Alison Bjorkedal, harps; Nic Gerpe, Mark Robson, pianos; Cory Hills, percussion; Pasha Tseitlin, Mark Menzies, violins; Erik Rynearson, Linnea Powell, violas; Charlie Tyler, cello; Eric Shetzen, contrabass;  Nicholas Olof Jacobson-Larson, Nick Deyoe, conductors. Innova Recordings 026. 605:. A more lateral, inclusive, and intensive collaboration of artists occurs with hyperopera, breaking down the usual hierarchical structures of traditional opera, which define and limit the roles of individuals on creative and production teams. The genre of hyperopera involves the collaborations of a diverse group of artists that can portray a variety of meanings or realities. In the postmodern tradition of redefining opera, also seen in the work of 25: 1434:(1992). The Anne LeBaron Quintet (Frank London, trumpet; Marcus Rojas, tuba; Davey Williams, electric guitar; Gregg Bendian, drums, vibraphone, percussion; Anne LeBaron, harp with electronics): "Bouquet of a Phantom Orchestra," "Human Vapor," "Superstrings and Curved Space," "Bottom Wash," "Top Hat on a Locomotive," "Loaded Shark." Ear Rational ECD 1035. 2159: 2147: 408:
pianist and wrote songs on an acoustic guitar, setting her poetry to music. Her grandmother taught her to play chess, and at 12 LeBaron won a University of Alabama chess competition. She later said that chess taught her stamina and concentration, "but above all that you can always find a better move
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Frequently combining tonal and atonal techniques with an experimental approach, LeBaron's compositions utilize elements of blues, jazz, pop, rock, and folk music. She explores environmental, cultural, philosophical and cultural themes, incorporating theater, mixed media, literature, and humor. She
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LeBaron was born in Baton Rouge and raised in Memphis and Tuscaloosa. Her father, Gordon, was an advertising executive and bluegrass musician; in addition to singing, he played guitar, banjo, dobro and mandolin. She grew up listening to live bluegrass music at home, and gospel and choral music at
621:, with musicians who move readily among stylistic genres, just as the vocalists do. The opera's theatrical action is refracted through a prism of video work, lighting effects, and performance freedoms and simultaneities. For its world premiere production in Los Angeles in 2012, 586:(2005) were all collaborative works that led her to develop the genre she terms "hyperopera": "an opera resulting from intensive collaboration across all the disciplines essential for producing opera in the 21st century – in a word, a 'meta-collaborative' undertaking". 471:
LeBaron's composition in instrumental, electronic, and performance realms embraces a wide range of media and styles. Frequently combining tonal and atonal techniques, she has utilized elements of blues, jazz, pop, rock, and folk music in such scores as the opera
645:'s prepared piano) and bowing the strings, as well as a variety of electronic enhancements. Her development of a new performance vocabulary for the instrument began in the early 1970s, when she played in the Alabama improvising ensemble Trans Museq along with 542:
notes that the work "...points to LeBaron's more pervasive interest in music's ability to mold temporality, immersing the listener in a sound world in which time bends, stands still, dances, or conforms to the mechanical measure of the clock".
1342:(2014). Maria Elena Altany, Lillian Sengpiehl, Ji Young Yang, sopranos; Gwendolyn Brown, contralto; Timur Bekbosunov, Ashley Faatoalia, Jonathan Mack, tenors; Cedric Barry, bass-baritone; Marc Lowenstein, conductor. 416:, intending to study piano. She shifted her emphasis to harp after coming across the instrument in an empty music room. As an undergraduate, she studied classical harp technique with teachers including 1818: 625:
also engaged six visual artists to participate in the collaborative process by designing and building set pieces as various locales in the opera. Prior to the full production of
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in 2001, where she has held the Roy E. Disney Family Chair in Musical Composition from 2013 until 2015. In 2024, she retired from teaching and was appointed professor emerita.
1861: 1527: 1440:(1992). New Music Consort, Linda Bouchard, Claire Heldrich, Anne LeBaron, conductors; Theater Chamber Players of Kennedy Center, Anne LeBaron, conductor. Mode Records 30. 2209: 2204: 455:
LeBaron served as composer-in-residence in Washington, DC, sponsored by Meet the Composer from 1993 until 1996. She was an assistant professor of music at the
2194: 1567: 601:(the united/total/universal artwork that synthesized architecture, scenic painting, singing, instrumental music, poetry, drama, and dance), championed by 633:, performed by the LOOS Electro Acoustic Media Orchestra and the soloists from Los Angeles during the Dag in de Branding Festival in the Hague in 2007. 53: 33: 692:
LeBaron performs in Los Angeles and elsewhere with the Present Quartet, composed of Ellen Burr; flutes, Charles Sharp, reeds, and Jeff Schwarz, bass.
1394:. (2000) Atlanta Chamber Players, David Rosenboom, conductor; Paula Peace, piano; Christopher Pulgram, violin; Amy Porter, flute; Anne LeBaron, harp. 1293: 2199: 2184: 1256:“Luminous Imagination: Thereafter, Transparence, and Wonders,” and “Timbral and Spatial Ambiguities in the Mesmerizing Music of John Palmer" in 2086: 1970: 1604: 1245: 326:
employs a wide array of electronic enhancements and extended techniques for the harp, including preparing the harp and bowing the strings.
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book on chaos theory. She also studied Korean traditional music at the National Center for Korean Traditional Performing Arts in Seoul.
1231: 1368:(2007). Kristin Norderval, soprano; Mark Menzies, conductor; Lucy Shelton, soprano; Rand Steiger, conductor. New World Records 80663–2. 527:(2011) for tenor Timur Bekbosunov, women's chorus, and an orchestra of traditional Kazakh instruments, premiered at Congress Hall in 1462:"UCLA - University of California - Los Angeles (via Public) / UCLA Library awards grants to nine faculty and student music projects" 1265: 126: 2048: 460: 381: 1414:(1995). New Music Consort, Theater Chamber Players of Kennedy Center; Anne LeBaron, Leon Fleisher, Claire Heldrich, conductors. 370: 1996: 725:
U.S. Department of State's Bureau of Educational and Cultural Affairs through an annual appropriation by the U.S. Congress.
689:(Innova 236, 2010) features collaborations with thirteen different musicians in solo, duo, quartet and trio configurations. 641:
As an improviser LeBaron employs a wide array of extended techniques for the harp, including preparing the harp (similar to
617:, LeBaron replaced the Wagnerian orchestra with smaller and more specialized forces of instruments and electronic sound for 155: 107: 1919: 674: 2137: 79: 57: 49: 2035: 346: 38: 86: 1797: 42: 1356:(2014). Solaris Vocal Ensemble; Giselle Wyers, conductor; Phil Curtis, electronic sound. Albany Records TROY1468. 646: 503:(1984) for baritone and three instruments, using Korean-derived gestures and long sustained tones for the voice; 350: 2066: 1643: 1490: 484:(2000) for chorus, orchestra, poet narrators, and rap artists. She has also used American literary sources with 670: 653:. Her career as an improviser has included performance collaborations with such creative composer/musicians as 614: 456: 342: 1772: 93: 1621: 2189: 2163: 1461: 424: 204: 75: 1843: 1378:(2007). Dora Ohrenstein, soprano; Sequitur; Paul Hostetter, conductor. Koch International Classics 7593. 413: 358: 278: 198: 538:(for flute/piccolo, clarinet/bass clarinet, violin, viola, cello, percussion, and piano), musicologist 404:
As a child, LeBaron taught herself to play piano and read music. In her teens she took lessons with a
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Also produced in Malmö, Sweden; York, England; Theater am Wien, Vienna; Pasadena, Open Gate Theater
428: 374: 210: 1270:“Return to Source: Contemporary Composers Discuss the Sociopolitical Implications of Their Work,” 1251:“Sonic Ventures in Post-Truth Surrealism: Raudelunas, the Rev. Fred Lane, and Huxley’s Last Trip 64: 1696: 1552:
Tim (April 8, 1989), "A Harp of a Different Color at Open Space Entertainment, Second edition,
2095: 2074: 1894: 1747: 1600: 1395: 1343: 1261: 1241: 1227: 362: 283: 558:(2002). She has also composed a series of monodramas for female voice and chamber musicians: 2151: 1428:(1993). Dora Ohrenstein, soprano. New World Records|New World/Composers Recordings NWCR 654. 436: 405: 366: 1819:"OPERA America Announces Recipients of Opera Grants for Female Composers: Discovery Grants" 666: 654: 598: 594: 489: 420:
at the Salzedo Harp Colony. She was a member of Raudelunas, a surrealist art collective.
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LeBaron received a BA in music at the University of Alabama and a master's degree at
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rom 2013 until 2015. In 2024, she retired from teaching and was appointed professor
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Johnson, R. (2012, Jul 08). Classical music; "The Grandmaster of Hyperopera",
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Theater has played an important role in LeBaron's music, with such scores as
322:(born May 30, 1953) is an American composer, harpist, academic, and writer. 2082: 1946:"OPERA America Names First Recipient of the Campbell Opera Librettist Prize" 1597:
Women composers and music technology in the United States: crossing the line
642: 496:(2000), a setting of Gertrude Stein texts for soprano and chamber ensemble. 1697:"Music Composition – Page 19 – John Simon Guggenheim Memorial Foundation…" 2044: 550:(1974) for voices, three instruments, and tape,  and the harp solos 389: 1032:
Wallis Annenberg Center, the Schindler House, and REDCAT in Los Angeles
1997:"Review: Work-in-progress 'LSD: The Opera' is powerful musical theater" 1305:
UCLA Center for the Study of Women Special Issue: Writing About Music
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Carter Barron Amphitheater and Wooly Mammoth Theater, Washington DC:
528: 597:), LeBaron went a step beyond the nineteenth-century concept of the 1971:"Review: Industry's remarkable 'Crescent City' reshapes L.A. opera" 1035:
Scored for an ensemble including instruments built by Harry Partch
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LA Dept. of Cultural Affairs Cultural Exchange International Grant
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Bogliasco Study Center for the Humanities and the Arts fellowship
1253:”, Keynote address for the Totally Huge New Music Festival, 2017. 1260:, ed. by Sunny Knable, published by Vision Edition, 2021.  2119: 2045:
Anne LeBaron: Roy F. Disney Family Chair in Musical Composition
507:(1985) for string trio, which draws upon the music of Japanese 459:
from 1996 to 2001. She was appointed Professor of Music at the
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Grant to support appearance as featured international artist,
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from the article and its talk page, especially if potentially
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the Southern Baptist Church she attended with her family.
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Among other venues, LeBaron's work has been performed at
1323:, Lochhead, Judy and Auner, Joseph, eds. Routledge, 2002. 1805:
Journal of the International Alliance for Women in Music
1388:(2006). Ana Cervantes, piano. Quindecim Recordings 164. 1224:
Center for New Performance 20th Anniversary Publication
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Los Angeles Department of Culture Affairs; funding of
2135: 1310:"The American Composer's Place in the New Grove II", 1037:
Librettists: Gerd Stern, Ed Rosenfeld, Anne LeBaron
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John Simon Guggenheim Memorial Foundation Fellowship
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Edwards, J. Michele. 2001. "LeBaron, (Alice) Anne".
1669:"National Endowment for the Arts 1989 Annual Report" 1319:"Reflections of Surrealism in Postmodern Musics" in 427:, She was awarded a doctorate in musical arts from 301: 271: 243: 220: 191: 165: 143: 16:
American post-modern composer, writer, and academic
1722:"Anne LeBaron | The Herb Alpert Award in the Arts" 975:Dance Alloy and the Pittsburgh New Music Ensemble 552:I Am an American ... My Government Will Reward You 515:(2012) for baritone, string quartet, and Japanese 850:Opera America Toulmin Foundation Discovery Grant 1773:"2008 ArtsLink Projects Awardees | CEC ArtsLink" 1484: 1482: 1240:2nd Edition, published by Vision Edition, 2023. 1070:I Am An American...My Government Will Reward You 2028:The New Grove Dictionary of Music and Musicians 8: 800:MAP Fund Award (Multi-Arts Production Fund) 819:ArtsLink, grant to support the creation of 1125:Double Concerto for Two Harps (One Player) 1100:Radiant Depth Unfolded -- Settings of Rumi 154: 140: 56:about living persons that is unsourced or 1622:"Present Quartet: Routes, Paths, Courses" 1294:International Alliance for Women in Music 1258:Looking Within – The Music of John Palmer 499:Among her multicultural compositions are 488:(1993) for violin and piano, inspired by 127:Learn how and when to remove this message 2071:Anne LeBaron: Pope Joan, Transfiguration 2056:LeBaron, Anne. 2012. "Composer's Note". 1862:"Anne LeBaron's Career is on 'The Line'" 1642:Looseleaf, Victoria (October 23, 2002). 1590: 1588: 1489:Looseleaf, Victoria (October 23, 2002). 1408:(1996). New Band. Music & Arts 4931. 1303:"Down the Rabbit-Hole of Innovation" in 1236:"Anne LeBaron - Surreal Confluences" in 908: 699: 696:Selected awards, grants, and fellowships 2142: 1620:Harris, George W. (September 9, 2019). 1450: 939:University of the District of Columbia 160:LeBaron in 2018. Photo by Adel Oberto. 2210:21st-century American women composers 2205:20th-century American women composers 631:Phantasmagoriettas from Crescent City 519:; and her large-scale celebration of 7: 1860:Shoemaker, Bill (October 23, 1993). 1644:"Composer tunes into aural universe" 1637: 1635: 1491:"Composer tunes into aural universe" 1456: 1454: 1222:“What to Think About What to Wear,” 365:. She has been commissioned by the 1528:"LISTENING TO THE SILENCE OF FROGS" 1412:The Musical Railism of Anne LeBaron 1321:Postmodern Music/Postmodern Thought 2195:American women in electronic music 1568:"Film focuses on surreal UA group" 14: 1595:Hinkle-Turner, Elizabeth (2006). 1106:The Heroine with a Thousand Faces 2157: 2145: 2049:California Institute of the Arts 738:National Endowment for the Arts 461:California Institute of the Arts 382:California Institute of the Arts 23: 2200:20th-century American composers 2185:21st-century American composers 2087:"Review: Industry's Remarkable 1844:"2018-2019 Foundation Yearbook" 1752:frommfoundation.fas.harvard.edu 1748:"1997 | Fromm Music Foundation" 1676:National Endowment for the Arts 1131:Southern Ephemera for Orchestra 868:Totally Huge New Music Festival 863:US Artists International Grant 751:Guggenheim Memorial Foundation 371:National Endowment for the Arts 349:. She is the recipient of an 341:, by orchestras including the 1438:Rana, Ritual & Revelations 1396:New World/Composers Recordings 1362:(2010). Innova Recordings 236. 1: 534:Writing about LeBaron's 1989 431:, where she was a student of 377:, among other organizations. 2047:". Faculty/Staff Directory, 2030:, second edition, edited by 1238:John Palmer - Conversations, 1162:Silent Steppe Cantata (2011) 1017:Librettist: Douglas Kearney 998:Librettist: Douglas Kearney 787:Bellagio Composer Residency 774:Fromm Foundation Commission 386:Roy E. Disney Family Chair f 34:biography of a living person 722:Fulbright Full Scholarship 572:Some Things Should Not Move 380:LeBaron was a professor at 347:National Symphony Orchestra 61:must be removed immediately 2226: 2051:(accessed 7 October 2014). 1392:Sacred Theory of the Earth 1366:Pope Joan, Transfiguration 1014:The Industry, Los Angeles 960:Librettist: Thulani Davis 942:Librettist: Thulani Davis 480:(1996) for orchestra, and 443:was partially inspired by 409:if you look long enough." 363:Fulbright Full Scholarship 1058:Concerto for Active Frogs 815:The Silent Steppe Cantata 761:Alpert Award in the Arts 574:(2013). LeBaron's operas 548:Concerto for Active Frogs 525:The Silent Steppe Cantata 153: 1599:. Ashgate. p. 137. 1556:, Allentown, PA, p. A72. 1406:Dance of the Seven Veils 457:University of Pittsburgh 439:. Her doctoral thesis, 396:Early life and education 351:Alpert Award in the Arts 343:Los Angeles Philharmonic 288:Alpert Award in the Arts 2065:Lochhead, Judy. 2007. " 1210:LSD: Huxley's Last Trip 1186:Blue Calls Set You Free 1028:LSD: Huxley's Last Trip 953:Blue Calls Set You Free 893:Davise Fund Commission 803:Rockefeller Foundation 790:Rockefeller Foundation 764:Herb Alpert Foundation 441:Telluris Theoria Sacra, 353:, a Toulmin grant from 253:LSD: Huxley’s Last Trip 2067:Situating Anne LeBaron 1272:Leonardo Music Journal 1180:The E. & O. Line ( 685:. LeBaron's double-CD 536:Telluris Theoria Sacra 501:Lamentation/Invocation 425:Stony Brook University 205:Stony Brook University 186:Baton Rouge, Louisiana 48:Please help by adding 1217:Selected bibliography 1143:Traces of Mississippi 1064:Rite of the Black Sun 883:Bogliasco Foundation 838:SIlent Steppe Cantata 821:Silent Steppe Cantata 580:Croak (The Last Frog) 482:Traces of Mississippi 414:University of Alabama 412:LeBaron attended the 384:, where she held the 359:Guggenheim fellowship 284:Fulbright scholarship 279:Guggenheim Fellowship 199:University of Alabama 2091:Reshapes L.A. Opera" 2038:. London: Macmillan. 1726:herbalpertawards.org 1328:Selected discography 993:REDCAT, Los Angeles 659:Muhal Richard Abrams 589:With her hyperopera 54:Contentious material 2060:program, May 10–27. 1893:. January 5, 2024. 1807:. November 1, 2013. 1777:dev.cecartslink.org 1572:The Tuscaloosa News 1376:To Have and to Hold 1291:: A Hyperopera" in 935:The E. & O Line 910: 870:, Perth, Australia 813:ArtsLink Award for 777:Harvard University 701: 629:, LeBaron composed 593:(2012, libretto by 486:Devil in the Belfry 429:Columbia University 375:Library of Congress 291:Toulmin Grant from 211:Columbia University 2069:". Liner notes to 2020:Additional sources 1926:. October 28, 2001 1334:Unearthly Delights 1283:Current Musicology 1119:Strange Attractors 978:Poet: Enid Shomer 909: 700: 576:The E & O Line 474:The E & O Line 320:Alice Anne LeBaron 213:(Doctorate, music) 170:Alice Anne LeBaron 2096:Los Angeles Times 2075:New World Records 2001:Los Angeles Times 1975:Los Angeles Times 1648:Los Angeles Times 1606:978-0-7546-0461-7 1516:Los Angeles Times 1495:Los Angeles Times 1466:www.publicnow.com 1432:Phantom Orchestra 1402:Southern Ephemera 1344:Innova Recordings 1246:978-1-7397815-6-9 1156:Story of My Angel 1044: 1043: 905:Major productions 902: 901: 406:Juilliard-trained 317: 316: 137: 136: 129: 111: 37:needs additional 2217: 2162: 2161: 2160: 2150: 2149: 2148: 2141: 2123: 2122: 2120:Official website 2107: 2105: 2103: 2085:(May 11, 2012). 2078: 2061: 2052: 2039: 2013: 2012: 2010: 2008: 1993: 1987: 1986: 1984: 1982: 1967: 1961: 1960: 1958: 1956: 1942: 1936: 1935: 1933: 1931: 1916: 1910: 1909: 1907: 1905: 1883: 1877: 1876: 1874: 1872: 1857: 1851: 1850: 1848: 1840: 1834: 1833: 1831: 1829: 1815: 1809: 1808: 1802: 1794: 1788: 1787: 1785: 1783: 1769: 1763: 1762: 1760: 1758: 1744: 1738: 1737: 1735: 1733: 1728:. 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Retrieved 1465: 1437: 1431: 1425: 1421: 1416:Mode Records 1411: 1405: 1401: 1391: 1385: 1381: 1375: 1371: 1365: 1359: 1353: 1349: 1339: 1333: 1320: 1311: 1304: 1297: 1292: 1288: 1282: 1278: 1271: 1257: 1250: 1237: 1223: 1209: 1203: 1197: 1191: 1185: 1179: 1166: 1161: 1155: 1142: 1136: 1130: 1124: 1118: 1105: 1099: 1094:Way of Light 1093: 1087: 1081: 1075: 1069: 1063: 1057: 1036: 1027: 1009: 997: 988: 970: 952: 934: 867: 837: 820: 814: 691: 686: 671:Derek Bailey 640: 630: 626: 622: 618: 590: 588: 583: 582:(1996), and 579: 575: 571: 570:(2008), and 567: 563: 559: 555: 551: 547: 545: 535: 533: 524: 512: 504: 500: 498: 493: 485: 481: 477: 473: 470: 454: 440: 422: 411: 403: 399: 379: 328: 324: 319: 318: 309:.annelebaron 262: 257: 252: 245:Notable work 180:May 30, 1953 148:Anne LeBaron 138: 123: 114: 104: 97: 90: 83: 71: 60: 43:verification 36: 2180:1953 births 2129:Breathtails 2127:"Composing 1626:Jazz Weekly 1313:NewMusicBox 1279:Breathtails 1277:"Composing 1047:Major Works 797:2007, 2011 784:2000, 2005 663:Evan Parker 554:(1988) and 513:Breathtails 467:Composition 221:Occupations 207:(MA, music) 201:(BA, music) 2174:Categories 2083:Swed, Mark 1701:www.gf.org 1445:References 1426:Urban Diva 1360:1, 2, 4, 3 1354:Floodsongs 1350:Floodsongs 1167:Floodsongs 1113:Orchestral 1024:2015-2024 949:1995-1996 719:1981-1982 687:1, 2, 4, 3 521:Kazakhstan 517:shakuhachi 337:, and the 176:1953-05-30 87:newspapers 2152:Biography 2007:April 14, 1981:April 14, 1955:April 14, 1930:April 14, 1904:April 14, 1899:0190-8286 1871:April 14, 1538:April 16, 1500:April 20, 1398:NWCR 865. 1192:Pope Joan 971:Pope Joan 643:John Cage 560:Pope Joan 511:theater; 39:citations 2043:. n.d. " 1226:, 2024. 1198:Sucktion 1108:(2024 -) 989:Sucktion 711:Sponsor 568:Sucktion 566:(2003), 562:(2000), 476:(1993), 373:and the 361:, and a 345:and the 263:Sucktion 233:academic 227:Composer 117:May 2024 65:libelous 2138:Portals 2131:" essay 1887:"OPERA" 1828:May 18, 1782:May 18, 1757:May 20, 1732:May 18, 1706:May 18, 1681:May 18, 1653:May 18, 1577:May 18, 1471:May 18, 1316:, 2002. 1307:, 2010. 1300:, 2013. 1298:Journal 1285:, 2014. 1052:Chamber 492:, and 390:emerita 302:Website 230:harpist 101:scholar 1897:  1603:  1264:  1244:  1230:  1212:(2024) 1206:(2012) 1200:(2008) 1194:(2000) 1188:(1994) 1169:(2012) 1158:(1993) 1150:Choral 1145:(2000) 1139:(1996) 1133:(1984) 1127:(1995) 1121:(1987) 1102:(2015) 1096:(2006) 1090:(2006) 1084:(2003) 1078:(2000) 1072:(1988) 1066:(1980) 1060:(1974) 923:Notes 920:Venue 917:Title 708:Award 681:, and 613:, and 529:Astana 451:Career 369:, the 333:, the 272:Awards 236:writer 103:  96:  89:  82:  74:  1847:(PDF) 1801:(PDF) 1672:(PDF) 1281:" in 1182:1993) 1174:Opera 1006:2012 985:2008 967:2000 931:1993 926:Ref. 914:Year 890:2023 877:2018 860:2017 847:2014 830:2009 810:2008 771:1997 758:1996 745:1991 732:1981 714:Ref. 705:Year 556:Hsing 108:JSTOR 94:books 32:This 2104:2023 2034:and 2009:2024 1983:2024 1957:2024 1932:2024 1906:2024 1895:ISSN 1873:2024 1830:2024 1784:2024 1759:2024 1734:2024 1708:2024 1683:2024 1655:2024 1601:ISBN 1579:2024 1540:2024 1502:2024 1473:2024 1422:Dish 1346:878. 1262:ISBN 1242:ISBN 1228:ISBN 649:and 435:and 357:, a 311:.com 166:Born 80:news 41:for 1418:42. 584:Wet 509:Noh 307:www 145:Dr. 2176:: 2093:. 2073:. 1999:. 1973:. 1948:. 1922:. 1889:. 1864:. 1821:. 1803:. 1775:. 1750:. 1724:. 1699:. 1674:. 1646:. 1634:^ 1624:. 1587:^ 1570:. 1530:. 1493:. 1481:^ 1464:. 1453:^ 677:, 673:, 669:, 665:, 661:, 657:, 609:, 578:, 531:. 523:, 392:. 178:) 52:. 2140:: 2106:. 2077:. 2011:. 1985:. 1959:. 1934:. 1908:. 1875:. 1832:. 1786:. 1761:. 1736:. 1710:. 1685:. 1657:. 1628:. 1609:. 1581:. 1542:. 1504:. 1475:. 174:( 130:) 124:( 119:) 115:( 105:· 98:· 91:· 84:· 67:. 46:.

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University of Alabama
Stony Brook University
Columbia University
Guggenheim Fellowship
Fulbright scholarship
Opera America
www.annelebaron.com
Carnegie Hall
Hollywood Bowl
Kennedy Center
Los Angeles Philharmonic
National Symphony Orchestra
Alpert Award in the Arts
Opera America
Guggenheim fellowship

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