39:
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323:
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real historical figures, especially those "who could have led a princess life" but opted not to. In another article, researchers María
Morales and Giulietta Piantoni praised Fink's handling of her subjects' flaws and wrote that portraying them as real people made them relatable to readers. Their otherwise positive review said that the books choosing to overlook some negative elements of their subjects' lives (like suicide) while showing others was antithetical to the collections' goal of treating their young readers as mature and capable of handling difficult topics.
426:, Fink stated that she felt that princes did not occupy children's imagination like princesses, whereas "superheroes are places where the masculine stereotype can develop, the one with the strength, the superpower, which is mocked and ignored until everyone discovers that he is a genius who can save the world. These men, anti-heroes, have superpowers, but in Cortazar's case it is the superpower of the word put into play". Rosangela Fernandes Eleutério, a researcher in Brazil, said that the
457:
By 2017, the series began receiving
Portuguese translations and distribution in Brazil by publisher Sur and English translations by Barbara Megen Alvarado and Jesús Alvarado with publication by Books del Sur in the United States. Chirimbote has also released Spanish-language audiobooks of some of the
390:
or that Parra's first husband abandoned her when she would not acquiesce to his desire that she become a housewife), they do not mention other notable elements of their subjects' lives, such as Parra's suicide. Fink sought to cover the lives of those she included in the series in a way that reflected
484:
review described Saá's artwork as featuring "vibrant, bold colors outlined in black" which was "often graphic novel-like" and which "enhances the view of the subjects as strong heroines." Eleutério wrote that Saá's illustrations were captivating and found the works over "playful, easy to read", and
474:
have received praise for their depictions of their historical subjects, their efforts to weaken established gender roles, and their illustrations. Researchers
Juliana Petermann and Desireè Ribas Fumagalli wrote favorably of the series' choice to subvert traditional fairytale structure by featuring
301:
animal or item from the life of the central figure of each work accompanies them and asks questions to tie different elements of the biographies together. Visually, the books combine illustrations by Pitu Saá with reproductions of photographs and, when applicable, visual works of art by the books'
223:
Books in the series have received positive reception for their depictions of their historical subjects, their artwork, and their efforts to weaken established gender roles. Some volumes have been translated into other languages, including
Portuguese and English, and Fink and Saá have developed a
377:
narrative and privileged the works of the subjects featured over their romantic lives. The books respond to common tropes in princess stories/fairytales; for instance, the
Violeta Parra edition explains that when Parra lacked the fashionable clothes required to perform, no
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385:
Fink described a desire not to "underestimate children" with the series. While the works intentionally mention certain mature elements of their subjects' lives (such as that Kahlo had relationships with men and women besides
372:
dolls, popular characters which young girls commonly aspire to. To Fink, traditional princess narratives "convey that stillness preserves you from difficult situations", so she sought to craft works which subverted the
391:
the difficulties they faced during their lifetimes. However, upon the publication of the first book in the series in 2015, she deemed the lives of certain figures she was considering for the collection, such as poets
276:
artists and leaders. The series specifically seek to recount stories of figures who changed aspects of society but not through force or domination. Books in the series tend to run about 26 pages in length and provide
302:
subjects. Not all visual artworks are direct reproductions; some are recreated by Saá in a style congruent with that of his other illustrations in the books. Several crossover works have been published; the
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1569:
1717:
1652:
1772:"'Clarice Lispector para meninas e meninos': as relações de gênero expressas no livro infantil da Coleção Antiprincesas em análise pelo viés tridimensional do discurso"
1774:['Clarice Lispector for Girls and Boys': Gender relations in the children's book of the Antiprincess Collection through three-dimensional discourse analysis].
364:
Fink's interest was specifically in figures who "dared to break with the molds of their own social context". She desired to create works in direct opposition to
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297:". Each work concludes with a brief collection of activities and games encouraging readers to respond to and create art inspired by the book's subject. An
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442:-based children's publisher Chirimbote, which was founded by Fink, Saá, and Azcurra. Early works in the series were published in collaboration with
1855:
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for teenagers and adults, but little geared at children. Following a period of research, Fink began writing the first two volumes, that concerned
1865:
1559:
38:
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María
Remedios del Valle, Martina Silva, Micaela Bastidas, Bartolina Sisa, Martina Céspedes, the lancers of Artigas, Juana Azurduy de Padilla,
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1387:[Nadia Fink, author of the Antiprincesses: 'The 90-60-90 stereotype of the female body is very present in our culture'].
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covering men who were sensitive and sweet served to productively undermine traditional stereotypes of masculine emotionlessness.
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1860:
1385:"Nadia Fink, autora de Antiprincesas: 'El estereotipo 90-60-90 del cuerpo femenino está muy presente en nuestra cultura'"
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220:. The works are published in Spanish by Chirimbote, an independent publisher founded by Fink, Saá, and Martín Azcurra.
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281:-style" definitions (a feature devised by book designer Martín Azcurra) of challenging terms from the text such as "
446:, a magazine for which Fink wrote, although by mid-2016, Chirimbote had become the sole publisher. The first book,
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to counter what she perceived as the unfair representation of women in works for children. Fink described visiting
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1479:[Antiprincesses and antiheroes: Children's literature and the deconstruction of gender stereotypes].
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All works are written by Nadia Fink and illustrated by Pitu Saá and originally published in
Spanish.
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399:, to be "too tragic" for their own books. (She later released a volume about Storni nonetheless.)
1593:"El fin del príncipe azul: catálogos feministas para infancias diversas: El caso de la Colección
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454:), was released in Argentina in June 2015. The books are suggested for children aged six to 12.
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Berta Cáceres, Martina
Chapanay, Dandara, María Remedios del Valle, Juana Azurduy de Padilla,
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1477:"Antiprincesas e anti-heróis: a literatura infanto-juvenil e a desconstrução de estereótipos"
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1599:[The end of Prince Charming: Feminist catalogs for diverse children: The case of the
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appeared to come to her aid, and instead, her mother sewed her a skirt from a curtain.
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and illustrated by Pitu Saá. First published in 2015, the series cover the lives of
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1560:"These Anti-Princess Books Give Young Girls Badass Latina Heroines to Look Up To"
1439:[The antiprincesses, the new heroes of children's stories in Argentina].
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1437:"Las antiprincesas, las nuevas heroínas de los cuentos infantiles en Argentina"
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212:. Fink sought to create works for children that addressed and subverted
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1643:"The Typical Princess Story Just Got An Awesome Latina Makeover"
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Cuadernos del Centro de
Estudios de Diseño y Comunicación
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216:, in opposition to narratives presented in traditional
1770:
Petermann, Juliana; Fumagalli, Desireè Ribas (2019).
1341:, the First Known Nonfiction Bisexual Picturebook".
1712:[Texts and images that break stereotypes].
1678:[Antiprincesses, unprincessing tradition].
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715:La abuela de plaza de mayo para chicas y chicos
334:Saá has illustrated all the works in the series
43:Covers of the first fifteen books in the series
1743:[In search of... Nadia Fink, editor].
414:", began with a book about Argentine novelist
1301:[Antipricess + Antihero Collection].
769:María Remedios del Valle para chicas y chicos
418:. When asked why she chose not to opt for an
8:
1430:
1297:Morales, María; Piantoni, Giulietta (2016).
796:Micaela García La Negra para chicas y chicos
326:Fink has written all the works in the series
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1710:"Textos e imágenes que rompen estereotipos"
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234:), which features historical figures using
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1242:("The Anti-Princesses Save the Carnival")
1148:("Berta Cáceres, Guardian of the Rivers")
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1107:("Heroines of Independence: The Origin")
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485:delightful to both children and adults.
1805:"Coleccion Antiprincesas by Nadia Fink"
1674:Hormilla, Violeta (30 September 2020).
1475:Eleutério, Rosangela Fernandes (2017).
1276:
1104:Heroínas de la independencia: El origen
1655:from the original on 24 September 2020
1299:"Colección antiprincesas + antihéroes"
607:Clarice Lispector para chicas y chicos
20:
1751:from the original on 20 November 2020
1641:Pittman, Taylor (16 September 2015).
1572:from the original on 23 February 2019
1117:, Martina Chapanay, Victoria Romero,
1023:Silvio Rodriguez para chicas y chicos
661:Alfonsina Storni para chicas y chicos
7:
1817:from the original on 9 November 2020
1741:"En busca de... Nadia Fink, editora"
1686:from the original on 10 October 2020
1449:from the original on 14 January 2018
1435:Smink, Veronica (2 September 2015).
1383:Parra, Francisco (1 February 2016).
1239:Las antiprincesas salvan el carnaval
1145:Berta Cáceres, guardiana de los ríos
942:Eduardo Galeano para chicas y chicos
830:Rosa Luxemburgo para chicas y chicos
406:, which Fink clarified is not about
314:potion to explore history together.
238:to help one another. As of 2023, 13
1212:("Women Warriors of Independence")
1050:Marcelo Bielsa para chicas y chicos
915:Julio Cortázar para chicas y chicos
341:was compelled to begin writing the
1876:Cultural depictions of Frida Kahlo
1803:Paz, Selenia (21 September 2016).
580:Juana Azurduy para chicas y chicos
553:Violeta Parra para chicas y chicos
14:
1739:Vigini, Raúl (13 February 2016).
1720:from the original on 7 April 2020
1708:Pereyra, Gabriel (4 April 2020).
1182:("Dandara: The Slave Rebellion")
996:Gauchito Gil para chicas y chicos
458:titles, narrated by Mora Seoane.
306:follows characters from previous
1886:Cultural depictions of Eva Perón
1558:Simón, Yara (8 September 2015).
969:Che Guevara para chicas y chicos
526:Frida Kahlo para chicas y chicos
452:Frida Kahlo para chicas y chicos
422:series for concordance with the
857:Antiprincesas del voto femenino
1856:Book series introduced in 2015
1776:Fronteiras: Estudos Midiáticos
1339:Frida Kahlo for Girls and Boys
1337:Knopp-Schwyn, Collin (2020). "
1155:
448:Frida Kahlo for Girls and Boys
16:Biography series by Nadia Fink
1:
1607:(in Spanish) (124): 227–243.
1603:Collection (Argentina)].
1511:Guerreras de la Independencia
1357:10.1080/15299716.2020.1820929
1209:Guerreras de la independencia
1391:(in Spanish). Archived from
1179:Dandara: La rebelión esclava
720:Mothers of the Plaza de Mayo
224:third companion series, the
1591:Szpilbarg, Daniela (2021).
1902:
1866:Series of children's books
688:Evita para chicas y chicos
634:Gilda para chicas y chicos
149:
1714:El Diario de la República
1094:
1091:
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1076:League of Anti-Princesses
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304:League of Anti-Princesses
250:books had been released.
227:League of Anti-Princesses
200:artists and leaders like
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36:
31:League of Anti-Princesses
1119:María Remedios del Valle
1111:Juana Azurduy de Padilla
774:María Remedios del Valle
585:Juana Azurduy de Padilla
258:Works in the series are
1789:10.4013/fem.2019.211.08
1614:10.18682/cdc.vi124.4426
166:Colección antiprincesas
69:Colección antiprincesas
1881:Spanish-language books
1810:School Library Journal
1494:10.3895/rl.v19n24.5350
1344:Journal of Bisexuality
1316:10.19137/la-2016-v2020
1247:Policarpa Salavarrieta
1154:and those featured in
862:Alicia Moreau de Justo
742:Susy Shock para chicxs
481:School Library Journal
451:
351:alternative literature
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327:
231:
175:
165:
1861:Argentine biographies
333:
325:
232:Liga de antiprincesas
77:Liga de antiprincesas
1534:on 24 September 2020
1508:Fink, Nadia (2020).
498:Anti-Princess Series
424:Anti-Princess Series
343:Anti-Princess Series
176:Colección antihéroes
161:Anti-Princess Series
73:Colección antihéroes
23:Anti-Princess Series
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33:
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410:but instead "anti-
393:Alejandra Pizarnik
375:damsel-in-distress
336:
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254:Format and content
214:gender stereotypes
1778:(in Portuguese).
1745:Diario La Opinión
1524:978-987-47677-2-1
1483:(in Portuguese).
1481:Revista de Letras
1268:
1267:
1229:978-987-47677-3-8
1199:978-987-47290-4-0
1169:978-987-42-4770-4
1135:978-987-42-2251-0
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1067:978-987-84320-0-7
1040:978-987-47677-4-5
1013:978-987-42-5177-0
986:978-987-42-2896-3
959:978-987-42-0674-9
932:978-987-33-9820-9
883:
882:
820:978-987-47471-4-3
786:978-987-47471-3-6
759:978-987-42-7487-8
732:978-987-42-7104-4
705:978-987-42-5955-4
678:978-987-42-3388-2
651:978-987-42-1305-1
624:978-987-42-0190-4
612:Clarice Lispector
597:978-987-33-9157-6
570:978-987-33-9159-0
543:978-987-33-9158-3
366:Disney Princesses
299:anthropomorphized
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472:Anti-Hero Series
428:Anti-Hero Series
404:Anti-Hero Series
397:Alfonsina Storni
361:, respectively.
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198:Central American
178:) are Argentine
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1834:External links
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1747:(in Spanish).
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1682:(in Spanish).
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1517:. Chirimbote.
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1445:(in Spanish).
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1395:on 17 May 2019
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1601:Antiprincess
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1597:(Argentina)"
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1574:. Retrieved
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1536:. Retrieved
1529:the original
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1487:(24): 1–14.
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1755:20 November
1309:: 271–274.
1089:Subject(s)
974:Che Guevara
900:Subject(s)
804: [
531:Frida Kahlo
511:Subject(s)
434:Publication
420:Anti-Prince
412:superheroes
388:her husband
355:Frida Kahlo
349:and seeing
312:time travel
266:biographies
246:, and five
236:time travel
202:Frida Kahlo
188:written by
84:Illustrator
1850:Categories
1840:The series
1821:9 November
1724:10 October
1690:10 October
1680:Alma Mater
1271:References
747:Susy Shock
450:(Spanish:
408:antiheroes
347:newsstands
339:Nadia Fink
295:revolution
287:surrealism
260:children's
230:(Spanish:
218:fairytales
190:Nadia Fink
180:children's
174:(Spanish:
164:(Spanish:
132:Chirimbote
58:Nadia Fink
1442:BBC Mundo
1365:224929588
1303:La Aljaba
693:Eva Perón
462:Reception
444:Sudestada
279:hyperlink
244:Anti-Hero
183:biography
137:Published
129:Publisher
120:Biography
103:Argentina
1815:Archived
1749:Archived
1718:Archived
1684:Archived
1653:Archived
1648:HuffPost
1570:Archived
1565:Remezcla
1447:Archived
293:", and "
108:Language
95:Pitu Saá
87:Pitu Saá
1186:Dandara
1083:Number
894:Number
505:Number
318:Writing
291:tyranny
111:Spanish
100:Country
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508:Title
500:books
370:Barbie
248:League
242:, six
208:, and
168:) and
54:Author
1532:(PDF)
1515:(PDF)
1361:S2CID
1255:2023
1221:2020
1191:2019
1161:2017
1127:2016
1095:ISBN
1059:2020
1032:2020
1005:2017
978:2016
951:2016
924:2015
906:ISBN
870:2021
839:2021
812:2020
808:]
778:2019
751:2018
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697:2017
670:2017
643:2016
639:Gilda
616:2016
589:2015
562:2015
535:2015
517:ISBN
489:Works
270:South
194:South
116:Genre
1823:2020
1757:2020
1726:2020
1692:2020
1661:2020
1578:2020
1540:2020
1519:ISBN
1455:2020
1401:2020
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1225:ISBN
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593:ISBN
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539:ISBN
470:and
466:The
402:The
395:and
368:and
357:and
289:", "
285:", "
272:and
196:and
158:The
150:list
148:24 (
1784:doi
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853:13
826:12
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152:)
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