38:, ("Portable historical and literary dictionary of theatres, containing the origins of the various theatres of Paris"), published without the author's name on the title page by Jombert in Paris in 1754.The corrected and augmented second edition, 1763, is a standard work of
96:
didn't think much of the second collection: "The author claims that the public received his work with indulgence. If perfect oblivion may so be called, the author is right to be grateful".
155:, overview of the primary sources in the form of catalogues and dictionaries, 1993:309ff, Léris noted p. 311; see also Anne-Marie Chouillet, François Moureau and Jean Balcou,
319:
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L'auteur prétend que le public reçut alors son ouvrage avec indulgence. Si le parfait oubli peut s'appeler ainsi, l'auteur a raison d'être reconnaissant
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Dictionnaire portatif historique et littéraire des théâtres, contenant l'origine des differens théâtres de Paris
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78:("Views of a lover of harmony on different works of music") "Amsterdam", i.e. Paris:Jombert, 1756.
59:
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42:, a "library" of information. "Léris is accounted by many commentators very nearly the equal of
92:("Country after-dinner evenings, or collection of current and amusing tales"), 1759 and 1764.
50:
when it comes to painstaking accuracy and responsible commentary," William Brooks observes.
74:
and
Antoine Jacques Labbet, abbé de Morambert, he edited the first French review of music,
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85:("Geography rendered easy, or methodical treaty for learning geography"), Paris, 1753.
54:
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vol.2 1865:161, under cat. no. 6857 and in
Ricardo Victorica and José Toribio Medina,
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Ascribed to Léris in Father P. C. Sommervogel and father P. C. Sommervogel (S.J.),
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Brooks, "Decrypting the chronology of early French opera" in Philip
Tomlinson, ed.
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Aux origines d'une discipline historique: la musique et son histoire en France
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La géographie rendu aisée, ou traitée méthodique pour apprendre la géographie
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Après-soupers de la campagne ou, Recueil d'Histoires courrantes et amusantes
64:
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of the 18th century and a historian of the French theatre, author of the
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Die musikalischen zeitschriften seit ihrer entstehung bis zur gegenwart
209:, vol. 5:205; the roles of Léris and Morambert were doubted by Fétis,
170:
French "Classical" Theatre Today: teaching, research, performance
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La duchesse de
Bourgogne et l'alliance savoyarde sous Louis XIV
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Dictionnaire universel, historique, critique et bibliographique
76:
Sentiment d'un harmonophile sur différents ouvrages de musique
265:
Errores y omisiones del
Diccionario de anónimos y seudónimos
240:
Composer and critic: two hundred years of musical criticism
30:, 28 February 1723 — 1795) was a French journalist and
242:, 1946:164, and in Caroline Wood and Graham Sadler,
223:
Das erste in
Frankreigh veröffentlichte Musik-Journal
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Correspondance littéraire, philosophique et critique
261:
Table méthodique des mémoires de Trévoux (1701-1775)
81:Léris has been credited as the anonymous author of
119:"Léris (Antoine de)" and in comte d'Haussonville,
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157:Dictionnaire des journalistes (1600-1789)
53:Antoine de Léris supported himself as a
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250:was reprinted , Geneva:Minkoff, 1972.
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211:Biographie universelle des musiciens
186:Biographie universelle des musiciens
16:French journalist and drama critic
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57:with a sinecure purchased at the
335:French male non-fiction writers
320:People from Pyrénées-Orientales
244:French Baroque opera: a reader
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248:Sentiment d'un harmonophile
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70:. Collaborating with abbé
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94:Friedrich Melchior Grimm
133:Searchable on-line text
325:French theatre critics
277:Dictionnaire universel
225:(Wilhelm Freystätter,
192:"Léris, (Antoine de)".
182:François-Joseph Fétis
88:He also took part in
330:French music critics
203:Joseph-Marie Quérard
72:Marc-Antoine Laugier
238:Noted in Max Graf,
60:Chambre des comptes
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