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Pitxot and DalĂ were nearly inseparable in the last years of DalĂ's life: designing DalĂ's museum, teaching art and exchanging ideas about their work. Pitxot was a protector of DalĂ's legacy after his death: He was a member of the board of the Gala
Salvador DalĂ Foundation, and he has led, and sat on
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began before his birth, because their families were acquainted. But DalĂ became an early supporter of
Antonio Pitxot's work, and eventually asked him to co-design the DalĂ Theatre and Museum (
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In 1966, Pitxot took up permanent residence in Cadaqués, where his family had owned a summer house since the end of the 19th century. He began to experiment with
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Pitxot was a respected international
Catalan artist in his own right. In the year 2000, he was appointed corresponding academician for Cadaqués of the
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in his twenties and thirties, winning many prizes, including the Gold Medal painting prize in
Barcelona's La Punyalada competition in 1965.
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It is quite common to find, in many
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Pitxot was born into a family with many artists in its ranks, among them, his uncle
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Much of Pixtot's work is concerned with allegory and myth, including the figure of
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At the beginning of the 1960s, he was a close friend of the French painter
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His brothers grandson is the
Spanish actor, singer and comedian
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He became the museum's director after DalĂ's death.
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who personified memory, and a series of works about
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351:"Muere Antoni Pitxot, el gran amigo de DalĂ"
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349:NATĂLIA FARRĂ / BARCELONA (June 12, 2015).
266:Pitxot on Dali Museum English language page
244:Royal Academy of Fine Arts of Saint George
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328:. Da Capo Press.
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324:(1995).
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