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288:, and two years later, he listed her as an official Member. In 1908 she became a Fellow of the Photo-Secession. Because of Stieglitz's notoriously high standards and because of her distance from the other members in New York, this recognition is a significant indicator of her artistic status. She was the only photographer west of the Mississippi to be so honored. From 1903 to 1908, Stieglitz exhibited Brigman's photos many times, and her photos were printed in three issues of Stieglitz's journal
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208:. Perhaps seeking her own artistic outlet, she began photographing in 1901. Soon she was exhibiting and, within two years, she had developed a reputation as a master of pictorial photography. The first public display of her work came in January 1902 with other members of the California Camera Club at San Francisco's Second Photographic Salon in the Mark Hopkins Institute of Art. Her
373:, she was a featured speaker at a symposium on the problems of pictorial photography. Between 1923 and 1926 she displayed her âimaginative nudesâ at the International Exhibitions of the Pictorial Photographic Society of San Francisco in the Palace of Fine Arts and the Palace of the Legion of Honor. In her review for the
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369:. In August 1921, she held a solo exhibition at the Gump's Gallery in San Francisco and two months later contributed to the First Annual Oakland Photographic Salon. In the spring of 1922, she exhibited the work of eight other photographers in her Oakland studio; that fall, in the San Francisco studio of
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in a show at Morcom's
Gallery in Oakland. The following March, she exhibited her photographs at the Fine Arts Society of San Diego. In the summer of 1928, she made the first of several lengthy trips to Covina in southern California. The following March, she submitted a photograph of âfigures in a
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approach, although she never really abandoned her original vision. Her later close-up photos of sandy beaches and vegetation are near-abstractions in black and white. In the mid-1930s, she also began taking creative writing classes and writing poetry. Encouraged by her writing instructor, she put
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Gallery in San
Francisco (solo exhibit); Arts and Crafts Exhibition in Los Angeles; Paul Elder Gallery in San Francisco (solo exhibit); California Guild of Arts and Crafts in San Francisco; Oakland Club Room (solo show); First and Second Annuals of the Berkeley Art Association; Alameda County
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magazine. A partial list of her
California exhibitions, which were reviewed extensively in the press between 1904 and 1908, includes the: Fourth and Fifth Annual Exhibitions of the Oakland Art Fund sponsored by the Starr King Fraternity; Palette, Lyre and Pen Club of Oakland (solo exhibit);
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recounts a story supposedly told to her firsthand that on one of the voyages, Brigman fell and injured herself so severely that one breast was removed. This story was never confirmed by
Brigman or anyone else, but by 1900 Brigman stopped traveling with her husband and resided in
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as her âchoicestâ photographs. In 1940 she lived in Los
Angeles and gave her occupation as âwriterâ. Within three years, Brigman had returned to Long Beach, where she was a member of the Poetsâ Guild and the Writersâ Market League. At the latter, she read her narrative
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and exhibited her prints âof fine design and feelingâ in April 1925 with other Sloan students at the League of Fine Arts in
Berkeley and at the City of Paris Galleries in San Francisco. In August 1926, her photos were paired with the block prints of
294:. During this same period, she often exhibited and corresponded under the name âAnnie Brigman,â but in 1911, she dropped the âiâ and was known from then on as âAnne.â In 1908 the Secession Club held a special exhibit for her photographs in New York.
178:, and nothing is known about why they moved or what they did after arriving in California. In 1894 she married a sea captain, Martin Brigman. She accompanied her husband on several voyages to the South Seas, returning to Hawaii at least once.
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Brigman's career quickly accelerated at home. After her success at San
Francisco's Third Photographic Salon (1903), she opened a teaching studio in Berkeley, which attracted many university students. Soon her allegorical studies appeared in
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at a well-attended event for
Berkeley's Town and Gown Club. Her celebrity status was confirmed in July 1907 when Emily J. Hamilton assessed Brigman and many of her famous photographs in a full-page Sunday magazine article for the
405:, where she lived alone in several apartments near the ocean. She found inspiration along the picturesque shorelines of the Pacific and held a major solo exhibition at the Bothwell and Cooke Galleries in January 1936; the
357:, where she offered revealing insights on the liberation of women in a male-dominated society. That September, she completed the illustration for the title page of the first book published by the California Writersâ Club,
475:, for which she received the Birmingham Photographic Society's first silver medal. Many of her other photos used her sister as the nude model. After shooting the photographs, she would extensively touch up the
216:. That journal praised her photos at the Los Angeles Salon of 1902 and reproduced over a dozen of her prints over the next decade. She used a shared darkroom (a converted barn) on Oakland's Brockhurst Street.
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Admiration of her talents quickly spread. The
Carnegie Institute in Pittsburgh and the Corcoran Art Gallery in Washington, D.C. staged in 1904 one-person exhibitions of her work. In 1905 her photo entitled
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was shown at the London Salon. She was elected to membership in the
British art photographersâ âLinked Ringâ and exhibited two âdramatically poetic printsâ at its Salon of 1908. Her photograph entitled
247:. Her âartistsâ teasâ in Oakland and Berkeley became occasions when the Bay Area's famous painters, literati, and actors mingled; among the prominent local photographers habitually in attendance were
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Exposition in Oakland's Idora Park; Ebell Clubhouse in Oakland; and Del Monte Art Gallery in Monterey. She often lectured, and on one occasion, in October 1906, she summarized her philosophy on the
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presented by the Studio Club of Berkeley in the Hillside Clubhouse; Brigman even served as a âjudgeâ in a baby beauty contest. She performed as a poet her work and more popular pieces such as "
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Declining vision led her to abandon professional freelance photography in 1930, although she continued photography through the 1940s. Her work evolved from a pure pictorial style to more of a
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The couple separated before 1910, and she lived in a cabin on Thirty-Second Street with her dog Rory, a dozen tamed birds, and occasionally with her mother. She was active in the growing
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attacked those who claimed that photography was not âartâ and said of Brigman that âthe individuality of the works comes out quite as noticeably as in painting, sculpture and etching.â
271:, was criticized, sidelined, and removed from the 1908 Idora Park Exposition for being an indecent photograph of a "scrawny dame." Brigman angrily withdrew the image from the display.
170:, on December 3, 1869. She was the oldest of eight children born to Mary Ellen Andrews Nott, whose parents moved to Hawaii as missionaries in 1828. Her father, Samuel Nott, was from
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284:. She wrote Stieglitz praising him for the journal, and Stieglitz soon became captivated with Brigman's photography. In 1903 she was listed as an Associate of his famous
836:"Photo Men Ask Woman to Exhibit: Mrs. Annie W. Brigman Honored by Secession Club of New York City Medal Winner Accorded Special Gallery for Studies of Artistic Merit"
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900:"Work of Oakland Artist Captures Coveted Honor â Wins Gold Medal for Lens Studies â Annie W. Brigman Given Honors for Exhibit at Alaska-Yukon Exposition"
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Herny, Ed, Shelley Rideout and Katie Wadell (2008). Berkeley Bohemia: Artists and Visionaries of the Early 20th Century (Gibbs Smith, Publisher), p. 82.
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Brigman's photographs frequently focused on the female nude, dramatically situated in natural landscapes or trees. Many of her photos were taken in the
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Anne Brigman: Pictorial Photographer, Pagan, Member of the Photo-secession: The Oakland Museum, Oakes Gallery, September 17 Through November 17, 1974
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in carefully selected locations and featuring elaborately staged poses. Brigman often featured herself as the subject of her images, such as
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many other photos were shown at the Worcester Art Museum's Fourth Annual Exhibition of Photographs. In 1909 she won a gold medal in the
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as well as awards in Europe. She continued to exhibit for many years and was included in the landmark International Exhibition at the
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711:"Society Views Works of Art â Photographer's Second Salon Proves Success â Sepias in Platinum Mingle With Bromides and Bichromates"
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photographers, and her photography influenced many of her contemporaries. She was also known as an actress, and in 1908 she played
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entitled âLens Studies of a Photo-Secessionist.â In 1907, Brigman completed eight illustrations for William E. Henley's poem
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An online facsimile of the entire text of Vol. 1 is posted on the Traditional Fine Arts Organization website (
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267:. Her popularity with the public was slightly tarnished when her famous study of an undraped female nude,
925:"Camera Artist to Visit in New York: Mrs. Annie W. Brigman Plans an Extended Visit to the Atlantic Coast"
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Grey Art Gallery, New York University â Cancelled â Anne Brigman: A Visionary in Modern Photography
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Brigman quickly gained recognition outside of California. In late 1902, she came across a copy of
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Alexander Nemerov. "Anne Brigman." Lecture: Yale University, New Haven, CT. 5 October 2006.
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A Study in Radiation , 1924. The Museum of Modern Art, New York. Thomas Walther Collection.
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In June 1913, Brigman was the subject of a feature article and extensive interview in the
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677:. Oakland, Calif.: East Bay Heritage Project. pp. 61, 92â93, 199, 248, 339â41, 688.
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1223:. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
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Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, Vol. 1
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somber danceâ to the Exhibition of Dance Art at San Francisco's East-West Gallery.
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was the prize winner selected for the cover of the 1908 Kodak catalogue. Brigman's
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773:: 4 December 1907, p. 7; 15 September 1917, p. 5; 7 September 1924, p. S-3.
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342:, she photographed him on at least one occasion. In 1915 she worked with
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Anne Brigman: Pictorial Photographer/Pagan/Member of the Photo-Secession
1124:"A Century Ago, She Photographed Herself in Nature, Naked and Unafraid"
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was singled out in the press and was reproduced in the popular monthly
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Her most famous images were taken between 1900 and 1920 and depict
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441:, the book was not printed until 1949, the year before she died.
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Between 1908 and the mid-1920s Brigman frequently vacationed in
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of that Society's Second International Exhibition, the artist
437:. She found a publisher for the book in 1941, but because of
737:(San Francisco, CA), 10.5, 1903, p. 465; 11.4, 1903, p. 389.
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Bay Area and became close friends with the Oakland writer
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Original A Poetic Vision: The Photographs of Anne Brigman
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Brigman died at 80 on February 8, 1950, at her sister's
135:; December 3, 1869 â February 8, 1950) was an American
174:, England. When she was sixteen, her family moved to
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Songs of a Pagan: A Study of Anne Brigmanâs Poetry,
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280:and was captivated by the images and writings of
1194:A poetic vision: the photographs of Anne Brigman
433:together a book of poems and photographs called
1102:. University of California Press. p. 195.
975:"Events in the Women's Clubs in Alameda County"
785:(New York, NY): 3, 1903, p. 6; 9, 1905, p. 57.
463:, a self-portrait of Anne Brigman taken in 1908
1071:: 26 April 1925, p. 6-S; 26 July 1925, p. 4-S.
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150:women in primordial, naturalistic contexts.
650:(San Francisco, CA), 4, 1902, pp. 122, 170.
1096:Trainer, Laureen (2006). Amy Scott (ed.).
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886:(San Francisco, CA) 15, 1908, pp. 30, 206.
824:. Santa Barbara Museum of Art. p. 23.
116: 1894–1910)
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1210:. Oakland Museum, Art Department, 1974.
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348:Panama Pacific International Exposition
139:and one of the original members of the
1150:"Lens Studies of a Photo-Secessionist"
749:(Berkeley, CA), 3 November 1906, p. 6.
1189:(Caldwell, ID: Caxton Printers, 1949)
872:Camera Work: A Photographic Quarterly
860:Camera Work: A Photographic Quarterly
783:Camera Work: A Photographic Quarterly
322:In California, she became revered by
204:and the Berkeley poet and naturalist
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1196:. Santa Barbara Museum of Art, 1995.
884:Camera Craft: A Photographic Monthly
648:Camera Craft: A Photographic Monthly
638:U.S. Census of 1900, ED346, Sheet 6.
46:Self-portrait of Anne Brigman (1919)
1267:20th-century American photographers
950:"Studio Club Acts in Two New Plays"
628:. Oakland Museum of Art. p. 2.
1000:"Baskets Exhibit Indians' Symbols"
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1192:Ehrens, Susan, and Anne Brigman.
1099:Yosemite: Art of an American Icon
330:in two performances of a play by
27:American photographer (1869â1950)
1148:Emily J. Hamilton (1907-07-14).
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1277:People from Oakland, California
874:(New York, NY) 25, 1909, p. 30.
862:(New York, NY) 13, 1908, p. 52.
365:, Alice Best, George Kegg, and
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799:. Köln: Taschen. p. 410.
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1257:Photographers from California
1154:The San Francisco Sunday Call
386:Carmel-by-the-Sea, California
361:, which also included art by
338:". An admirer of the work of
624:Therese Thau Heyman (1974).
305:The KodakâA Decorative Study
269:The Soul of the Blasted Pine
231:Vickery, Atkins & Torrey
673:Edwards, Robert W. (2012).
245:I Am the Captain of My Soul
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1203:Photo Review, Spring 2000.
1083:, 12 January 1936, p. 3-9.
1047:, 22 October 1922, p. 4-D.
424:Deepwater Ships that Pass.
1242:Photographers from Hawaii
1059:, 1 September 1923, p. 6.
795:Johnson, William (1999).
317:AlbrightâKnox Art Gallery
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1006:. 1909-05-29. p. 13
797:A History of Photography
479:with paints, pencil, or
473:Soul of the Blasted Pine
461:Soul of the Blasted Pine
350:photography exhibition.
158:Brigman was born in the
1287:Hawaiian Kingdom people
1045:San Francisco Chronicle
981:. 1908-10-26. p. 4
956:. 1908-03-31. p. 4
313:Alaska-Yukon Exposition
261:Adelaide Hanscom Leeson
1206:Heyman, Therese Thau.
1057:Berkeley Daily Gazette
1033:The San Francisco Call
1004:The San Francisco Call
979:The San Francisco Call
954:The San Francisco Call
929:The San Francisco Call
904:The San Francisco Call
840:The San Francisco Call
761:, 14 July 1907, p. 5-M
759:The San Francisco Call
715:The San Francisco Call
561:The Heart of the Storm
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403:Long Beach, California
401:In 1929, she moved to
375:Berkeley Daily Gazette
222:Photograms of the Year
210:Portrait of Mr. Morrow
1035:, 8 June 1913, p. 33.
820:Susan Ehrens (1995).
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319:in New York in 1911.
176:Los Gatos, California
143:movement in America.
126:Anne Wardrope Brigman
446:El Monte, California
430:straight photography
390:James Blanding Sloan
340:George Wharton James
93:El Monte, California
1221:Anne Brigman Papers
1069:The Oakland Tribune
771:The Oakland Tribune
592:California Tonalism
367:Perham Wilhelm Nahl
187:Oakland, California
696:2016-04-29 at the
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355:San Francisco Call
257:Emily H. Pitchford
241:San Francisco Call
236:Art of Photography
56:Anne Wardrope Nott
1199:Glauber, Carole.
1187:Songs of a Pagan.
1081:Los Angeles Times
407:Los Angeles Times
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328:Sybil of Nepenthe
309:The Moon Cave and
253:Laura Adams Armer
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931:. 1910-02-04
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906:. 1909-11-11
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87:(1950-02-08)
70:Nuâuanu Pali
34:Anne Brigman
1252:1950 deaths
1247:1869 births
747:The Courier
452:Photography
336:Enoch Arden
291:Camera Work
277:Camera Work
202:Jack London
1236:Categories
1171:References
1159:2011-12-04
1134:2019-03-02
1010:2011-12-04
985:2011-12-04
960:2011-12-04
935:2011-12-04
910:2011-12-04
846:2011-12-04
721:2011-12-04
546:The Breeze
531:The Bubble
359:West Winds
324:West Coast
172:Gloucester
62:1869-12-03
597:Modernism
477:negatives
300:The Vigil
1262:Tonalism
694:Archived
581:See also
448:, home.
419:El Dolor
194:bohemian
164:Honolulu
487:Gallery
346:on the
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735:Sunset
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563:, 1914
548:, 1910
533:, 1909
518:, 1908
503:, 1906
415:Design
263:, and
226:Sunset
168:Hawaii
162:above
101:Spouse
95:, U.S.
76:, U.S.
74:Hawaii
608:Notes
411:Wings
112:(
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1128:KQED
1104:ISBN
801:ISBN
679:ISBN
417:and
154:Life
148:nude
133:Nott
82:Died
52:Born
130:née
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