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431:, which depicts the richness and importance of the languages of the Sámi, the last surviving indigenous people in Western Europe. This series has been exhibited in Venezuela and in Finland, and one of its main pieces was presented at the headquarters of the United Nations in New York during the Indigenous Peoples and Food Sovereignty exhibition. The complete series belongs to the
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398:(Venezuela 2007). He received several grants to fund the project, including grants from the Programa de Intercambio de Residencias Artísticas (Grupo de los Tres G3), the Estancia para Creación Artística Grant (Government of Mexico) and the Apoyo a Artistas Grant, (Centro Nacional de las Artes, Mexico).
386:, in which he used digital photomontage (carried out during long-term periods of field research), creating a pantheon of deities and mythological beings from indigenous cultures across the American continent. This project covered ten cultures from six countries: Huichol (Mexico 2001),
416:, in which he photographed the New Zealand Maori's worship of forefathers. Afterwards, in 2009, the Colombian Ministry of Culture invited him to create a series about indigenous groups in Colombia, which resulted in the exhibit
473:, a video installation consisting on several video-portraits of victims of torture and other forms of disproportionate use of force by the military and paramilitary groups controlled by the government of
331:. His passion for photography began when he was a teenager. He first exhibited his work in 1987. Between 1996 and 2002, he carried out several solo exhibitions, relating to the following topics:
462:(hired female mourners), a series consecrated to the repression of emotions, so characteristic of our contemporary culture, produced entirely in northern Peru. That same year, he received the
409:. The artist received the Green Leaf Award for Artistic Excellence 2008, awarded by the Natural World Museum and the United Nations Environment Program, in addition to various other prizes.
405:(2007) and have been exhibited, in either solo or group shows, in Finland, France, Hungary, Sweden, Germany, the United Kingdom, Spain, the United States, Mexico, Colombia, New Zealand and
256:(born 5 December 1966) is a Venezuelan photographer and activist for environmental issues, ethnic minorities, and human rights. He has a graduate degree in biology from the
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477:, during the civil protest and demonstrations that took place on February and March of that same year. Furthermore, his last series to this day,
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
390:(Venezuela 2002), Kogui and Wiwa (Colombia 2003), Wayuu (Venezuela 2005), Kuna (Panama 2005), Quero (Peru 2005), Kayapó (Brazil 2006), and
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for his outstanding career and commitment to the expression of a poetics of respect for the planet, its inhabitants and its cultures.
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625:"The Gabarron > New York > Exhibitions > Past Exhibitions > "Save the Forest, Save the Culture" > Cover"
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and pictures of as many sculptures of the homonymous god that rest in the collections of art museums around the world.
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481:, reflects on the violence of war through the overlapping of images of planet Mars taken by
611:"Photographs of indigenous cultures by Antonio Briceño and Attila Lóránt – artnet Magazine"
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264:. He is the co-founder of the conservationist nongovernmental organization PROVITA.
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invited him to carry out an artistic project on biodiversity in Rwanda, entitled
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653:"AICA Venezuela anuncia los Premios de la Crítica 2011 – tráfico visual"
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The same year he was invited by the
Government of Finland and the
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Please help to demonstrate the notability of the topic by citing
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from the article and its talk page, especially if potentially
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569:"ANTONIO BRICENO 13 mars – 16 mars 2008 – EDSVIK KONSTHALL"
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Binder, Universes in
Universe – Gerhard Haupt & Pat.
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Between 2001 and 2007, he worked on the project entitled
583:"Ibero-Amerikanisches Institut: Veranstaltungsarchiv"
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458:in Chicago. Two years later, the artist presented
299:Gods of America. Save the forest. Save the culture
412:In 2008, Briceño carried out a project entitled
260:and a master's degree in Digital Arts from the
401:Gods of America represented Venezuela at the
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420:in Bogotá and other cities around Colombia.
339:(a series that won him First Prize in the
170:about living persons that is unsourced or
241:Learn how and when to remove this message
121:Learn how and when to remove this message
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429:520 Reindeer. A homage to Sàmi language
335:(1996, Lalit Kala Akademi, New Delhi);
693:Central University of Venezuela alumni
469:In 2014, Briceño presented the series
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323:, BOD Corpbanca, Caracas, Venezuela.
36:notability guideline for biographies
312:, Bolívar Square, Bogota, Colombia.
448:United Nations Environment Program
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639:"Moving Towards a Balanced Earth"
526:"Venezuela, Venice Biennial 2007"
471:Omertà on oil. The era of silence
384:Gods of America: Natural Pantheon
137:
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703:Venezuelan contemporary artists
258:Central University of Venezuela
34:may not meet Knowledge (XXG)'s
698:Pompeu Fabra University alumni
452:Millions of pieces. One Puzzle
301:, Times Square, New York, USA.
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345:Caracas' Museum of Fine Arts
148:biography of a living person
460:The weepers. Our last tears
343:and which was exhibited in
279:, Getxophoto, Getxo, Spain.
175:must be removed immediately
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553:Toro, Simon (4 May 2009).
540:"Londonart.co.uk Magazine"
425:Sámi Parliament of Finland
43:reliable secondary sources
32:The topic of this article
442:In 2010, the institution
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418:Look at us. Here we are
377:Galerie Adriana Schmidt
359:, Havana, 1999; and at
310:Look at us. Here we are
262:Pompeu Fabra University
16:Venezuelan photographer
341:Luis Felipe Toro Prize
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363:, Brussels in 2000);
361:Maison Internationale
355:, Mexico in 1998; in
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444:Art Works for Change
403:52nd Venice Biennale
379:, Stuttgart, 2002).
357:Casa de las Américas
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327:Briceño was born in
168:Contentious material
678:People from Caracas
555:"Dioses de América"
557:– via Vimeo.
329:Caracas, Venezuela
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597:"Getxophoto 2007"
503:"Antonio Briceño"
369:Ateneo de Caracas
333:Veils and Turbans
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347:in 1997);
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407:Venezuela
268:Biography
153:citations
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446:and the
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